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Pablo PICASSO (1881-1973) "Bachanale I" Grafik - Farblithografie, 33 cm x 40 cm, links unten bezeichnet, rechts unten datiert 1962 Pablo PICASSO (1881-1973) "Bachanale I" graphic - color lithography, 33 cm x 40 cm, inscribed at the lower left, dated 1962 at the lower right

*Pablo Picasso (Spanish, 1881-1973), Bird with worm (Oiseau au ver) (AR 172), a white earthenware dish, 1952, painted in black with turquoise highlights, inscribed ‘Editions Picasso’ and with impressed mark, 16cm diameter*Artist's Resale Right may apply to this lot. Condition report: Minor chip scrape to the edge of the dish, one rubbed raised bubble.

*Pablo Picasso (Spanish, 1881-1973),'Quatre poissons polychromes' (AR 31), stamped, marked and numbered 'Edition Picasso/Madoura Plein Feu/7/200', white earthenware ceramic dish with a coloured glaze,39cm wideConceived in 1947 and executed in a numbered edition of 200.*Artist's Resale Right may apply to this lot.Condition report: Crazing over the top and the bottom of the dish. Three strut marks from firing to the underside - bubbling to the glaze around these areas. Two other lines - no cracks, chips. Some dirt to the brown border - this appears to clean off.  See additional images.

A 1967 Edition Picasso Theatre by Douglas Cooper Complete with Plastic Jacket (Jacket with condition Issues) Together with A 1985 Edition of Tate Gallery Francis Bacon and 1945 Edition of Stanley Spencer by Elizabeth Rothenstein

PABLO PICASSO 'Bird - Oiseau', quadrichrome study for ceramic plate, 1948 suite: ceramiques, framed and glazed.

PABLO PICASSO 'Les Dejeuners', off set lithograph, 18cm x 25cm, framed and glazed.

PABLO PICASSO 'Head of a Woman in Hat', on silk, 85cm x 80cm, framed and glazed.

After Pablo Picasso, The She-Goat, an Austin Productions bronze effect model on stand, 28cms h

Pablo Picasso, French Exhibition poster 1972, original lithograph published by Mourlot, sheet size 30" x 21", unframedFoxing and discolouration, no tears

Manner of Picasso, artist and model, contemporary oil on canvas board, unsigned, 23" x 19", framedGood condition

PABLO PICASSO (1881-1973), 9 mixed media lithograph designs for ceramics, unframed 38cm x 28cmGood condition, some fading.

PABLO PICASSO (SPANISH 1881-1973) FOR FULLER FABRICS SPRING, DESIGNED 1955 screen printed cotton(72cm x 96cm (28.25in x 37.75in), unframed)

§ PABLO PICASSO (SPANISH 1881-1973) MAN IN HAT, 1914 Etching, ed. 470, with printed artwork details verso, published in the 1947 edition of Du Cubisme by Albert Gleizes and Jean Metzinter(image size 6.5cm x 5.5cm (2.5in x 2in))Footnote: Provenance: Purchased at Phillips, London, 19th and 20th Century Prints, 5 December 1983, Lot 50. Literature: Bloch 29; Geiser 42; Goeppert and Cramer 46. Exhibited: University of East Anglia, Norwich, Picasso: Sixty Years of Printmaking – an exhibition from the British Museum and other British Collections 12 October – 18 December 1993; Scottish National Gallery of Modern Art, Edinburgh, Picasso on Paper, 14 July – 23 September 2007, cat.14, repr. Colour p.43; This etching was made in 1914, but was not printed at that time. In 1947, artists Albert Gleizes and Jean Metzinger decided to publish a new, deluxe edition of their celebrated 1912 book, Du Cubisme and asked friends to provide illustrations. Etchings were provided by Duchamp, Laurencin, Picadia, Villon and Picasso. ‘In 1947 the reputation of the book was undisputed and the Compagnie Francaise des Arts Graphiques undertook to publish a new edition (they were encouraged perhaps by the success of the retrospective Le Cubisme 1911-1918 held at the Galerie de France in May 1945). The new edition contained a preface by Gleizes, an appendix entitled ‘1912-1946’ by Metzinger and 7 original engravings by Picasso, Metzinger, Laurencin, Gleizes, Picabia, Villon and Duchamp, as well as 4 engravings after Derain, Braque, Leger and Gris. Picasso’s contribution to the book was an early copperplate etching which dated from the time he had illustrated Max Jacob’s Le Siège de Jerusalem. This was L’homme au Chapeau, of which only 3 impressions had been printed by Louis Fort in 1930’ (Goeppert and Cramer, p.128). We would like to thank Patrick Elliott for his assistance in cataloguing the current work.

§ JEAN DUFY (FRENCH 1888-1964) ROUTE DE RIVES (TOURAINE) Signed (lower right), oil on canvas(64.5cm x 45.5cm (25.25in x 17.75in))Footnote: Literature: Bailly, Jacques and Jean Dufy, Jean Dufy 1888-1964 Catalogue Raisonne, published by Editions Jacques Bailly, 2002, p.165, cat. no. B.183. Jean Dufy was a French Art Deco artist, best known for his colourful, melodic depictions of post-war Parisian society. Working to capture everyday life, from concert halls and circuses to country landscapes and busy Parisian streets, Dufy focused on recreating the feeling and impression of a scene, rather than individual details. In 1906, Dufy visited the exhibition ‘Cercle de l’Art Moderne’ in La Havre, and it was this show that eventually inspired him to pursue an artistic career. The exhibit, one of Dufy’s first exposures to Modern Art, crucially shaped his approach to art and introduced him to artists such as Picasso and Matisse. While he had no formal training, his older brother was well-known French Fauvist Raoul Dufy, who served as his artistic mentor. In January 1914, Dufy launched his artistic career, holding his first show at Galerie Berthe Weil. He returned to Paris after the war and settled in the Montmartre district of Paris, moving next door to artist George Braque, who encouraged Dufy to experiment with Cubism. His personal painting style developed into a vibrant fusion of Post-Impressionism with a loose decorative approach to colour and line, which he achieved from his work in porcelain design. For almost 30 years, Dufy worked for Limoge porcelain manufacturer Theodore Haviland, hand-painting decorative designs of animals and flowers. At the 1925 L’exposition Internationale des Arts Décoratifs he was awarded a gold medal for designing the service ‘Châteaux de France’. Dufy participated in many exhibitions, including the Salon d’Automne, which reflected the popularity of jazz music and the art of Parisian culture after the war. Dufy would return to his native Normandy throughout his life and spent long stretches of time in the south of France. The dynamism of these landscapes and cityscapes - particularly noticeable in the street scene Route de Rives (Touraine)- are so cleverly captured due to Dufy’s uniquely musical and distinctive Post-Impressionistic style.

A small collection of books on Pablo Picasso, Bernard Leach, Lucie Rie, Walter Keeler and Rupert Spira (6).

§ Mauro Bonacina (Itailian, b.1977). 'Sting', 2004. Acrylic, pencil, oil, marker pen and high gloss enamel on aluminium, 170 x 250 cm. Provenance: From a reputable private collection. Acquired directly from the artist by the present owner in 2004. Literature: Saatchi Gallery Loan of Art, published by Saatchi Gallery, London, 2006 pp.23. From Saatchi Gallery Loan of Art, pp.22: Italian born Bonacina graduated from Goldsmiths in 2003. He paints on aluminium using a wide range of media, from acrylic and oil to enamel and marker pens, creating violent self-portraits of the artist in his studio. With echoes of Picasso, Philip Guston and Jean-Michel Basquiat, Bonacina marries art with violence, his faux-Matisse interiors becoming the setting for dismemberment through creativity. Please note that artists resale right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price where above the threshold, visit www.dacs.org for more information.

§ Mauro Bonacina (Italian, b.1977). 'A packet of red apples', 2003. Acrylic, marker pen and enamel on aluminium, 150 x 230cm. Provenance: From a reputable private collection. Acquired directly from the artist by the present owner in 2004. Literature: Saatchi Gallery Loan of Art, published by Saatchi Gallery, London, 2006 pp.22. From Saatchi Gallery Loan of Art, pp.22: Italian born Bonacina graduated from Goldsmiths in 2003. He paints on aluminium using a wide range of media, from acrylic and oil to enamel and marker pens, creating violent self-portraits of the artist in his studio. With echoes of Picasso, Philip Guston and Jean-Michel Basquiat, Bonacina marries art with violence, his faux-Matisse interiors becoming the setting for dismemberment through creativity. Please note that artists resale right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price where above the threshold, visit www.dacs.org for more information.

Piper (John).- Woods (S.John, editor) John Piper: Paintings, Drawings & Theatre Designs 1932-1954, with original aquatint frontispiece & 4 lithographs by Piper, 3 colour, original cloth, dust-jacket (price-clipped), 1955 § Evans (Myfanwy, later Piper) The Pavilion: A Contemporary Collection of British Art & Architecture, including articles on Wyndham Lewis, Edward Bawden, and stained glass featuring John Piper, original wrappers, rubbed and creased, [1946]; The Painter's Object, with contributions by Henry Moore, Paul Nash, John Piper, Pablo Picasso and others, original cloth, 1937 § Elborn (G., editor) To John Piper on his Eightieth Birthday, one of 900 copies, original pictorial boards, Stourton Press, 1983 § Gadsby Gallery. Catalogue to an Exhibition of Paintings, Drawings, Prints and Illustrated Books by John Piper, with...notes by Rigby Graham, one of 450 copies, original turquoise wrappers, a little rubbed and creased, Leicester, 1973 § Jolas (Eugene, editor) Transition: a Quarterly Review, No.26, containing part of 'Work in Progress' by James Joyce (later 'Finnegans Wake') and other contributions by Hans Arp, Paul Eluard, Man Ray, Moholy-Nagy & others and illustrating a work by Piper, original pictorial wrappers featuring a silver comb designed by Marcel Duchamp, rubbed and frayed at edges, upper cover detached, New York, 1937, plates and illustrations; and a quantity of others with contributions by or about Piper on art, stained glass, architecture etc., including many exhibition catalogues or leaflets and several issues of periodicals including Architectural Review, The Listener, Country Life, The Artist, Picture Post, Image etc., v.s. (c.100)

NO RESERVE Private Press.- Gwasg yr Arad Coch.- Ceiriog (Huw) Picasso, edited by Hefin Tudor Llwyd, number 80 of 100 copies, signed by the author and editor, printed in red and black, original printed wrappers, Aberystwyth, Gwasg yr Arad Coch, 1972; and 6 others, most Arad Coch and Gwasg Llety Gwyn, v.s. (7)

Clarice Cliff 'Picasso Flower' Bizarre clog, printed factory mark, 11cmCondition Report: Overall condition good, 2-3mm patch of wear to the top rear of the shoe. One or 2 very light surface scratches. No other damage found.

African art Nimba mask, BagaGuinea. . Cm 105,00. Monumental shoulder mask symbol of femininity and fertility, used by Baga dancers during weddings and harvest celebrations. Dark patina mask with decorative metal nailing.NOTE - For a similar specimen see: Maschera nimba, Musée Picasso, Parigi, ex collezione Pablo Picasso. Pubblicato su “Le Primitivisme dans l'art du 20 siecle” (pag. 327).Provenance: Parisian collection of the painter Arturo Carmassi (Lucca, 1925- Empoli, 2015). This piece was inherited from the French humanist and collector Renée Druart (Grasse 1888-1961) whose daughter Carmassi had married.

Pablo Picasso (Spanish, 1881-1973)Revue Verve Vol. V Nos. 19-20 The book comprising 13 lithographs printed in colours, including the cover, 1954, on wove, with text in French, printed by Mourlot, Paris, published by Éditions de la Revue Verve, Paris, bound as issued in the original boards; together with two other volumes of Verve, Vol VI No.21-22 and Vol VIII, No. 29-30, each overall 360 x 270 x 26mm (14 1/8 x 1in)(and similar)(Vol)(3)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Antipodistes observés par une Paysanne et sa Petite Fille, from 'El Entierro del Conde de Orgaz' (Bloch 1473; Baer 1384; Cramer books 146) Etching, 1966, on wove, an impression from the unsigned book edition of 263 (there was also a suite of 12 signed impressions on japon nacré), with the 'Conde Orgaz' watermark after a drawing by Picasso, printed by Gustavo Gili S.A., Barcelona, published by Ediciones de la Cometa, Barcelona, with full margins, 218 x 320mm (8 1/2 x 12 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Plaisanterie autour du bain turc, jeux, musique et gateaux, from 'Series 156' (Bloch 1974; Baer 1983.B.a.) Etching, 1971, on wove, with the artist's stamped signature, numbered 36/50 in pencil, printed by Atelier Crommelynck, Paris, published by Galerie Louise Leiris, Paris, 1978, with full margins, 503 x 656mm (19 3/4 x 25 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Courtisane au Lit avec un Visiteur, from 'Séries 347' (Bloch 1553; Baer 1569) Etching, 1968, on Rives, signed in pencil, one of 17 artist's proofs aside from the numbered edition of 50, stamped with the Marina Picasso estate stamp verso, published by Galerie Louise Leiris, Paris, 1969, with full margins, 567 x 645mm (22 1/4 x 25 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A collection of four retro prints on wooden boards to include 'Departing Ships' after Paul Klee, 'Women Gleaning' after Vincent Van Gogh and two others including Picasso style.

After Pablo Picasso (Spanish 1881-1973), a glass plaque 1962, Engraved marks P.Picasso E Costantini 1962 Fucina Angeli Venezia to reverse A moulded rectangular glass plaque depicting a dove with olive branch (Colomba della Pace) to the front 13.5 x 20.5cmProvenance by repute: Sylvia Powell, LondonNote: Apparently this was from an edition of 300 but is not numberedPlease refer to department for condition report

Pablo Picasso, (Spanish 1881-1973) Mounted Picador and Farol 1962;Two linocuts in colours on wove, from Picasso Linogravures, published by Editions Cercle d'Art each 30.4 x 25.8cm (unframed/mounted) (ARR) (2)Please refer to department for condition report

Pablo Picasso, (Spanish 1881-1973) Bull Flower and Flower Vase, 1962;Two linocuts in colours on wove, from Picasso Linogravures, published by Editions Cercle d'Art each sheet 29.5 x 24.1 (unframed) (ARR) (2)Please refer to department for condition report

Pablo Picasso, (Spanish 1881-1973) Reclining Woman and Picador with Guitar; The Goading of The Bull; The Banderillas, and Picador and Fleeing Bull, 1962;Four linocuts in colours on wove, from Picasso Linogravures, published by Editions Cercle d'Art, Each sheet 34.5 x 28.5cm (unframed/mounted) (ARR) (4)Please refer to department for condition report

Hedley Fitton, etching, view of the Advocates Close, Edinburgh, 17ins x 10ins, signed, portrait print after Picasso, aquatint after Samuel Prout and two other prints

Pablo Picasso, Limited Edition giclee print, portrait of a lady, 16ins x 13.5ins, gilt framedNot signed by the artist

Early 20th Century oil on card, a moonlit river landscape with windmill and cottage, 9.5ins x 12.5ins, framed, together with a framed coloured print after Picasso

After Pablo Picasso, Exposition Picasso, Musée des Arts Decoratifs, 1955, lithographic exhibition poster, printed in colours, published by Mourlot, a later printing not from the original edition of 500, visible 105cm x 64cm, mounted, framed and glazed.

1980s English School pastel portrait - Anna 'Picasso' Waitress, Kings Road S.W.3, indistinctly signed Bell and dated '85, in glazed frame, 105cm x 74cmProvenance: The Robert Barley Collection

*After Pablo Picasso Head of a woman lithograph, with blindstamp 'Pablo Picasso, limited edition giclee print' 53 x 43cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition.

*After Pablo Picasso Exhibition poster for Galerie Louise Leiris, Paris, 30 Novembre-31 Decembre 1960 lithograph in colours sheet 66 x 50cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In generally good order, unexamined out of frame.

Picasso: Toreros, Sabartes, France, 1961George Braziller, 1961. Hardcover. Illustrated throughout. Does not include the 4 lithographs by Picasso exclusively for this book

PABLO PICASSO, 'Visage', signed in the plate, two, off set lithograph, 20cm x 18cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, 'Artist and nude woman XVI', 1954, heliogravure, 22.5 x 18.5 inches, framed.

PABLO PICASSO 'Woman Sleeping', on silk, 42cm x 60cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO 'Head of Woman', on cotton, blue colourway, signed in the plate, 62cm x 55cm. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO 'Seated Woman', on silk, signed in the plate, 82cm x 78cm.

PABLO PICASSO: CATALOGUE OF THE PRINTED GRAPHIC WORK 1904-1967, VOLUME I AND VOLUME IIPicasso 347, Published in the United States by Random House, Inc., and Maecenas Press Ltd., New york, New york. First Published in Canada by Random House of Canada Limited, Toronto Printed in Switzerland. First edition printed and bound by Conzett & Huber, Zurich Switzerland, Designed and produced by Chanticleer Press, Inc., New York, New York. Large rectangular folio, 30 x 43 cm (11 3/4 x 16 7/8 in.). 475 Gravures. With original black cover boards, cover with large gold lettering, contained in original black covered box. Text in English. CONDITION In age-appropriate condition. Volume I appears in excellent original condition. Volume II appears in age-appropriate condition. Damage to the black cover board, it has become detached from the bind. Discoloration to the black cover board and bind itself. The black cover box has significant damage to the corners, causing the box to split at the corners. Discoloration and dust visible to the black cover box. Mold is visible to both Volume II black cover board and to the black cover box. Tearing visible to the fabric to the black cover box and the interior purple velvet has scattering faded areas. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

BELA KADAR 1877 - Budapest - 1956: Liegende. Weiblicher Akt und in Schwarz gekleidete Person. Aquarell mit Tuschpinsel aus den 1930-40er Jahren. Ausst.-Kat. „Belá Kádár“ der Galerie Ernst, Saarbrücken, 1976, Nr. 13. - Signiert. Auf leichtem chamoisfarbenem Vélin. 7,3 x 14,4 cm (Darstellung; Blatt: 7,8 x 15,5 cm). Mit schwachen Knickspuren sowie verso mit schwach erkennbarem ungarischen Ausfuhrstempel. Vermutlich Ende der 1930er Jahre entstanden, als Kádár stark von Picasso beeinflusst wurde (AKL online). [ms]

ROY LICHTENSTEIN 1923 - New York - 1997: Still Life with Picasso. Farbsérigraphie über hellem Grund nach Lichtensteins gleichnamiger, 1973 entstandenen Farbsérigraphie zur Mappe „Hommage à Picasso“. Vgl. Corlett 127. - Auf Vélin, auf Karton aufgezogen. 73,5 x 55 cm (Blatt 82,5 x 63,2 cm). [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Jeune Sculpteur grec avec sa Sculpture: Un Homme et un Ephèbe. Blatt 52 aus der „Suite Vollard“. Kaltnadelradierung mit zartem Plattenton 1933. Bloch 161. Baer 314, B, d. - Eines von 260 Expl. der Ausgabe bei Lacourière 1939. Signiert sowie mit dem seitenverkehrten Datum „27 mars XXXIII“, Ortsbezeichnung „Paris“ und Bezeichnung „I“ in der Platte. Auf kräftigem chamoisfarbenem Montval-Bütten mit dem Picasso-Wasserzeichen. 27 x 19,4 cm (Blatt: 44,4 x 32,2 cm). Mit wenigen winzigen dünnen Papierstellen. Unterrand mit vereinzelten, kaum sichtbaren Fleckchen. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Visage et Bacchanale. Couverture pour „Lithographe III“. Lithographie über gelber Tonplatte 1956. Bloch 795. Mourlot 208. - Auf Vélin. 33,2 x 52,8 cm. Mit durch die Verwendung als Buchumschlag entstandenen Falzungen und Einfaltungen. Ränder gering gebräunt und Ecken bestoßen. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Peintre à son Chevalet avec deux Femmes nues. Aquatintaradierung 1966. Bloch 1371. Baer 1392, B, b, 1 (von c). - Expl. 47/50 der Auflage der Galerie Louise Leiris, 1968. Signiert sowie mit dem seitenverkehrten Datum „5.9.66“ und Bezeichnung „I“ in der Platte. Auf BFK Rives. 39,5 x 56,4 cm (Blatt 49,8 x 65 cm). Mit schwacher Farbspur am linken Rand. Ecken gering bestoßen. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Le Chapeau aux Raisins. Collotypie mit Farbpochoir von Guy Spitzer nach dem um 1913/14 entstandenen Gemälde „Tête de jeune Fille au Chapeau garni de Raisins“ von Picasso um 1965. Expl. 17/350. Signiert sowie mit dem Monogramm-Trockenstempel Guy Spitzers in der Darstellung. Verso mit dem Stempel von Guy Spitzer, Paris mit der handschriftlichen Exemplarnummer „17“. Auf kräftigem chamoisfarbenem Vélin d’Arches. 53,5 x 44,8 cm (Blatt: 76 x 56 cm). Obere linke Ecke mit geringfügiger Knickspur. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Don Quichotte und Sancho Pansa. Offsetlitho über getöntem Grund nach einer 1955 entstandenen Tuschpinselzeichnung Picassos. Vgl. Czwiklitzer (dtv) 184A (Plakat 1970). - Mit dem Namenszug und Datum in der Darstellung. Auf strukturiertem chamoisfarbenem Vélin. 35,5 x 29 cm (Blatt: 52,3 x 37,1 cm). Obere Blattkante und verso gebräunt. Vermutlich Abdruck vor der Schrift und Verwendung als Ausstellungsplakat. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Bouteille Vieux Marc et Journal. Farbige Reproduktion nach Picasso aus J. Cassou, „Papiers Collés 1910-1914“ um 1966. Vgl. Goeppert 137. - Eines von 300 Expl. Auf chamoisfarbenem BFK Rives. 55 x 42 cm. Ränder schwach gebräunt. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Exposition Vallauris 1955. Ausstellungsplakat. Linolschnitt in Braun 1955. Czwiklitzer (dtv) 16. Boch 1267. Baer 1031, B. Mourlot-Affiches 75. - Mit dem Namenszug, Datum und Text im Stock. Auf chamoisfarbenem „Registres Torpes“-Vélin. 65,8 x 53 cm (Blatt: 89,5 x 59 cm). Breite Ränder mit schwachen Knickspuren. Mit durch den Druck entstandenen vereinzelten Farbspuren sowie Oberrand gering stockfleckig und mit winzigem Einriß. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Tête de Faune. Plakat zur Ausstellung „Collages - Aquarelles - Gouaches“ der Galerie Graven, Paris, 1958. Farbige Photolithographie bei Mourlot nach Picasso um 1958. Czwiklitzer (dtv) 143. - Eines von 500 Expl. Mit dem Namenszug in der Darstellung sowie typographischem Plakattext und Druckeradresse. Auf Vélin. 66 x 47 cm. Mit schwachen Bereibungen und vereinzelten Griffspuren im Bereich des Oberrandes. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Colombe volant (à l’Arc en Ciel). Plakat für „Le Mouvement de la Paix”, Paris 1960. Farblithographie von Mourlot unter Verwendung der Orig.-Litho von 1952 nach einem Entwurf Picassos, um 1960. Czwiklitzer (dtv) 169. Vgl. Bloch 712 und Mourlot 214, mit dem farbigen Regenbogenhintergrund, der der ursprünglichen Schwarz-Weiß-Fassung hinzugefügt wurde. - Mit dem Namenszug und Datum „10.10.52“ im Stein sowie lithographiertem Text. Auf Vélin. 50 x 65 cm (Darstellung; Blatt: 120 x 80 cm). Mit eingefaltetem Plakattext. Mit durch den Druck entstandenen Farbspuren am linken Rand und vereinzelt Knickspuren. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Sixième Biennale de Peinture. Werbeplakat für die 6. Gemälde-Biennale in Menton 1966. Farblithographie von Henri Deschamps über farb. Lichtdruck nach einem 1965 entstandenen Gemälde Picassos um 1966. Czwiklitzer (dtv) 284. - Mit den Namenszügen beider Künstler und Datum „28.10.65“ in der Darstellung. Mit typographischem Plakattext sowie der Druckeradresse von Mourlot. Auf Vélin. 71,8 x 47,8 cm. Unterer rechter Rand mit leichten Läsuren. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Hommage à René Char. Ausstellungsplakat des Musée d’Art Moderne, Céret 1969. Farblithographie von H. Deschamps nach einer 1964 entstandenen Arbeit Picassos bei Mourlot um 1969. Czwiklitzer (dtv) 348. - Mit dem Namenszug und Datum „19.5.64. III“ im Stein. Mit dem typographischem Namenszug von Deschamps und der Druckeradresse von Mourlot (beides in der Darst.) sowie Copyright bei Mourlot und Plakattext. Auf Vélin. 78 x 52,1 cm. Mit schwachen Randknickspuren. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Figure au Corsage rayé. Ausstellungsplakat anläßlich des XXXIIe Festival d’Avignon im Palais des Papes, Avignon, 1978. Farblithographie von H. Deschamps nach der gleichnamigen größeren, 1949 entstandenen Farblithographie Picassos 1978. Nicht mehr bei Czwiklitzer. Vgl. Bloch 604 und Mourlot 179. - Mit dem Datum „3.4.49.“ im Stein, typographischem Namenszug von Deschamps und Druckeradresse von Mourlot in der Darstellung sowie am breiten Unterrand typographisch bezeichnet. Auf kräftigem chamoisfarbenen Vélin. 75,5 x 51 cm. Vereinzelt schwach fleckig. Oberrand mit winziger Beschädigung. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso, Lithographe I-IV. Franz. Ausgaben. 4 Bde. mit 7 (statt 8; Frontispiz Bd. I fehlt) Orig.-Lithographien 1947-64 (4 Umschläge und 3 Frontispize; davon 1 in Farbe), zahlr. farb. Abb. und Text. Bearbeitet von F. Mourlot. Monte-Carlo, André Sauret, (1949-64). 4°. Orig.-illustr. engl. OBroschuren mit transparentem Schutzumschlag. 152-208 SS. Goeppert 55, 60, 77 und 125. Bloch 450, 591, 664, 795/796, 1108 und 1155. Mourlot 98, 160,186, 280/281, 388 und 399. - Je eines von 2000-3000 Expl. 3 Bll. mit dem Datum im Stein. Auf Vélin. Umfassen Picassos lithographisches Werk der Jahre 1919-1963. Meist erwas angestaubt und Umschläge mit geringen Läsuren. Buchblock Bd. I gelockert und mit handschriftlichen Bezeichnungen auf der Umschlaginnenseite. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso, Lithographe III und IV. Franz. Ausgaben. 2 Bde. mit insges. 4 Orig.-Lithographien (davon 1 farbig: einschl. Umschläge und Frontispiz), zahlr. farb. Abb. und Text. Bearbeitet von F. Mourlot. Monte-Carlo, André Sauret, (1956/64). 4°. Orig.-illustr. engl. OBroschuren mit transparentem Schutzumschlag. 159/152 SS. Goeppert 77 und 125. Bloch 795, 796, 1108 und 1155. Mourlot 280, 281, 388 und 399. - Teils mit dem Datum im Stein. Auf Vélin. Umfaßen Picassos lithographisches Werk der Jahre 1949-1956 bzw. 1956-1963. Einbände mit geringfügigen Gebrauchsspuren sonst gut erhalten. Beiliegt: Hommage à Pablo Picasso. Mit 1 Farblithographie (vgl. Bl. 839 und M. 302). Wiesbaden, Ebeling, (1976). 4°. Verlagsfrisch. [bg]