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PABLO PICASSO 'Guitar Player and Seated Woman', 1962, lino cut, on quality stock paper, published in collaboration with Galerie Louise Leiris, 30cm x 40cm, framed and glazed.

PABLO PICASSO 'La Dance des Faunes pour Liberation', typograph, signed and dated in the plate, 60cm x 42cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

After Pablo Picasso (Spanish 1881-1973): Figurative Studies, pair lithographs 22cm x 29cm (2)Click here to view further images, condition reports, sale times & delivery costs for this lot.

After PABLO PICASSO (1881-1973) Spanish, Six hand painted plates, limited editions, four initialled and numbered 15/250, 18/250, 20/250, 24/250 and two not numbered. Varying sizes, each approximately 25 cm diameter.

Picasso, Pablo (1881 - 1973), zwei Masken, Umschlag zu Picassos "Lithographe IV", 1963, B. 1108, M. 388, gefalteter breitrandiger Abdruck als Buchumschlag. Kleine Beschädigungen.

A collection of artist colour books: Including Francis Bacon by Marlene Dumas, Picasso by Bernice Rose and Calder by Fundacio Joan Miro. (3)

Manner of Pablo Picasso, an abstract portrait, bears signature, oil on canvas, 100.5 x 100.5cm.

Prints to include "Battle of Modder River November 28, 1899", print depicting an Anglo-Zulu war battle, Picasso Tate Gallery poster, "Whispering Water", "A June Morning" (5)

δ Pablo Picasso (1881-1973) after.L'Arlequin. Galerie Louise Lieris (Czwiklitzer 390)Lithograph printed in colours, 1971, a proof aside from the poster edition of 2000, printed by Atelier Mourlot, Paris, on Mourlot Arches watermarked paper, with the Atelier Mourlot rubber stamp verso, the full sheet printed near to the edges, sheet, 755 x 535mm (29 ¾ x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Le Corsage RayeLithograph printed in colours, 1949-78, a proof before text, the edition was 300, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp, verso, on wove paper, with full margins, sheet 780 x 575mm (30 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Pour Henri Kahnweiler. Fumeur (Bloch 1180)Lithograph, 1964, inscribed Epreuve de L'Atelier Mourlot in pencil, the edition was 100, printed by Mourlot, Paris, on white wove paper, with the Atelier Mourlot rubber stamp verso, the full sheet printed to the edges, sheet 295 x 215mm (11 5/8 x 5 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Poster the Musée des Arts Décoratifs (Czwiklitzer 104)Lithograph printed in colours, 1955, the edition was 500, printed by Mourlot, published by La Musée des Arts Decoratifs, Paris, with the Atelier Mourlot rubber stamp verso, on wove paper, with full margins, sheet 1090 x 680mm., (42 7/8 x 26 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.La Ronde de Jeunesse Lithograph printed in colours, 1961, signed in blue crayon, a proof aside from the edition of 200, on Arches paper, with margins, sheet 615 x 485mm., (24 1/4 x 19in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Pour Fernand MourlotLithograph printed in colours, 1957, signed in blue crayon, a proof aside from the edition, on Arches paper, with full margins, sheet 745 x 510mm., (29 ¼ x 20 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Untitled From. Portraits ImaginairesLithograph printed in colours, 1969, a proof aside from the edition of 250, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm., (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Faunes et Flore (Czwiklitzer 167)Lithograph printed in colours, 1960, signed in blue crayon, numbered from the edition of 40, on Arches paper, with full margins, sheet 775 x 554mm (30 1/2 x 21 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Bouquet de FleursLithograph printed in colours, 1958, signed in blue crayon, a proof aside from the edition of 200, on Chiffon de la Dore wove paper, with full margins, sheet 657 x 498mm (25 7/8 x 19 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)La Danse des Faunes (Bloch 830)Lithograph, 1957, signed in red and blue crayon, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 505 x 660mm., (19 7/8 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Colombe (à l'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper with full margins, sheet 546x760mm (21 1/2 x 29 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)La Répétition (Bloch 756, Mourlot 252)Lithograph, 1954, signed in black ink, numbered from the edition of 50, printed by Mourlot Paris, on Arches paper, with full margins, 500x654mm (19 3/4 x 25 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Le Départ (Bloch 686, Mourlot 201)Lithograph printed in colours on an ochre tone plate, 1951, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full margins, 561x650mm (22 x 25 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Picasso (1881-1973) after.Grande MaternitéLithograph printed in colours, 1973, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition of 200, published by Éditions Combat de la Paix, Paris, with their blindstamp, on Arches paper, the full sheet printed near to the edges, sheet 895 x 630mm., (35 ¼ x 24 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Nature Morte au Verre et à la Pomme (Baer 697b)Offset lithograph, 1957, inscribed Lith d'apres Pablo Picasso Epreuve de l'Atelier Mourlot, printed by Mourlot, Paris, on Arches paper, with the Atelier Mourlot rubber stamp verso, sheet 440 x 335mm (17 ¼ x 13 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

CIRCLE OF PABLO RUIZ PICASSO (1851-1973). Spanish school, modernist head and shoulder figure study, bears signature and date 1959 upper left, pen and ink on card, unframed, 51 x 39 cm

CIRCLE OF PABLO RUIZ PICASSO (1881-1973). Abstract head and shoulder figure study, bears signature and date 1959 upper right, oil on board, framed, 40 x 32 cm

Anhänger, Entwurf von Paloma Picasso, Modell "Plume", Tiffany & Co. von 1981. 750/- Gelbgold. Gesamtgewicht ca. 4,2 g. Stilisierte, durchbrochene Feder. Rückseitige verdeckte Halböse. Maße ca. 28,8 x 14,8 mm. Rückseitig bezeichnet.

Paar Ohrclips, Entwurf von Paloma Picasso, Modell "Plume", Tiffany & Co. von 1981. 750/- Gelbgold. Gesamtgewicht ca. 12,1 g. Stilisierte, durchbrochene Feder. Clipmechanik. Maße des Clips ca. 29,3 x 16,1 mm. Rückseitig bezeichnet.

A Limited Edition Picasso domino set, comprising twenty eight wooden rectangular domino tiles, each decorated with details based on seven drawings of a series of thirty two created by Pablo Picasso in 1960 to illustrate the book of the Nobel prize winner Camilo Jose Cela, titled “Gavilla de Fabulas sin Amor”, cased with literature

Stein (Gertrude) Matisse, Picasso and Gertrude Stein with two shorter stories, Paris: Plain Edition, February 1933, limited edition of 500, original printed wraps and printed slipcase

Putnam (Samuel) The World of Jean de Bosschere, Fortune Press, no date, numbered limited edition of 1000, frontis, sixteen plates, orange cloth, dust wrapper; Bofa (Gus), Chez Les Toubibs, Paris: La Renaissance du Livre, no date [c.1917], large quarto, ex-library with stamps, bound in cloth retaining original wraps; Picasso [Pablo] & Aragon [Louis], Shakespeare, New York: Abrams, [1965], numbered limited edition of 100, large folio, dust wrapper; with three others (6)

An early 20th century mahogany towel rail together with a late 20th century Oriental pottery outdoor garden seat and a small selection of Oriental and other prints to include one in the style of Picasso

PABLO PICASSO (1881-1973) - QUATRE POISSONS POLYCHROME, 1947, GLAZED EARTHENWARE DISH, 39CM L, IMPRESSED MADOURA FEU EDITION PICASSO AND NUMBERED 64 OF THE EDITION OF 200 Condition reportOverall crazing, no restoration, otherwise good condition

Picasso (Pablo) - Mourlot (Fernand). Picasso Lithographe I: (1919-1947), Monte-Carlo: Andre Sauret, Editions du Livre, 1949, original lithograph frontispiece printed in black, numerous illustrations throughout, original wrappers with original lithograph printed in black, glassine wrapper (slightly torn at foot of spine), small folio (320 x 248 mm)Qty: (1)NOTESThe cover and the frontispiece are two original lithographs made by Pablo Picasso for this work. Limited edition 1097/2500. Lithographe I (Cramer 55).

A 'Picasso' print, a British Railways 92220 Elring Star print of a train and two other pictures, largest 85cm by 64cm

to include a silver heart shaped pendant and chain, by Paloma Picasso for Tiffany & Co; a silver ring with heart motif by Elsa Peretti for Tiffany & Co; a pair of quartz and diamond set pendant earrings; and a citrine set heart shaped brooch(Ring size: J/K)

After Picasso, modern colour print, portrait, framed, overall 86cm x 67cm

A group of 4 prints, including Picasso and Keith Haring.

A print, style of Picasso, monochrome blockboard, 58 x 128cm

PABLO PICASSO, rare original lithographic poster, 1957, Galerie Louise Leiris, printed by Mourlot, edition of 1500, 72cm x 54cm, framed and glazed.

After PABLO PICASSO 'La Fenêtre', on silk, 137cm x 90cm, framed and glazed.

After PABLO PICASSO 'Les Pigeons', on cotton, 124cm x 120cm, framed and glazed.

PABLO PICASSO 'Vauvenargues', original lithograph, printed by Mourlot, 38cm x 46cm, framed and glazed.

PABLO PICASSO 'Françoise Gilot 1', 1954, lithograph on wove paper, printed by Mourlot, 36cm x 26cm, framed and glazed.

PABLO PICASSO 'Fleurs dans un Verre', original lithograph, 1950, ref.: Mourlot 98, 23cm x 18cm, framed and glazed.

PABLO PICASSO 'Clown et Cheval', off set lithograph, signed in the plate, 60cm x 45cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

A PAINTED CIZHOU ‘GALLOPING HORSE’ DISH, MINGChina, 1368-1644. The shallow rounded sides rising from a short ring foot to an everted rim, covered overall with a creamy white glaze and boldly painted in dark and light shades of brown with a galloping horse below stylized clouds and above a lingzhi and grass blades, the rim with two circumferential lines.Provenance: Old French private collection. Remains of an old collector’s label to base.Condition: Good condition with minor wear, firing flaws, occasional light scratches, a larger and several smaller chips to the rim, few small and almost invisible hairlines to the rim.Weight: 1,060 gDimensions: Height 6.5 cm, Diameter 26.5 cmEarly painted cizhou wares sometimes show highly modernist designs of animals, such as horses, deer, and tigers, which by repute have inspired Pablo Picasso to create some of his most important ceramic works.Literature comparison: Such plates, although once numerous in China, are rarely seen in public collections and very few have been published. A related jar from the Seligman Collection is now in the Victoria and Albert Museum, London. Another jar, but with a design of fish, is in the Asian Art Museum, San Francisco. And a jar with a horse is in the British Museum, 1936,1012.41.明代磁州窯彩繪奔馬盤 中國，1368-1644。彩繪盤，淺盤，表面覆蓋著乳白色的釉料，並大膽地使用深色和淺褐色的陰影，盤内雲朵之下，靈芝和草葉之上奔騰著一匹駿馬， 盤邊緣處一道黑色圓圈。 來源：法國私人老收藏，底部有藏家舊標簽 品相：狀況良好，有輕微磨損，燒制缺陷，局部輕微擦傷，圈足上有大大小小的磕碰，幾乎不可見細髮絲裂紋。 重量：1,060 克 尺寸：高 6.5 厘米，直徑26.5 厘米

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Bouquet" Granolithografie auf Bütten, handgerissen. 1988. Exemplar: 794/2000. 77 x 57,5 cm. Nach dem Ölgemälde vom 27.10.1969, Original-Format 89 x 116 cm Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) Po eines weiblichen Aktes Lithografie. In der Platte signiert. Passepartoutausschnitt: 28 x 20 cm. Gerahmt & hinter Glas 36,5 x 28,5 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Sculptures et Vase des Fleurs" Lithografie. 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona 1956. Passepartoutausschnitt: 22 x 16 cm. Gerahmt & hinter Glas 34,5 x 29 cm, 24 kt blattversilberter Rahmen. Aus "Suite Vollard" (1930 - 1937) Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. Literatur: WVZ Bloch Nr. 189.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Les repos du Sculpteur" Lithografie. Prägestempel "Plitt", verso Stempel "Pablo Picasso Suite Vollard Bloch Nr. 174, VG Bildkunst Bonn 1990". 1 von 300 Exemplaren. Blatt: 32 x 45,4 cm. Im Passepartout: 40 x 50 cm. Aus: "Suite Vollard", Mülheim an der Ruhr 1992 Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) 3 Werke: "Skizze anno 1964" 3 Lithografien auf Bütten. 1998 Exemplare, Handpresse Dietz München. Passepartoutausschnitt: Je 22 x 16 cm. Gerahmt & hinter Glas Je 44 x 34 cm. 4 Skizzen von Köpfen aus dem Zyklus "Le Gout du Bonheur, 1970" Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

CHADWICK, Lynn Russell(1914 London - 2003 Stroud) "Hommage à Picasso" Farblithografie auf BFK Rives. Bleistiftsignatur. [19]71. Exemplar: 20/80. Blatt: 76,5 x 56 cm. Stockfleckig. Britischer Bildhauer, der besonders für seine Skulpturen aus verschweißten Eisenteilen Bekanntheit erlangte.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) 3 Werke mit Köpfen 2 Farblithografien, 1 Lithografie. "Sitzende Frau mit Hut", Blatt: 77 x 57,5 cm, Exemplar: 794/2000, nach dem Gemälde aus dem Jahr 1961 | "Krieger Strymon", Blatt: 35 x 24,5 cm, im Passepartout: 50,5 x 40 cm, Illustration aus einer Publikation | "Femme d'Espagne", Blatt: 67 x 50,5 cm Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

MOÏSE KISLING (Polish, 1891-1953)Nature morte au pichet blanc signed 'Kisling 1917' (lower left); signed, inscribed and dated 'M. Kisling Paris Novembre 1917' (on the reverse)oil on canvas73.2 x 54.5cm (28 13/16 x 21 7/16in).Painted in November 1917Footnotes:ProvenanceGalerie Motte, Geneva.Galerie Wally Findlay, Paris.Private collection (acquired from the above in January 1974); their sale, Sotheby's, London, 6 February 2007, lot 528.LiteratureJ. Kisling, Kisling, Vol. II, Turin, 1982, no. 8 (illustrated p. 331).Moise Kisling, son of a tailor, attended the School of Fine Arts in Krakowbefore moving to Paris in 1910. Once settled in the district of Montparnasse, he quickly associated himself with with Picasso, Juan Gris, Max Jacob, and Manolo.In 1912, he met in Céret his first dealer, Adolphe Basler, who bought all of his paintings in exchange for a monthly payment of 300 francs. When he got back in Paris, he moved into a studio at 3 rue Joseph-Bara where Modigliani, Soutine, Derain, and Juan Gris used to meet. Pascin and the Kroghs, father and son, lived in the same building. He attended Baronness Hélene d'Oettingen's famous parties, which were the literary and artistic centre of Montparnasse until 1914.Kisling was caught out by the outbreak of World War I, as he was visiting Belgium with Basler. He returned to France in order to enlist in the French Foreign Legion. He was wounded in 1915 and was discharged from service. On his return to Montparnasse he was surprised to discover that a young American soldier who died during the war had bequeathed 25,000 francs to him. He visited Spain, returned to Paris and met art dealer Zborowski. In 1919, the Druet Gallery organized his first exhibition. His paintings were a success, and his models were the stars of the time: Falconetti, Valentine Tessier, Arletty, Cocteau, Colette, Marie Laurencin, and Kiki de Montparnasse. When World War II broke out, Kisling went to live in his house in Sanary-sur-Mer. In 1940, he left for New York. He returned to France in August 1946 and went to Sanary, where he lived until his death.For further information on this lot please visit Bonhams.com

Antoine Irisse Kichinev (Moldavian, 1903-1957)Atelier du tailleur signed 'Iris. A' (lower left); further titled (on verso)oil on canvas64.5 x 80cm (25 3/8 x 31 1/2in).unframedPainted in 1924Footnotes:ProvenanceAcquired directly from the artist's studio.ExhibitedKichinev, Irisse, National Museum of Moldovan Art, 2016.LiteratureIrisse, Éditions Kreitner, Paris, 2011, p. 14. Antoine Irisse, born Avram Iris, studied at the School of Fine Arts in Kishinev. Irisse migrated to Belgium where he studied at the Royal Academy of Fine Arts of Brussels. In 1925, he settled permanently in Paris and attended the Académie de la Grande Chaumière. In 1931, he exhibited at the Katia Granoff Gallery, where he started being noticed by art critics and most notably by Waldemar Georg, editor-in-chief of magazine Prisme des Arts.In 1932, he exhibited in a group exhibition with Raoul Dufy, Friesz, Mané-Kats, Picasso, Pougny, Utrillo and Maurice de Vlaminck.During World War II, Irisse was denounced by one of his suppliers in Paris and had to remain hidden to escape the Gestapo. During this time and until his death in 1957, he participated in the Salon de Mai, Salon des Indépendants, Salon des Tuileries and Salon d'Automne. Alongside his painting, Irisse had to become a ceramicist in order to financially support his family.For further information on this lot please visit Bonhams.com

Alexandre Fasini (Ukrainian, 1892-1942)Couple signed 'A. Fasini' (lower right)oil on canvas41 x 33cm (16 1/8 x 13in).Painted c. 1929Footnotes:ProvenanceArthur Prince, Paris.ExhibitedParis, Les Russes à Montparnasse, Musée du Montparnasse, 1999.Paris, Montparnasse déporté, Musée du Montparnasse, 2005. Jerusalem, Montparnasse déporté, Yad Vashem Museum, 2006. Pontoise, Tavet - Delacour, 2008. LiteratureArtistes d'europe, Montparnasse déporté , Éditions Musée du Montparnasse, Paris, 2005, p. 152.Éliane Strosberg, Humanisme et expressionnisme, la représentation de la figure humaine et l'expérience juive , Musée Tavet - Delacour, Somogy Éditions d'Art, Pontoise, 2008, p. 125.Alexandre Fasini, born Saul Finesilber, grew up in a family of grain merchants. Fasini spent his childhood in Odessa and attended the School of Fine Arts where he took classes taught by the Greek Impressionist Kiriak Kostandi. He became friends with artist Philippe Hosiasson and writer Isaac Babel, and drew illustrations for Odessa newspapers including Bomba and Iablstchko.In 1922, he travelled to France on a Soviet ship, and established his residence at rue Daru in Montparnasse, Paris. Practising between the genres of abstraction and surrealism, Fasini sought for an original artistic expression that would distinguish his position within the School of Paris. Max Berger, owner of the Galerie Vavin, exhibited Fasini's work for two years alongside Jean Lurçat, Pablo Picasso, and Georges Papazoff. During the Vel d'Hiv roundup in 1942, he was arrested by the French police and his work was destroyed in his studio. Fasini was interned in Drancy and died tragically in Auschwitz.For further information on this lot please visit Bonhams.com

Alexandre Fasini (Ukrainian, 1892-1942)Geomatrie signed 'A. Fasini/ 929' (lower right); inscribed with signature and address (on stretcher)oil on canvas92 x 60cm (36 1/4 x 23 5/8in).Painted in 1929Footnotes:ExhibitedParis, Galerie Vavin-Raspail, 1929.Paris, Musée du Montparnasse, 2005.Jerusalem, Yan Vashem Museum, 2006.LiteraturePeintres Juifs de l'École de Paris 1905-1939, Édition Denoël, Paris 2000, p. 117. Artistes d'Europe, Montparnasse déporté, Éditions Musée du Montparnasse, Paris, 2005, p. 149.Jewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris, 2015, p. 115.Alexandre Fasini, born Saul Finesilber, grew up in a family of grain merchants. Fasini spent his childhood in Odessa and attended the School of Fine Arts where he took classes taught by the Greek Impressionist Kiriak Kostandi. He became friends with artist Philippe Hosiasson and writer Isaac Babel, and drew illustrations for Odessa newspapers including Bomba and Iablstchko.In 1922, he travelled to France on a Soviet ship, and established his residence at rue Daru in Montparnasse, Paris. Practising between the genres of abstraction and surrealism, Fasini sought for an original artistic expression that would distinguish his position within the School of Paris. Max Berger, owner of the Galerie Vavin, exhibited Fasini's work for two years alongside Jean Lurçat, Pablo Picasso, and Georges Papazoff. During the Vel d'Hiv roundup in 1942, he was arrested by the French police and his work was destroyed in his studio. Fasini was interned in Drancy and died tragically in Auschwitz.For further information on this lot please visit Bonhams.com

Marie Vassilieff (Russian, 1884-1957)Madonna signed 'MARIE VassILIEff' (lower right), inscribed with 'PARIS 1936' (lower left)rhodoid, mixed media collage30 x 22cm (11 13/16 x 8 11/16in).Painted in 1936Footnotes:Marie Vassilieff began her studies at the Imperial Academy of Fine Arts in Saint Petersburg and later moved to Paris where she took courses at the Académie de la Palette and the Académie Henri Matisse. In 1911, she founded the Russian Academy of Painting and Sculpture and a year later established the Académie Vassilieff which became a meeting place for the Parisian avant-garde.When World War I broke out she transformed her studio into a canteen, which enjoyed growing popularity among intellectuals including Georges Braque, Pablo Picasso, Amadeo Modigliani, and Chaim Soutine. The venue put on shows, held conferences, literary and musical evenings, and threw legendary parties. Vassilieff's oeuvre was deeply influenced by the Cubist movement that was shaping in Paris at the time. She was most known for her portraits of dancers and her friends, like Picasso and Matisse, as well as her decorative furniture pieces and doll-portraits. She designed for patron Paul Poiret and directed the costume-making workshops for the theatrical season of Rolf de Maré 's Ballets Suédois at the Théâtre des Champs-Élysées. In 1925, she created 'Puppet Furniture' for the International Exhibition of Modern Decorative and Industrial Arts and two years later decorated two pillars of the renown La Coupole brewery. In 1937, she participated at the International Exhibition of Arts and Techniques in Modern Life. From 1936 to 1946, Marie Vassilieff lived and worked in Cagnes-sur-Mer.For further information on this lot please visit Bonhams.com

Max Jacob (French, 1876-1944)La Pavlova signed 'Max Jacob' (centre left)mixed media on paper26 x 35cm (10 1/4 x 13 3/4in).Footnotes:LiteratureJewish Artists of the school of Paris 1905-1939, Somogy Éditions d'Art, Paris, 2015, p. 167.Max Jacob was raised in a family of tailors and antique dealers. He was a poet, novelist, playwright, art critic and painter.In 1897, he settled in Paris and started authoring art columns for the journals Moniteur des Arts and La Gazette des Beaux-Arts, under the pseudonym 'Léon David'. In 1901 he met Picasso and settled with him on boulevard Voltaire. He associated with painters and poets at the Beateau-Lavoir. The first book that he published was Histoire du Roi Kaboul Ier et du marmiton Gauwain which was followed by several others including Le Cornet à dés, Le Phanérogame, and Les Alliés sont en ArménieIn 1914, he converted to Christianity. In his career as a painter he produced few oil paintings but mostly gouaches depicting views of Brittany and circus scenes. In 1933, he was named a Knight of the National Order of the Legion of Honour.Pavlova is a portrayal of the classical ballet dancer Anna Pavlova. She was a star of the Imperial Russian Ballet and of Serge Diaghilev's Russian Ballets. Her most famous role was the Death of the Swan and she was the first ballerina to travel the world with her own ballet company.For further information on this lot please visit Bonhams.com

Pablo Picasso, Picador Goading Bull with Matador 'al quite', 1962, Linocut, 27cm by 32.5cmProvenance Goldmark ArtCondition: fingerprint in margin. corner fold in margin. see images.