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Gabriel Coldefy (French 1911-1988), Nude Study, pen and ink on paper, stamped 'Atelier Gabriel Coldefy' bottom right, mounted and framed. Measurements 30 x 44.5 cm (i), frame 53 x 69.5 cm Gabriel Coldefy was a French 20th Century artist and contemporary of Picasso, his work was heavily influenced by Gaugin and Modigliani. He is best known for his depictions of nudes and women, during his career he exhibted at the Salon des Independants regularly.

Gabriel Coldefy (French 1911-1988), Three Nude Ladies, charcoal on paper, mounted and framed, Measurements 35.5 x 34.5 cm, frame 52.5 x 52.5 cm Provenance: Atelier sale of Coldefy's estate Gabriel Coldefy was a French 20th Century artist and contemporary of Picasso, his work was heavily influenced by Gaugin and Modigliani. He is best known for his depictions of nudes and women, during his career he exhibted at the Salon des Independants regularly.

Pablo Picasso (Spanish 20th Century, 1881-1973), Femme Torero II (Female Bullfighter II), from the Vollard Suite, Etching on laid paper with Vollard watermark, signed Picasso in pencil bottom right, from edition of 260, French inventory number '378' bottom left corner, full margins, mounted and framed. Measurements 29.5 x 23.5 cm (PL), 45 x 34 cm (SH), frame 54 x 46 cm Label verso- The Alpha Gallery, Boston. Consigned from a deceased estate

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: Graphik - Keramik - Zeichnungen [Galerie Ardelt]". Medium: Color lithograph. Date: Composed 1971. Dimensions: Overall size: 20 1/8 x 14 in. (511 x 356 mm).Lot Note(s): Signed in pencil, lower left. Edition of 300. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Czwiklitzer 397 (1981 ed.). Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. A scarce poster; no auction records in the past 25 years located. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26951-4-600]

Artist: Cecil Beaton (English, 1904 - 1980). Title: "Pablo Picasso". Medium: Original vintage photogravure. Date: Composed 1965. Printed 1979. Dimensions: Overall size: 15 5/8 x 11 3/4 in. (397 x 298 mm). Image size: 8 1/2 x 6 7/8 in. (216 x 175 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): Image copyright © The Estate of Cecil Beaton. [25875-3-300]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Le Dejeuner sur l’Herbe [Pace Columbus]". Medium: Color lithograph. Date: Composed 1972. Dimensions: Overall size: 25 1/4 x 27 3/8 in. (641 x 695 mm).Lot Note(s): Signed in pencil, lower left. Edition of 1,500. Tan wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Bloch 1023; Czwiklitzer 434 (1981 ed.); unknown to Rodrigo. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Apparently a scarce poster; no auction records in the past 25 years located. A "black and white" version of this poster also exists. Image copyright © Artists Rights Society (ARS), New York. [26962-6-600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Exposition Vallauris 1963". Medium: Original color linocut poster. Date: Composed 1963. Dimensions: Overall size: 19 7/8 x 11 in. (505 x 279 mm).Lot Note(s): Signed in pencil, center right; signed and dated in the plate. Edition of 2,000. Off-white wove paper. Very wide margins. Fine impression. Good condition; some scattered foxing. Literature/catalogue raisonne: cf. Bloch 1300; Czwiklitzer 190 (1970 ed.); Czwiklitzer 220 (1981 ed.); Rodrigo 133. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. A scarce poster; no auction records in the past 25 years located. Czwiklitzer catalogues this poster as a letterpress, but it is a linocut probably cut by Arnera. Printed by Hildago Arnera, Vallauris. Image copyright © Artists Rights Society (ARS), New York. [26945-3-600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "April 25, 1964 [from the suite 'Le Gout du Bonheur,' image dated 25-4-64, untitled as issued]". Medium: Original silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 9 3/4 x 12 7/8 in. (248 x 327 mm).Lot Note(s): Signed in crayon, lower right; annotated in crayon, lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30012-2-800]

PABLO PICASSO 'Bacchanal with Pair of Lovers', 1962, linocut. suite: linogravures, 27cm x 32cm, framed and glazed.

PABLO PICASSO 'Female Head with Supporting Arms', 1962, linocut, suite 'Linogravures', 28cm x 23cm, framed and glazed.

PABLO PICASSO 'Les Dejeuners', linen on board, signed in plate, 34cm x 26cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Artist: Man Ray (American, 1890 - 1976). Title: "Pablo Picasso [1933]". Medium: Original photogravure. Date: Composed 1933. Printed later. Dimensions: Overall size: 10 7/8 x 8 15/16 in. (276 x 227 mm).Lot Note(s): Signed in the negative, lower right; stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A silver print of this image sold (per “Gordon’s”) for an auction record of $ 38,347 (£18,500) at Christie's, London, 11/13/2007, lot #92. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [29639-2-400]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #10 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 X, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC[or]CR[or]CBK[or]CB[or]C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30033-2-1600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #09 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 IX, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An unsigned impression of this print was offered at $1,395 by Pamono Inc., New York and Berlin, as of April 6, 2020. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30032-2-1600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "March against Death - March on Washington". Medium: Original color letterset/letterpress . Date: Composed 1969. Dimensions: Overall size: 14 3/4 x 23 1/4 in. (375 x 591 mm). Image size: 12 3/4 x 21 1/16 in. (324 x 535 mm).Lot Note(s): Signed in blue crayon, lower center; signed in the plate. Edition unknown, presumed small. White wove paper. Wide margins. Fine impression. Very good to fine condition; linen backed. Literature/catalogue raisonne: Czwiklitzer 297A. Comment(s): Apparently a rare Picasso poster. We could find no auction records in the past 25 years. Published by the New Mobilization Committee with the permission of the Artist for the November 13th-15th, 1969, march. Image copyright © The estate of Pablo Picasso/ Artists Rights Society (ARS), New York. [24410-5-800]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Hommage a Rene Char [Musee d'Art Moderne de Ceret]". Medium: Color lithograph. Date: Composed 1969. Dimensions: Overall size: 30 3/4 x 20 1/2 in. (781 x 521 mm). Image size: 25 1/8 x 17 3/4 in. (638 x 451 mm).Lot Note(s): Signed in pencil, lower right. Edition of 3,000. White wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: Czwiklitzer 291 (1970 ed.); Czwiklitzer 348 (1981 ed.); Rodrigo 185. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Lithography by Henri Deschamps. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26969-5-600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Exposition Vallauris 1962". Medium: Original color linocut poster. Date: Composed 1962. Dimensions: Overall size: 17 5/8 x 11 1/4 in. (448 x 286 mm).Lot Note(s): Signed in pencil, center right; signed in the plate. Light cream wove paper. Very wide margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Cf. Bloch 1299; Czwiklitzer 176 (1970 ed.); Czwiklitzer 204 (1981 ed.); Cf. Rodrigo 119. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. A scarce poster; no auction records in the past 25 years located. Czwiklitzer catalogues this poster as a letterpress, but it is a linocut probably cut by Arnera. Printed by Hildago Arnera, Vallauris. Image copyright © Artists Rights Society (ARS), New York. [26944-3-600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Sixieme Biennale de Peinture [Menton]". Medium: Color lithograph and collotype. Date: Composed 1966. Dimensions: Overall size: 27 x 18 1/8 in. (686 x 460 mm).Lot Note(s): Signed in pencil, lower right. From the edition of 2,000 with letters. Light cream wove paper. Wide margins. Fine impression. Very good to fine condition; traces of printer's ink, lower margin. Literature/catalogue raisonne: Czwiklitzer 243 (1970 ed.); Czwiklitzer 284 (1981 ed.); Rodrigo 156. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Image copyright © Artists Rights Society (ARS), New York. [26993-5-800]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: 60 Years of Graphic Works [Los Angeles County Museum of Art]". Medium: Original color lithograph . Date: Composed 1966. Dimensions: Overall size: 29 x 20 1/2 in. (737 x 521 mm). Image size: 26 1/2 x 20 1/4 in. (673 x 514 mm).Lot Note(s): Signed in blue crayon, lower left; signed, dated, and titled in the stone. Edition of 2,500. White wove paper. Full margins. Very fine impression. Very good condition. Literature/catalogue raisonne: Bloch 1302; Czwiklitzer 53 (1970 ed.);Czwiklitzer 55 (1981 ed.) Rodrigo 159. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. We could not find a signed impression of this twelve color lithograph at auction. An unsigned impression sold for EU800 ($1,285) at Van Ham Fine Art Auctions (Germany), Sale 246, Moderne und Zeitgenoessische Kunst, Part I, 12/01/2005, lot #486. This poster for the Los Angeles County Museum of Art (Oct. 25 - Dec. 24, 1966). Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [18004-5-800]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: 156 Gravures Recentes [Galerie Louise Leiris]". Medium: Color offset lithograph. Date: Composed 1973. Dimensions: Overall size: 27 13/16 x 18 5/8 in. (706 x 473 mm). Image size: 19 5/8 x 14 1/8 in. (498 x 359 mm).Lot Note(s): Signed in pencil, lower right. Edition of 4,100. White wove paper. The full sheet. Fine impression. Good condition. Literature/catalogue raisonne: Czwiklitzer 450 (1981 ed.); Rodrigo 243. Comment(s): This is the last poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26985-5-800]

Pochoir über farbigem Lichtdruck Pablo Picasso 1881 Malaga - 1973 Mougins "La bouteille de Rhum" u. re. sign. Picasso Exemplar 51/250, 80,5 x 67,6 cm (Blattmaß) 60,3 x 49,7 cm (Darstellung) Nach dem gleichnamigen Gemälde von 1911.

Radierung Pablo Picasso 1881 Málaga - 1973 Mougins "Profil de Femme (Dora Maar) aus: Six Contes Fantastiques" 1944 32,7 x 24,8 cm (Blattmaß) Wkvz.: Baer Nr. 693; Bloch 364,

Gemälde Karl Kunz 1905 Augsburg - 1971 Frankfurt 1919 Unterricht bei dem Maler Gustav E. Schmidt, Augsburg; 1930 Burg Giebichenstein Halle/Saale, Meisterschüler und Ass.von Prof. Erwin Hahs. 1933-45 Ausst.- u. Berufsverbot und Rückkehr nach Augsburg, wo K. den elterlichen Furnierhandel übernimmt. 1944 wird der größte Teil des Frühwerks bei einem Bombenangriff auf Augsburg zerstört. 1947-49 (sowie 1959/60) Doz. an der Staatl. Schule für Kunst u. Handwerk des Saarlandes, Saarbrücken; 1957 Atelier in Frankfurt/Main; 1969 Ehrenaufenthalt in der Villa Massimo in Rom. - Eigenwilliger Vertreter des dt. Surrealismus mit neo-manieristischen Zügen. Neben wenigen Lackbildern Öl-Gem., teilw. mit Collagen. Hauptthemen: Akte, Archit., Erotik, Christliches und Blasphemisches. K. bleibt zeitlebens dem Figürlichen oder Dinglichen verbunden. Sein Frühwerk ist durch Giorgio DeChirico, Pablo Picasso und Fernand Léger beeinflusst. K. arbeitet mit Zitaten u. Assoziationssymbolen. Das Spätwerk tendiert zum Abstrakt- Expressionistischen. "Am Strand" u. re. sign. u. dat. K.Kunz Febr. 45 verso vom Künstler bezeichnet sowie m. d. Adresse in Augsburg. Öl/Holz, 85 x 122 cm Provenienz: Sammlung Norbert Maiwald (1950 - 2019), Offenbach. Wkvz.: Kunz/Schmoll/Thomas, No. 80 Lit.: AKL

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #02 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 II, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 13/16 x 9 11/16 in. (325 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30026-2-1600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): A similar example to ours sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Ceramic: Oiseau a la huppe". Medium: Glazed ceramic ashtray. Date: Composed 1952. Lot Note(s): Stamped "Madoura Plein Feu" & "Edition Picasso," inscribed "Edition Picasso". Edition of 500. Very good condition with no real condition issues. Literature/catalogue raisonne: AR173 (Alain Ramie, "Picasso: Catalogue of the Edited Ceramic Works, 1947-1971," pg. 95, #173). Comment(s): According to ‘Gordon’s Art Reference’ the auction record for another example of this ceramic is $7,500 realized at Christie's, New York, May 5, 2015, lot #55. The "earthenware – terracotta – pottery -- clay” ashtray measures 5 11/16 inches (14.5 centimeters) in diameter. Image copyright © Artists Rights Society (ARS), New York. [29267-17-3000]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Bal Olympic: Vrai bal sportif costume (Programme) [Picasso *one original lithograph*, Manet, et al] [Portfolio/Book] [program for the 1924 Ball organized by the Union des Artistes Russes in Paris]". Medium: Original lithographs. Date: Composed 1924. Dimensions: Image size: 11 1/4 x 9 3/4 in. (286 x 248 mm).Lot Note(s): Several lithographs signed in the plate. All lithographs with artist credit. Small edition?. Heavy wove paper. Fine impressions. Fine condition. Comment(s): The second ball of the Union of Russian Artists in Paris. 12 pages. The printed program is a typographical and artistic masterpiece. Includes Pablo Picasso's original lithograph "Mercure: Etude de Danseur" executed by Picasso after the pencil drawing of the same name, and apparently found only in this program (see: Online Picasso Project, 24:199 for the drawing). Other original lithographs by and after Manet, Vassilieff, Fotinsky, Granovsky, Barthe, and Chatzman. Contains extensive listings of events and contributors. Undoubtedly produced by Francois Bernouard, Paris, like that for the Bal Travesti/Transmental, though the program carries no credit. Highly important and rare. Picasso image copyright © Artists Rights Society (ARS), New York. [19198-2-1200]

Artist: Aleksandr Yakovlevich Golovin (Russian, 1863 - 1930). Title: "Set Design". Medium: Mixed media (watercolor, gouache, pen, pencil). Date: Composed c1910-20. Dimensions: Image size: 11 x 16 in. (279 x 406 mm).Lot Note(s): Signed with the initials "A.G." in Cyrillic on the support mount, lower right, recto. Supple, wove paper. Overall condition very good to fine. The drawing is affixed to the original support mount. The drawing itself has no holes, tears, foxing, etc. The colors are very fresh. There is some minor surface soiling middle left, else just very nice. Comment(s): Works by Golovin of this caliber are rare. Aleksandr Golovin studied at the Moscow College of Painting, Sculpture and Architecture initially as a student of architecture and later as a painter. He lived and worked in Moscow as an interior painter, furniture designer and decorator tradesman, and in 1900, in collaboration with Konstantin Korovin, he designed the interior décor of the Russian Empire pavilion at the Paris World’s Fair. Golovin moved to St. Petersburg in 1901, where he worked prominently as a stage designer until the Russian Revolution of 1917. He was the leading designer for the theaters in St. Petersburg at this time, and an important contributor to the legendary Ballets Russes, which commissioned the most esteemed choreographers, dancers, musicians and stage designers of the era, including Natalia Gontcharova, Mikhail Larionov, Marc Chagall, George Braques, Joan Miró, Max Ernst, Henri Matisse, and Pablo Picasso. Please note: this work is being exhibited in an exhibition frame and is being sold unframed. [18217-4-6000]

Artist: Robert Doisneau (French, 1912-1994). Title: "Picasso et mantis de prière". Medium: Original vintage photogravure. Date: Composed 1952. Printed 1952. Dimensions: Image size: 6 5/8 x 9 1/16 in. (168 x 230 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Atelier Robert Doisneau. [24916-2-300]

Artist: Cecil Beaton (English, 1904 - 1980). Title: "Pablo Picasso, rue de la Boetie #2". Medium: Original vintage photogravure. Date: Composed 1933. Printed 1968. Dimensions: Image size: 11 3/4 x 8 13/16 in. (298 x 224 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition, affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © The Estate of Cecil Beaton. [28975-2-300]

Pablo Picasso (Spanish 1881-1973) (after) Picasso, Galerie 65 - Cannes, 1957 lithograph, condition A(58cm x 45cm (23in x 18in))

Pablo Picasso (Spanish 1881-1973) (after) Les Peintres Témoins De Leur Temps, Musée Galliéra, 1956 lithograph, condition A(73cm x 50cm (29in x 20in))

Pablo Picasso (Spanish 1881-1973) (after) Ceret, 1958 linocut, condition A(67cm x 50cm (26in x 20in))

Pablo Picasso (Spanish 1881-1973) (after) Galerie Beyeler Bale, 1967 lithograph, printed by Mourlot, condition A(77cm x 52cm (30 x 20.5 in))

Pablo Picasso (Spanish 1881-1973) (after) Picasso 85 gravures, 1966 lithograph, printed by Mourlot, condition A(77cm x 52cm (30in x 20.5in))

§ Henry Moore O.M.,C.H (British 1898-1986) for Ascher Ltd. Three Standing Figures Scarf, circa 1944 serigraphy in nine colours, rayon, with 'Ascher / Made in England' label(84cm x 91cm (33in x 35.8in))Footnote: Literature: Anita Feldman (ed.), Henry Moore Textiles , Lund Humphries, 2008, p.57 (another example illustrated). Established in 1942 by Czech émigrés Zika and Lida Ascher, Asher Ltd. sought to unite the complex worlds of fabrics, art and fashion. Throughout the 1940s they established a working relationship with many of the most prominent artists of the day, including British artists Moore, Hepworth, Sutherland, Nicholson, Piper, as well as international artists to include De Staäl, Calder, Derain, Cocteau and Picasso. The consequence of this relationship was a review of the definitions between art and industry, epitomised by the series of silk squares produced on a limited basis between 1944 and 1953. The Ascher’s limited each artist to design a scarf no larger than 36 x 36 inches (90 centimeters square) and were usually made using serigraphy, a type of screen printing. The initial creations were launched at the Britain Can Make It exhibition at the V&A in London in 1946, the first design exhibition after the end of the war, with the intention of energising post-war fashion with bright colours and bold designs. They became an instant hit, and Lida Ascher popularised Moore’s designs by presenting Three Standing Figures on the BBC in 1947. However, they soon became works of art more often framed than worn, an idea that was facilitated when the Lefevre Gallery launched an exhibition of the scarves in 1947, which was followed up with a world tour as far afield as San Francisco, Montevideo and Sydney. Historically they are of particular importance as they mark one of the first endeavours to merge fashion and art for a mass audience.

NO RESERVE Collections.- Campbell (Sara, editor) Nineteenth-Century Art [&] Degas in the Norton Simon Museum, 2 vol., New Haven & London, 2006-09; Collector Without Walls: Norton Simon and His Hunt for the Best, New Haven & London, 2010 § Fahy (Everett, editor) The Wrightsman Pictures, New York, 2005 § McCullagh (S.F.) Dreams & Echoes: Drawings and Sculpture in the David and Celia Hilliard Collection, New Haven & London, 2013 § Bishop (Janet) & others. The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde, original wrappers, New Haven & London, 2011 § Beresford (R.) & Peter Raissis. The James Fairfax Collection of Old Master Paintings, Drawings and Prints, Sydney, 2003, illustrations, many colour, all but the fifth original cloth or boards with dust-jackets; and c.35 others on American art collections, 4to & 8vo (c.40)

NO RESERVE Modern Art.- Cowart (Jack) & Dominique Fourcade. Henri Matisse: The Early Years in Nice 1916-1930, Washington D.C. & New York, 1986 § Berggruen (O.) & others. Picasso and the Theater, Frankfurt, 2006 § Kornfeld (E.W.) Ernst Ludwig Kirchner: Nachzeihnung seines Lebens, Bern, 1979 § Klein (Mason) Modigliani unmasked, New Haven & London, 2017 § Brodie (J.) & Andrew Robison. A Century of Drawing: Works on Paper from Degas to LeWit, Washington DC, 2001 § Lucie-Smith (E.) Art Today: From Abstract Expressionism to Superrealism, second impression, Oxford, 1986, illustrations, many colour, original cloth or boards, all but the fourth with dust-jackets; and c.55 others on modern art, 4to & 8vo (c.60)

λ Pablo Picasso (Spanish 1881-1973) Faun et Marin (Bloch 800)Lithograph printed in colours, c. 1956, from the edition of 150014.5 x 11cm (5½ x 4¼ in.)Provenance: The Redfern Gallery, London, 1965From the Collection of the late Ian Mylles, East Sussex 

λ Pablo Picasso (Spanish 1881-1973)La Grappe de Raisin, Justification page 103 from "Dans l'atelier de Picasso" by Jaime SabartesLithograph, 1947, from the book edition of 250Image: 4.5 x 20cm (1¾ x 7¾ in.)Sheet: 44 x 32.5cm (17 1/4 x 12¾ in.)

A quantity of Express Art books, containing a number of coloured prints, artists to include Picasso, El Graco, Bruegel, Tintereto, Turner, etc.

AFTER PABLO PICASSO; a coloured print, a dove above text with pencil signature and number 950 lower right, 98 x 65cm, unframed.Additional InformationThe print has been rolled and has horizontal creases. There is an old lot number top right hand corner, 'Lot 10, Antique Helper', some fraying to the edges and some water stains also to the edges of the image.

Pablo Picasso lithographic print (Mourlot) circa 1959, Eric Gill female nude engraving circa 1938, 2 x Elisabeth Frink lithographic prints circa 1975, 2 x Henry Moore Shelter prints circa 1940, Paul Klee print, Salvador Dali Print circa 1953, Henri Matisse print circa 1935. 9 in total all mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.

Pablo Picasso (1881-1973) Collection of 6 prints Vollard suite mainly nudes circa 1956. All mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.

Pablo Picasso (1881-1973) Two plate signed lithographic prints Exposition Vallauris 1956 and Vallauris Toros 1956, both published in 1957, approx overall sizes 20 x 16 inches. Cellophane wrapped.

MIRÓ, Joan(1893 Montroig - 1983 Mallorca) Femmes, lune, etoiles Signiert. 49,5 x 65,5 cm, Blattgröße: 65 x 84 cm. Farblithographie 1963 nach dem Gemälde, mit H.C. bezeichnet (hours de commerce - nicht für den Handel). Prägestempel Maeght Editeur Paris. Passepartout Miró, Maler, Grafiker, Zeichner, Kunstgewerbler und Bildhauer. Studierte an der Akademie in Barcelona. Seit 1915 als freischaffender Künstler tätig. 1918 erste Einzelausstellung, schloss sich 1924 den Surrealisten an. Neben Picasso und Dali einer der bedeutendsten spanischen Künstler des 20. Jahrhunderts. 1992 wurde auf seinem Landgut ein Miró-Museum eingeweiht. * Partnerauktion Bergmann. Literatur: Werkverzeichnis Maeght Nr. 1726. Provenienz: Rheinischer Privatbesitz.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Raub der Sabinerinnen" Granolithografie auf Bütten, handgerissen. Exemplar: 798/2000. 76,8 x 58 cm. Nach dem Ölgemälde vom 7.2.1963, Format: 195,5 x 130 cm Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

PICASSO , Pablo(1881 Málaga - 1973 Mougins) 4 Werke: "Skizze anno 1964" 4 Lithografien auf Bütten. 1998 Exemplare, Handpresse Dietz München. Passepartoutausschnitt: Je 22 x 16,5 cm. Gerahmt & hinter Glas Je 44 x 34 cm. 4 Skizzen von Köpfen aus dem Zyklus "Le Gout du Bonheur, 1970" Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.

17 Ausstellungsplakate Dresden von Künstlern der DDR 3 Farblithografien, 7 Lithografien, 1 Farbradierung, 2 Farboffsetdrucke, 1 Radierung, 2 Holzschnitt, 1 Monotypie. Je mit Bleistiftsignatur (außer: Oskar Zwintscher). Verschiedene Formate, max. 84 x 60 cm. Hochschule für Bildende Künste: "Helmut Gebhardt", 1977; Kupferstich-Kabinett: "Pablo Picasso zum Gedächtnis", 1973; Dresdner Schloss: "Susanne Voigt", 1977; Grafik im Rathaus: "Haufe, Voigt, Wiesenhütter, Weder", 1978; Kreuzkirche: "Horst Weber", 1978; 3x Neue Dresdner Galerie: "Hans Kinder", 1984, "Ulrich Hachulla", 1986 und "Uta Feiler - Claus Weidensdorfer", 1986; Galerie Kunst der Zeit: "Heinz Drache", 1983; Gemäldegalerie Neue Meister: "Oskar Zwintscher", 1982; Galerie Mitte: "Aus Dresdner Ateliers", 1983 und 6x Galerie West: "Frank Mansdorf - Frank Voigt", 1981, "Max Uhlig", 1981, "Einblicke II", 1987, "Einblicke 6/II", 1987, "Wolfgang Korn", 1985 und "Dietrich Burger", 1983 Teils mit kleinen Knicken und Rissen.

Profil de Taureau PICASSO, Pablo(1881 Malaga - 1973 Mougins) ø 25 cm. Keramik 1956 aus einer Auflage von 450 Exemplaren. Reliefiert, glasiert, bemalt. Pressmarke: Empreinte Originale de Picasso, Madoura plein feu Picasso, eigentlich Pablo Ruiz y Picasso. Maler, Grafiker und Bildhauer. Studierte in Barcelona und Madrid. Seit 1904 in Paris ansässig. Er gilt als der Inbegriff des modernen Künstlers, bediente sich verschiedener Stilrichtungen, einer der bedeutendsten Künstler des 20. Jahrhunderts. * Partnerauktion Bergmann. Literatur: Werkverzeichnis Ramie Nr. 315, Bloch Nr. 84. Provenienz: Rheinischer Privatbesitz.

Make & Model: Citroen C4 Picasso 7 VTR+ HDIDate of Reg: FV57 OGRColour: Redcc: 1560MoT: 17-08-2021Fuel Type: DIESELMileage: 124kTransmission: MANUALSummary: Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=113893

A quantity of commemorative ephemera and later books to include The Colour of Paris by The Academie Goncourt A/F, limited edition number 41/212, together with a 1967 Picasso Arts Council book on Sculpture, Ceramics and Graphic Work on display at The Tate Gallery 9 June-13 August 1967

CIRCLE OF PABLO RUIZ PICASSO - MODERNIST FIGURE STUDY, BEARS SIGNATURE AND DATE LOWER RIGHT

A collection of Tiffany and Tiffany style silver and white metal bracelets and necklace, to include chainlink example with dumb-bell clasp, finelink bracelet with heart shaped pendants, finelink necklace with triple pendant; and one Tiffany suede pouch (6)Condition report: Bracelet with heart pendants not hallmarked but stamped.Bracelet with single heart pendant hallmarked Tiffany & Co London 2002.Necklet with heart pendant hallmarked Tiffany & Co London 2005.Necklet with triple pendant stamped 925 Spain.Bracelet with disc hallmarked Tiffany & Co London 2001.Fetter and three link bracelet signed Paloma Picasso and hallmarked Tiffany & Co London 2006.

Two boxes of approximately fifteen good quality art books including Picasso Dali, David Roberts, Arn Nouveau, Shaker Art, Oriental Art etc.

Chris Chapman (contemporary) Oil on board "Pablo Picasso", signed lower right, labelled verso, 75cm x 50cm (ARR)

PABLO PICASSO 'Spanish Femme', lithograph, dated in plate, suite: Californie, 40cm x 26cm, framed and glazed.

PABLO PICASSO 'Deux Clowns', 1954, lithograph, suite: La comedie humaine, ref: Mourlot, 25cm x 32cm, framed and glazed.

Francis Bacon (1909-1992) ''Second Version, Triptych'' Each signed and inscribed E.A, lithographs printed in colours, 1989, epreuves d'artistes aside from the edition of 60, printed by Art Estampe, Paris, published by Michel Archimbaud for the Librairie Seguier for IRCAM-Centre Pompidou, on Arches paper, with full margins, 68cm by 52cm (3) Provenance: Dreweatts & Bloomsbury Auctions London: Modern and Contemporary Prints, Thursday, July 3, 2014 Lot 00126 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Born in Dublin to wealthy middle-class parents, the young Francis was shy and sensitive which caused great strain between child and parents. After being ostracised from the family home, Bacon travelled around Europe, flitting between the nightclubs of London, Paris and Berlin. He began to draw and paint after seeing a Picasso exhibition in 1927 in Paris. Bacon is undeniably one of the most engaging artists to emerge from the post war era and his twisted, contorted, pulsating images of blood and flesh perfectly capture the zeitgeist of a Europe so recently brutalised by war. Taking his cue from Old Masters like Velazquez and Breughel as well as modern masters like Picasso and Dali, Bacon's works are held by many of the great collections across the world.

A Pablo Picasso print, 56cms x 42cms, framed