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Picasso, Pablo (1881 - 1973) Marmite haute, homme et femme allonge Stamped 'Société Stella/ n° 12 / Vallauris A-M' Dated under the base '10.8.50 I Vallauris' Unique piece Fired clay, painted   Property of a Lady Dimensions: 18.5 cm (H) x 27 cm (W) 7.25 in (H) x 10.5 in (W)    Provenance: Estate of the artist;Marina Picasso (the artist?s granddaughter; acquired from the above);Present owner (acquired form the above) in 2008.Exhibited: Valencia, Fundación Bancaja; Alicante, Fundación Bancaja & Tacoma, Tacoma Art Museum, Picasso, A Dialogue with Ceramics, Ceramics from the Marina Picasso Collection, 1998-99, no. 18, illustrated in colour in the catalogue

Picasso, Pablo (1881 - 1973) Marmite ronde, frise de femmes Stamped 'VALLAURIS AM' on the side (indistinctly) Date painted on the side 'Vallauris 11.8.50' Painted II on the base Unique piece Fired clay, painted Property of a Lady   Dimensions: 7.5 in (H) x 10.25 in (W) 19 cm (H) x 27 cm (W)   Provenance: Estate of the artist;Marina Picasso (the artist?s granddaughter; acquired from the above);Present owner (acquired from the above) in 2008.Exhibited: Valencia, Fundación Bancaja; Alicante, Fundación Bancaja & Tacoma, Tacoma Art Museum, Picasso, A Dialogue with Ceramics, Ceramics from the Marina Picasso Collection, 1998-99, no. 17, illustrated in colour in the catalogue

Picasso, Pablo (1881 - 1973) A very large, double-handled vessel in white clay with a portrait on either side: one of a bearded and moustachioed man, the other of a woman, possibly Jacqueline Roque. Incised 23.8.52 Unique piece White terracotta, incised Property of a Lady   Dimensions: 12.25 in (H) x 13.75 in (W) 31 cm (H) x 35 cm (W)   Provenance: Estate of the artist; Marina Picasso (the artist?s granddaughter; acquired from the above); Present owner (acquired from the above) in 2008. Exhibited: Galerie Jan Krugier, Ditesheim & Cie, Le feu et la Terrie, 7 December 2004 ? 25 February 2005

Alan Davie C.B.E., R.A., H.R.S.A., R.W.A. (Scottish 1920-2014) Untitled from Homage to Picasso Signed, dated '72 and inscribed H.C. in pencil, an Hors D' Commerce impression aside from the edition of 30, published by Propyläen-Verlag, Berlin, printed by Emil Matthieu, Dielsdorf, lithograph printed in colours.sheet size 50cm x 65.5cm (19.75in x 25.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with strong colours. There are some minor creases in the corners of the sheet where the paper is attached to the backing. There are some minor undulations across the sheet. The print is ornately framed and glazed.

Assorted furnishing prints to include works after Picasso, Cecil Aldin, Donald Wilinson, botanical, etc etc, framed (parcel)

A surrealist painting of a ballerina and boy with ball, gouache, signed Norman Hogg l.l., together with a pastel drawing, a print after Picasso, Guernica, and two other pictures, all framed, (5)

BENJAMÍN PALENCIA (Barrax, Albacete, 1894 - Madrid, 1980)."Águila" for "La vida es sueño" by Calderón de La Barca, 1945.For the theatre La Barraca by Federico García Lorca.Mixed media on paper.Signed and dated in lower left corner.A certificate made by Ramón Palencia can be issued at the request and expense of the buyer.Measurements: 47 x 32 cm; 70 x 56 cm. (frame).Benjamín Palencia and Federico García Lorca forged a long friendship since the mid 1920s, which would culminate on a creative level in the figurines and sets that the artist from Albacete would create for "La Barraca".After beginning his training as a self-taught artist, Palencia moved to Madrid at the age of fifteen. In the capital he entered the Julio Moisés Free Academy, where he coincided with other outstanding painters such as Salvador Dalí. In 1926 he travelled to Paris and met Picasso and Miró, and on his return to Madrid he made his individual debut at the Museum of Modern Art (1928). He then made various study trips to Italy, Berlin and New York. In 1941 he founded the Vallecas School, and in 1943 he was awarded the First Medal at the National Exhibition of Fine Arts. In 1974 he was appointed a member of the San Fernando Royal Academy of Fine Arts, and a few years later of the San Jorge Academy of Fine Arts in Barcelona. Benjamín Palencia's style, starting from surrealism, cubism and other avant-garde movements, finally evolved towards an austere realism. Gradually, his style became more intense and powerful, with the forms acquiring greater volume and, in painting, the painter's concern focusing on the luminous aspects. Focusing his work on landscape painting, he tried to restart a second Vallecas School together with Álvaro Delgado, Carlos Pascual de Lara, Gregorio del Olmo, Enrique Núñez Casteló and Francisco San José. His paintings and drawings would include images of the Castilian countryside and the figures to be found in it, peasants and animals, bulls, horses, goats, etc. His painting became a testimony of the rough, the uncouth and the rural, the sober Castilian and the Spanish. Palencia is represented in the Reina Sofía National Museum, in the Patio Herreriano in Valladolid and in the Fine Arts Museums of Valencia and Albacete, among many others.

RICARDO BAROJA NESSI (Riotinto, Huelva, 1871 - Vera de Bidasoa, Navarre, 1953).Peones camineros" ("Road workers"), 1925-1928.Oil on cardboard.Signed with monogram and dated. Titled and dated on the back.Provenance: private collection of Doña Teresa Cañaréis de Marshall, heiress of Enrique Granados, a well-known Spanish musician who was a contemporary of Ricardo Baroja. Both people moved in the same artistic circle of the time, which establishes a solid historical traceability of the present work.Size: 56.5 x 37 cm; 64 x 45 cm (frame).Ricardo Baroja's passion for the landscapes of the inland villages of Spain, some of which were even lost, is demonstrated in the present work. At the beginning of the 20th century, the Huelva-born artist travelled the country from inn to inn, either for his work as a painter or for his hobby as a hiker. There he immortalised the inn maids and muleteers who transported him, the taverns where he was fed and the boarding houses where he stayed overnight. Through his particular technique, agile and swift, Baroja captured like no one else the popular life of the most inhospitable villages in Spain, and his unique and highly identifiable style.A painter, engraver and writer of the Generation of '98, and brother of Pío Baroja, he was self-taught. Developing a style contrary to the aesthetic taste of the artistic juries of the beginning of the century, Baroja took part in the Bilbao Modern Art Exhibition from 1900 onwards, and exhibited his work in different places, preferably San Sebastián and Madrid. Around 1900-1906 he devoted himself to etching, and came to be considered the best Spanish master in this field after Goya, standing out from the outset as a profound portraitist, the author of beautiful etchings and scenes of popular life, somewhere between Goyaesque and lyrical. He also devoted himself to writing at the same time. In 1903 he founded, in collaboration with Pablo Picasso and Francisco de Asís Soler, the "Arte Joven" group. In 1928 he was appointed professor at the National School of Graphic Arts. However, following a traffic accident, the artist lost an eye and was forced to give up painting, concentrating from then on on literature. Gradually he took up brushwork again, but he hardly ever painted from life. During the Civil War he lost contact with his brother, who fled to France, and he earned his living by painting. After the war he continued to paint, although only in summer, and to write. From 1940 onwards he again held exhibitions in the art galleries of San Sebastian, Bilbao and Madrid, obtaining great commercial success. In San Sebastián he founded, together with Martiarena, the Guipúzcoa Artistic Association. In 1952, a year before his death, his success was confirmed with the sale of all his paintings at an exhibition held in San Sebastian. Ricardo Baroja is represented in the Provincial Museum of Lugo, the Fine Arts Museums of Bilbao and Álava, and the San Telmo Museum in San Sebastián, among others.

INVADER (B. 1969)Rubik Travis Bickle Mohican 2007 signed, titled and dated 007 on the reverseRubik's cubes on Perspex panel83.8 by 122.9 by 5.5 cm.33 by 48 3/8 by 2 3/16 in.Footnotes:ProvenanceLazarides Gallery, LondonAcquired directly from the above by the present owner in 2007ExhibitedLondon, Lazarides Gallery, London Invasion / Bad Men Part II, 2007, p. 34-35, illustrated in colourInvader is one of the world's most prolific and esteemed street artists. He has been one of the leading pioneers of the Street Art movement to have emerged in the last thirty years, standing alongside Banksy, STIK, and Shepard Fairey as a creator of some of the most iconic and beloved public works of art in the world. His style is utterly unique, and the present work, Rubik Travis Bickle Mohican, captures the punkish, analogue methods that typify his career. Growing up in the 1970's and 80's, Invader's work has drawn inspiration from the popular culture of this period. After graduating from the École des Beaux-Arts, Paris, he began the street art project that would launch him into the public eye in 1998, installing mosaic pieces that resembled the pixelated, '8-bit' style of Space Invader villains across his home city. He almost instantly became beloved by a global public for whom his works were an essential part of the urban landscape, 'invading' city spaces with iconic characters and emblems that were craftily installed often without notice. To this day, he has thousands of mosaics on view in the public spaces of world cities, beneath the surface of the Pacific Ocean, and even aboard the International Space Station. The impact of his career for Street Art and contemporary art at large is immeasurable, and such works as Rubik Travis Bickle Mohican represent the pinnacle of his artistic output. Using his original technique dubbed 'Rubikcubism', Invader takes this fascination with nostalgia and mainstream culture further by using the Rubik's Cube as a medium. The present work combines Invader's instantly recognisable pixelated, pointillist style with one of the most iconic antiheroes from 1970's American cinema - Travis Bickle from Martin Scorsese's 1976 drama Taxi Driver. Through the careful and masterfully obsessive manipulation of the 330 Rubik's Cubes, Invader forms the image of Bickle at the apex of his character arc.Invader's street art is composed of tile mosaics, and depict characters from wildly popular retro arcade games such as Space Invaders and Pac-Man. However, for Invader's studio works he expands the possibilities of pixelation by appropriating a popular image and converting small areas of the image from its native colours into exacting configurations of white, yellow, red, blue, orange, and green tiles on each corresponding Rubik's Cube. The finished artwork simultaneously alludes to the Pointillist principles of Georges Seurat, as well as Picasso and Braques' preoccupation with Cubism which occurred a century before this present work was created. Viewed up close, the present work appears as an abstract cacophony of colours; viewed from afar, however, the image of Bickle with his anarchic mohawk hairstyle materialises. The somewhat grainy and fragmented nature the individual tiles imbue the portrait with nostalgic memories of the filmmaking process. The speckles of white on the top left evoke flecks of overexposed 35mm film. The subject matter reveals not only Invader's interest in mainstream pop culture and nostalgia, but also hints at Invader's humorous, satirical, even philosophical perspectives. The innocence of an iconic game is juxtaposed with the complex and internally tormented nature of Travis Bickle. The nigh infinite number of algorithmic configurations of the Rubik's Cube mirrors the plurality of pop culture and its ubiquitous nature. In the late 2000's, Invader reflected on spirituality as a theme; amongst the same series as the present work, one finds Rubikcubist portraits of the 14th Dalai Lama and Jesus. Travis Bickle, and by extension Robert De Niro who portrays Bickle, are iconified via Invader's laborious yet reverent technique. Rubik Travis Bickle Mohican was exhibited at Invader's first London exhibition London Invasion / Bad Men Part II at Lazarides Gallery in 2007 and has remained in the same private collection ever since. In direct contrast to the serene portraits of religious leaders and famous musicians, or reimagining of iconic masterpieces from the Western canon, the works from the Bad Men Part II series showcase the brazen attitude, grit, and omnipotent hold over the public's attention of these antithetical characters. They point to Invader's quick-witted and humorous qualities as the artist himself has remained anonymous, evading the authorities and the public life throughout his career. Through this choice of subject matter, methods of abstraction and the integration of a cult classic game as a material, Invader's works are revolutionary and iconoclastic. Rubik Travis Bickle Mohican is an exceptional example of the street artist's seamless foray into a unique and technically sophisticated series of studio works which rarely come to market.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881 - 1973), La Tauromaquia - 1957, III, Cannes Edition, copie d'epreuve, signed & titled in pencil, stamped verso in red '20c Art International, Nice, France', 20cm x 29.5cmPrivate collection. No written or anecdotal history available

Pablo Picasso, 1881 Málaga – 1973 MouginsKERAMIKSCHALE Keramik. 31,5 x 38,5 cm. An der Unterseite in Mangan eingebrannte Aufschrift: Legiertes Monogramm CR, daneben „Madoura/ d‘après Picasso/ Nouvelle Edition“.Querovale Schale mit hochgezogener Fahne, schwarz glasiert, im Spiegel weiße Taube nach links, leicht im gravierten Relief, auf der Fahne ochsenblutrote Pinselstriche. (†) (13013134) (11)Pablo Picasso,1881 Málaga – 1973 MouginsCERAMIC BOWLCeramic.31.5 x 38.5 cm.Burnt-in inscription in manganese on underside: monogram CR, in ligature alongside “Madoura / d’après Picasso / Nouvelle Edition”. (†)

Pablo Picasso, 1881 Málaga – 1973 MouginsPLATTE MIT ZIEGENKOPF Breite: 51,2 cm. Rückwärtig Signaturstempel der Manufaktur Madoura.Rötlicher Scherben, weiß glasiert bzw. polychrom staffiert. Alters- und Gebrauchssp. (1321995) (13)Pablo Picasso, 1881 Málaga – 1973 MouginsPLATE WITH GOAT’S HEADWidth: 51.2 cm.Signature stamp of the “Madoura” manufactory on the reverse.

Francisco Bores, 1898 Madrid – 1972 ParisNATURE MORTE AU NUAGE, 1939Öl auf Leinwand.54 x 65 cm.Links unten signiert und datiert „Bores 39“.In dekorativem teilvergoldetem Rahmen.Der Stil von Bores wurde nach seinem engen Kontakt mit den größten Malern der ersten Avantgarde geschmiedet: Pablo Picasso (1881-1973) und Henri Matisse (1869-1954). Beide hatten Einfluss auf sein Werk und sogar darüber hinaus. Seine Werke werden im Museo de Arte Contemporáneo in Madrid ausgestellt.Provenienz:Aufkleber verso auf Keilrahmen „Svensk-franska konstgalleriet 61453 Francisco Bores“ mit Titel und Datumsangabe.Niederländische Privatsammlung.Literatur: Hélène Dechanet Bores, Francisco Bores. Catalogue raisonné de l‘oeuvre peint, Bd. 1, Madrid 2003, S. 373. (1321553) (18))

PABLO PICASSO (1881-1973)COTE d'AZURlithographic poster in colours, 1962, printed by Mourlot, Paris , cond. A, backed on linen 39½ x 26ins (100 x 66cm)Footnotes:Ref:Czwiklitzer 177This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)Colombe Volant (à l'Arc-en-ciel) (Bloch 712; Mourlot 214) Lithograph in colours, 1952, on Arches wove paper, signed and numbered 152/200 in pencil, the full sheet, with pale mount and time staining, in good condition, framedImage 508 x 650mm. (20 x 25 5/8in.); Sheet 548 x 767mm. (21 1/2 x 30 1/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 1967, the full sheet, in good condition, framedPlate 426 x 570mm. (16 3/4 x 22 3/8in.); Sheet 586 x 765mm. (23 x 30 1/8in.)Footnotes:ProvenanceGalleria del Milione, Milano (inv. no. 10Z58)Galleria del Girasole, Udine (inv. no. I797)Private Collection, Italy (acquired from the above, circa 1963-1970)Thence by descent from the above to the present owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Cy Twombly1928 Lexington / Virginia - 1911 in RomOhne Titel. 1973Aus "Hommage à Picasso". Unten rechts monogrammiert. Farboffsetlithografie auf dünnem Karton. Ex. 75/90. Blattgröße: 76 x 56 cm. Die Mappe "Hommage à Picasso" besteht aus 68 Drucken in verschiedenen Techniken. Werkverzeichnis: Bastian 40

Henri Matisse1869 Le Cateau - 1954 NizzaEspagnole à la mantille. 1925Nach dem Gemälde "Espagnole". Rechts unten mit Bleistift signiert. In der Platte bezeichnet "gravé par Jaques Villon 1925" und mit der Verlegeradresse rechts unten. Verso von fremder Hand bezeichnet. Farbige Aquatintaradierung auf Velin Arches (mit angeschnittenem Wasserzeichen). Ex. 189/200, radiert von Jacques Villon, herausgegeben von Galerie Bernheim-Jeune, Paris. 39,9 x 27,7 cm. Blattgröße: 61,5 x 43 cm. Blattränder gebräunt, leicht stockfleckig und Knickspuren. Verso Montierungsreste. Rahmen (ca. 67 x 52 cm). "Espagnole à la mantille" ist ein Highlight des druckgrafischen Portfolios der Sommerauktion. HENRI MATISSE - der einzige zeitgenössische Künstler, den Picasso als ebenbürtig ansah - stellt Henriette Darricarrère in frontaler Pose dar. Wie so oft ist die Muse des Malers als Spanierin verkleidet. Matisse hat Henriette Darricarère im Alter von 19 Jahren in den Victorine Studios in Nizza entdeckt, von 1920 bis 1927 war die Ballerina und Musikerin für ihn das wichtigste Modell. Bekannt war Darricarère vor allem für ihre Odalisken-Posen, oft mit erhobenen oder hinter dem Kopf verschränkten Armen. Matisse soll ihre natürliche Würde, den anmutigen Sitz ihres Kopfes im Nacken und vor allem die Tatsache, "dass ihr Körper das Licht wie eine Skulptur einfängt", gefallen haben Werkverzeichnis: Duthuit-Matisse II (pl. 214) Provenienz: Galerie Oberweger, Schruns (verso Klebeetikett). Privatsammlung Süddeutschland

Pablo Picasso: A 1960's framed lithograph from the Museum of Vallauris, frame size 68 x 13cm.

Pablo PicassoMinotaure, une Coupe à la Main, et Jeune Femme, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Vollard"; ungerahmt19,4 x 26,8 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert links unten in der Platte (spiegelverkehrt): Paris 17 Mai XXXIIIWasserzeichen Vollard am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 190, S. 67 (mit Abb.)

Pablo PicassoMinotaure vaincu, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Picasso"; ungerahmt19,3 x 26,9 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts unten in der Platte (spiegelverkehrt): Paris 29 Mai XXXIIIWasserzeichen Picasso am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 197, S. 68 (mit Abb.)

Pablo PicassoLe Repos du Sculpteur devant le Jeune Cavalier, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Picasso"; ungerahmt19,3 x 26,8 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts oben in der Platte (spiegelverkehrt): Paris 30 Mars XXXIIIWasserzeichen Picasso am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Priavtbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 164, S. 61 (mit Abb.)

Pablo PicassoSculpteurs, Modèles et Sculpture, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Vollard"; ungerahmt29,2 x 36,2 (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts unten in der Platte (spiegelverkehrt): Paris 20 Mars XXXIIIWasserzeichen Vollard am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 149, S. 58 (mit Abb.)

Pablo PicassoLa Danse1961Lithographie in Farbe nach Picasso 58 x 48 cm (Passep.-Ausschnitt)Signiert und datiert in der Platte: Picasso / 25.7.61Lithographie in Farbe nach PicassoNummeriert links unten: 616/1000österreichischer Privatbesitz 

Pablo PicassoCarneval1958Farblithografie auf Papier49 x 39 cm (Passep.-Ausschnitt)In der Platte zweimal signiert, datiert und bezeichnet: Picasso / 26.1.58 / Picasso, Bon à tirerLithographie in Farbe nach PicassoNummeriert links unten: 785/1000österreichischer Privatbesitz

Abraham Mintchine (Ukrainian/Russian, 1898-1931)Interior of a studio (Siesta)signed in Latin (lower right) oil on canvas 38.5 x 55cm (15 3/16 x 21 5/8in).Footnotes:ProvenancePurchased from Crane Kalman Gallery, London, by B. I. Harris Esq. on May 1960 (according to the label on verso)Acquired from the above by Jacques Spreiregen (1894 - 1982) Thence by descentExhibitedWorthing Art Gallery, Sussex, Impressionism to Surrealism, no. 2, 1970 (according to the label on verso)Jacques (Jakob Henryk) Spreiregen was born in 1894 in Warsaw into a Jewish family. To escape the Tsarist regime in Poland, in 1910, the family emigrated to France, where he changed his name to Jacques Henry Sergene. During the First World War, a young Spreiregen moved to England and began working as a headwear manufacturer and importer of basque berets. Having joined the British Army, he was sent back to France to serve in the Medical Corps before returning to England after the war. In 1938, the Kangol brand was born and owing to the exceptional popularity of its berets, soon became the official supplier of the British Army during the Second World War. As a philanthropist and collector, Spreiregen is known to have built an extraordinary collection of 20th century art led by European avant-garde masters such as Paul Cezanne, Claude Monet, Pierre Bonnard, Pablo Picasso, Mark Chagall, Mikhail Larionov and Natalia Gontcharova. Maintaining close ties with France, he was avid in his support of the community of Jewish artists in Paris, which included Chaïm Soutine, Pinchus Krémègne, Abraham Mintchine and Maurice Blond, and acquired the majority of his collection directly from the artists' studios. This remarkable collection was exhibited several times during Spreiregen's lifetime: in January 1960, at the Rouen Museum of Fine Arts, at the Katia Granoff Gallery in Paris (May – June 1963) and at the Brook Street Gallery in London in December 1963.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A pair of gold 'Loving Heart' clip on earrings, by Paloma Picasso for Tiffany & Co.,c.1990. The open ribbon style heart with omega clip fittings. Marked 750, signed Tiffany & Co., Paloma Picasso. 13.90 x 10.30mm, 4.80gLight surface marks commensurate with its age.It would be possible to fit posts to these earrings for pierced ears.

7 KunstbücherDescharnes, Dali - Sein Werk - Sein Leben, DuMONT, 1984; Spies, Max Ernst - Collagen, DuMont, 1975; Ketterer, Ernst Ludwig Kirchner - Zeichnungen und Aquarelle, 1979; Boeck, Picasso, Kohlhammer, 1955; Max Ackermann - Der Zeichner, 1994; Max Ackermann - Klang der Farbe, 1989; Cirlot, Picasso - Das Jugendwerk eines Genies, 1972. Leichte Altersspuren.

Picasso, Pablo & Dominguin, Luis MiguelToros y Toreros, Köln, DuMont, 1980, mit zahlr. tls. farb. Illustr. von Picasso, farbig illustr. Originalhalbleinenband, Folio. Guter Erhaltungszustand. Mit orig. Schuber.

Picasso, PabloMálaga/Spanien 1881 - 1973 Mougins/Frankreich. "Les deux tourterelles doubles", Darstellung: "Die zwei doppelten Turteltauben", unten rechts mit Bleistift sign. und num. 5/50, unten links in der Platte dat. "29.6.1946", Farblithographie in Violett und Gelb/brauntonigem Papier, HxB: ca. 49,8/65,5 cm (Blatt). Gebräunt. Mit verglastem Rahmen.

A Collection of Sundries to Include Pens, Lighter (AF), York Goblet, Picasso Print, British Copper Coinage, Miniature Cased Guitar etc

'Exposition Vallauris' Pablo Picasso lithographic print approx. 47cm x 38.5cm

*Pablo Picasso (1881-1973) lithograph in colours - Dove of Peace, 1961, signed in pencil lower left and numbered 12/200, on Arches paper, unframed, 50cm x 65.5cmProvenance: purchased by the vendor in Chelsea, circa late 1980sFoxing throughout, a horizontal stain/mark along the lower edge. A crease in the top wing, left and right side a bit rough. See images.

Collection of 3 design crystal carafes, 3x marked: Baccarat ca. 1930, Villeroy & Boch Paloma PicassoCollectie van 3 design karaffen onder stolp, 3x gemerkt: w.o. Baccarat ca. 1930, Villeroy en Boch Paloma Picasso

PABLO PICASSO (Spanish, 1881 ? 1973) 'Jacqueline Roque 26.11.55', collotype, editions Cercle d'Art, 45cm x 30cm, framed.

PABLO PICASSO (Spanish, 1881 - 1973) 'Bleus de Barcelona: Le Divan', edition of 500, stencil on BFK Rives paper signed in the plate, published by Au vent d'Arles 1963, printed by Jacomet, 27cm x 32cm, in a vintage French frame. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO (1881-1973), 'Woman with Pot', quadrichrome, framed, 47cm H x 71cm W.

Artist: Man Ray (American, 1890 - 1976). Title: "Pablo Picasso [1932]". Medium: Original vintage photogravure. Date: Composed 1932. Printed 1934. Dimensions: Image size: 11 5/16 x 8 3/4 in. (287 x 222 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): See: www.manraytrust.com, pg.28. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [798-2-150]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: 172 Dessins Recents [Galerie Louise Leiris]". Medium: Original color lithograph . Date: Composed 1972. Dimensions: Overall size: 28 3/8 x 19 in. (721 x 483 mm).Lot Note(s): Signed in crayon, lower right; signed and dated in the stone. Edition of 5,250 (of which all were printed?). Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Czwiklitzer 446 (1981 ed.); Rodrigo 241. Comment(s): Apparently a scarce Picasso poster. We could not find an example at auction. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Designed by Picasso in collaboration with Henri Deschamps. Printed by Mourlot, Paris, under Picasso's supervision. Image copyright © Artists Rights Society (ARS), New York. [10652-5-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "Chevalet, Peintre et Modele Masque". Medium: Original color lithograph. Date: Composed 1954. Dimensions: Overall size: 10 x 13 7/8 in. (254 x 352 mm). Image size: 9 7/16 x 12 5/8 in. (240 x 321 mm).Lot Note(s): Dated in the stone, lower left. Edition of 2,000 unsigned impressions. Cream wove paper. Medium margins. Fine impression. Good condition; some browning in the margins. Literature/catalogue raisonne: Anthonioz V29/30. Provenance: E. Weyhe, New York City. Comment(s): Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [20039-2-200]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "October 8, 1964 #10 [from the suite 'Le Gout du Bonheur,' image dated 8-10-64 X, untitled as issued]". Medium: Original silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An erotic image. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30016-2-800]

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #04 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 IV 21, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, lower left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30028-2-1200]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Los Minotauros [Galeria Colibri]". Medium: Color silkscreen. Date: Composed 1968. Dimensions: Overall size: 21 9/16 x 16 1/8 in. (548 x 410 mm).Lot Note(s): Signed in white crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: Unknown to Czwiklitzer and Rodrigo. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. A scarce poster; no auction records in the past 25 years located. Image copyright © Artists Rights Society (ARS), New York. [26955-4-1200]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Affiche - Dibujos de Picasso - Barcelona [Sala Gaspar]". Medium: Original color lithograph . Date: Composed 1961. Dimensions: Overall size: 27 5/8 x 19 5/8 in. (702 x 498 mm). Image size: 24 x 18 3/4 in. (610 x 476 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. White wove paper. Full margins. Very fine impression. Very good condition; dimples along left margin, else fine. Literature/catalogue raisonne: Bloch 1293; Czwiklitzer 45 (1970 ed.);Czwiklitzer 46 (1981 ed.); Rodrigo 110; Mourlot 339. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Foto-Repro S.A., Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27394-5-400]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Hommage a Rene Char [Musee d'Art Moderne de Ceret]". Medium: Color lithograph. Date: Composed 1969. Dimensions: Overall size: 30 3/4 x 20 1/2 in. (781 x 521 mm). Image size: 25 1/8 x 17 3/4 in. (638 x 451 mm).Lot Note(s): Signed in pencil, lower right. Edition of 3,000. White wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: Czwiklitzer 291 (1970 ed.); Czwiklitzer 348 (1981 ed.); Rodrigo 185. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Lithography by Henri Deschamps. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26969-5-225]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Pintura - Dibujo - Grabado [Sala Gaspar]". Medium: Original color offset lithograph . Date: Composed 1968. Dimensions: Overall size: 27 3/4 x 20 1/4 in. (705 x 514 mm). Image size: 26 5/8 x 19 3/8 in. (676 x 492 mm).Lot Note(s): Signed in pencil, lower center. Intended edition of 5,000 (of which all were printed?). Light cream wove paper. Full margins. Very fine impression. Fine condition. Literature/catalogue raisonne: Czwiklitzer 274 (1970 ed.);Czwiklitzer 324 (1981 ed.); Rodrigo 172. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Foto- Repro S.A., Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27395-5-400]

PICASSO Pablo (1881 Málaga, Spanien - 1973 Mougins, Frankreich) "Minotaurus" eine schlafende Amazone anfallend, Radierung, rechts unten signiert, links unten bez. E.A., 13x18cm (Abb.), PP, R

PICASSO Pablo (1881 Málaga, Spanien - 1973 Mougins, Frankreich) "Bildnis einer jungen Frau", Kopfbild in der Frontalen, Radierung, rechts unten signiert, links unten bezeichnet, 18x13cm (Abb.), PP, R

HAUSER Erich (1930 Rietheim-Weilheim - 2004 Rottweil 2004) ''Ohne Titel'', abstrakte rund eingefasste Komposition, Kaltnadelradierung, rechts unten signiert und links unten als Probedruck bezeichnet, D 17cm *Hauser absolvierte eine Ausbildung als Stahlgraveur. Danach studierte er an der Freien Kunstschule in Stuttgart. Anschließend arbeitete er als freischaffender Bildhauer und Künstler. Inspiration zog er aus Plastiken des spanischen Künstlers Pablo Picasso und des italienisch-französischen Künstlers Berto Lardera. Er orientierte sich in der Handhabung von Metallen an der zeitgenössischen informellen Malerei Anfang der 1950er Jahre. Er nahm an zahlreichen renommierten Ausstellungen wie der Kasseler documenta teil. Hatte Gastprofessuren in Hamburg und Berlin inne und wurde vielfach mit Preisen geehrt. Seine Werke befinden sich in zahlreichen deutschen Städten im öffentlichen Raum.*

Picasso Lithograph numbered E.A XII/XXV, signed and dated 1952. Lithografie genummerd E.A XII/XXV, getekend en gedateerd 1952. 18.5 x 25 cm

Pablo PICASSO (1881-1973) Lithograph 'Côte d'Azur par Henri Deschamps' (1961). Lithografie 'Côte d'Azur par Henri Deschamps' (1961). 99 x 65.5 cm

Pablo PICASSO (1881-1973) Lithograph signed and numbered 38/50. Lithografie getekend en genummerd 38/50. 20.5 x 15 cm

Große Glasskulptur, sign. Alessandro Barbaro, Murano, zeitgenössischer ital. Glaskünstler , vier paarweise übereinander gestapelte Köpfeunter offenbarem Picasso.Einfluß, auf rundem Sockel, farbloses Glas, polychrome z.T. flächige Einschmelzungen, Fadenaufschmelzungen, auf Sockel signiert, H. 42 cmLarge glass sculpture, sign. Alessandro Barbaro, Murano, contemporary Italian glass artist, four heads stacked in pairs, evidentlyunder the influence of Picasso, on a round base, colorless glass, polychrome, partly flatmeltings, melting threads, signed on the base,H. 42 cm

Pablo Picasso (1881-1973) Spanish "Posters of Picasso" Screen printed cotton for Bloomcraft 1950's, 69cm by 54cmWith selvedge to the reverseExhibited: "Textiles Picasso to Warhol", Fashion and Textile Museum, London, 2014

Pablo Picasso (1881-1973) Spanish ''Spring'' (1955)Screen printed cotton for Fuller Fabrics, 26.5cm by 36cm

Pablo Picasso (1881-1973) Spanish"Picasso 347, Volumes I & II"Published by Random House/Maecenas Press, New York, presented in the original clam shell case

'Picasso' five framed and mounted pictures

Artist: Cecil Beaton (English, 1904 - 1980). Title: "Pablo Picasso, rue de la Boetie #2". Medium: Original vintage photogravure. Date: Composed 1933. Printed 1968. Dimensions: Image size: 11 3/4 x 8 13/16 in. (298 x 224 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition, affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © The Estate of Cecil Beaton. [28975-2-225]

Artist: Robert Doisneau (French, 1912-1994). Title: "Picasso a Vallauris, 1952". Medium: Original vintage photogravure. Date: Composed 1952. Printed 1952. Dimensions: Image size: 6 3/4 x 8 7/8 in. (171 x 225 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Atelier Robert Doisneau. [24914-1-300]