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190728 item(s)/page
A Collection of Items belonging to Ham Radio Operator (Morse Code) F. Alan Lockett B. Sc. (G3NWO) to include ESL Morse Code Button, Operator Code Plaques, A Quantity of Communication Confirmation Receipts. Ham's Interpretation Guide, Two Enamel Pin Badges with G3NWO Code for ARS Stoke-on-Trent and RSGB
An antique Art Nouveau Russian belle epoque diamond pendant necklace with articulating and suspended droppers. Variously marked to reverse with zolotnik mark 56, denoting 14ct fineness, markers mark stamped indistinctly on brooch pin, and reverse. Assessed as 14ct gold with silver front and silver chain. Approx 78 old cut diamonds in graduating sizes. Pendant drop 9.2 cm, width 5.6 cm, chain length 26 cm. Weight 24.28grms.
A vintage 9ct hallmarked gold oval coral cabochon ring, size M, a further gemset 9ct stamped ring with bow shoulders, size M 1/2, a 9ct hallmarked amethyst and cz ring, and an unhallmarked opal and pearl bar brooch assessed as 9ct gold with a replacement gilded pin. Gross weight 11.15 grams.
* Valentine. A handmade Valentine addressed to Miss Mary Guttery, February 14th, 1811, wove paper bifolium, with half of second leaf torn away, first page with pen, ink, and watercolour design of a love knot in the centre, with hearts above and below, surrounded by manuscript between flower stems, the whole within two double line ink borders, captioned at head between the borders 'February 14th 1811', third page with remains of a manuscript verse, verso (soiled) addressed to 'Miss Mary Guttery to be left at Robinhood=well Camsall near Doncaster', small traces of red wax seal, folds forming 'envelope', torn and some neat archival tape repairs, with a few small losses, leaf size 23 x 18.5 cm, together with a number of other Valentines and ephemeral items, including: a handmade folding Valentine, circa 1840, with heart within foliate wreath on the front and star within floral wreath on the back, both surrounded by manuscript, dust-soiled, 11.5 x 11.5 cm, unfolding to 33.5 x 33.5 cm, revealing a young lady sitting on a young gentleman's knee in the centre square, decorative motifs and accompanying manuscript on the surrounding 8 squares (e.g. 'If you refuse To be my wife, You will bereave Me of my Life'), each square with diagonal fold to form interlocking triangles, some tears, adhesive tape repairs to most folds; 2 papercut Valentines, one of a bird and a serpent, the other of a moth; an engraved lace-paper Valentine titled The requisite Contents of a Lady's Dressing Case, with flaps captioned with an article relating to a lady's toilette, opening to reveal a virtue (e.g. 'Pomade divine' reveals 'Amiability'); a circular pin-prick and watercolour letter dated 1859, written in German, and threaded with pale pink silk ribbon, 4 folds to form a triangle; 9 folded unmarked manuscript dance cards, each with a watercolour illustration of a Kate Greenaway style figure on the front; 10 small cards each with a skillful watercolour floral or border design, 7 written in manuscript with a puzzle or enigma; and a colour lithographed bifolium rebus printed on 3 pages titled The Picture Letter, by Catherine Sinclair, circa 1860, somewhat torn, various condition and sizesQTY: (approx. 25)NOTE:The well-spring at Barnsdale, near Doncaster, known as Robin Hood’s Well was first recorded by local antiquary Roger Dodsworth as ‘Robbinhood-well’ in 1622. In 1710 a finely-cut arched limestone well cover was erected there designed by Sir John Vanbrugh for the Earl of Carlisle. It became a tourist site and meeting place in the 18th and 19th centuries. The above Valentine shows it was also just the place to secrete a letter from one lover to another.
* McGill (Donald Fraser Gould, 1875-1962). "Excuse me, is this the place where I come for my driving test?", watercolour and gouache on board, showing a woman hitting the side of a wall in a car, a policeman jumping out the way, together with two other comic postcard designs comprising: "Blimey! I've got into wrong housh again! On'a single woman's too!!" and "His wife has quinzies. What Again! Why the last pain and 15 months old!", small pin holes to blank margins, various sizes, largest sheet size 14.2 x 27.8 cm, together with Parkes (Terence "Larry", 1927-2003). Amateur Gardener, watercolour with pen and ink on paper, depicting a gentleman burning items in his back garden, a disgruntled neighbour looking at the roof of his burning bird table, signed upper right, 17 x 22 cm mount aperture, mounted (28 x 33 cm), and two other cartoonist images by Barry Appleby and R.E., various sizesQTY: (6)
* Toms (Carl, 1927-1999). Twelve original portrait sketches of members of the premiere cast of the opera A Midsummer Night's Dream, 1960, watercolour and pencil on wove paper, three with heightening in white, a mixture of full-face, half-profile and profile poses, each with character and corresponding singer's name in pencil, some with additional design notes in blue biro, occasional light handling creases, each sheet 37.5 x 25 cm QTY: (12)NOTE:Carl Toms designed the set and costumes for Benjamin Britten's opera A Midsummer Night's Dream. Britten adapted the libretto with Peter Pears from Shakespeare's play of the same name, and it was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer. These designs all feature members of the cast and were presumably used as a reference for Toms during the design process. Some include additional notes referencing singer's hair designs: 'extra piece to pin on', 'height here' and 'pepper with salt grey flecks'. Characters and singers (as inscribed) include: Lysander - Mr George Maran, Demetrius - Mr Thomas Hemsley, Hermia - Miss Marjorie Thomas, Helena - Mrs April Cantelo, Hypolita, Mrs Joanna Peters, Theseus - Mr Forbes Robinson, Bottom - Mr Owen Brannigan, Quince - Mr Norman Lumsden, Flute - Mr Peter Pears, Snug - Mr David Kelly, Snout - Mr Edward Byles, Starveling - Mr Jospeh Ward.
A Royal Crown Derby Porcelain Miniature Vase, decorated in Imari pattern 1775, of tapered octagonal form with beadwork rim, printed mark, date code for 1925, 6.5cm high; two Royal Crown Derby Pin Trays, decorated in Imari pattern 1128, 9 x 7.5cm and a Royal Crown Derby exotic bird plate in dark blue and gilt, 21cm diameter. (4)
A Collection of Royal Crown Derby Porcelain in the 'Royal Antoinette' Pattern, various dates, printed marks, comprising:- teapot and cover, three large plates, sugar bowl and cover, tea cup and saucer, coffee can and saucer, photograph frame, vase and a pin dish; together with Royal Crown Derby 'Derby Posies' crescent dish. (15)Appear in good condition, all appear to be 1st quality
An Assortment of British and World Coins and Sets, comprising; 4x UK Proof Sets, 1970, 1977, 1981 and 1982; 3x brilliant uncirculated sets, 1989 and (2x) 1990; 2x Hong Kong brilliant uncirculated sets, 1988 (rare) and 1997; a box of mixed British and World coins including some silver proof examples, medals, pin badges and plenty more; an interesting lot with viewing recommended
A Pair of Lapis Lazuli Cufflinks, the oval lapis lazuli plaque with applied double headed eagle motif, stamped '14K', plaque measures 1.8cm by 1.1cm; An Emerald and Diamond Stickpin, the circular plaque set centrally with a square cut emerald within a border of old cut diamonds in a star setting, plaque diameter 1.7cm; and A Diamond Stickpin, the circular plaque set centrally with an old cut diamond in a star setting, plaque measures 1.6cm by 1.4cmCufflinks - 8.8 grams. Emerald and diamond stick pin - the stick pin is in fair condition, the emerald is close backed and it is possible that it is foil backed, it is unmarked, but in our opinion would test as gold, 4.3 grams. Diamond stickpin is unmarked, but in our opinion would test as gold, 2.9 grams.
Hendrik Goltzius - The Masterpieces, Adoration of the Magi - 1594 / Description: This is one of a series of six plates showing 'Masterpieces' depicting the Life of the Virgin engraved by Hendrick Goltzius (New Hollstein 8-13). Each time he created a large format work follwing the technique of one of the greatest masters in the field to show his genius. Here a piece in the burin manner of Lucas van Leyden: The Adoration of the Magi. One of the Magi kneeling before the Christ child and opening the lid to a casket containing gold coins, the two other magi standing by at right holding their precious gifts with their entourage nearby, a cityscape in background. This is a second state before number; the first state before the lettering is not on the market. This here is an early impression printed on laid paper with an early watermark, quite similar to Meder watermark 212 'Baslerstab mit drei kugeln' dating from 1567-1591. / Dimensions: 47,65 x 35,50 cm / Condition: Good fine early impression on watermarked laid paper trimmed on plate border with small margins all around the subject. Condition is near excellent with further description just to be complete: A couple of tiny neelde pin holes in two corners and a little 2 mm tear without paper loss against the left margin 5 cm from the bottom corner. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (12.I) ---- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (13.II) ---- Hirschmann 1921 / Hendrik Goltzius, Verzeichnis des graphischen Werkes (13) ---- Strauss 1977 / Hendrik Goltzius: the complete engravings and woodcuts (320) ---- Bartsch / Le Peintre graveur (III.16.19) / Medium: Engraving /Circa: 1594
Enea Vico (1523-1567) - Military Trophies with elephant head - 1553 / Description: A composition sheet with several trophies, some with body armour and the head of an elephant, from a series of sixteen plates. Engraving made by Enea Vico in 1553 as part of a series of military Trophies. Apparently there were two sets issued, one in 1550 and the other in 1553 the numbers being added later to make one series. Some impressions have the name 'Petri de Nobilibus formis', others have 'Ant Lafreris'. This one with the address of Ant Lafreri 1553 and the additional publishers address Petri de Nobilibus 1585. / Dimensions: 25,85 x 17,50 cm / Condition: Excellent impression with plate tone on Italian laid paper with a circular watermark. Full plate border and good margins. In excellent condition with no folds, tears or stains. Two pin holes top middle margin. / Literature: Bartsch / Le Peintre graveur (XV.353.434) / Medium: Engraving /Circa: 1553
A 'Cinq Chevaux' glass mascot by Rene Lalique, French, introduced 26th August 1925,moulded 'R.Lalique' and wheel-cut 'France' to lower side, engraved 'No.1122' under base, in clear glass with very pale amethyst tint, 14cm long, some chips and some minor internal pin-prick bubbles in places, fitted within Breves Gallery mount with split-ring threaded collar and fitted with modern bulb and lever for illumination, above a stepped wooden display base. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
19th century gold foiled back cabochon garnet and diamond brooch, four oval garnets spaced by rose cut garnets and a central old cut diamond, suspending a further pear cut garnet, the reverse with a glazed locketCondition Report:Approx 10.3gm, tested approx 13ct including back pin, dimensions = 42mm x 29mm, stones secure, a few very light nibbles to a couple of garnets (not detrimental) and some mottling behind garnets, diamonds slight grey overall well presented
Early 20th century gold amethyst and seed pearl pendant, stamped 9ct, on later gilt chain, two later 9ct amethyst pendant necklaces and a pair of 9ct gold amethyst pendant stud earringsCondition Report:9ct non stone set approx 1.6gm, lengths= 45cm and 46cm, stone set approx 11.1gm, back pin not gold, max pendant length = 3.5cm
Early 20th century gold jewellery including sapphire and pearl cluster, white spinel full eternity ring and a heart cut tourmaline and peridot circular pendant, all 9ct and a 12ct ruby and pearl oval broochCondition Report:9ct appro 6.4gm, sapphire ring shank damaged and split from ring head, one tourmaline stone missing from pendant, other ring size M-N, 12ct approx 5.35gm, back pin not gold, one pearl with damage, dimensions = 25mm x 19mm
ARTS & CRAFTS SILVER CASKET, of rectangular form, the hinged lid decorated in green and blue enamels, raised on pad feet16.5cm wideCondition good to fair. Back left pin protruding by about 1cm. Some Striations marks to enamel top. Two dings visible around hinges. Some wear to pledge of lining. Slight misshaping to rear left corner. Additional images now available.
ROYAL WORCESTER PART MINIATURE COFFEE SERVICE, ALONG WITH A ROYAL WORCESTER PIN DISH each hand painted with fruit, comprising a coffee pot, two saucers and two plates, with a further Royal Worcester pin dishthe coffee pot 12cm highQty: 6Condition generally good. No chips or cracks. No noticeable crazing. Some scratches to dished section of one saucer. Manufacturing flaws to interior of cups, more noticeable to one - frit present.
A Hornby Dublo pale blue boxed EDL7 LMS 0-6-2T, superb example showing no signs of use, this is the version with the large rear bogie securing pin, no markings to paint or transfers, box Ex plus, slight soiling 6/48 of a production run of 2500, complete with packing pieces, cover strip, oil tube, instructions, guarantee, test tag and membership application form
A Hornby Dublo factory repaired Articulated Set, rare item to find in this condition, pre-war version originally, slight crazing to roofs, not sprayed on underside, now fitted with post-war bogies. Generally Nr M, few pin point marks to silvering. Complete with internal card packaging, outer box made by factory with repair numbers at each end
Raketa, a plated metal case with stainless steel case back GMT wrist watch, case number 758, signed manual winding movement, calibre 2623.H, fitted to an unsigned black rubber strap with stainless steel pin buckle, case width measures 40mm. Together with an Oulm wrist watch and a Jaragar bracelet watch.
A 19th century walnut and brass watercolour box together with the original contents, the hinged cover opening to reveal a compartmented interior containing branded watercolour blocks, tools, ceramic palette and mixing dishes, back stamped for 'Rowney & Co.', the inside lid bears a paper label for 'R. Ackermann's Superfine and Permanent Watercolours', also a pin release drawer containing gold leaf and gilding tools (with key), w-26cm, d-16cm, h-6.5cm
An Art Deco Old Cut Diamond Set AEI Monogram Motif Brooch, 'Amity' 'Eternity' 'Infinity', stone set throughout, (no apparent marks), in a vintage fitted box.*2004 Hugh Rice, Hull, Insurance Valuation states; assortment of synthetic and natural rubies and emeralds, appraised as 18ct gold. All stones appear to be of uniform cut. Some chips/nibbles noted, some claws to setting would benefit to retipping.The pin sits securely, no obvious signs of repair. 9grams in weight. 2cm x 2cm approx.

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190728 item(s)/page