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Lot 30
A French gilt-bronze mounted breche violette marble pedestal column, late 19th century, with a Corinthian capital and stepped, square base, losses to foot of shaft, 136.5cm highCondition Report: The top plateau is missing and there are two protruding brass dowels where the top would have originally been secured into place. The gilt capital and other mounts to the base of the shaft and plinth have light wear and tarnishing consistent with age and use. The top of the shaft with some nibbled to the edge where it joins the capital. There is a small area to the middle of the column shaft with a small amount of in-fill. There is a section of loss to the foot of the shaft and two further chips also to the foot. The plinth base with nicks and losses to the leading edges and corners. Some of these losses have been infilled. The top dimensions are: diagonal across the top - 33.3cm; wide left-->right - 26.5cm.
Lot 224
A French gilt and patinated bronze mounted marble figural mantel clock, of Empire style, after a model by Claude Galle, late 19th century, with Eros standing with his lyre next to the milestone-shaped case mounted with stiff-leaf border and winged Classical female figure holding her arms aloft, on stepped rectangular plinth base with foliate mounts on winged lion paw feet, the white enamel dial with Roman and Arabic numerals, indistinctly signed to dial, the twin train movement with outside countwheel striking on a bell, the backplate with cachet stamped HORS CONCOURE BESANCOR 1893 LS. BONAME (DOUBS) SELONCOURT, and numbered 8055 9 2, with pendulum, 61cm high, 42cm wide, 21cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 48
After Franco Bargiggia, Italian, 1888-1966, a bronze figure of a nude boy, mid-20th century, depicted standing holding a lizard to his chest, inscribed to the base Franco Bargiggia and with foundry plaque, on a green marble plinth, the bronze - 42cm high; overall - 45cm high (ARR) Provenance: The George Farrow Collection.
Lot 185
A pair of gilt-brass mounted Continental porcelain Kakiemon bottle-flasks and covers, 19th century, pseudo red hunting horn marks for Chantilly, probably Samson, each painted with the ‘flying squirrel’ pattern, with a yellow squirrel eating berries above bound bullrush fences issuing meandering branches and flowers, on square plinth bases with canted corners and circular garlands, the covers with down-turned stiff leaves below the finials and attached with chains to the neck mount, 21cm high overall (2)Provenance: The George Farrow Collection.
Lot 311
A Victorian oak library bookcase, third quarter 19th century, the upper section with moulded cornice over three glazed doors flanked by scroll leaf carved cap, the lower section with matching caps and three bead panel doors on plinth base, 226cm high, 183cm wide, 40cm deepCondition Report: scratches, stains and old gouges throughout, piece of moulding from top left door is loose but present, some minor splits, structurally sound
Lot 211
A George II red jappaned longcase clock, by John Moys of Croydon, mid-18th century, the case with gilt chinoiserie decoration with flowers and figures, with three finials above the moulded cornice above Corinthian columns, the trunk with moulded door on plinth base with bracket feet, the arched brass dial enclosing a silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial at twelve and calendar aperture at six, the arch with convex silvered plaque signed John Moys Croydon, the twin train movement striking a bell, with pendulum and weights, 228cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece offered for sale. Footnotes: Note: John Moys is recorded as working in Croydon (Surrey) in 1730 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.556. Condition Report: Case - With wear throughout consistent with age and use, to include knocks and chips to edges, losses to lacquer, surface scratches and areas of repair. The moulding to right side beneath hood has been reattached with glue visible. Repaired break to moulding of arch to hood. The middle finial to hood has broken off but is present, the other two have been reattached - all three are replacements. Splits to backboard, and with small section replaced to left side behind hood. Seatboard probably a replacement. Hinges and lock to trunk door are replacements. Repaired break to top of interior of trunk door.Dial - With scratches and surface wear to dial plate and chapter ring. Small hairline fracture between 25 and 30. Tarnishing to reverse of false backplate. Hands with rusting. Movement - Tarnishing and surface scratches to backplate. Incised restorer's marks to backplate. Bending to pendulum holder. Tarnishing and wear to bell. Weights and pendulum are associated.
Lot 209
A mahogany and walnut upright Polyphon, third quarter 19th century, the cornice with turned finials above door, inset with circular bevelled mirror, flanked by two turned columns, disc drawer with thirty discs, on stepped plinth base, with plaque K. Bender & Co, London, 2a Dysart street, Finsbury Square, made in Germany, (Polyphon agents), 166cm high, 56cm wide, 35cm deep Please note that Roseberys do not guarantee the working order of any instrument of mechanical musical device offered for sale.Condition Report: Scratches, knocks and old gouges throughout, foxing and oxidation to the mirror plate, large hole on right side panel from where a handle used to be and handle to left side is missing. Drawer to interior is stuck. Mounts missing to frieze below gallery top on front and sides. Missing finials and split to top. Escutcheon missing to right side and key is missing. Hinges on door slightly loose. Lifting and scuffs to plinth base. In working order, structurally sound. All the teeth on the comb are present, the one on the far right shorter as per manufacture. Discs with scratches, rusting and knocks.
Lot 313
A large Victorian mahogany bookcase, third quarter 19th century, the stepped cornice above adjustable open shelves and four doors, on shaped plinth base, one door stamped with serial number 03799 1/2, 230cm high, 183cm wide, 47cm deep Condition Report: scratches, stains and old gouges throughout, structurally sound
Lot 309
A Victorian mahogany breakfront library bookcase, third quarter 19th century, the moulded cornice over four glazed doors, enclosing adjustable shelves, flanked by leaf moulded caps, the lower section with four arch panel doors with matching caps, on moulded plinth base, 238cm high, 246cm wide, 53cm deepCondition Report: scratches, knocks and stains throughout, various minor splits, structurally sound
Lot 222
A French rosewood and marquetry portico clock, of Empire style, 19th century, the case inlaid with scrolling foliage, with four brass capped columns on stepped plinth base, the silvered dial with Roman numerals, signed Cleret à Lyon, within floral cast bezel, the twin movement striking the hour and half hour on a bell, the backplate stamped ETABLISSEMENT Barbot DE PARIS an numbered 417, with associated gridiron pendulum, 46cm high, 23.8cm wide Please note that Roseberys do not guarantee the working order or time keeping of any timepiece offered for sale. Condition Report: Case - Breaks to back left edge and corner of rim to top, minor chips to edges of frieze below. Chips to edges and corners of base. Minor surface scratches throughout. Some white marks to reverse.Dial - Dirt, marks and surface scratches throughout. Movement - Tarnishing and surface scratches to backplate. Scratching and pitting to bell. Pendulum is associated and does not fit.
Lot 317
A Victorian narrow rosewood bookcase, second quarter 19th century, the moulded cornice above two glazed doors and two mirrored doors, on plinth base, 190cm high, 89cm wide, 37cm deepCondition Report: scratches, stains and old gouges throughout, minor veneer missing, some foxing to mirror plates, shelves for top section have been replaced, structurally sound
Lot 31
A pair of gilt-bronze mounted Sèvres style porcelain pedestals, late 19th century, of tapering rectangular form with verde antico marble plateaux, the central sections painted with 18th century hunting scenes with finely dressed figures on horseback with hounds in landscapes, each signed H. Desprez, the waisted blue-ground capitals and socles gilt with hunting trophies within scrolling foliage borders, each mounted with scrolling foliage, on rectangular verde antico marble plinth bases centred by masks of Hercules wearing the head and pelt of the Nemean lion, 117cm high overall, the marble tops 35.8 x 35.8cm (2)Footnotes: Note: a similar pair of Sèvres style porcelain and vert maurin marble pedestals sold at Christie's New York, 16 April 2015, lot 10 ($30,000).
Lot 191
Three pieces of Spanish blue and white tin-glazed pottery, possibly Talavera, 17th - 18th centuries, comprising: a square inkwell with a gadrooned central part on four feet, painted with foliate motifs, 6.8cm high, 10cm wide, 9.5cm deep; a square inkwell with a projecting upper part and square base on four feet, decorated with bold geometric designs, 6cm high, 8.5cm wide, 8.5cm deep; and a pentagonal pounce-pot, of plinth shape with a projecting cornice and foot, the central part painted with foliage motifs, 7.6cm high (3)Provenance: With J. Cruz, San Sebastián (the pentagonal pounce-pot, according to the label attached to the underside).Footnotes: Note: A similar example to the first inkwell is in the V&A Museum collection, accession no. C.59-2002. A similar example to the dust pan is in the José Bertrán y Musitu collection, published in J. A. Bertrán (ed.), 'Cerámica de Talavera de la Reina y Puente del Arzobispo en la colección Bertrán y Musitu', Grafiques Iberia, 2001, p. 119 cat. no. 109. Condition Report: Square inkwell: There is some chipping and flaking to the extremities. One foot is chipped and there is a firing crack to another foot. There are some further small firing cracks. Second square inkwell: The edges of the upper part have been chipped away so the upper part is now almost circular. There is some further chipping to the extremities and one foot. Pentafoil sander: One corner of the projecting upper part is chipped (this is a large chip) and there are some smaller (more minor) areas of chipping to the upper part, the rim around the apertures at the top and to the corners and edges of the foot.
Lot 5
After Claude Michel, known as Clodion, French, 1738-1814, a French bronze group of a Bacchante and Satyr, late 19th century, the seated satyr with a dish of grapes, an amorino at their feet, on a naturalistic vine strewn base, the reverse cast Clodion 1780, with a later velvet covered plinth, the bronze - 47cm high, with pedestal - 62cm highProvenance: The George Farrow Collection
Lot 180
A pair of large gilt-bronze mounted Sèvres-style blue-ground oviform vases and covers, late 19th century, the covers with pseudo-Sèvres interlaced Ls mark, the central bodies painted with 18th century scenes of finely dressed figures in park landscapes, dancing, playing games and at discussion, the reverses with chateaux, divided by satyr-headed handles , the blue-ground waisted necks, domed covers and socle feet with gilded foliate motifs and urns with flowers, on square plinth bases, each vase and cover 99cm high overall (2)Condition Report: These impressive vases and covers appear to be in overall good condition, with few signs of damage to the porcelain. The gilt-bronze mounts have some small spots of verdigris. One vase is somewhat loose on the socle base and needs to be handled carefully. Images for reference are available to download here: https://we.tl/t-YWtinbIU1E
Lot 41
After Jean Jacques Pradier, French, 1790-1852, a bronze figure of Phryne, late 19th century, the semi-nude lady draped in flowing robes in front of an urn, on a stepped breakfront plinth base, with cast signature Pradier and impressed foundry stamp SUSSE FRES, 41.5cm highProvenance: The George Farrow Collection.Footnotes: Note: Phryne, c.371-316 B.C., was a Greek courtesan from Thespiae in Boeotia who was active in Athens and became one of the wealthiest and most famous women in Greece and modelled for artists such as Apelles and Praxiteles. When she was accused of impiety she was defended by the orator Hyperides and when the verdict seemed to be going against her, she is reputed to have torn her dress and bared her breasts and was subsequently acquitted by the jury.
Lot 319
A Victorian mahogany hall stand, third quarter 19th century, the back with central mirror plate flanked by scrolling surmounts, with cast iron hooks, above central cupboard, on plinth base, 202cm high, 144cm wide, 32cm deepCondition Report: scratches, stains and old gouges throughout, the righthand stick stand is missing the curved piece off wood that joins the back to the front, foxing to mirror plate, structurally sound
Lot 787
A set of 5 x 1960s'/70's polyester resin "Shatterline" pendant lamps, with polished aluminium covers, in the manner of Atlas Lighting design by PETER RODD & RICHARD STEVENS, mounted on a wood plinth for wall or ceiling hanging, total length 120cm, max drop 83cmpitting to aluminium, paint residue on brass stems, plinth overpainted black on pine.
Lot 46
Assorted tin plated and black enamel Felix the Cat pin badges in various stances comprising standing position comprising of standing Felix, 25mm high; Felix arms behind his back, 25mm high; Felix in climbing position, 22mm long, with 24 marked verso, Felix with its tail in the shape of a question mark, 25mm long; two sterling silver backed and black enamel prancing Felix badges, 20mm long; white metal black enamel prancing Felix, with blue eyes within a circle, 20mm diameter; white metal and black enamel Felix sat in a pair of sugar nips, 30mm long; white metal and black walking Felix, with green enamel flag, 25mm long; similar red enamel example on original backing board; white metal and black enamel Felix and kitten walking on a plinth, 24mm long; pressed brass and black enamel prancing standing Felix, mounted on a pin, 32mm wide; sterling silver circular badge, with enameled head down prancing Felix, 22mm diameter; white metal standing black enamel Felix with red bow and blue case, 23mm long; pressed white metal and black enamel standing Felix badge, 35mm high; white metal black standing Felix badge, within white metal circle, 20mm diameter; unnamed white and black enamel prancing Felix pendant, 20mm high; white metal black enamel Felix badge, 20mm high; sterling silver black enamel circular Felix badge, 22mm diameter; sterling silver and black enamel pendant, 20mm long on white metal chain; white metal and black enamel walking Felix badge, 20mm long; white metal black and white metal stick pin, surmounted with black Felix head, 55mm long; unnamed white metal and black enamel prancing Felix badge, 30mm long; brass and black enamel Felix So's Your Old Man, standing black enamel Felix badge, 20mm long; unnamed white metal and black enamel reclining Felix, 23mm long; green enamel walking Felix, facing left, 22mm long; similar black enamel example; an older example, 30mm long; unnamed brass and orange enamel seated Felix, with red eyes and white scarf; 30mm long; Kellogg's Pep tin plate Felix the Cat badge, printed with Felix holding a fish, 20mm diameter and a unnamed chrome plated and orange enamel Oswald the Lucky Rabbit, 30mm long
Lot 179
A PAIR OF ITALIAN CARVED PINE AND POLYCHROME DECORATED BLACKAMOOR TORCHÈRESVENETIAN, LATE 19TH CENTURY AND LATERwith gilt highlights, of a man and a woman supporting a canopy and holding a tray standing on a naturalistic base, mounted on a later faux marble octagonal plinth (2)203cm highProvenanceThe contents of The Grange, Wendover.
Lot 54
TWO GEORGE IV MAHOGANY CHARGER STANDSC.1825-30each with a shaped back above a rectangular plinth base with ribbed holders, one stamped 'W & C Wilkinson, 14 Ludgate Hill, 10324' (2)41.2cm high, 29cm wide, 15.5cm deep (max)ProvenanceThe contents of The Grange, Wendover.Catalogue NoteThe 1845 London Post Office Directory listed William & Charles Wilkinson at 14 Ludgate Hill, the firm described as designers & manufacturers. They exhibited at the Great Exhibition in 1851, displaying a walnut, carved four-post bedstead with improved spring mattress etc., mahogany wardrobe veneered with walnut and pedestal dressing table
Lot 294
AN ITALIAN BRONZE GRAND TOUR EQUESTRIAN GROUP OF MARCUS AURELIUSAFTER THE ANTIQUE, LATE 19TH CENTURYmounted on a white marble plinth and an associated base35.3cm high, 26.5cm longProvenanceThe contents of The Grange, Wendover.Catalogue NoteThe original bronze can be found at the Piazza del Campidoglio, Rome. For a full discussion of the original see Haskell and Penny, Taste and the Antique, pp. 252-255.
Lot 246
AN ITALIAN POLISHED BRONZE GRAND TOUR MODEL OF THE DOG OF ALCIBIADES AFTER THE ANTIQUE, LATE 19TH CENTURYmounted on a marble plinth together with two desk paperweights, each with a marble base one in the form of a book mounted with a figure of pan, the other in white metal with a cherub riding a dolphin (3)13cm high (max)ProvenanceThe contents of The Grange, Wendover.
Lot 132
A REGENCY GILTWOOD AND GESSO AND FAUX MAPLE GRECIAN HARPBY SÈBASTIEN ÉRARD (1752-1831), EARLY 19TH CENTURYwith a fluted column, the capital decorated with winged classical maidens, the plinth with palmettes and with eight pedals on paw feet, the brass plate inscribed 'Sebastian Erard's Patent N.2879, 18 Great Marlborough Street, London, Maker To The Royal Family his most Christian Majesty the King of France and H.I.M. The Emperor of all the Russias', together with a brass music stool with velvet seat (2)170.2cm high, 84cm deepProvenanceThe contents of The Grange, Wendover.
Lot 190
From the Edwardian Series, this exquisite piece showcases an elegant woman, beautifully stylized in the Art Deco fashion. She is poised on a finely crafted wrought metal plinth, accompanied by two-toned trees. Marked Windsor Albay England. Issued: 20th centuryDimensions: 4.25''L x 3''W x 8.5''HManufacturer: AlbanyCountry of Origin: EnglandCondition: Age related wear.
Lot 1035
The Uniform Coinage of India, East India Company: Retro Patterns, Two Mohurs, uniface rev., in copper, lion walking left, palm-tree behind, east india company above, two mohurs, do ashrafi in exergue, edge plain, 32mm, 10.23g. Extremely fine, as made £100-£150 --- Provenance: Baldwin/Ma/Gillio/Monetarium Auction 36 (Singapore), 6 March 2003, lot 559. Owner’s ticket and envelope, “Lion body very pitted. Lettering very similar to 1854 2 Mohur. Urdu for 2 Mohurs differs from that seen on issued mohurs.” XRF analysis shows the metal content as 99.6% copper, with traces of zinc and tin. The pieces in this and the following 10 lots cannot rightly be described as patterns or trials as they are modern-day creations (probably made in the 1970s), uniface, and not intended to duplicate past issues, but presumably were made for a Bombay collector, from whose collection they came. Likely unofficially made at the Bombay mint, they may be best described as fantasy pieces. The centrepiece is a representation of Flaxman’s original lion and palm-tree design, which differs from renditions by Robert Gordon (Bombay mint), Kasinath Dass (Calcutta mint) and William Wyon (London and Calcutta) in numerous details, most noticeably in the right front leg of the lion not reaching the plinth and the fact that the tree trunk is missing. The lion’s body is excessively pitted, unlike any other strikes, trial or otherwise, by either mint
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