A 19th century oak dresser base of small proportions: slightly overhanging top above single drawer and two panelled doors below, on plinth style base (117cm wide x 45cm deep x 83cm high)The overhanging top has been cut quite roughly along the sides, the front is finished and polished. There are dark areas to the ends of the top leading the Auctioneer to believe that it probably had a superstructure at some stage. There are a couple of splits (one about 7" or 8") running along the grain, the other is where two planks of wood are separating. The handles have obviously been changed on the single central top drawer and the two panelled doors open to reveal a shelf which may well have been replaced some time ago. It is noted that the piece is, in the Auctioneer's opinion, quite a vernacular piece not with any 'real' sophistication. The piece is noted to have panelled sides with no return mouldings to the bottom leading the Auctioneer to suspect that the piece may well have been custom-built for a particular alcove or location. Colour pleasing and in the Auctioneer's opinion the piece should be bought as a nice item of furniture and not a pure 'antique'.
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A mid-19th century red walnut chest: the underside of the lid with a pasted inventory of contents; two half-width hidden drawers forming a quasi plinth-base; both drawers and sides with recessed brass handles in military campaign style (95 cm wide x 54.5 cm deep x 56 cm high)Condition Report: The top has some ink stains and scratches commensurate with age and it is also noted that has been shrinkage across the grain with age, approx. 0.5cm gap between lid and the top of the chest. Lots of knocks, scratches and scuffs to the plinth base and two front drawers below. a 3cm piece on the left-hand side towards the back away from the back. Overall OK condition but commensurate with age and usage.
A good 18th-century-style stained-pine free-standing corner alcove-cupboard: dentil cornice above an arch with shaped shelves; two classical-style fluted columns flanking; panelled door below with egg-and-dart-style moulding; raised on angular plinth base (probably 19th century) (92 cm widest x 210 cm high)
SWANSEA OR COALPORT PORCELAIN PLATE FROM THE LYSAGHT SERVICE circa 1820 with lobed rim, fully painted by Henry Morris with a basket of flowers resting on a stone plinth, including roses, forget-me-nots, morning glory and chrysanthemum, the plinth hung with a garland of flowers, the deep blue border richly gilded with scrollwork, unmarked 24.5cms diam Provenance:private collection Swansea, consigned via our Cardiff officeCondition Report:chip to underside foot, wear #Gilt worn at cavetto and rimChip to foot ring. Nibbles to footing.Flower lower right erased.Surface scratches to roses.
FINE & RARE SWANSEA PORCELAIN VASE circa 1817-1820, of slender ovoid shape with a round pedestal base mounted on a square plinth, moulded lotus flower handles with small floral embossed medallions, the base of the handles terminating with embossed acanthus leaves, the body decorated with a vignette of three figures in a landscape being a pastiche of Jean-Honoré Fragonard’s 'The Swing', to the reverse a large spray of colourful flowers, further floral decoration to foot and to neck, 26.5cms highProvenance:private collection South West England, consigned via our Cardiff officeCondition Report:professionally restored, decoration and gilding fresh #
A cherry wood inverted breakfront compactum chest, 21st century, the stepped cornice above four short purple leather lined drawers and five long graduating drawers flanked by cylindrical columns, both side doors set with burr walnut, enclosing pull out hanging bars, raised on plinth base, 139cm high, 93cm wide, 80cm deepPlease refer to department for condition report
A pair of modern large tole piente table lamps, each of column form on a square-section plinth and stepped base, decorated with anthemion, lyres and cornucopia, 73.5cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Please refer to department for condition report
A gilt-brass repeating carriage clock, late 19th century, the case with white metal floral fretwork panels and swing handle, with twin reeded pilasters on stepped plinth base with bracket feet, the backplate stamped E. M. & Co. for E. Maurice & Co., with floral fretwork dial surround and silvered chapter ring with Roman numerals, outer minute track and spade hands, the twin train movement with compensated platform lever escapement, having repeating mechanism striking a gong, 16.5cm high, with handle extended 19cm high Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.The case with scratches and some rubbing to gilt, especially to top and by underneath the reverse door. Some tarnishing to capital and minor knocks to edges. Some scratches to glass panels, especially to front panel, and minor chips to corners of side panels. Panel to reverse is slightly loose. Minor scratches to backplate. Scratches to dial centre.With winder. Currently ticking when wound but Roseberys cannot guarantee the working order of any timepiece offered for sale.
A George III brass mounted mahogany musical bracket clock, the architectural case with moulded top with brass ball finials above pierced brass sound frieze and two brass Corinthian columns, with pierced brass fretwork side panels, on plinth base and bracket feet, the painted arched dial with Roman numerals, with cherub mask and scrolling foliate spandrels, having strike/silent, pianoforte/bells and tune selection subsidiary dials to dial, signed John Wyatt, ALTRINCHAM to dial centre, the triple fusee movement playing a selection of twelve tunes on fourteen bells and a pinned cylinder, the backplate signed J WYATT, striking on a bell, with pendulum and case key but no winders, approx. 76cm high, 49.5cm wide, 30cm deep Note: John Wyatt is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Altrincham, Cheshire, circa 1799. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. Please refer to department for condition report
A walnut eight day longcase clock, by Thomas Martin, London, first quarter 18th century, with moulded cornice above pilasters with gilt painted capitals, above moulded trunk door and plinth base, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, subsidiary seconds dial at twelve, matt dial centre, and twin cherub and crown spandrels, the arch chased with scrolling foliage and having circular date aperture, the five finned pillar twin train movement striking a bell on the hour, with pendulum, weights and winder, 216cm high Note: Thomas Martin of London was apprenticed to Jeremiah Martin (himself a famous Tompion apprentice) in May 1692 then recorded as admitted to the Worshipful company of Clockmakers in 1699. he worked from the Royal Exchange (1714) then Fleet Street 1724.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.Please refer to department for condition report
A black japanned eight day longcase clock, by Nathaniel Gray, London, mid 18th century and later, the case with caddy top above four pilasters, decorated throughout in gilt with foliage and chinoiserie scenes of figures, birds, pagodas and blossoming trees, on plinth base, the brass dial with silvered chapter ring having Roman and Arabic numerals, subsidiary seconds dial at twelve and date aperture at six, with strike/silent dial to arch, having oval plaque to matted dial centre inscribed Nathaniel Gray London, the five pillared twin train movement striking on a bell, with pendulum and weights, 234cm high Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.Please refer to department for condition report
A Regency mahogany breakfront secretaire bookcase, ebony strung, the superstructure with turned supports and leather skiver, the secretaire drawer with fitted interior and having rosewood drawers, above two short and two long drawers, with carved lion head handles, flanked by brass mesh doors enclosing adjustable shelves, raised on plinth base, 145cm high, 218cm wide, 59cm deepPlease refer to department for condition report
A Regency rosewood breakfront credenza, the mirrored back superstructure with brass gallery top and brass supports, above two central cupboard doors inset with pleated lining and brass lattice grill, enclosing shelf space, flanked by open adjustable shelves, raised on plinth base, 136cm high, 183cm wide, 45cm deepPlease refer to department for condition report
A Victorian ebonised credenza, circa 1860, marquetry and ivory inlaid, the central door with neo classical design depicting figures and mythical beasts, flanked by two glazed doors, Corinthian column supports, raised on plinth base, 111cm high, 198cm wide, 43cm deepIvory submission reference: FMP7XHNEPlease refer to department for condition report
A Victorian mahogany breakfront library bookcase, the stepped cornice above three glazed doors enclosing adjustable shelves, above central drawer and two cupboard doors enclosing tray drawers, flanked by two cupboard doors enclosing six graduating drawers, raised on plinth base, 227cm high, 194cm wide, 57cm deepPlease refer to department for condition report
A 20th century carved Italian torchere, later converted with a Georgian tray top. A putti cherub holding a shell in the air, believed originally to have been a pillar candle holder, added to the shell is an oval Georgian tray top, supported on a wooden plinth base. Approx. 52cm x 31cm x 23cm.
A large 19th century triple breakfront wardrobe. The mirrored midsection opens to reveal a spacious interior with four linen slides above three drawers. Flanked by a pair of fielded panel doors enclosing hanging spaces and raised on a plinth base and stepped cornice. Approx. 215cm x 210cm x 60cm.
Holland & Sons (stamped) - An original 19th Century large mahogany upright pedestal cabinet having a shaped gallery top, moulded decoration and fielded panel to the single drawer opening to reveal a fitted interior with series of shelved. All raised on plinth base. Top of door stamped. Measures approx; 130cm x 77cm x 45cm.
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186247 item(s)/page