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Of Submarine interest: Early 20th century silver, twin handled trophy cup of circular form, on an ebony plinth, engraved "Presented by Captain & Officers HMS "Arrogant" & 4th Submarine Flotilla June 24th 1918 Tug of War Catchweights" (Chester 1915) Barker Brothers. All at approximately 14ozs. 28.5cm across handles.
William IV/early Victorian mahogany Beaconsfield wardrobe, with eight graduated drawers to the central arched section, flanked by enclosed cupboards, raised on plinth base, 235cm wide x 59cm deep x 202cm highIt breaks down into several parts - plinth base, two side cupboards, central drawer section, cornices
Eric Winters (1921-1968): Bronze head of his friend the artist Mary Millar Watt (1924-2023), signed and dated 1960, raised on marble plinth, total height 43cm. NB: The Winters and the Millar Watts were both residents of Lavenham, a painting is known which depicts the sculptor working on this bustProvenance: From the Estate of Mary Millar Watt (1924-2023) Good original order, some minor chips to base
French ormolu and white marble mantle clock surmounted by a reclining figure on a stepped marble base on a marble plinth, medaille d'argent circa 1850Franse vuurvergulde en wit marmeren pendule bekroond met een liggende figuur op een getrapte marmeren voet op een marmeren sokkel, medaille d'argent circa 185033.5 x 46.5 x 14 cm (incl. the wooden base)
Ivory emperor and empress, bent towards each other in shape of tusk. Both carry a flower branch, decorated with cabochons and mounted on wooden plinth. China, early 20th centuryIvoren keizer en keizerin, naar elkaar gebogen in vorm van slagtand. Beiden dragen een bloementak, versierd met cabochons en gemonteerd op houten sokkel. China, begin 20ste eeuwH 59 - 59.5 / 64 - 64.5 cm With Cites certificate EU only
Pierre-Jules MÈNE (1810-1879) (attributed), patinated bronze statue of a dreaming young woman on a black marble plinth, illegible foundry stampPierre-Jules MÈNE (1810-1879) (toegeschreven), gepatineerd bronzen beeld van een dromende jonge vrouw op een zwart marmeren sokkel, onleesbare gieterijstempelH 28.5 cm
A XIX Century Walnut Five Piece Bedroom Suite, comprising: breakfronted wardrobe with central mirror and flanking cupboard doors with reeded sides on plinth base, 216cm high, 190cm wide, washstand with grey marble top over two small drawers and panelled doors on plinth base and bun feet, 95cm wide, dressing table with central mirror and jewel drawer, three top drawers over panelled doors and internal drawers, on plinth base, 120cm wide and a pair of bedside cupboards with low backs, arched tops and small shelf over grey marble top, single drawer and panelled door on bun feet, 40cm wide, all with applied carved detail to pilasters. (5)
A Late XIX Century French Ormolu Mantle Clock, inset with pink porcelain panels painted with portraits and urns, the circular dial with Roman numerals and surmounted by a cherub holding a bow and arrow with trailing flowers and two birds to the shaped base, velvet lined plinth, 30cm high.1) Some turquoise beading missing to face. 2) One lower porcelain panel loose at one side. 3) No casing to back of dial. 4) Some scratches wear to ormulu. 5) Stand - resprayed gold, new velvet and chips to edges. 6) Replacement string to bow.
An ebonised longcase clock, 18th century, with 28.5cm square brass dial signed 'Will Snow', silvered centre and calendar aperture, Rococo spandrels, 30 hour movement with cut away back plate, on a plinth baseThe case is probably re-ebonised; it looks later than the actual clock. We have not had this running.
§ Simon Gudgeon (British, b. 1958), Grouse, a patinated bronze model standing atop a rocky base, signed with initials and numbered AC 2 in the cast, mounted to a polished slate plinth basethe bronze 35.5cm high, 42cm high overallOverall in good, clean condition with even, original patina. No damages or losses present. Minor scuffs to plinth base only.
A near pair of mahogany Chippendale style bookcases, late 19th century, the step moulded cornices over an arched recess flanked by architectural columns, the lower sections with single panelled cupboard doors raised on plinth bases207.5 x 79.5 x 35cm206.5 x 79.5 x 34.5cmProvenance:by repute from Eton College
A George II pine pier cabinet in the manner of William Kent, the egg and dart moulded broken arched pediment over a single glazed door with shell carved motif above a drawer with vitruvian scroll carved front, the bottom section with single plain door on plinth base211 x 92 x 36cm.measurements 211cm high; 87cm wide; 36cm deepAppears to have been reduced from a larger piece, later addition of two corners adapted into a broken arch pediment.Internally painted with modern glass shelves, hinged re-attached signs of restoration and repair throughoutLower section cupboard door with horizontal splitsFinished in a satin vanish Glazed door panel with bevelled edge.See images
A chiming bracket clock by Barrauds, Cornhill, London, early 19th century, the ebonised case with single pad top over painted dial with chime /silent to the arch, signed below the centre, the triple fusee movement signed to the backplate and chiming on 10 bells and striking on a further bell, the case with side handles over scale side fret panels, with canted front angles, on a plinth base 47 x 37cmappears to strike and repeat OK. Not ticking at present, so probably needs a service, but has been wound today. Added front button replaces lost key hole to hood door. Minor retouching to dial. Some slight age wear and tear to dial and case but in tact. has winding key only.
A Regency mahogany and birdseye maple 8 day longcase clock, the swanneck pediment with ball finial above arched painted 12inch (30.5cm) dial with ladies in seasonal dress to the spandrels, signed 'Young Forfar' subsidiary seconds and calendar dials, shaped trunk door flanked by spiral twist pillasters, on a plinth base 201cm highProvenance: Private Collection, Ranelagh Grove, London, SW1width of trunk 36cm, 18.5cm depth (inc. hinges which stand proud).width of hood 50cm (max), depth 23.5cm
An Adam style white painted book case, 19th century, the egg and dart moulded cornice above a carved frieze decorated with central urn flanked by heavy swags and oval patera, over a pair of glazed doors flanked by column pilasters, the bottom section with a pair of glazed doors with inset corners raised on a plinth base 290 x 178 x 55cmMoulding to the right flank of the frieze has been re-glued and held on by masking tapeGeneral wear as you would expect with useLight scr4atching adn knocks leading to paint loss in places, most noticably the extremeties and the baseLater glass shelves have been addedSee images for damage
A pair of Chelsea vases and covers, circa 1765, the turquoise bodies moulded with laurel swags and ram masks, on spirally moulded and 'marbled' square bases17cm high; together with another similar 18cm high (6)incised 26 to the plinth base of the singlePair - vase one - No 3 marked vase and lid - wear to the gilded swags, 2 chips to the leading edge of marbled base, 3 chips to the base edge, star crack to one of the rams heads vase two - No 3 marked lid only - restoration to the lid and neck of the vase single vase - lid has been broken and restored, surface scratch to the enamel on the shoulder approx 5mm, rubbing to gilding on the plinth with gilding lines largely absent on one side, and gilding band to the base of the urn missing on one side
A pair of Chelsea-Derby blue ground vases and covers, circa 1775-80, in the neo-classical style, moulded with drapery sways, the spirally moulded necks with lion masks, on canted square bases, incised 3826.5cm highrubbing to the gilded knops on the lidssome flaking to the gilding swags around the neck possible restoration to one lid possible restoration to plinth and base of one urnsmall chips to the gilded beads around the necksmall chip to gilded centre band of one
A large Chinese spinach jade carved standing figure of Guanyin, The Bodhisattva of mercy with one hand held in mudra, the other holds a vase, raised on integral plinth base 76cm high Provenance: Sale; Bonhams, London, 5 September 2012, lot 289 A similar statue sold, Bonhams, New York, 21 March 2022, lot 234 Loss and repairs to base
John Foster, a late George III oak and inlaid 8 day longcase clock, the swan neck pediment above silvered dial with moonphase disc to the arch, boldy signed below the centre, with concentric calendar ring, the trunk door flanked by quarter pilasters, on a plinth base 242cm highThis has been in storage. The hands are rather loose and need securing to movement properly. Appears willing to tick, but strike needs attention. Has had general restoration to case. Two noted losses to left side (8cm moulding piece missing and knock to left front foot). has 2 weights, pendulum and winder.
An oak, eight-day longcase clock, 19th century, the arched brass dial engraved 'John Taylor, London`, over subsidiary seconds and calendar dials, supporting a two-train striking movement, pendulum, key and two weights,dial 11.5in diameter (29cm)case 203cm highCondition ReportMovement not tested.Ball finial damaged.Case re-polished.Base with splits.Later plinth.Wear and tear.
A Royal Doulton porcelain set of Henry VIII and his six wives, comprising King Henry VIII, HN3350, no.69/1991; Jane Seymour, HN3349, no.784/9500; Catherine of Aragon, HN3233, no. 2986/9500; Catherine Parr, HN3450, no. 811/9500; Anne Boleyn, HN3232, no.1101/9500; Anne of Cleves, HN3356, no. 425/9500; and Catherine Howard, HN3449, no.508/9500 (7)Condition ReportGood overall, not problems. no boxes or certificates. King with wood plinth
An Art Deco figural twin branch table light, on an onyx plinth, damaged, 50cm high overall;together with a pair of pink glass wall lights, with chrome mounts, one spare mount, 35cm high;a moulded glass wall light, with a chrome mount, 26cm wide a mottled orange glass table light, 35cm high (8)Condition ReportDamaged table light. One spare wall mount. Table lamp with no plug.
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177606 item(s)/page