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Artist: Christian Vogt (Swiss, b.1946). Title: "The Couch". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as ssued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Christian Vogt. [24693-3-200]
Artist: Walker Evans (American, 1903 - 1975). Title: "Composition". Medium: Original vintage photogravure. Date: Composed 1974. Printed 1974. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 10 1/4 x 10 1/8 in. (260 x 257 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as issued. Fine, quality impression. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Walker Evans Archive, The Metropolitan Museum of Art. [24696-3-150]
Artist: Charles Eames (American, 1907–1978). Title: "Composition". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Eames Office. [24682-3-400]
A Fuji GX680 6 x 8 Professional Camera Outfit, powers up, shutter working when fully assembled, body G-VG, slight marks, slight wear to back, bellows G-VG, with EBC Fujinon GX 80mm f/5.6 lens, barrel G-VG, elements G-VG, some internal dust, EBC Fujinon GX 125mm f/5.6 lens, barrel G, light scratch to filter ring, elements G, light haze, EBC Fujinon GX 180mm f/5.6 lens, barrel G, light marks, elements G-VG, with 120, 220 and Polaroid backs, AE finder, Prism finder, remote shutter release, two boxed film cassettes, GX extension rail, boxed long bellows, wide angle bellows, professional lens hood, battery charger, one battery, manuals, in carry case
A Rolleicord Vb Made for Phillips TLR Camera with Rolleicopi Head & Polaroid Back, grey, serial no 2610611, shutter slightly sluggish on slow speeds, body G, some scratches to paint edges, with Schneider Kreuznach 75mm f/3.5 Xenar lens, serial no 8178627, elements G, with Rolleicopi head, matching serial no 2610611, Polaroid back, serial no 2610102, with Rolleinar R1 close up lenses, Rollei filters, Rollikin 35mm adaptor kit and Rolleiflex quick release plate
Mamiya Accessories, a M645 Super 120 roll film holder N, RZ67 pro II Polaroid film holder HP702, 645 pro TL strobo bracket AD401, soft leather case for C330 camera, soft leather case no 1 for 50mm-150mm RZ67/RB67 lenses and a focusing screen holder for Mamiya Press camera, all in maker's boxes
A Home-Made 5 x 4in Field Camera, well-constructed from proprietary components, including a Schneider-Kreuznach Super Angulon 75mm f/8 lens on lens board, G, serial no 7 155 674, circa 1961, Synchro-Compur shutter working, polished wooden handgrip, Toyo cut film holder, Polaroid film back, a Mamiya 50mm viewfinder, a similar unmarked viewfinder and a Mamiya viewing hood
The Ramones: A Joey Ramone Artwork,collage, entitled Bloody Gums, comprising a toothbrush with red bristles, a trimmed Polaroid of a sink with blood, signed By Joey Ramone, all on silver foil in clear plastic box frame, 8in x 10in x 1 1/4in (20.3cm x 25.5cm x 3cm); together with six various Christmas cards from Joey Ramone, 1990s, including one with signed message, Veronica A Happy Healthy Holiday + Killer New Year Stay Away From Flying Typewriters All The Best In 1995, another inscribed To Ramones Fans Everywhere All The Best For A Happy Healthy Holiday London Feb 3rd Brixton Academy In This Being Our ''Grande Finale'' I Say Again Thanks For The Memories With Appreciation + Love Joey Ramone; various handwritten notes by Joey, including one reading Shut That Big Ignoramus Mouth Or The Wig Gets It; three signed colour photographs of Joey onstage; Joey Ramone business cards in pink card holder; a postcard of Joey and two cards from Charlotte Lesher, Joey's assistant, and a photocopy of a cheque made out to Veronica Kofman, (Qty)Footnotes:Provenance:From the collection of Veronica Kofman, former secretary of The Ramones' UK Fan Club from the late 1980s until 2001.For further information on this lot please visit Bonhams.com
Collection of camera lenses and other equipment - Prinz Galaxy 1:6.3 f=400mm telephoto lens in case, Makinon MC 1:4.5 f=80-200mm lens, Pentacon auto 4/200 MC lens, Centon MC 1:3.5-4.5 lens cased, Vivitar widepangle 35mm 1:2.8 lens, Prakticar 1:28 35mm lens, Prinz Galaxy Vario Converter, Helios 44-2 lens, Access 1:3.5 f=75mm small lens, Sanyo VPC-CA65 movie camera, Polaroid 'Vision' camera, Polaroid one 600, Polaroid film 600, 500, vision instant, etc... in two boxes - Condition Report
Large quantity of camera equipment in three boxes - Panasonic ZOOM C-900ZM 35mm camera, PENTAX sportmatic camera, RICOH 500 ME camera, Canon EOS 500N camera and lens boxed, Voigtlander VITO CLR camera, MAMIYA 16 camera, KODAK SIX-20 Junior, Minolta RIVA zoom 105i camera, PETRI 7 S camera, KODAK Duo 620 camera, Polaroid 600 Land Camera Spirit, auto teleplus 2x converter, Prinzflex auto 1:2.8, CANON zoom lens 80-200mm, various other cameras, lenses and cases - Condition Report
* Terry Frost [1915-2003] - May June,:- inscribed as titled, signed and dated '68 on the reverse, further signed on the stretcher, oil on canvas, 123 x 92cm,accompanied by a letter from Terry Frost authenticating the painting and a signed Polaroid photograph.* Sir Terry Frost, R.A. [1915-2003] was born in Leamington Spa and left school at 14 to work in a bicycle shop. During army service he met and was tutored by Adrian Heath and subsequently attended Camberwell School of Art where a major influence was Victor Pasmore. In 1950 he moved, with his wife Kathleen, to Quay St in St Ives and worked as assistant to Barbara Hepworth. His career included teaching at the Bath Academy and serving as Gregory Fellow at the University of Leeds and becoming resident Professor of Painting at the Department of Fine Art at the University of Reading. In 1992 he was elected R.A., and was knighted in 1998.

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5809 item(s)/page