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A collection of cricket related autobiographies and books including 'A History of Leicestershire Cricket' by E. E. Snow, 'Big Cricket' by Patsy Hendren, 'Eaton v Harrow at the Wicket' by Ashley-Cooper, 'Just My Story' by Len Hutton, 'Willow Patterns' by Richie Benaud, 'The Record Breaking Sunil Gavaskar' and Phil Tufnell 'What Now', including a few signed examples and a quantity of signed photographs and programmes relating to cricket and sportsmen including Graham Gooch, Richie Richardson, Clive Rice, Richard Hadlee, Shaun Pollock, Tony Greig, Ian Botham, John Embury, Peter May, etc.

After Jackson Pollock (American, 1912-1956) -Summertime -Colour print -39 x 149cm - 44 x 157cm framed -Provenance: By descent from James (Jim) O'Connor, Edward Wolfe's partner

Benjamin Pollock Hamlet vintage book, 1948, scenes and figures from Laurence Olivier's Hamlet, presented by Laurence Olivier, reproduced from the J Arthur Rank Enterprise, designed to fit Benjamin Pollock's miniature theatres, includes a synopsis of the plot arranged in fourteen scenes and directions for performing the play, the miniature actors are taken from photographs of the film cast, scenery specially drawn by Roger Furze, some tears and creases to the edges throughout; together with a leaflet We proudly present... new plays for Pollock's Toy theatres, includes Hamlet, The High Toby, etc; Good to Good Plus; (2). NB: The book's owner could cut out the characters, and juxtapose them against the scene settings to re-enact the play within Hamlet in a toy theatre. (There are also instructions for the creation of your own scratch-made theatre, using wood or a cereal box!) 

Steiff Jackson Designer's Choice teddy bear, designed by Ulrike Schrem, white tag 006579, LE 489/500, 2016, grey multicoloured acrylic fleece (material design based on Jackson Pollock's paintings- a unique grey fleece with spots and splashes of colour - so no two bears are exactly the same), pads are fashioned from Batik dyed mohair, wearing a two-layer wool felt scarf in red and pink, chest tag, swing label, certificate, Near Mint to Mint, within Excellent box, 12.5"/32cm. NB: Jackson Pollock was an influential American painter. He was well known for his unique style drip painting. When designing the unique grey fabric from which this bear is made, Steiff have tried to envisage how Jackson Pollock skilfully splashed colour on the canvas that lay on the floor. 

David Pollock (20th century), two: portrait of young woman, oil on board, signed lower right, 58.5 x 44cm, gilt framed, abstract portrait of a woman, oil on board, signed lower right, 83 x 47cm, framed and another abstract portrait of a woman, oil on board, likely by the same hand, 90.5 x 47cm, framed (3)

Presentation copy from the Lord Chancellor to the Master of the Rolls.- Cooke (Edward, translator) Magna Charta, Made in the Ninth Year of K. Henry the Third, repair to C2 affecting 1 word of text, some light browning, presentation inscription "The Master of the Rolls D.D. The Lord Chancellor. July 27th 1934. "With grateful thanks for all his help" S[ankey]" to front free endpaper, bookplate of Edward Jackson Barron to front pastedown, contemporary calf, sympathetically rebacked, extremities rubbed, 8vo, printed by the Assignees of Richard and Edward Atkins, 1680.*** With a distinguished legal provenance, inscribed from the Lord Chancellor of Great Britain, John Sankey, 1st Viscount Sankey (1866-1948), formerly the most senior member of the judiciary in the country, to the Master of the Rolls, Ernest Pollock, 1st Viscount Hanworth (1861-1936), formerly the most senior judge of the civil division, as a gift of thanks 1934.

* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT oil on canvas, signedunframedoverall size 70cm x 60cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

George Morrison (Grand Portage Anishinaabe, 1919-2000). Color lithograph on Japan paper titled "Surrealist Landscape," 1990-1996. Printed and published by Akasha Studio, Minneapolis. Pencil signed and dated along the lower right; titled along the lower left; numbered CTP 15/22 along the lower center.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Height: 21 in x width: 17 in.Condition: No rips, tears, losses, or restorations. The sheet is toned. Some light handling marks along the extreme edges. Unframed.

Thompson (Hugh) Illustrator 'Cranford' by Mrs Gaskell, Macmillan London 1898. Original blocked gilt blue cloth plus four further illustrated by Thomson plus three further titles illustrated by Besant and Pollock, C.E. Brock and Norman Tealby, mixed used condition (8)

Cricket; a collection of programmes and scorecards including a 2014 J.P Morgan International Cricket Cup programme 2014 at Lords, signed by Strauss, Pollock, Gough, Muralitharan, Gilchrist, Lee, Cook, Gavaskar and Gooch, Trent Bridge score card signed by Stuart Broad, 2011 v India, test match programmes, Nottinghamshire County Cricket Club Extra programmes, large collection of score cards, Oxford, Cambridge, Eton, Harrow, NCCC, etc.

A Ross of London Military Sighting Scope, the box stamped with the war department broad arrow, two W Ottway & Co Limited scope, various brass shot and powder flasks, bullet mould, a Negretti & Zambra, London three draw telescope with broad arrow, a Hunsicker & Alexis field glasses in leather case, a gun sighting telescope and an Accles & Pollock Ltd Apollo Merlin Bow and arrows, etc

CHELSEA An album sheet with 9 signatures of Chelsea players in 1933/4 including Pollock, Argue, Brown, Copeland and Macintosh and on the reverse are 7 Charlton Athletic signatures including Smith, Moore, Baker, Kenyon Barney and Turner. Plus The Blues Vol. 10 No. 8 official journal of the Chelsea Supporters Club and a Menu and Table Plan for the F.A. Luncheon at Wembley for the 1997 FA Cup Final v Middlesbrough. Good

Corgi Marques of Distinction, a boxed Commercial group.  Includes CC10604 Leyland Octopus Platform Lorry “Gibbs of Fraserburgh” & CC11610 Albion Reiver Platform Lorry “Pollock Musselburgh”.  Although unchecked for completeness condition generally appears to be Excellent in Good boxes.  See photo.

Corgi (Truckfest and similar) a boxed 1:50 Articulated Truck/Cab group to include CC13704 (Truckfest) Scania R Series "Pollock", CC13729 (Hauliers Of Renown) Scania R "C Doyle Plant Hire & Construction Ltd" and others. Although unchecked for completeness, conditions appear to be Excellent to Near Mint in Good to Excellent boxes/window boxes. See photo.

Corgi, CC99130 - Pollock 'Scotland's Finest' boxed, comprising of; Scania 124 Topline 6 X 2, Volvo FH12 Globetrotter 6 X 2, DAF 95 XF Space Cab 6 X 2. Condition appears Excellent (though unchecked for completeness) within generally Good Plus to Excellent. See photo. 

* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT pastel on paper, signedframed and under glassimage size 36cm x 33cm, overall size 47cm x 45cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

ADMIRAL COLLINGWOOD INTEREST: 2 Titles: MEMOIR OF CUTHBERT LORD COLLINGWOOD, VICE ADMIRAL OF THE RED. Lacking frontis and board, bound in paper; J STEWART GEIKIE: A CALL ACROSS THE YEARS - CUTHBERT LORD COLLINGWOOD, VICE ADMIRAL OF THE RED, Ayr, Stephen and Pollock, 1914. First edition in original colour pictorial wraps and inscribed by author (2)Ex libris

MODERN FIRSTS: 6 Titles: H G PARRY: A DECLARATION OF THE RIGHTS OF MAGICIANS, 2020, signed and numbered 702/1000; TOM POLLOCK: THE GLASS REPUBLIC, 2013, signed; KATE SUMMERSDALE: THE HAUNTING OF ALMA FIELDING, 2020, signed; MATTHEW SULLIVAN: MIDNIGHT AT THE BRIGHT IDEAS BOOKSTORE, 2017, signed and numbered 93/150; SAM HURCOM: LETTERS FROMT HE DEAD, 2020, signed; SAM HURCOM: A SHADOW ON THE LENS, 2019, signed (6)

3 Corgi Limited Edition Collectables series Trucks. 76801 M.A.N. Artic Platform Trailer With Sheeted Load, Stiller Transport. 76401 Scania Curtainside, Pollock Scotrans Ltd. Plus a 76601 Scania Refrigerated Box Trailer, H.E. Payne (Transport) Ltd. All boxed, Mint as new. £50-70

4 Corgi Limited Edition Truckfest Tractor Units. CC12938 Scania T Cab, Topline S.C.Transport Winston Darlington. CC13232 DAF XF Supercab Beamish Transport. CC13704 Scania R Series Pollock (Scotrans) Ltd. CC13802 Mercedes Benz Actros Megaspace Jack Richards & Son Ltd. All boxed as new and Mint. £50-70

2 Corgi Limited Edition Set. CC99165 D.R Macleod of Stornoway 'Lord of The Isles'. Comprising Scania Topline 530 and a DAF 95XF Space Cab. Plus a Clayton General Purpose Tanker and a Fridge Trailer. Plus a CC99130 Scotland's Finest POLLOCK set, comprising a Scania 124 Topline, Volvo FH12 Globetrotter and a DAF 95XF Space Cab. Together with a curtainside trailer. Both boxed, minor wear. Contents Mint. £60-80

Four 1:50 Scale Diecast Model Commercial Vehicles by Corgi, including #CC15801 Mercedes-Benz Actros (MP4) super trailer Pollock (Scotrans) Ltd, bagged small parts and certificates mostly present, boxed and displayed/stored in a smoked environment.

Five Corgi Diecast Model Commercial Vehicles to include 1:50 #23301 Fleets of Renown 'Pollock of Musselburgh' Ford Transcontinental Platform Trailer with sheeted load, boxed.

A Corgi #CC99130 1:50th Scale Scotland's Finest Pollock (Scotrans) Ltd, Musselburgh Three Tractor Units Diecast Model Commercial Vehicle Set, Boxed. *Stored/Displayed in a smoke environment.

Corgi a boxed pair of sets to include, (1) CC99130 Scotland's Finest "Pollock (Scotrans) Ltd, Musselburgh" Set which comprises of  3 x Tractor Units, Curtainside Trailer and Limited Edition History Booklet. (2) CC99140 "The Scammell Story" set, which includes 6 die-cast models & Limited Edition history booklet. - Excellent to Mint in Fair to Good box. (2)

Large Abstract Expressionist oil and acrylic on canvas painted in the drip technique of Jackson Pollock. The colors are outstandingly vibrant and are lyrically applied on a taupe background. Housed in a complimenting painted wooden frame. Issued: 20th centuryDimensions: 59"L x 37"H x 2.50"WCountry of Origin: United StatesCondition: Age related wear. The top of the canvas frame is slightly loose from the frame.

CARICATURE OF ADOLF HITLER, ALONG WITH FURTHER ITEMS the sketch possibly signed Chaterworth or Chesterworth (?), also a selection of Third Reich pictures including Hitler and Mussolini, a hunter pocket watch with picture of Josef Stalin, a Kent County Constabulary badge, a document dated 1865 for William Pollock, and a copy of Britain's Sea King's and Sea-Fightscaricature 30cm x 25cm

A timeless Mid-Century Modern office chair designed by Charles Pollock for Steelcase. Renowned for its ergonomic design and sleek aesthetics, this chair features a brown vinyl upholstered seat and armrests paired with a durable black plastic shell back, mounted on a polished stainless steel base with four castors for smooth mobility. This piece showcases the functional beauty and innovative craftsmanship for which Pollock became famous. Design Features: Materials: Brown vinyl upholstery, black molded plastic back, and polished stainless steel legs, reflecting a durable and elegant combination of materials. Comfort: Ergonomic design with padded seat, backrest, and armrests, ensuring comfort during extended use. Mobility: Rolling base with four castors (note: the chair is fitted with four castors instead of the NIH-recommended five for added safety in modern office environments). Charles Pollock (1930€“2013) was an influential American industrial designer celebrated for his contributions to modern furniture design. Pollock's creations, including his iconic office chairs, are lauded for combining ergonomic functionality with minimalist aesthetics. His partnership with Steelcase, a leader in office furniture, produced pieces that remain highly sought after by collectors and design enthusiasts. Issued: 20th centuryDimensions: 24"D x 24.5"W x 37"HManufacturer: SteelcaseCountry of Origin: United StatesCondition: Age related wear. Chair back has several scratches.

A timeless Mid-Century Modern office chair designed by Charles Pollock for Steelcase. Renowned for its ergonomic design and sleek aesthetics, this chair features a brown vinyl upholstered seat and armrests paired with a durable black plastic shell back, mounted on a polished stainless steel base with four castors for smooth mobility. This piece showcases the functional beauty and innovative craftsmanship for which Pollock became famous. Design Features: Materials: Brown vinyl upholstery, black molded plastic back, and polished stainless steel legs, reflecting a durable and elegant combination of materials. Comfort: Ergonomic design with padded seat, backrest, and armrests, ensuring comfort during extended use. Mobility: Rolling base with four castors (note: the chair is fitted with four castors instead of the NIH-recommended five for added safety in modern office environments). Charles Pollock (1930€“2013) was an influential American industrial designer celebrated for his contributions to modern furniture design. Pollock's creations, including his iconic office chairs, are lauded for combining ergonomic functionality with minimalist aesthetics. His partnership with Steelcase, a leader in office furniture, produced pieces that remain highly sought after by collectors and design enthusiasts. Issued: 20th centuryDimensions: 26"D x 26"W x 41"HManufacturer: SteelcaseCountry of Origin: United StatesCondition: Age related wear. Chair back has several scratches.

A framed oil on canvas by Norma Pollock and an oil on board by Florence Wood. H.46 W.56cm (largest)

THE BURRELL COLLECTION, SECOND DESIGN REPORT, CIRCA APRIL 1ST, 1973 Barry Gasson and John Meurier (Architects), Felix Samuely and Partners (structural engineers), James R. Briggs and Associates (service engineers), Davis Belfield and Everest (quantity surveyors)Note: This document is an original design report submitted for the competition to design the Burrell Art Gallery at Pollock Park. It was prepared by architect Barry Gasson, who subsequently won. The only other known copy is directly owned by The Burrell Collection. 31cm wide

L.S.B. Pollock (British, 19th century), Pointer in wheat field, watercolour, signed and dated 1873 lower right, 44x51cm; together with Setter in wheat field, watercolour, signed and dated 1873 lower left, 41x54cm

V Colin Andrews (British, 20th century), 'Pollock', studio pottery model of a fish, signed and dated 2001, 43cm long

A Territorial Force Efficiency medal to 205 Cpl W Pollock, 6th Scottish Rifles

Two 1960's Pollocks model theatre dioramas of wooden construction with Bakelite proscenium with applied paper decoration. Together with a Pollocks 'The Redington Theatre' proscenium and a large collection of plays, scenery and characters published by Pollock, Green, Skelt etc

ENID BLYTON LETTER, addressed to Brenda Little of Battersea and sent from Enid Blyton’s home Green Hedges, Beaconsfield. The letter explains the author’s use of a pseudonym Mary Pollock

MARY POLLOCK (ENID BLYTON), FOUR TITLES comprising Smuggler Ben, ND, The Secret of Cliff Castle, 1947, Three Boys and a Circus - all 1st Editions and a second edition of The Children of Kidillin, three with original dust wrappers, one original boards Qty: 4

Institute of Civil Engineers, Telford Medal, 1828, a copper award medal by W. Wyon, bust of Telford left, rev. Menai Suspension Bridge, edge named (Frederick Pollock, Lieut Madras Engineers Grad. Inst. C.E., 1840), 58mm (BHM 1328; E 1206). About extremely fine, surfaces a little dirty £80-£100 --- Sir Frederick Montagu Pollock (1815-1874), son of Maj. Gen. Sir George Pollock and Frances Webb (née Barclay) Pollock. Born Varanasi (Uttar Pradesh), Educated at Eton and Jesus College Cambridge. Upon marriage took the surname Montagu-Pollock by Royal Licence. Indian Army Lieutenant: Second Lieut., Madras Engineers, 1833; Second Lieut., Bengal Engineers, Lieut., 1840-44. In charge of Delhi canal, 1841-42; retired, 1844.

William Scott. (1913 Greenock - 1989 London). Iona. 1961. Farblithographie auf Velin. 49,5 x 57 cm (50 x 62 cm). Signiert, datiert und nummeriert. Unter Passepartout gesteckt präsentiert. - Die Ecken leicht bestoßen, vereinzelt im Rand mit oberflächlicher Bereibung oder etwas angeschmutzt, verso mit schwacher Farbspur sowie oben rechts mit schwacher Bereibung. Insgesamt sehr gut. Ausgezeichneter und stimmungsvoller Druck mit Rand. Eines von 300 nummerierten Exemplaren. - William Scott (1913-1989) war ein schottischer Maler, der vor allem für seine abstrakten Stillleben bekannt wurde die oft einfache, alltägliche Gegenstände wie Töpfe, Pfannen und Früchte in reduzierten Formen und gedämpften Farben darstellten. Dabei wird deutlich, dass Scotts ästhetische Auffassung tief geprägt von seinem Studium der figurativen, klassischen Malerei und Künstlern wir Picasso, Modigliani und Cézanne geprägt ist. Mit einer Studienreise in die USA verändert sich Scotts Stil maßgeblich. Er lernt mit Mark Rothko, Franz Kline und Jackson Pollock die führenden Künstler des Abstrakten Expressionismus, Actions Painting und der New York School persönlich kennen. Sein Stil wird flächiger, die Formensprache wesentlich abstrahierter. Seine Arbeiten verbinden die europäische Moderne mit Elementen des Abstrakten Expressionismus, wobei er sowohl die Balance zwischen Figuration und Abstraktion als auch das Spiel mit Raum und Fläche erkundet. Colour lithograph on wove paper. Signed, dated and numbered. Presented tucked under mat. - The corners slightly bumped, occasional superficial rubbing or somewhat soiled in the margins, verso with faint trace of color as well as faint rubbing in the upper right. Overall very good. Superb and atmospheric impression with margins. - One of 300 numbered copies. - William Scott (1913-1989) was a Scottish painter best known for his abstract still lifes, which often depicted simple, ordinary objects such as pots, pans and fruit in reduced forms and muted colors. It becomes apparent that Scott's aesthetic view was deeply influenced by his studies of figurative, classical painting and artists such as Picasso, Modigliani and Cézanne. Scott's style then changed significantly during a study trip to the USA. He became personally acquainted with Mark Rothko, Franz Kline and Jackson Pollock, the leading artists of Abstract Expressionism, Action Painting and the New York School. His style developed more two-dimensional and his formal language much more abstract. His works combine European Modernism with elements of Abstract Expressionism, exploring the balance between figuration and abstraction as well as the play with space and surface.

A late 19th century brass cased pocket barometer detailed POLLOCK & Co, in original leather case, 4.8cm diameter, an English percussion pistol with circular steel barrel, 16cm, steel lockplate engraved 'London' and walnut grip with foliate white metal inlay, a pair of opera glasses and a small stopwatch. (4)

IMC Models, 1:50 Scale, Mercedes-Benz Actros Gigaspace, “Pollock”, boxed.  Although unchecked for completeness condition generally appears to be Excellent in a Good box.  See photo.

* COLIN BROWN, DRAGONFLY mixed media on board, signed, titled and dated 2005 versoframed and under glassimage size 60cm x 60cm, overall size 63cm x 63cmNote: Colin Brown is a fine artist and former graduate of Duncan of Jordanstone, Dundee who has lived and exhibited in Europe for several years. He is now based in Stonehaven in northeast Scotland. After graduating, a John Kinross Scholarship awarded by the Royal Scottish Academy enabled him to spend four months in Florence. In 1988 he established a studio in Glasgow, where he began practicing as a full-time artist. He also spent four years in Dusseldorf painting and exhibiting with several German galleries. Colin Brown’s practice draws upon a range of media, particularly acrylic paint and collage. His work draws upon human histories, random and specific mark-making, urban imagery, and a mix of handwriting and printed script to explore the spirit of modern society. Brown has developed a strong international profile with regular solo and group exhibitions worldwide, including major solo shows in Hanover (1998), London (2010) and Singapore (2013). His work has received a number of awards, most notably an Artists Grant from the Pollock-Krasner Foundation, New York in 1996.

* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT pastel on paper, signedframed and under glassimage size 36cm x 33cm, overall size 47cm x 45cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

* ERIC CRUIKSHANK, NUMBER 2 oil on board, signed, titled label versoframedimage size 39cm x 28cm, overall size 41cm x 31cmComment: a rare early work by Eric Cruikshank.Note 2: EDUCATION 1993 - 1997 BA (Hons) Painting and Drawing, Edinburgh College of Art SELECTED SOLO AND JOINT EXHIBITIONS 2024 Anmutungen (with Stephan Ehrenhofer), Galerie Albrecht, Berlin 2023 Light from a Shared Place, &Gallery, Edinburgh 2022 Point of Departure, Schacky Art & Advisory, Dusseldorf Breathing Space, Victor Lope Arte Contemporáneo (with Michael Craik), Barcelona The Skies Window, Holly Johnson Gallery, Dallas. 2019 Reductive in Nature, Schacky Art & Advisory, Dusseldorf A Stillness that Contains Movement, The Briggait, Glasgow 2018 Paper Skies, Holly Johnson Gallery, Dallas 2017 Clear Light Day – Soft Dark Night, DAS ESSZIMMER, Bonn The Relative Medium (with Michael Craik), Galleri Konstepidemin, Gothenburg Trace, Press, Bleed, Blend (with Laura Campbell), Patriothall Gallery, Edinburgh 2016 Continuum (with Ian Kane), RAUMX, London Repetition Takes Form, AIS Gallery, Shibukawa 2015 Ways of Seeing (with Michael Craik), Howden Park Centre, Livingston Plus | Minus | Repeat, Sleeper Gallery, Edinburgh 2013 Malerei (with Michael Craik), Galerie Albrecht, Berlin Colour as Subject, Patriothall Gallery, Edinburgh 2012 The Solo Project – Basel with Galerie Albrecht 2010 When I Was Small I Didn’t Work Big, Galerie Albrecht, Berlin Dalcross Project Space (with Ian Kane), Dalcross, Inverness shire The Colour of Home, Gebert Contemporary, Santa Fe Moments of Absence, Limousine Bull, Aberdeen En Forme (with Cecilia Vissers), ParisCONCRET, Paris 2009 Colour | Light | Space, Highland Institute for Contemporary Art, Inverness-shire SELECTED GROUP EXHIBITIONS AND FAIRS 2024 London Art Fair, &Gallery, London 2023 All Over Again, Patrick Heide Contemporary Art, London Annual Winter Exhibition, &Gallery, Edinburgh Perpetual Arrival, Platform-A Gallery, Middlesbrough 2022 St Nicholas, Meakin + Parsons x Hannah Payne, Oxford Anonymous Drawings, Galerie im Kornerpark, Berlin Dallas Art Fair with Schacky Art & Advisory 2021 Art Miami with Schacky Art & Advisory A Generous Space, Hasting Contemporary, Hastings Art Cologne with Schacky Art & Advisory Reencuentros, LAB ART Studio, Barcelona In Sequence, Holly Johnson Gallery, Dallas Landschaft – Abstrakt - Figuarativ, Galerie Albrecht, Berlin 2020 A Selection for Art Cologne, Schacky Art & Advisory, Dusseldorf IDENTITIES, Victor Lope Arte Contemporáneo, Barcelona Drawer Project, PHOEBUS Galerie, Rotterdam Gebert Contemporary, Santa Fe No Borders – online exhibition – curated by Art Thou Paint vs Colour, Five Walls Gallery, Melbourne Art Palm Beach with Schacky Art & Advisory 2019 Beneath the Surface, City Art Centre, Edinburgh ,,Zwischen Ausgängen - Pending Issues’’, Galerie Weisser Elefant, Berlin 2019 Summertime Blues, Holly Johnson Gallery, Dallas Hybrid Madrid with WASPS Should I Stay or Should I Go?, Patrick Heide Contemporary Art, London Anonymous Drawing Archive, Kunsthaus Kannen, Munster 2018 TWO x TWO For Aids and Art, The Rachofsky House, Dallas Anonymous Drawings, Galerie im Kornerpark, Berlin Somewhere Over the Interconnected Rainbow, Drawing Rooms, New Jersey Artists at Work, Scottish National Gallery, Edinburgh 2017 Fault Lines, EIF exhibition curated by The Drawing Works, Patriothall Gallery, Edinburgh FAR OFF Cologne with DAS ESSZIMMER Extended Process, Saturation Point Projects, London 2016 DAS ESSZIMMER goes Weltraum, Weltraum, Basel 2015 Anonymous Drawings, Kunstverein Tiergarten|Galerie Nord, Berlin - (then travelling to Galerie ARTQ13, Rome; Galerie GEYSO20, Braunschweig & Kunstverein Russelsheim) Artbox Postcard Exhibition, Fold Gallery, London 2013 Kunst Zurich with Galerie Albrecht Poste Concret2, ParisCONCRET, Paris Anonymous Drawings, Kunstverein Tiergarten|Galerie Nord, Berlin - (then travelling to Galerie Delikatessenhaus, Leipzig & Temporary Art Centre, Eindhoven) 2012 Three Gallery Artists, Galerie Albrecht, Berlin &Gallery, 3 Dundas Street, Edinburgh EH3 6QG Anonymous Drawing Archive, Sihlquaiss Offspace, Zurich Poste Concret, ParisCONCRET, Paris Dallas Art Fair with Gebert Contemporary 2010 Anonymous Drawing Archive, Uferhallen, Berlin Art Chicago with Galerie Albrecht 2009 Anonymous Drawings, Kunstraum Kreuzberg/Bethanian, Berlin Kunst Zurich with Galerie Albrecht CGP Open, Cafe Gallery Projects, London AAS, Aberdeen Art Gallery, Aberdeen AWARDS & RESIDENCIES 2020 Creative Scotland Bridging Bursary Fund 2016 Oppenheim-John Downes Memorial Trust Award 2014 Edinburgh Council Visual Artist Award 2013 Hope Scott Trust (joint award with Michael Craik) 2012 Mustarinda Residency, Finland 2010 Santa Fe Art Institute Residency, USA 2009 Pollock-Krasner Award Hi-Arts Exhibition Grant 2008 Hope Scott Trust Edinburgh Visual Arts & Crafts Artists Award 1999 art.tm Young Artists Prize PUBLIC COLLECTIONS Art in Healthcare Scotland City of Edinburgh Art Collection Maggie’s Art Collection Santa Fe Art Institute U.T. Southwestern Medical Center Dallas (USA).

Allen Jones, geb. 1937 SouthamptonCATWALK, 1998Mappe mit vier Farbradierungen auf Bütten.Darstellung: je 98 x 69 cm. Mappenmaß: 119 x 85 cm.Jeweils rechts unten unterhalb der Darstellung signiert und datiert „Allen Jones“, links unten jeweils „Ed 9/30“.Die blaue Mappe auf der Vorderseite in Rot beschriftet mit „Allen Jones Catwalk“, im unteren Bereich mit „Galerie Ernst Hilger Wien – Paris 1999“. Der Maler, Bildhauer und Lithograf Allen Jones gehört zu den wichtigsten Vertretern der britischen Pop Art. Er lebt und arbeitet in London. Die freie Art zu malen von Jackson Pollock (1912-1956) beeindruckt ihn nachhaltig und bewegen ihn auch in Bezug auf sein eigenes Werk zum Umdenken. Dabei findet er Anschluss an die gerade entstehende Bewegung der britischen Pop-Art, zu deren ersten Protagonisten er gehört. Seine Kunst ist provokant und möchte bestehende Grenzen sprengen, hat kein Interesse an den verkopften Ansätzen des Abstrakten Expressionismus, sondern fordert eine gemeinsame Kunst.(1420517) (1) (18))

The Saga of King Lir. Author Inscribed (1913) Author: George Sigerson. 1st Ed. Bound in publisher’s parchment boards with gilt vertical lines. Two page manuscript letter to Mr Pollock attached

Kaprow,A.: Assemblage, Environments & Happenings. New York, Abrams (1966). Kl.4°. Mit zahlr. Abb. 341 S., 1 Bl. Obrosch. (Vdeckel eingerissen). Broschurausgabe des wichtigen Dokuments der Happening-Bewegung, enthalt auch Beitrage zu Claes Oldenburg, Jackson Pollock, Robert Rauschenberg u.a.

ACTRESSES: A good selection of signed 8 x 10 photographs and a few slightly smaller by various film actresses comprising Helen Cherry (in a warm embrace with her husband Trevor Howard), Elizabeth Allan, Georgia Brown, Katie Boyle, Barbara Murray (original vintage publicity portrait issued for her role in Passport to Pimlico), Mai Zetterling, Elizabeth Sellars, Joan Rice, Rachel Kempson, Pat Kirkwood, Rene Ray, and Ellen Pollock. All are boldly signed in fountain pen inks, the majority to light areas of the images, and only two are inscribed. Generally VG to EX, 12

TWO ALPENSTOCKS WITH CHAMOIS HORN HANDLESa shooting stick, a pair of Jokari bats and a box of Accles and Pollock 'Apollo' target arrows

Hans Bischoffshauseno.T.1960Spachtelmasse strukturiert auf Sperrholz, an allen Seiten genagelt; ungerahmt14 x 23 cmSigniert und datiert rechts unten: Bischoffshausen 60Rückseitig signiert: BISCHOFFSHAUSENdirekt vom Künstler erworben;seither österreichischer PrivatbesitzAuktionshaus im Kinsky GmbH (Hg.), Hans Bischoffshausen. Werkverzeichnis Band I, Arbeiten auf Holz und Leinwand 1946 bis 1984, Wien 2024, WV-Nr. I-261.Ursprünglich wollte Hans Bischoffshausen Architekt werden und begann daher 1947 ein Architekturstudium an der Technischen Hochschule in Graz. Doch sein dortiger Professor für Künstlerische Gestaltung, Kurt Weber, begeisterte ihn für die Malerei der Klassischen Moderne und konstatierte seinem Studenten bald: "Sie sind Maler. Sie werden immer Maler sein" . Tatsächlich brach Bischoffshausen das Architekturstudium nach 5 Semestern ab, zog zurück nach Kärnten und gab sich ganz seinem viel zitierten "Sturz in die Malerei" hin. In seiner künstlerischen Entwicklung reflektierte der junge Maler Anfang der 1950er Jahre intensiv Paul Klee und sein "spielerisches Geheimnis" . In der zweiten Hälfte des Jahrzehnts führte die Auseinandersetzung mit zeitgenössischen Tendenzen und die Suche nach dem eigenen Stil Bischoffshausen über Versuche in gestischer Malerei sowie dripping-Verfahren (à la Jackson Pollock) schließlich zu für ihn zukunftsweisenderen Methoden, in denen er zusehends mit dem Bildgrund selbst experimentierte, verschiedene Materialien auf ihn aufbrachte oder ihn durchlöcherte oder verbrannte. Besonders prägend für diese Entwicklung war für Bischoffshausen das Kennenlernen von Lucio Fontana, der ein wichtiger Förderer und Mentor für den jungen Maler wurde.Anders als andere MalerInnen seiner Generation (wie Lassnig, Staudacher, Rainer) hatte Bischoffshausen den Anschluss an die internationale Kunstszene nicht über Paris gesucht, sondern orientierte sich vorerst an den südlichen Nachbarländern Österreichs. In den Galerien von Slowenien (damals Jugoslawien) und Italien kam Bischoffshausen mit Fontana und der italienischen ZERO-Bewegung in Kontakt und konnte seinen Bekanntheitsgrad durch erste eigene Ausstellungen steigern. In der Folge kam es 1958 auch zu einer Präsentation in der renommierten Galerie nächst St. Stephan in Wien, und 1959 erhielt Bischoffshausen den 1. Joanneumspreis für zeitgenössische Kunst des Landes Steiermark.Das Preisgeld ermöglichte dem Künstler schließlich doch auch noch den Weg nach Paris. Mit seiner Frau Helene und ihren beiden Töchtern zog er 1959 in die französische Metropole. Doch die Lebensumstände der Familie waren mehr als schlecht. Das Geld war knapp und für mehrere Jahre lebten die Bischoffshausens in einem Hinterhof des Abbruchviertels "Glacière", einem aufgelassenen Kühlhaus. Auch wenn sich die Wohnsituation ab 1962 verbesserte, war die Geldknappheit Zeit Lebens prägend für Hans Bischoffshausen und seine Familie – und das, obwohl der Künstler in Paris Anerkennung und Anschluss an die Szene fand und vermehrt auch öffentliche Aufträge erhielt. Bischoffshausen war in bedeutende Avantgarde-Galerien und international anerkannte Museen vertreten, durch den Einsatz des progressiven Galeristen René Drouin war er in internationalen Gruppenausstellungen von Barcelona bis Istanbul, von Amsterdam bis Neu Delhi vertreten. In diesem für ihn "wichtigsten Abschnitt" trieb Bischoffshausen die Reduktion seiner Malerei auf die Spitze. Es entstanden ausschließlich monochrome Bilder mit aufgesetzten oder eingeprägten Strukturen die lediglich durch die Wirkung von Licht und Schatten sichtbar wurden. 1971 entschloss sich die Familie Bischoffshausen zur Rückkehr nach Österreich und ließ sich wieder in Kärnten nieder. Zwei Leiden prägten Bischoffshausens Leben und Schaffen in dieser Zeit zusehends: die allmähliche Zerstörung seines Sehnervs und damit einhergehende nachlassende Sehkraft durch die jahrelange Verwendung von Polychloräthylen, und sein schwerer Alkoholismus, der sich bereits seit den Pariser Anfangsjahren bemerkbar gemacht hatte. Hans Bischoffshausen starb am 19. Juni 1987 im Alter von 60 Jahren im Landeskrankenhaus Klagenfurt.(Clara Kaufmann)

Corgi - Lledo - Trackside - 16 boxed Trackside models, including Limited Editions Scammell Handyman Cable Reel Load in Pickfords Livery DG 175001 and ERF LV Sheeted Platform trailers in Pollock Livery DG 186003. Some boxes with "de-certificated" labels. Items generally appear mint in very good to excellent boxes, some with storage wear. (This does not constitute a guarantee) [GM]

Kurt Jackson R.W.A. (British, born 1961)The World Was So Bountiful signed and dated 'Kurt J 06' (lower right), titled and inscribed 'pilchard cod bass pollock/mackerel crab lobster monkfish/the world was so bountiful/the world is so beautiful' (upper centre), also inscribed 'arsenic tin copper silver gold' (lower centre); further signed and dated 'Kurt Jackson 2006' (on canvas verso)oil, charcoal, chalk and collage on canvas152.5 x 152.5cm (60 1/16 x 60 1/16in).Footnotes:ProvenanceWith Lemon Street Gallery, Truro, where acquired by the present owner, 27 January 2007Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

POLLOCK SINCLAIR NISBET ARSA RSW (SCOTTISH 1848-1922)  MOROCCAN SOUK  Watercolour, signed lower right, 32 x 22cm Condition Report:Available upon request

A collection of boxed Corgi haulage lorries, including 1:50-scale Hauliers of Renown Pollock, Ken Abram, A.R.R. Craib, A.J. Anderson, Tennant Transport Forth, John Mitchell Grangemouth and Woody's Express examples; and a Universal Hobbies 1:32-scale Massey Ferguson 135 tractor Condition Report:Available upon request

Aubrey Williams, Guyanese/British 1926-1990 - Guiana, 1963; oil on paper, signed, dated and titled lower right 'Aubrey Williams 63 Guiana' and titled again on the reverse of the frame, 59 x 76.5 cm (ARR) Provenance: private collection and thence by descent Note: this piece is typical of Williams's style of the 1960s, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959.  After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

Aubrey Williams, Guyanese/British 1926-1990 - Kumaka, 1963; oil and mixed media on canvas, signed, dated and titled on the reverse 'Aubrey Williams 63 Kumaka', 71 x 81.3 cm (ARR) Provenance:private collection and thence by descent Note: Kumaka refers to a village in Williams's native Guyana. This piece is typical of Williams's style of the 1960s, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

TEN BOXED CORGI CLASSICS DIECAST COMMERCIAL TRANSPORT MODELS, to include a Scammell Highwayman Tanker 'Shell Mex/BP', no. 97840, a Atkinson Elliptical Tanker 'Pollock of Musselburgh', no. 97162, a Foden Tanker 'Regent', no. 97970, a Foden Flatbed' Scottish & Newcastle', no. 97317, a Foden 8 Wheel Rigid 'Robinson's of Carlisle', no. 97971, a Bedford O Articulated 'BRS', no. 97329, ERF Tanker 'Blue Circle', no. 97930, two ERF Elliptical Tanker 'ESSO', no. 97980, and an Atkinson 8 Wheel Rigid with Trailer and Load 'Tennant', no. 97366, each model has a certificate included, all are in like new condition, the outer cardboard boxes and inner packaging are in good condition with slight storage and handling wear mainly to corners and edges, contents have not been checked for completion

3 recent issue Corgi Limited Edition Hauliers of Renown series trucks. CC13429 MAN TGA Macfarlane Transport. CC13823 Mercedes Benz Actros container, Pulleyn Transport Ltd- Reading. Plus a CC14806 Scania 143 box trailer, Pollock (Scotrans) Ltd, Bathgate Scotland. All boxed. Mint, as new. £60-80

Five Corgi limited edition 1:50 scale lorries, comprising CC13608 M.Kettlewell DAF CF Bulk Tipper, C13518 Volvo FM Feldbinder Tanker, two CC18809 Mercedes Benz Actros Curtainside Pollock Scotrans Ltd and 75205 ERF EC Series Curtainside Pollock Scotrans Ltd, all boxed

Reichhelm, G. C. und W. Penn Shipley. (Hrsg.) Chess in Philadelphia. A brief history of the game in Philadelphia ... Nachdruck der Ausgabe Philadelphia 1898. Olmütz, Publishing House Moravian Chess, ca. 2001. 8°. Mit 5 Tafeln und Diagrammen. 158 Seiten. Orig. Pappband. (30) * Vergl. Linde - N. 245; vergl. Betts 6 – 21. Beiliegen: Rowland, F. F. (Hrsg.) Pollock Memories: A collection of chess games, problems, etc. Nachdruck der Ausgabe von 1899. Olmütz, ca. 2001. 8°. Mit Diagrammen. 1 Bl., 158 Seiten, 1 Bl., III Seiten. Orig. Pappband. / Walker, W. G. A selection of games at chess, actually played in London, by the late Alexander M'Donnell ... with his principal contemporaries ... Nachdruck der Ausgabe London 1836. Olmütz, ca. 2004. 8°. VII, 1 Bl., 280 Seiten. Orig. Pappband. Vergl. van der Linde II, 76 f. Zustand für alle Teile: Mit einigen Bleistiftnotizen. Einbände mit Gebrauchsspuren.