We found 2833 price guide item(s) matching your search

Corgi 1/50 scale CC99130 Scotland's Finest Pollock (Scotrans) Ltd. Set comprising three Tractor Units, Curtainside Trailer & Ltd.Ed. History Booklet. Appears M and boxed.

Scottish Golf Club Centenary Books - mostly western region to incl "East Kilbride Golf Club 1900-2000" signed by the author Bill Niven, "Hamilton Golf Club 1892-1992 Centenary Volume" in red cloth decorative boards, "Helensburg Golf Club - 100 Years" c/w dust jacket, "Killermont-The Home of Glasgow Golf Club" Ltd edition number 1452/1500 c/w dust jacket, "Western Gailes 1897-1997" c/w dust jacket plus "A History of Girvan and Ballantrae Golf Clubs", "The First One Hundred Years-Pollock Golf Club 1892-1992" and "Dumbartonshire Golf Union-A Century of Golf in the County 1896 1996 - overall (G) all 3x in their original wrappers (VG) (9)

A late 18th Century English creamware jug, transfer printed in black with a portrait of George III, King William III, and the motto "King and Constitution" within an oval cartouche, 7.25ins high, and another, transfer printed in black with "The Farmers Arms", Masonic symbols, and "John Pollock", within a leaf garland cartouche, 8.75ins high (both damaged and with staining)

10 Corgi Classics. 2x Scammell Highwayman articulated tankers, Shell Mex/BP and Pointer. 2 Atkinson tankers, - Pollock Bulk Liquids and Mackeson. 2x Foden – 8-wheel rigid, Robsons of Carlisle and a flatbed with chains and barrel load, Scottish & Newcastle. ERF tanker ESSO. AEC tanker, North Eastern Gas Board. AEC Pump fire engine, Cleveland and a Scammell Scarab with barrel load, Websters. All boxed. Contents VGC-Mint.

9 Corgi vehicles. 2x Passage of Time series AEC MkV Mammoth Major platform lorry with wool bale load & Shap Memorial, Henry Long (Manningham). Plus a Guy Invincible platform lorry with fruit box load & Shap clock, WH Bowker Ltd. Kings of the Road series Scammell Crusader tilt trailer C.R.T.S. (Ackworth) ltd. Heavy Haulage series Foden FG articulated with long platform trailer, Edward Beck & Son, A Premium Edition Volvo F88 sheeted flatbed trailer, BRS Midland. Plus an Atkinson 8 wheel rigid with trailer and load, Tennant. Also an American Flexible Clipper – Capitol Bus Company, Destination Harrisburg. Plus 2 loose - Albion flatbed, Pollock and a Bedford flatbed, J. Beasley Ltd. And a sandbag load. Some light wear to boxes. Contents and loose items VGC-Mint one damage to bumper.

3 Corgi Trucks. Volvo FH Bulker, Alex Anderson, Bo’Ness, West Lothian CC12414. MAN TGA, Ken Thomas Ltd, Wisbech CC13403. Plus a Volvo F88 Sheeted Flatbed Trailer, Pollock Scotrans Ltd CC13107. All boxed, minor wear. VGC ex display examples.

CORGI LIMITED EDITION AND OTHER DIE-CAST COMMERCIAL VEHICLES, including CC13714 Truckfest Scania R Series, CC13001 Dennis F.5 Rear Pumper Blackburn Fire Brigade, CC20503 ERF KV8-wheel Platform Lorry Pollock and 72011 Bernard type 110 Fourgon Berger L ivery, (4) each in original vending box

Corgi ERF KV 8 Wheel Platform Lorry - Pollock - Good Condition CC10503

Corgi Atkinson Borderer Flatbed Trailer - Pollock CC12504

SCALES BY D POLLOCK. H147

Ian Pollock (British b. 1950): 'Grogging up the Mucus', ink and watercolour, signed lower right, 22 by 27cm.

SPORT: Selection of signed printed 8vo and 4to programmes for various sporting events relating to cricket (12), golf (4), snooker (4) rugby (13) and a few other sports, mainly 1990s although a few earlier, most multiple signed by various sportsmen and women including Kapil Dev, Sachin Tendulkar, Matt Prior, Herschelle Gibbs, James Kirtley, Monty Panesar, Alec Stewart, Andrew Flintoff, Darren Gough, Nasser Hussain, Rahul Dravid, Hansie Cronje, Allan Donald, Shaun Pollock, Alistair Campbell, Andy Flower, Heath Streak, Steve Waugh, Adam Gilchrist, Glenn McGrath, Ricky Ponting, Shane Warne, Wasim Akram, Shoaib Akhtar, Clive Lloyd, Brian Lara, Curtly Ambrose, Courtney Walsh, Viv Richards, Justin Langer, Jason Gillespie, Desmond Haynes, Malcolm Marshall, Ravinder Bopara, Richard Hadlee, Lorena Ochoa, Annika Sorenstam, Laura Davies, Bob Charles, Ben Crenshaw, Nick Faldo, Fred Funk, Bernhard Langer, Sandy Lyle, Greg Norman, Mark O'Meara, Gary Player, Sam Torrance, Ian Woosnam, Thomas Bjorn, Dennis Taylor, John Virgo, Alex Higgins, Cliff Thorburn, Ray Reardon, Jonny Wilkinson, Dan Luger, Phil Vickery, Will Greenwood, Martin Johnson, Matt Dawson, Will Carling, Rob Andrew, Rory Underwood, Jeremy Guscott, Brian Moore, Jason Leonard, Sean Fitzpatrick, Dusty Hare, Bill Beaumont, Lester Piggott, Viv Anderson, Paul Power, Kenny Swain and many others. A few unsigned. G to generally VG, 40

POLITICS: Selection of signed pieces, and two A.Ls.S., by various Political figures, mainly British, including George Canning, Herbert Gladstone, Robert Borden, George Harvey, George Shaw-Lefevre ('Eversley'), T.P. O'Connor, Joseph Kenworthy, Robert Sanders, F.G. Kellaway, William Bridgeman, Margaret Wintringham, Nancy Astor, Andrew Murray ('Dunedin'), Robert Crewe-Milnes ('Crewe'), Robert Finlay, Charles Wynn-Carington ('Lincolnshire'), John Morley, Sydney Buxton, William Palmer ('Selbourne'), Rufus Isaacs ('Reading'), William Sutherland, Frederick Lugard, Hilton Young, Ernest Pollock etc. G to VG, 39

A late 18th Century Irish flintlock blunderbuss by Hutchinson of Dublin with brass barrel stamped Dublin with Irish registration marks MF1461, overall length 76cm, the buttstock marked A. Pollock

Two boxed Corgi ltd edn Hauliers of Renown vehicles to include CC13809 Mercedes Benz Actros Curtainside Pollock (Scrotans) Ltd and CC13507 Volvo FM Curtainside RF Fielding (Cheshire) Ltd

Three boxed Corgi ltd edn vehicles to include CC13107 Volvo F88 Sheeted Flatbed Trailer Pollock Scotrans Ltd, CC12509 Atkinson Borderer Flatbed Trailer & Steel Load Bassetts Roadways Ltd and CC12702 ERF ECS Curtainside Stoford Transport Ltd all with certificates

Collection of scrapbook pages vintage 1946-1955. Includes Emlyn Williams, John Wynward, Hugh Kelly, Ursula Jeans, Celia Johnson, Clive Brook, Joyce Redman, Pauline Jamson, Mark Digman, Cedric Hardwicke, Faith Brook, Eric Portman, Harcourt Williams, David Peel, Megg Jenkins, David Crosse, Richard Attenborough, Edith Evans, Glynnis Johns, Brenda Bruce, Sonya Hang, Ada Reeve, Frances Day, Constance Cummings, Cast of Oklahoma, Googie Withers, Peter Ustinov, Jerry Verno, Jean Gablon, Cecil Winter, Rosalind Atkinson, Patricia Burke, Harry Andrews, Gordon Jackson, Robert Donot, Bernard Miles, Francis Lister, Hermione Gingold, Christopher Hewell, Florence Desmond, Donald Wolfit, Eileen Herlie, Robert Beatty, Dennis Arundell, Roger Liversey, Rosalind Iden, Sheila Sinn, Jane Henderson, Kay Hammond, John Clements, Sybil Thorndike, Frida Gaye, Rosamund John, Mary Martin, David Read, James Donald, Lalage Lewis, Ellen Pollock, Valerie White, Michael Dennison and Daphne Baer also a few unknown. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.

O'Connor (Francis Valentine & Thaw, Eugene Victor, editors). Jackson Pollock, A Catalogue Raisonn‚ of Paintings, Drawings, and Other Works, volumes 1-4, Yale University Press, 1978, numerous black and white illustrations, uniform original grey cloth in slipcase, spines slightly rubbed, large 4to, together with Foster (J.J.), Miniature Painters, British and Foreign..., volumes 1 & 2, 1903, limited deluxe edition, 159/570, numerous monochrome plates, some light toning, uniform publisher's original vellum, boards and spines marked, folio, and Spielmann (M.H.), British Portrait Painting to the Opening of the Nineteenth Century, volumes 1 & 2, 1910, limited edition of 350 copies, numerous monochrome plates with tissue guards, some watermarks and light spotting, uniform original half vellum, boards and spines slightly rubbed to head and foot, folio, plus other mostly late 19th and early 20th century large format art reference, some leather bindings, mostly contemporary cloth, all ex library with associated stamps and marks, condition is generally good, 8vo/folio (3 shelves)

Corgi DAF CF Curtainside Lorry Pollock (Scotrans) Ltd CC13611

WSI Volvo FH Globetrotter XL 6x2 with 3 Axle Skirted Curtaintrail Pollock of Scotans Ltd 10209

Corgi ERF EC Series Curtainside Pollock (Scotrans) LTD. Musselburgh 75205

Corgi Scania Curtianside Pollock (Scotrans) LTD 76401

MARK POLLOCK (1905 - 1985). A folder of works, various subjects mainly figurative, mostly signed, pen and inks and watercolours, unframed, largest 36 x 26 cm (approx 20)

A wall-mounted display case of reproduction Edward Pollock clay pipes, all numbered and listed, 84 x 88cm.

Joseph M Glasco (American 1925-1996)'Abstract Head Study'Ink drawing, signed lower right, 55.5cm x 43cmFootnote: Glasco was a friend and contemporary of Jackson Pollock. His works are included in many permanent exhibitions including the Metropolitan Museum of Art, the Museum of Modern Art (NT) and the Guggenheim Museum

Five Corgi models: CC13809 Mercedes-Benz Actros Curtainside Pollock (Scotrans) Ltd.; Millenium Collection 43710 01 Trolleybus; EX72914 Simca Cargo Avec Remorque - SNCF; 2 x Michelin EX70902. Appear E-M and boxed.

Two Corgi Sights and Sounds 1/50 scale models: CC12936 Scania Topline Curtainside Trailer Eddie Stobart; CC12931 Scania Topline Curtainside Trailer Pollock (Scotrans) Ltd. Appear M and boxed with limited edition certificates.

Quantity of Corgi Classics Road Transport diecast models, includes #97162 Atkinson Elliptical Tanker Pollock of Musselburgh. Appear M and boxed. (20)

Five Corgi 1/50 scale trucks: CC13809 Mercedes-Benz Actros Curtainside - Pollock (Scotrans) Ltd.; CC13225 DAF XF Super Space Cab Curtainside - Chamberlain Transport Ltd.; CC12428 Volvo FH Houghton Parkhouse 'The Professional' Livestock Transporter - Fred Greenwood & Son; CC13720 Scania R Series Topline Fridge Trailer - Barline Transport; CC13413 MAN TGA XXL Fridge Trailer - McCulla (Ireland) Ltd. M and boxed with certificates.

A mahogany cased barograph, 1931, "Presented to William Woodward by Commercial Union Assurance Company Limited", manufacturer Pollock & Co., Dublin. Width 37 cm.

[Pollock (J.H.)] 'An Philibin,' Hills of Dublin, D. 1917; Grass of Parnassus, D. (Three Candles) 1936. Lim. Edn. No. 54 (250), cloth; The Valley of the Wild Swans, D. 1932. Signed Copy cloth; The Moth and The Star, A Surmise. D. 1937; Irish Ironies, A Collection of Short Stories. L. 1930, cloth; Autumn Crocus, 4to Tralee 1947, cloth & d.w. All First Edns., & 8 others, mostly Lim. Edns., orig. wrappers. As a lot. (15)

South African Test Cricket Team 1970 (vs. Australia), team signatures on ten rand notesComprising: Dr Ali Bacher (Captain), A J Traicos, E J Barlow, B L Irvine, P H J Trimborn, M J Proctor, R G Pollock, D T Lindsay, H R Lance, B A Richards and P M Pollock, framed and glazed. 36 x 56 cm.Note: South Africa vs Australia at Port Elizabeth on 5th, 6th, 7th, 9th and 10th March 1970 was the last game of Australia's tour and completed a clean sweep for South Africa with what was probably the home team's greatest ever line up in their last game played before the international ban imposed on South African cricket which lasted until 1992. CONDITION REPORTS: Generally in good condition, expected wear, Pollock signature faded.

William Scott CBE RA (1913-1989) BLUE STILL LIFE, 1969-1970 oil on canvas signed, titled and dated on reverse with Hanover Gallery, London; Where purchased by Richard Davis, New York, 8 September 1970; Thence by descent to the previous owner; Christie's, 16 November 2007, lot 72; with Richard Green, London, 2008; Collection of George and Maura McClelland 'William Scott: Paintings, Drawings and Gouaches 1938-71', Tate Gallery, London, 19 April to 29 May 1972, catalogue no. 101; 'William Scott', Martha Jackson Gallery, New York, January to February 1973; 'William Scott', Gallery Moos, Toronto, October to November 1973; Art |39| Basel, 4-8 June, 2008, with Richard Green In a review of the major one-man show in New York in 1973, that included Blue Still Life, Hilton Kramer - the influential and provocative critic of the New York Times - described William Scott as "an artist of uncommon distinction - not only the best painter of his generation in England, but one of the best anywhere."(1) The show was to mark Scott's sixtieth birthday, but recognition for his particular contribution to Modernism had been growing over the years, leading to his inclusion to represent Britain at the Venice Biennale in 1958, a major retrospective at the Tate Gallery in London in 1972, and the reproduction of his Berlin Blues 1 painting on an Irish postage stamp in 1973. Scott was, however, continuing to innovate, and the New York show comprised recent works taking his interests to a new level of resolution, including those like Blue Still Life eloquently employing the "rich Mediterranean blues" that had become a signature dimension of his work. Kramer perceptively summarized the paintings in the exhibition as "abstractions based mainly on still-life motifs." While Scott had addressed other subjects from time to time over the years, including landscape, portraiture and the nude, still life was the enduring thematic interest for the artist from an early stage and throughout his career. He asserted his preference for man-made objects over nature, and the contours of still life were interesting in themselves as well as providing a significant basis for his evolving propensity towards abstraction. They were reminiscent also of the domestic environment of his working class origins; as he explained "the objects I painted were the symbols of the life I knew best."(2) Born in Greenock, Scotland in 1913, Scott moved with his family to his father's native Enniskillen in 1924. Initially he learned the skills of sign-writing from his father and attended art classes with Kathleen Bridle who introduced him to Modernist art and to the writings of Roger Fry that would resonate with Scott, not least in highlighting the importance of representing familiar objects over more narrative-based subject matter. Later, Scott went to the Belfast School of Art and then the Royal Academy Schools in London. Following his marriage, he and his wife, artist Mary Lucas, spent time on the Continent - including to Mediterranean towns in the south of France - travelling, seeing art and teaching, before returning to Britain where he later took up a role at the Bath Academy of Art. Scott became a regular visitor to St Ives, and knew many of the artists there. In 1953, a visit to New York brought him into contact with Mark Rothko, Jackson Pollock and Willem de Kooning. While in Paris with his wife, Scott saw his first Matisse painting, a still life with drapery that entranced him reflecting a burgeoning interest and the direction his own work was to take.(3) On a later visit to Paris, in 1946, Scott was captivated by the exhibition A Thousand Years of Still Life Painting, where he "was overwhelmed by the fact that the subject had hardly changed for a thousand years, and yet each generation in turn expressed its own period and feelings and time within this terribly limited narrow range of the still life."(4) While his earliest still life paintings are the most naturalistic, Scott's interest in stylization and in abstracting are evident throughout his career as a painter; his focus on the structure and contours of composition and forms predominate over illusionism and mimesis, demonstrating his interest in primitivist forms and an austere aesthetic. The clustered still life objects of the late 1950s increasingly gave way to abstraction evolving to the celebrated Berlin Blues series in the mid 1960s. In the words of Clive Bell, Scott evinced a "truly remarkable gift of placing",(5) a capacity that became especially evident as Scott pioneered the representation of ordinary subjects on large canvases, with an almost classical presence, as in the commanding scale of Blue Still Life. The late still lifes, as this work demonstrates, comprise emblems on the cusp of abstraction; the familiar contours of utensils are distilled to pure flat forms dispersed on the canvas in a finely tuned arrangement, remote from the practical groupings of the kitchen from which they once derived. Mitigating their potential asceticism, however, Scott had expressed a desire "to animate a still life in the sense that one could animate a figure. I chose my objects … objects without much glamour"(6) indicating their humble origins and enduring personal relevance. His achievement is reflected in Kramer's comments in his New York Times review that Scott "invests this radically delimited imagery with a distinct mode of feeling" explaining that while highly simplified, the works evoke a "remarkable poetic resonance … and suggest a very personal emotional atmosphere." In Blue Still Life, the soft blurring of the familiar contours and the 'haloes' around selected objects balance the cool austerity of uncluttered space, the sparsely populated kitchen repertoire of the working class household in interwar cities. But there is no sense of deprivation, and the image 'breathes' with the space of sufficiency rather than indulgence. Close inspection shows too the flecks and drizzles of paint that, far from the machine aesthetic of Minimalism, reveal the handcraft of construction, abstraction animated by reality. Kramer appropriately summarized the 1973 show that included this painting. (7) "This is a beautiful exhibition, full of wonderful painterly subtleties and the kind of pictorial eloquence we would expect only from a mature artist in complete control of his medium." Dr Yvonne Scott, May 2017 (1) Hilton Kramer, 'Painterly Subtleties Fill Work of Scott', New York Times, 6 January, 1973, p.25. The show was at the Martha Jackson Gallery, New York early in 1973 to mark the artist's sixtieth birthday. (2) Lawrence Alloway, Nine Abstract Artists, their work and theory, London 1954, p.37, quoted in Norbert Lynton, William Scott, London 2007, p.30. (3) Norbert Lynton, William Scott (year), p.23. (4) Alan Bowness, 1964, quoted in Lynton, p.61. (5) Clive Bell, quoted in Lynton, p.42. (6) William Scott, quoted by Theo Crosby, 1957, reproduced in Lynton, p.76. (7) Kramer, op.cit. 48 by 72in. (121.9 by 182.9cm)

Manchester United programme v Ferencuares (1965) signed by 9 members of the South African Touring Team inc. Colin Bland, Ali Bacher, Peter Pollock etc & copy of Rothman's Test Almanac 1965, Australian Touring Team photo (1961), New Zealand Touring Team sheet (1958) and South African signed tour sheet (1960) with a note from Captain Jackie McGlen Condition report: see terms and conditions

*Gerd Winner (German, b.1936)‘POLLOCK’ LONG DISTANCE LORRYScreenprint printed in colours, 1970, signed and numbered 42/100 in pen, from the 'London Transport' series, on glossy wove paper, with full marginsoverall 105 x 79.7cm, framedA copy of this print is in the Tate collection (P05323).*Artist's Resale Right may apply to this lot.

Autographs - selection of historical signatures - mainly 17th to 19th century - including George Oxenden (1620 - 1690), First Governor of Bombay, John Lord Carteret (1690 - 1763) British Stateman, Robert Cary (1560 - 1639) Earl of Monmouth, Henry Boyle (1669 - 1725) Chancellor of Exchequer, William Pitt The Younger, Walpole, Wilberforce, Sir Bartle Frere, Sir Gen. Pollock, Sir James Paget (Physician), Lord Westmoreland, Adrian Metcalfe apothecary Charles I and many others - mostly signed pieces but some letters (qty)

Charles Pollock for Knoll, a black leather button upholstered executive armchair with a chromed frame CONDITION REPORT: No height adjuster. Leather with some minor cracking (See additional images). No tears. Some minor discolouration to metalwork base. Date of manufacture unknown- originally designed in the '60s. Knoll label to underside of front rim (illustrated).

Corgi: A collection of twenty-two 'Premium' Corgi boxed vehicles to comprise: '11801' "Scottish & Newcastle" ERF KV 8 Wheel Platform Lorry, '26102' Tyson Burridge, '29501' Guy Warrior 6 Wheel Dropside Lorry, '29203' The Shore Porters' Society Platform Trailer, '23802' Albion Clydesdale Dropside Trailer, '29202' Russell of Bathgate - Guy Invincible Platform Trailer & Load, '55608' Diamond T Wrecker, '55609' "John Thurston & Son Ltd" Diamond T Ballast, '07413' John Biddall Funfair Land Rover, '23202' Whitbread Bedford TK Platform Lorry, '16602' Scammell Highwayman, '23301' "Pollock of Musselburgh" Ford Transcontinental, '07502' Tarmac Land Rover, '22705' Bedford TK Box Van, '18404' Bedford O Artic Dropside, '23601' "Robson's of Carlisle" Albion Reiner 6 Wheel Platform Lorry, '35009' "AEC Routemaster" Blackpool Transport, '34802' Leyland Leopard/Weymann, '33301' Bristol LL6B Duple Coach, '12302' Eastwoods - Foden FG 8 Wheel Platform Lorry, '33101' Dennis Lancet Coach and a '10103' ERF V 8 Wheel Dropside Lorry. (one box)

CRICKET, two signed album pages by 1965 South Africa, 12 signatures inc. Barlow, Pollock, Lindsay, Bland etc., 4.25 x 3.5, VG, 2

Graeme Pollock South Africa cricket blazer,navy blue with red lining, wirework Reebok crest to breast pocket inscribed S.A., CRICKETGraeme Pollock's Test career was cut short at the age of 26 by the sporting boycott of South Africa. Up until this time he had played in 23 Tests all exclusively against England & Australia. His Test career batting average of 60.97 remains second to Sir Don Bradman.

A Glasgow North Eastern Cup cap awarded to Thomas Pollock Low in 1896,the black cap inscribed G N E and dated 1896The Glasgow North Eastern Cup was won by Parkhead in 1895-96. It seems plausible that Low and the other players received a cap rather than a medal. In the same season Parkhead were the runners-up in the Scottish Junior Cup.

An unusual award of a cap by the Scottish Football League to Thomas Pollock Low of Glasgow Rangers for the representative match v The Football League 1896-97,the usual presentation for an inter-League match being a medal, but at this period evidently a cap, the dark blue cap with Rampant Lion crest and inscribed S.F.L., S v E, 1896-7Thomas Low's Scottish Football League shirt badge for this match is offered as the following lot. This game represented the Scots first win over the English League since the contests began in 1892. The match was played at Ibrox 24th April 1897 and the Scottish League won 3-0, with Low scoring the opening goal.

Four Corgi die-cast wagons including Pollock, British Rail etc, all boxed

ABIGAIL AMOS coloured drawing on cartridge paper - school of fish entitled 'Môr Leisiad / Pollock', signed and dated 2011, 45 x 61cms

Corgi - a boxed set, Scotland's Finest, Pollock diecast 1:50 scale model motor vehicles # CC99130, appears mint in excellent+ box.

Corgi - a limited edition diecast collectable H E Payne Transport Ltd, model No. CC99147 and a limited edition collectable Scotland's Finest Pollock, model No. CC99130, both appear mint in original box

GT WAR MEDALS etc TO THE POLLOCK FAMILY. Including a 1914/15 Star named to S.Lieut J Pollock R.N.R. British War & Victory Medal pair named to Lieut. J. Pollock. R.N.R. A cased Greek Order of King George 1 in Silver Class, Mappin & Webb Ltd inside the lid. Dated 1915 between 1863 and 1913 on the reverse, in mint condition. With the award clarification certificate from the Admiralty dated 27/10/1922. Stating that Lt John Pollock late RNR of 13 Gordon Street, Gordon Square, London W C, has the Kings permission to wear the decoration. The original award certificate from the King of Greece, named to John Pollock RNR. The original certificate from the Royaume de Grece, Ministiere des Affairs Etrangeres, dated November 1923, named to John Pollock. The envelope is addressed to Lieut J Pollock RNR at The Haven. Lindhurst ? Sussex. A British War & Victory Medal pair named to Sister E Jeffrey. An unnamed as issued Queen Alexandra's Imperial Military Nursing Service Reserve Cape Badge. The wife of Lieutenant Pollock, who she met during the war, whilst in Nursing. See Illustrations

TWO CASED MEDALLIONS. A Cased 1910 Brusselles 1910 Medallion, Le Comte Executif, Mr Le Bron de Lavaleye President de La Commission Des Sports Athletiques on the outer lid. 70mm diameter gilt finish with mounted Trumpeter. Interestingly it has in a scroll below the horse, 'Le Baron de Lavaleye' engraved. A cased Silver Western Infirmary Glasgow Clinical Surgery Medal, awarded to William Pollock 1877, Dr Pattersons Class.45mm diameter.

Two boxed 1:50 scale trucks by Corgi, CC13240 and AN13418, together with two boxed limited edition Corgi 'Roadscene' trucks in 1:76 scale, CC18201 and CC18301 Renault Magnum 'Pollock'. Models appear G+, with all mirrors present, in G/G+ boxes. (4)

Cararama Ltd. Ed. Haulage 1:50 Pollock Scotrans Ltd.

Boxed Corgi Ltd Edition diecast vehicle Scotland's Finest - Pollock (Scotrans) Ltd Musselburgh 1:50 scale CC99130

A collection of boxed Corgi Classic vehicles including flatbeds, foden tankers, Albion, Scammell, BP tanker, and Limited Edition 'Pollock' 70th anniversary, petrol pumps, 'Gold Star', etc.

PHILIPS 8 INCH BRITISH EMPIRE GLOBEa terrestrial globe retailed by Pollock & Stewart of Glasgow, on an ebonised baluster stand

Pocket barometer by Pollock & Stewart, Glasgow, mounted in gilt metal and in its original case.

Diecast models - a collection of approximately 29 diecast model motor vehicles to include Oxford Military 1:76 scale, Oxford Commercials, SA Skale autos by Hornby and an Atkinson Border Flatbed trailer by Oxford Pollock, all appear mint in box

HEUER; a boxed bi-metal stopwatch with guarantee paper, Pollock & Stewart of Glasgow; a pocket compass, Junghans; a process time meter, Ingersoll; a base metal pocket watch, a Miles 'Suprex' measure and a Smiths brass cased small wall mounted barometer (6).

Corgi 1/50 scale Pollock Scotrans. VG with Incorrect Box.

A Victorian decoupage scrap album, a Pollock toy theatre, and a German lithographed cube jigsaw puzzle

Britain in India & Central Asia.- Eyre (Lt. Vincent) Prison Sketches, comprising Portraits of the Cabul Prisoners, and other subjects, first edition, 23 finely hand-coloured tinted lithographed portraits and plates only (of 32), lithographed by Lowes Dickinson after Eyre and others, most c.170 x 110mm., one folding (c.105 x 360mm.), all mounted on card, most captioned in ink at foot of mount, some light soiling or staining to mounts, loose as issued in original cloth-backed board portfolio, gilt-stamped roan label to upper cover, rubbed and stained, with original printed 8vo wrappers loosely inserted (frayed at edges), [Not in Abbey], oblong 4to, [c.1843]. ⁂ Record of part of the debacle of the First Afghan War of 1839-42. Following the murder of Alexander Burnes in 1841 the British force was besieged in Kabul. They were eventually allowed to evacuate and began the retreat back towards India. On the way the Afghans demanded the surrender of the married officers and their families as hostages and they spent nine months in captivity in various forts, the experience being recorded by both Eyre and Lady Sale in diaries (see following lot & lot 395), before being rescued by General Sir George Pollock. The rest of the retreating column of 16,500 including women and children was destroyed in the mountains by the harsh winter and attacks from local tribesmen. Of the contingent only one British soldier, Dr. William Brydon, and a few sepoys managed to reach Jalalabad. The portfolio was issued separately but was intended to be bound up with either Eyre's or Lady's Sale's journal of the ordeal. It consists of mainly portraits of key figures in Afghan dress including the late Sir Alexander Burnes, Shah Shuja, Major Pottinger, Akbar Khan (son of Dost Mohammed, who had demanded the hostages) and Mrs. Eyre, in addition to three views of the caves and giant Buddha at Bamiyan (now destroyed). This deluxe version, hand-coloured and issued on card, varies as to the number of plates.

Britain in India & Central Asia.- Greenwood (Lt. Joseph) Narrative of the late Victorious Campaign in Affghanistan, under General Pollock..., first edition, tinted lithographed frontispiece, 4 engraved plates, folding map, some leaves slightly frayed at fore-edge, 1844 § Sale (Lady Florentia) A Journal of the Disasters in Affghanistan, 1841-2, first edition, with advertisement for 'Portraits of the Cabul Prisoners' on blue paper tipped in at beginning, 2 lithographed maps, one folding, 12pp. publisher's catalogue at end, 1843 § Eyre (Lt. Vincent) The Military Operations at Cabul, fifth edition, folding lithographed plan, 4pp. catalogue at end, 1843 § Ashe (Major Waller, editor) Personal Records of the Kandahar Campaign..., occasional spotting, 1881 § Forbes (Archibald) the Afghan Wars 1839-42 and 1878-80, plates and plans, 6pp. publisher's catalogue at end, 1892 § Masson (Charles) Legends of the Afghan Countries. In Verse, foxed and soiled, 1848, some foxing, the first two modern cloth preserving original cloth on upper covers, the rest original cloth, rubbed or worn, some spines faded; and 9 others on Afghanistan including vol.1 & 2 only of Masson's 3 vol. Narrative...in Balochistan, Afghanistan, and the Panjab of 1842, 8vo (15)