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Collection of 21 Corgi model haulage trucks, boxed. Including limited editions. Scale 1:50, CS Ellis Group ltd, E Pawson & sons ltd Langdons Transport, R Swain & Sons, Eddie Stobart, T Alun Jones, Curran, LE Jones, Scott Trawlers, Eddie Stobart, Pollock,

A large collection of 22 boxed model haulage trucks. 1:50 scale. Limited edition collectables, to include: Hingley transport Ltd, ARR Craib Transport Ltd, Gray & Adams Ltd, Knights of Old, Massey Wilcox, Pollock, Owens, Gallacher Bros, John Raymond Trans

A large collection of 22 boxed model haulage trucks. 1:50 scale. Limited edition collectables, to include: Corgi, Grimers, Atchison Topeka, Pulleyn, Matlock Transport, Fagan & Whalley, Norfolk Line, Pollock, Eddie Stobart Ltd, Russell, David Murray, Gerr

GERDA LEPKE (1939 Jena, lebt in Freital) "Wiesenlandschaft"Öl auf Leinwand. 1992.85,5 x 156 cm. Verso mit Pinsel in Schwarz signiert "Gerda Lepke", datiert, betitelt und bezeichnet. Gerda Lepke zählt zu den bedeutendsten Künstlerinnen der Dresdner und Geraer Kunstszene, findet aber auch deutschlandweit Anerkennung. Sie absolvierte zunächst eine Ausbildung als Krankenschwester und übte den Beruf bis 1963 aus. Im Anschluss belegte sie ein Abendstudium und studierte ab 1971 an der Hochschule für bildende Künste in Dresden Malerei bei Gerhard Kettner, Herbert Kunze und Jutta Damme. Inspiration fand sie bei den französischen Impressionisten und Jackson Pollock, entwickelte jedoch konsequent ihre unverwechselbare Bildsprache. Vor allem bei den Landschaften gelingt ihr im Zusammenspiel von Licht, Raum und Erde eine einmalige künstlerische Formulierung. Ihre meist großformatigen Arbeiten sind gekennzeichnet von flirrenden Farbstrukturen bestehend aus Punkten, Tupfen, Klecksen und Spritzern, wodurch diese eine ungemeine Dynamik und Lebendigkeit erhalten. Ihre Motive beschäftigen sich weitestgehend mit der Natur: "Es sind nur zwei Dinge wirklich wichtig für mich: Das, was lebendig ist, Mensch und Landschaft, und die künstlerische Arbeit, Kunst." (Katalog Gerda Lepke - Horizonte, 2020, S. 9).

John Bratby: 'Breakdown', New York & Cleveland, World Publishing Co., 1960, 1st US edition, signed & inscribed by Bratby on FFEP, further inscribed by him facing contents page, with full page pencil portrait on rear end paper by him with pencil note by him beneath, plus 4 Autograph Letters Signed by him, original quarter cloth gilt, pictorial paper covered boards. Details of inscriptions, portrait sketch and ALS by him as follows: i) pencil inscription to upper free endpaper: "To Delightful, Dear, Beautiful, Paint-covered, chromatic, earthy, a cynosure, wild, nobody else could be so unwashed & also be very beautiful, the daughter of Emil Nolde, Christine, from John Bratby [,] June 25 1973." ii) pencil note to blank page facing 'Contents' : "just nobody with hands loaded with gloss paint, & looking as if Jackson Pollock had used her for a painting. Cynosure=centre of attraction" iii) on lower free endpaper, full-page head and shoulders pencil portrait of Christine with note: "Christine[.] so sorry not doing my best yet - which hopefully to come will please us each more and anyway - delighted to meet you and for letting me be close" iv) Four Autograph Letters Signed in ball-point from Bratby to Christine, dated July/August 1973, on Bratby's striking own-designed illustrated note paper (two comprising a single sheet, two comprising two sheets). Looks forward to seeing her again and asks after her health, a waitressing job she has taken, her social life, whether she would pose for him - £1 an hour. v) single unused sheet of Bratby's note paper. John Bratby (1928-1992), painter and novelist, one of the 'angry young men' of the fifties, founder of the 'kitchen sink' realist movement in art. By the early 1970's his style of painting had fallen largely out of fashion in the face of American-influenced pop art. His failure to sell most of his work at the 1973 Royal Academy Summer Exhibition was greeted with considerable 'schadenfreude' by those critics who had never liked his work. His 'portrait' of Queen Elizabeth, in particular, aroused much controversy. (A contemporary Evening Standard review of Bratby's submissions to that exhibition is included in the lot.) No biographical information to be found about 'Christine'. Unlikely, though not impossible, that she was in fact the daughter of Emil Nolde (German Expressionist painter, 1867 to 1956). More likely that the reference just represents a moment of fanciful free association on Bratby's part, not least given that there are superficial stylistic similarities between the two painters.

George Morrison (Ojibwe, 1919-2000). Tempera on paper painting titled "Nostalgia (After deChirco). Red Rock Variation. Lake Superior" depicting an abstract composition in red and blue, 1960. Signed, inscribed "Dayton Ohio," and dated along the lower right. With a label from Bockley Gallery affixed to the verso.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art Movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 17 1/4 in x width: 22 3/4 in. Framed; height: 26 in x width: 31 1/2 in x depth: 1 in.Condition:The colors are bold and deep. There are no major tears, losses, or restorations. There are several small creases and minute tears along the extreme edges and corners. There is some light craquelure to the thicker areas of paint. Floated in frame. Light wear to the frame.

George Morrison (Ojibwe, 1919-2000). Gouache on paper painting depicting two sailboats on the water, 1949. Signed and dated along the lower left.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 8 1/4 in x width: 10 1/2 in. Framed; height: 16 in x width: 18 in x depth: 1 in.Condition:The sheet is affixed to a paperboard backing. The sheet is toned. There are several small chips along the edges of the sheet. Some discoloration along the left edge, possibly from the glue used to adhere the sheet to the board. There is a light undulation to the sheet throughout. The paperboard backing is fragile. There are discolorations throughout it from the glue used. There are several large tears throughout. Due to the fragile nature of the board, the verso has not been inspected. Housed between two non-acidic mats. Framed under glass, light wear to the frame. The paper backing of the frame has been cut along three sides to allow for inspection of the painting.

G. Pollock, photograph of Stonehenge signed to bottom right and one other photograph of a spiders web signed to bottom right

Cricketing interest to include various Wisden Almanacs, anthologies, book of cricket records and test cricket records, Wisden Cricketers Almanac 1946, brown cloth with gilt titles and 1953, brown cloth, spine damp damaged, Benson & Hedges Cricket Year, 6 vols, various books by famous cricketers to include John Arlott, Trevor Bailey, Ralph Barker, William Pollock, etc and a box of assorted Ordnance Survey maps (4 boxes) 

Three limited edition Corgi 1/50 scale 'Sights & Sounds' series diecast model trucks to include CC12931 Scania Topline curtainside Pollock (Scotrans) Ltd (1421/1510, model in excellent external condition but missing accessory pack and damage to electrical connectors, see photos, box good but missing top clear plastic protective cover) and 2x CC12937 Scania Topline curtainside Olivers Transport (1379/1410, very good external condition but damage to electrical connectors, see photos and 1029/1410 in excellent/near mint undamaged condition, box excellent but missing clear plastic protective cover, both models with opened but unused wing mirror sets)

Collection of 1/50 scale diecast truck and trailer models from Corgi to include CC15801 Mercedes-Benz Actross (MP4) Super Trailer, Pollock (Scotrans) Ltd (limited edition 140/1000, model at least near mint with sealed accessory bag, box very good), CC13618 DAF curtainside H.E.Payne (limited edition 131/1510, model mint with sealed accessory bag, box good), CC14036 Volvo Tipper W&D Dawson Scotland (limited edition 844/1000, model appears mint with sealed accessory bag, box excellent), CC11403 Bedford KM platform trailer & brick load Knowles Transport Ltd (limited edition 2060/2600, model would be near mint but some damage to cab/trailer attachment area, see photos but this is possible to repair invisibly and missing wing mirrors, box good with some damage to plastic tray). Also included a single CC19910 Tri axle curtainside trailer (near mint but slight manufacturing defect to upper right side panel, see photos, box good) and an unboxed Boddingtons curtainside trailer (good used condition, some marks etc) (6)

A print after Jackson Pollock. 8" x 51" image.

A George II silver sauce boat, London 1749 by John Pollock, 388g

A gold South African Prospectors brooch, circa 1900spade and nugget motif, stamped "18ct", with a safety chain complete with original box inscribed "Goch Pollock & Co. Jewellers & Co. Johannesburg" total approx. length 6.3cm, total approx. weight 6.2gCondition:

Property of the Late Countess Haig - Sir John Stirling Maxwell of Pollok, Bart, K.T (Scottish 1866-1956), "Pollock Golf Course", watercolour, initialled and dated 1935 bottom right, artist label verso reading - "in 1950 and sold on behalf of the General Funds of the National Trust for Scotland, 5 Charlotte Square Edinburgh", framed. (27cmx37cm)

Frances Pollock Morris, Victoriana charcoal on paper, inscribed verso, framed. (89.5cmx102cm)

Corgi, a boxed 1:50 scale group comprising of "Pollock 70 Anniversary" and "Marques Of Distinction" Although unchecked for completeness, condition appears generally to be Excellent to Near Mint in Good boxes. See photo.

* PETER MCLAREN (SCOTTISH B.1964), STILL LIFE WITH POPPIES oil on board, signed and titled '91 versoframedimage size 64cm x 74cm, overall size 80cm x 90cm Exhibition label verso: Modern Masters, The Scottish Gallery 2013, EdinburghNote: Peter Mclaren was born in Edinburgh in 1964, he was schooled in Fife then studied at the Edinburgh College of Art. He won the John Kinross Scholarship, from the Royal Scottish Academy, which allowed him to study in Florence, and the Richard Ford Award, from the Royal Academy in London, to study the works in the Prado, Madrid. Early influences include the collection of Scottish Colourists and post war expressionist paintings from his home town of Kirkcaldy's Museum. As a student Mclaren travelled by bicycle to see collections in Amsterdam, Arnhem, Paris and London. Post-graduation, he won an Andrew Grant Scholarship which introduced him first hand to American art. Wyeth, Pollock, Lichtenstein and Warhol. In 1989 Mclaren won the inaugural British Airways Most Promising Artist Award. His work is held in many public and private collections.Condition of picture is good overall, with no visible or known issues.

INDIA -- BEVERIDGE, A.S. The Bábar-Náma. 1971. Ocl. -- C. LEFÈVRE. Pouvoir impérial et élites dans l'Inde moghole de Jahângîr (1605-27). (2017). Owrps. -- M. SHEIKH. Emperor of the Five Rivers. The life and times of Maharaja Ranjit Singh. (2017). Obrds. w. dust-j. -- VALMÍKI. Ramáyana. Transl. by R.P. Goldman, S.I. Pollock, (a.o.). 2005-09. 5 vols. Ocl. w. dust-j. (Clay Sanskrit Libr.). -- And 7 o. (15).

LAMBERT, W.G. & A.R. MILLARD. Atra-hasîs. The Babylonian story of the flood. 1970. Ocl. -- J. RENGER, hrsg. Babylon: Focus mesopotamischer Geschichte, Wiege früher Gelehrsamkeit, Mythos in der Moderne. 1999. Ocl. -- J.A. BRINKMAN. Prelude to Empire. Babylonian Society and Politics, 747-626 B.C. 1984. Ocl. -- S. POLLOCK. Ancient Mesopotamia. The Eden that Never Was. 1999. Obrds. -- Z. BAHRANI. Women of Babylon. Gender and representation in Mesopotamia. 2001. Ocl. w. dust-j. -- And 10 o. (15).

VANITY FAIR SIR FREDRICK POLLOCK 495 x 350 mm

Two Various George II Silver Sauceboats, One by John Pollock, London, Circa 1750 and One by Robert Innes, London, 1753, each oval and on three shell-capped legs, with leaf-capped scroll handle, the first engraved with a crest, the second engraved with initials, 18cm wide and smaller; Together With a similar cream-boat, London, 1768, 12.5cm wide, total weight 18oz 12dwt, 579gr (3)

ROBERT RAUSCHENBERG (1925-2008)SLING-SHOTS LIT # 6 RR84-1112From 'Sling-Shots Lit Series' 1985Signature incisée, titrée, datée et numérotée 25/25 sur une plaque de métal apposée sur le côté gaucheLithographie et sérigraphie en couleurs sur feuilles de mylar et toile à voile, placées dans un caisson lumineux en bois avec lumière fluorescente et stores amoviblesPublié par Gemini G.E.L., Los AngelesIngekrast met handtekening, getiteld, gedateerd en genummerd 25/25 op een metalen plaatje aan de linkerzijde.Litho en zeefdruk in kleuren op mylar vellen en zeildoek, gevat in een houten lichtbak met fluorescerend licht en beweegbare vensterluiken. Uitgegeven door Gemini G.E.L., Los AngelesIncised with signature, titled, dated and numbered 25/25 on a metal plaque affixed to the left sideLithograph and screenprint in colours on mylar sheets and sailcloth, set into a wooden lightbox with fluorescent light and moveable window shadesPublished by Gemini G.E.L., Los Angeles214,6 x 142,6 x 31,4 cmFootnotes:Provenance / HerkomstGuy Pieters Gallery; KnokkeCollection privée / privécollectie, Belgique Bibliographie / BibliografieRobert Rauschenberg and Gemini G.E.L, Gemini G.E.L Online Catalogue Raisonné, New York, no. 1175Les deux œuvres de Robert Rauschenberg que nous présentons dans la vente du 30 avril 2024 à Bruxelles sont des assemblages de boîtes lumineuses avec lithographie et sérigraphie sur des panneaux de Mylar et de toile à voile ; ils ont été publiés par Gemini G.E.L., Los Angeles.Ecoutons le galeriste Leo Castelli parler de l'œuvre de Robert Rauschenberg au réalisateur, acteur et collectionneur Claude Berri. Ensuite, Nancy Heller, auteur et professeur d'histoire de l'art, nous parle des Sling-Shots en particulier.« Je l'ai découvert comme cela, par hasard, en cherchant des artistes pour l'exposition de la 9ème rue. J'ai tout de suite vu qu'il n'était que peu influencé par les « grands », qu'il était nettement différent. Il y avait dans son travail des éléments d'une audace extraordinaire, la recherche de quelque chose de nouveau qui n'était pas la continuation de ce que de Kooning et Pollock avaient amorcé. Il y avait chez lui des éléments que l'on connaissait, son emploi du collage par exemple. Picasso et tant d'autres après lui l'avaient employé, mais l'usage qu'en faisait Rauschenberg était plus grandiose, plus surprenant, davantage fondé sur les choses qu'il trouvait dans la rue. Cela rappelait un peu Schwitters, mais chez Schwitters, tout était menu alors que Rauschenberg, pour sa part, allait jusqu'à employer des aigles empaillés et mêmes des chèvres empaillées. Il allait infiniment plus loin que tous les autres avant lui dans l'emploi d'éléments étrangers à la peinture. C'est un grand précurseur qui a eu, je crois, une influence énorme sur les générations suivantes. »Rauschenberg regardait autour de lui, la vie, son quartier, les bas-fonds de Manhattan, la misère et les détritus, et c'est cela qu'il voulait montrer : la vie telle qu'elle est. Robert Rauschenberg a cette idée que le monde en guerre doit être réformé par l'art. Il s'est donné pour mission de montrer partout son art constitué d'images multiples sorties de magazines d'actualité ou qu'il photographie lui-même.Claude Berri rencontre Leo Castelli, Paris, 1990, pp. 28, 35 et 69.For further information on this lot please visit Bonhams.com

A Metropolitan Museum of Art New York print, Number 28 by Jackson Pollock, 93 cm x 135 cm

Diecast - a collection of x4 Corgi 1/50 scale boxed diecast haulage models comprising; Gibbs of Fraserburgh, British Oxygen Company, Pollock and Spiers of Melksham.

Diecast - a Limited Edition Corgi 1/50 scale ' Scotland's Finest Pollock ' diecast model set containing x3 Tractor Units and Curtainside Trailer. Boxed with certificates.

Helen Frankenthaler (1928–2011) was an American abstract expressionist painter known for her innovative techniques and groundbreaking contributions to the field of color field painting. Born in New York City, Frankenthaler studied at Bennington College in Vermont and later at the Art Students League of New York.Frankenthaler's work was deeply influenced by the abstract expressionist movement, particularly the techniques of Jackson Pollock and Willem de Kooning. However, she developed her own distinctive style characterized by the use of poured and stained paints to create large-scale, abstract compositions.One of Frankenthaler's most famous works is "Mountains and Sea" (1952), a painting that exemplifies her groundbreaking technique of staining unprimed canvas with thinned-down oil paints. This innovative approach allowed the colors to soak into the fabric, creating luminous, ethereal effects and blurring the boundaries between figure and ground.Throughout her career, Frankenthaler continued to experiment with different materials and techniques, producing a diverse body of work that ranged from monumental canvases to intimate works on paper. She was particularly interested in the relationship between color and emotion, and her paintings often evoke a sense of joy, serenity, and transcendence.Frankenthaler's work had a profound impact on the development of abstract painting in the 20th century, and she is widely regarded as one of the most important artists of her generation. Her bold use of color and innovative techniques continue to inspire artists and art lovers around the world, and her legacy as a pioneering figure in abstract expressionism endures to this day.Measures 34.1 x 58.0.

ACCLES & POLLOCK APOLLO FALCON AND KESTREL BOWS, TWO STANDS OF ARROWS TOGETHER WITH A GREEN CASE OF BOW STRINGS AND ACCESSORIES

Pamela Derry (British 1932-2002): 'Forgotten and Overgrown', oil on board signed, titled on gallery label verso 22cm x 34cm; Helen Pollock (New Zealand 1945-): 'October', gouache signed, titled and dated 1981 verso 23cm x 29cm (2)

Fielding (Xan) The Stronghold, first edition, ownership name on front free endpapers, original cloth, dust-jacket, spine faded, nicks and tears to edges, 1953 § Pollock (Frederick) Essays in Jurisprudence and Ethics, small ink ownership name on half-title, original cloth, lightly cockled and rubbed, 1882; and 12 others, mostly politics & war, etc., v.s. (14)

Books - Modern Art - Picasso, Pollock, Denis Bowen, Ben McLaughlin, John Wells, Cubism and Abstract art, etc, (25).

THREE CORGI CLASSICS DIECAST MODEL COMMERCIAL VEHICLES comprising a No.CC13703, Scania R Series High Roof Curtainside 'C.S. Ellis'; No.CC12920, Scania Topline Fridge Trailer 'A.L. Campbell'; and No.76401, Scania Curtainside 'Pollock Scotrans', each boxed (unchecked for self-fit and detail parts, and enclosures).

A Philip's 6" Terrestrial Globe, retailed by Pollock & Stewart of 41 Renfield Street, Glasgow, measuring approx. 27cm in height Condition Report:Available upon request

Corgi Classics Fuel and Other Tankers (12), all boxed, 97162 Pollock of Musselburgh, 97970 Regent, 27301 Bulwark Transport, 13701 Arrow Bulk Carriers, 97930 Blue Circle, 2421 Mckelvie & Co, 97980 Esso, 24202 Power Petroleum, 97840 Shell Mex/BP, 11501 Shell/BP, 24203 Shell/BP, 22801 Shell/BP all three with a model petrol pump, one minus a wing mirror, G-E, boxes F-VG, (12)

Modern Diecast Haulage Vehicles and Tractors (10), all boxed/cased, vintage and modern vehicles, Oxford Diecast 1:76 scale Only Fools & Horses J Hawker Haulage Denzil's articulated truck from Hull & Back episode, Corgi Roadscene 1:76 scale CC18301 Pollock Scotrans Renault Magnum curtainside, Lledo Trackside, Pollocks Foden and Sentinel Ballast with excavator load, Corgi Super Haulers, 59515 Tate & Lyle tanker, 59509 James Irlam Scania, Eddie Stobart 59502 ERF Curtainside, Road Transport Heritage CC13306 BMC Flatbed BR, Britain's 1:32 scale 9502 Massey Ferguson MF 362 tractor and Universal Hobbies, UH5238 Limited Edition Massey Harris No 3 trail baler with Massey Ferguson 35 Deluxe tractor, 0256/1200, G-E, boxes G-E, (10)

Corgi, Pollock sight and sound and Gold Star Special. Although unchecked for completeness, conditions generally appear to be Excellent in Excellent boxes. See photo.

Georges Noel BeDARD (1924-2010) "Abstract landscape" April 22, 1956, ink and watercolor. Georges Noel was born in 1924 in Beziers, and grew up in Pau. After studying engineering and painting, he became a designer-draughtsman for nine years in the aeronautical company Turbomeca in Pau. In 1956, he moved to Paris to devote himself entirely to painting. From then on, he became passionate about Dubuffet and Klee, Pollock and Fontana. Represented by the Galerie Paul Facchetti from 1957 until the end of the sixties.Georges Noel has exhibited extensively in Europe and the United States. In 1968, Georges Noel moved to New York where he was represented by the Pace Gallery and the Arnold Herstand Gallery. Under the American influence, his work becomes more structured and architectonic. Back in France in 1983, he prepared an important exhibition at the Abbaye de Senanque and in 1985, a retrospective at the Center national des arts Plastiques in Paris. His pictorial evolution shows a synthesis between the gestures of his beginnings and an underlying structure put in place during his American period. From those years on, he exhibited regularly in Italy, Germany and Japan, where his work was particularly appreciated.Height: 60cm; Width: 73cm;

Corgi Pollock Scottrans limited Scania Truck, sound controller missing, All the classics heavy haulage Pickford’s Scammell low loader set, 50th anniversary Battle of Britain set, items boxed, excellent

A collection of spinning and Float fishing rods. Including an Elastica Capella rod, L285cm, a Accles and Pollock 'Taperflash' rod and more

A large original Rowel Friers pencil drawing. Lytle & Pollock. 43x32cm. Frame 64x53cm

A large original Rowel Friers pencil drawing. Lytle & Pollock. 51x38cm. Frame 69x58cm

A large original Rowel Friers pencil drawing. Lytle & Pollock. 59x37cm. Frame 77x56cm

A large original Rowel Friers pencil drawing. Lytle & Pollock. 46x33cm. Frame 64x53cm

A large original Rowel Friers pencil drawing. Lytle & Pollock. 48x36cm. Frame 69x58cm

Accles & Pollock Ltd. Apollo sports bow with accessories such as M.H. Barnard Silver Streak arrows, quiver, case and arm protection, case 96x43 cm

Corgi - A set of three boxed Corgi 1/50 Scale vehicles consisting of #CC12931 Scania Topline Curtainside Trailer Pollock(Scotrans)Ltd with sound(untested) and #CC10503 ERF KV 8 Wheel Platform Lorry-Pollock both in near-mint condition. Also in this lot is #29104 Guy Invincible 8 Wheel Platform Lorry, Bogie & Beam Load- Tarmac which appears to be in excellent condition but has major damage to its internal tray resulting in the item no longer being fixed securely. All items come with their wing mirrors and are in good to excellent boxes with some minor storage wear.(This does not constitute a guarantee) [ba-3] RG

Corgi - A set of three boxed Corgi 1/50 Scale Lorries consisting of #CC10706 Scammell Highwayman Box Trailer & Roofload-Carters in excellent condition; its wing mirrors are loose but a present in the box. This item is in a very good box. Also in this lot is a limited edition (1 of 2000) #CC10703 Scammell Highwayman Low Loader & Cable Drum Load-Pointer and a limited editon(1 of 2000) #23301 Pollock of Musselburgh, Ford Transcontinental Platform Trailer with Sheeted load. Both these items appear to be in near-mint condition with wing mirrors and accessory packs present and come in very good to excellent boxes with some minor storage wear. #23301 has a slight tear to its sleeve.(This does not constitute a guarantee) [ba-3] RG

Corgi - Exclusive First Editions - A set of four Corgi vehicles which include #C271 James Bond Aston Martin, #CC11415 Bedford KM 6 Wheel Platform Lorry J. Beasley Ltd and #CC11610 Albion Reiver Platform Lorry Pollock. The items appear to be in excellent to mint condition in boxes ranging from good to mint. Also in this lot are nine EFE Vehicles in near mint condition in excellent to near-mint boxes. (This does not constitute a guarantee) RG

Ian Pollock (B. 1950) "Thomas Hardy - Tess of the D'Urbervilles" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Great Britain Thomas Hardy stamp issued July 10, 1990. Tess of the d'Urbervilles was the twelfth novel published by Thomas Hardy. The novel was published in December of 1891. It portrays a heroine who is seduced by the son of her employer and is therefore not considered a pure woman by the rest of society. Hardy shows a preoccupation with social class, both working and upper class, throughout his novels. He reflects his pessimism in Tess of the d'Urbervilles toward the chances for Tess to ascend in society. Image Size: 18 x 22 in. Overall Size: 20.5 x 23.25 in. Unframed. (B12493)

A Starwars Stormtrooper with one off paint job in a Jackson Pollock style. Height 47cm. In good condition.

Corgi 1:50 scale limited edition models to include 76401 Scania Curtainside Pollock Scotrans Ltd, 75902 Leyland DAF Powder Tanker Blue Circle Cement, 75806 MAN Curtainside W H Malcolm Ltd, and 75407 Leyland DAF Curtainside Guinness, each boxed. (4)

Corgi "Pollock" a boxed 1:50 scale group. Conditions although unchecked for completeness appear generally Good in Good boxes. Duplication. See photos.

Corgi "Marques Of Distinction" a boxed group of 1:50 scale Commercial models comprising of "Pollock", "Gibbs" and other liveries. Conditions although unchecked for completeness appear generally Good in Good boxes. Duplication. See photos.

Corgi a boxed CC99130 Set "Pollock Scotland's Finest". Conditions although unchecked for completeness generally appear Near Mint to Mint in generally Good Plus box. See photos.

Corgi a boxed CC99130 Set "Pollock Scotland's Finest" Conditions generally appear Near Mint to Mint in generally Good Plus box. See photo.

ALBERT C. POLLOCK (20TH CENTURY)  SAILING THROUGH THE STORM  Watercolour, signed lower left 'Albert', 62 x 54cm Condition Report:Available upon request

A photographic portrait of Sir Jonathan Frederick Pollock, 1st Baronet, British lawyer and Tory politician, wearing judge's robes by John & Charles Watkins of 34 Parliament Street, London, housed in a gilt frame measuring approx. 61.5cm x 54cm externally Condition Report:Available upon request

Christopher Darton Watkins (1928 - 2010) 'Albufeira' Oil on canvas painting Measures 81cm x 56cm. Having studied at Ruskin School of art, Christopher gained his master's degree at Oxford University. He was known for his precise and atmospheric landscapes, this 1961 painting depicting a street in Algarve Portugal. In 1990 he received a Pollock-Krasner Foundation award 'because of the exceptional quality of work and the extent of artistic achievement.'

A large quantity of letters from Lieutenant Charles H Pollock, to his wife and family members, from the period 1921 - 1937, Lieutenant Pollock was stationed on HMS Dragon, HMS Repulse, HMS Vindicative, HMS Osbourne, and HMS Arundel Castle during this period, and there are various letter over this time from Gibraltar, Bermuda, and Malta

2 albums relating to the life and career of Charles Harington Pollock of Stansted Mountfitchet, including a cap band for HMS Searcher, photographs of HMS Dragon, Panama Canal, mine sweepers, Falkland Islands 1930, and many other interesting photos