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Heath Kane Rich Enough To Be Batman - Queen 57 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Heath Kane Rich Enough To Be Batman - Queen 68 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Heath Kane Rich Enough To Be Batman - Queen 68 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan McFall Buy A Postcard Make A Difference, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Dan McFall \ South London Artist Dan Born in south London I am a self taught artist using Acrylics on Canvas board and stretched canvases, I am inspired by the great L.S.Lowry I tend to paint London and local scenes that bring back happy memories of a bygone era. I have done commissions for Sir Ian McKellen, Ralph McTell ..streets of London fame and many other people   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Michael Slusakowicz Luisa, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears.   Education   Camberwell College of Arts / UAL   Select Exhibitions/Awards   Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone   Gallery Representation   The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain.   Statement about AOAP Submitted Artwork   My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.    

Dan McFall The Suffragettes, 2022 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Dan McFall \ South London Artist Dan Born in south London I am a self taught artist using Acrylics on Canvas board and stretched canvases, I am inspired by the great L.S.Lowry I tend to paint London and local scenes that bring back happy memories of a bygone era. I have done commissions for Sir Ian McKellen, Ralph McTell ..streets of London fame and many other people   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Nick Smith Wish You Were Here, 2022 Collage on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About Contemporary artist who works in collage with hand-placed colour-chips, synonymous with colour swatches, combining text and image to create intriguing and provocative works. Education MDes Masters in Product Design from Coventry University. 2004 Graduate Select Exhibitions/Awards 9 solo exhibitions and counting... Gallery Representation Rhodes Contemporary, London Statement about AOAP Submitted Artwork This is a nude study, breaking down the image to the bare bones of just colour swatches, while still making it recognisable. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Renee Yau Midnight at Park Royal Station, 2022 Acrylic Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   RENEE YAU (b.1988) was born in British Hong Kong and is based in London. She is a visual artist interested in creating spatial, expressive and paintings. Her work ranges from quiet to personal introspection. The artist began converting her graphic sketches to canvas in 2019. She was a graphic designer. She specialises in creating a visual equilibrium that the composition that relates to each other in terms of the visual elements of art (line, shape, colour, space and texture) is conveyed to create visual balance. She has spent time in Hong Kong and Shanghai. She is currently working on visual art and continuing her practice in London.   Statement about AOAP Submitted Artwork   These four pieces of artwork are organized based on the concept of "New Living Public Space - Underground Subway Station." As a result of how society works, environmental changes will unavoidably affect people. They will also cause us to consider how we interact with the environment, making "relocation" a crucial issue we must face. What I attempt to discuss and think about in the subject of "Relocation." is also what I want to explore in my new site - although London is foreign to me, I feel familiar occasionally. It seems to have a special connection to my past. In those images, I want to show "the appearance of everyday existence." The area is divided and given a new meaning by arranging lines and color blocks in various ways. It makes new connections such as "Me and it," "this and that," "essential and supplementary," "objects and unseen space," and the interactions between the many planes of space.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Renee Yau Edgware Road Station, 2022 Acrylic Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   RENEE YAU (b.1988) was born in British Hong Kong and is based in London. She is a visual artist interested in creating spatial, expressive and paintings. Her work ranges from quiet to personal introspection. The artist began converting her graphic sketches to canvas in 2019. She was a graphic designer. She specialises in creating a visual equilibrium that the composition that relates to each other in terms of the visual elements of art (line, shape, colour, space and texture) is conveyed to create visual balance. She has spent time in Hong Kong and Shanghai. She is currently working on visual art and continuing her practice in London.   Statement about AOAP Submitted Artwork   These four pieces of artwork are organized based on the concept of "New Living Public Space - Underground Subway Station." As a result of how society works, environmental changes will unavoidably affect people. They will also cause us to consider how we interact with the environment, making "relocation" a crucial issue we must face. What I attempt to discuss and think about in the subject of "Relocation." is also what I want to explore in my new site - although London is foreign to me, I feel familiar occasionally. It seems to have a special connection to my past. In those images, I want to show "the appearance of everyday existence." The area is divided and given a new meaning by arranging lines and color blocks in various ways. It makes new connections such as "Me and it," "this and that," "essential and supplementary," "objects and unseen space," and the interactions between the many planes of space.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Renee Yau Park Royal Station, 2022 Acrylic Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   RENEE YAU (b.1988) was born in British Hong Kong and is based in London. She is a visual artist interested in creating spatial, expressive and paintings. Her work ranges from quiet to personal introspection. The artist began converting her graphic sketches to canvas in 2019. She was a graphic designer. She specialises in creating a visual equilibrium that the composition that relates to each other in terms of the visual elements of art (line, shape, colour, space and texture) is conveyed to create visual balance. She has spent time in Hong Kong and Shanghai. She is currently working on visual art and continuing her practice in London.   Statement about AOAP Submitted Artwork   These four pieces of artwork are organized based on the concept of "New Living Public Space - Underground Subway Station." As a result of how society works, environmental changes will unavoidably affect people. They will also cause us to consider how we interact with the environment, making "relocation" a crucial issue we must face. What I attempt to discuss and think about in the subject of "Relocation." is also what I want to explore in my new site - although London is foreign to me, I feel familiar occasionally. It seems to have a special connection to my past. In those images, I want to show "the appearance of everyday existence." The area is divided and given a new meaning by arranging lines and color blocks in various ways. It makes new connections such as "Me and it," "this and that," "essential and supplementary," "objects and unseen space," and the interactions between the many planes of space.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Renee Yau Gloucester Road Station, 2022 Acrylic Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   RENEE YAU (b.1988) was born in British Hong Kong and is based in London. She is a visual artist interested in creating spatial, expressive and paintings. Her work ranges from quiet to personal introspection. The artist began converting her graphic sketches to canvas in 2019. She was a graphic designer. She specialises in creating a visual equilibrium that the composition that relates to each other in terms of the visual elements of art (line, shape, colour, space and texture) is conveyed to create visual balance. She has spent time in Hong Kong and Shanghai. She is currently working on visual art and continuing her practice in London.   Statement about AOAP Submitted Artwork   These four pieces of artwork are organized based on the concept of "New Living Public Space - Underground Subway Station." As a result of how society works, environmental changes will unavoidably affect people. They will also cause us to consider how we interact with the environment, making "relocation" a crucial issue we must face. What I attempt to discuss and think about in the subject of "Relocation." is also what I want to explore in my new site - although London is foreign to me, I feel familiar occasionally. It seems to have a special connection to my past. In those images, I want to show "the appearance of everyday existence." The area is divided and given a new meaning by arranging lines and color blocks in various ways. It makes new connections such as "Me and it," "this and that," "essential and supplementary," "objects and unseen space," and the interactions between the many planes of space.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Sarah Arsenault Essential, 2022 Acrylic on Matte Medium Transfer Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sarah Arsenault is a British-Canadian artist based in London. She is a semi-abstract painter who explores human ecology. Her engagements within the environments that she experiences and the interconnectivity that exists among all things, are the prominent themes she explores. Working largely with Eco acrylic, ink and mediums Sarah depicts how she views the world. Her paintings and collages often explore the environmental crisis through a subtle lens.   Education   MA Fine Art in Painting from UAL: Camberwell College of Arts, London, UK, 2020. Bachelor of Fine Art in Drawing & Painting OCAD University, Toronto, Canada, 2019.   Select Exhibitions/Awards   Royal Academy Summer Exhibition 2022 Beyond Future Art Prize 2022, Top 18 Finalist Hastings Museum and Art Gallery Open 2022, shortlisted Unstuck, Cropredy, UK, August 2022 Ruth Borchard Self-Portrait Prize 2021, long listed UAL Art Collection, acquired my work Convergence 1 for their collection Subject to Change, Lewisham ArtHouse, October 2021 Journey into Unknown, The Copeland Gallery, November 2021 Solid Air Artists, no format Gallery, October, 2021 Gallery Representation Represented by Singulart Paris and Partial Gallery Toronto   Statement about AOAP Submitted Artwork   The health of our natural ecosystems depends on pollinators, which include bees, butterflies and other small creatures. They are largely taken for granted, yet so important to our species well being. These paintings highlight the vital act of pollination, the beauty of the pollinators and through a subtle lens, the trouble they are in. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Sarah Arsenault Indispensable, 2022 Acrylic on Matte Medium Transfer Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sarah Arsenault is a British-Canadian artist based in London. She is a semi-abstract painter who explores human ecology. Her engagements within the environments that she experiences and the interconnectivity that exists among all things, are the prominent themes she explores. Working largely with Eco acrylic, ink and mediums Sarah depicts how she views the world. Her paintings and collages often explore the environmental crisis through a subtle lens.   Education   MA Fine Art in Painting from UAL: Camberwell College of Arts, London, UK, 2020. Bachelor of Fine Art in Drawing & Painting OCAD University, Toronto, Canada, 2019.   Select Exhibitions/Awards   Royal Academy Summer Exhibition 2022 Beyond Future Art Prize 2022, Top 18 Finalist Hastings Museum and Art Gallery Open 2022, shortlisted Unstuck, Cropredy, UK, August 2022 Ruth Borchard Self-Portrait Prize 2021, long listed UAL Art Collection, acquired my work Convergence 1 for their collection Subject to Change, Lewisham ArtHouse, October 2021 Journey into Unknown, The Copeland Gallery, November 2021 Solid Air Artists, no format Gallery, October, 2021 Gallery Representation Represented by Singulart Paris and Partial Gallery Toronto   Statement about AOAP Submitted Artwork   The health of our natural ecosystems depends on pollinators, which include bees, butterflies and other small creatures. They are largely taken for granted, yet so important to our species well being. These paintings highlight the vital act of pollination, the beauty of the pollinators and through a subtle lens, the trouble they are in. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Sarah Arsenault Vital, 2022 Acrylic on Matte Medium Transfer Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sarah Arsenault is a British-Canadian artist based in London. She is a semi-abstract painter who explores human ecology. Her engagements within the environments that she experiences and the interconnectivity that exists among all things, are the prominent themes she explores. Working largely with Eco acrylic, ink and mediums Sarah depicts how she views the world. Her paintings and collages often explore the environmental crisis through a subtle lens.   Education   MA Fine Art in Painting from UAL: Camberwell College of Arts, London, UK, 2020. Bachelor of Fine Art in Drawing & Painting OCAD University, Toronto, Canada, 2019.   Select Exhibitions/Awards   Royal Academy Summer Exhibition 2022 Beyond Future Art Prize 2022, Top 18 Finalist Hastings Museum and Art Gallery Open 2022, shortlisted Unstuck, Cropredy, UK, August 2022 Ruth Borchard Self-Portrait Prize 2021, long listed UAL Art Collection, acquired my work Convergence 1 for their collection Subject to Change, Lewisham ArtHouse, October 2021 Journey into Unknown, The Copeland Gallery, November 2021 Solid Air Artists, no format Gallery, October, 2021 Gallery Representation Represented by Singulart Paris and Partial Gallery Toronto   Statement about AOAP Submitted Artwork   The health of our natural ecosystems depends on pollinators, which include bees, butterflies and other small creatures. They are largely taken for granted, yet so important to our species well being. These paintings highlight the vital act of pollination, the beauty of the pollinators and through a subtle lens, the trouble they are in. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Michael Slusakowicz Ecstatic Movements, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears.   Education   Camberwell College of Arts / UAL   Select Exhibitions/Awards   Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone   Gallery Representation   The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain.   Statement about AOAP Submitted Artwork   My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Clare Dudeney On The Shore, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Clare's work captures the subjective experience of being through relationships of colour and shape. She traces thoughts, memories and feelings to create abstract landscapes with the unexpectedness of encounters with nature. She works in series, through repetitive processes which allow the image to emerge incrementally and/or through spontaneous action.   Education   MA Fine Art (Distinction), City & Guilds of London Art School   Select Exhibitions/Awards   Patternicity, ASC Gallery London, Soft Times Gallery, San Francisco, Felt Collection 01, Safehouse 1, Peckham, London, Top 100 with the Auction Collective Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Clare Dudeney Bring Me Close, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Clare's work captures the subjective experience of being through relationships of colour and shape. She traces thoughts, memories and feelings to create abstract landscapes with the unexpectedness of encounters with nature. She works in series, through repetitive processes which allow the image to emerge incrementally and/or through spontaneous action.   Education   MA Fine Art (Distinction), City & Guilds of London Art School   Select Exhibitions/Awards   Patternicity, ASC Gallery London, Soft Times Gallery, San Francisco, Felt Collection 01, Safehouse 1, Peckham, London, Top 100 with the Auction Collective Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan Cimmermann Palm (Blue), 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter and muralist based in Yorkshire   Education   Leeds Met University BA Hons Fine Art. Graduated in 2001 with 1st class honours.   Select Exhibitions/Awards   BP Portrait Award 2001 and 2002 Solo exhibitions in Newcastle, York, Sheffield and London, New York and Tokyo. Gallery Representation   Art Of Protest - York. Biscuit Factory - Newcastle   Statement about AOAP Submitted Artwork   Wanderlust. Dreaming of Mediterranean nights. Of palm trees. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan Cimmermann Looking Out (Green), 2022 Mixed media Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter and muralist based in Yorkshire   Education   Leeds Met University BA Hons Fine Art. Graduated in 2001 with 1st class honours.   Select Exhibitions/Awards   BP Portrait Award 2001 and 2002 Solo exhibitions in Newcastle, York, Sheffield and London, New York and Tokyo. Gallery Representation   Art Of Protest - York. Biscuit Factory - Newcastle   Statement about AOAP Submitted Artwork   Wanderlust. Dreaming of Mediterranean nights. Of palm trees. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan Cimmermann Looking Out (Grey), 2022 Mixed media Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter and muralist based in Yorkshire   Education   Leeds Met University BA Hons Fine Art. Graduated in 2001 with 1st class honours.   Select Exhibitions/Awards   BP Portrait Award 2001 and 2002 Solo exhibitions in Newcastle, York, Sheffield and London, New York and Tokyo. Gallery Representation   Art Of Protest - York. Biscuit Factory - Newcastle   Statement about AOAP Submitted Artwork   Wanderlust. Dreaming of Mediterranean nights. Of palm trees. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Greg Becker Figure at Cissbury, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Professional artist living in South London   Education   Leeds University BA. Royal College of Art MA.   Select Exhibitions/Awards   John Martin Gallery, From Coast to Country' August/September 2022. Royal Academy Summer Show 2022   Gallery Representation   Exhibiting in various London galleries   Statement about AOAP Submitted Artwork   Two gouache and watercolour painting done especially for art on a postcard based on drawings done on location in the South Downs in West Sussex. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Greg Becker Fences at Shenton, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Professional artist living in South London   Education   Leeds University BA. Royal College of Art MA.   Select Exhibitions/Awards   John Martin Gallery, From Coast to Country' August/September 2022. Royal Academy Summer Show 2022   Gallery Representation   Exhibiting in various London galleries   Statement about AOAP Submitted Artwork   Two gouache and watercolour painting done especially for art on a postcard based on drawings done on location in the South Downs in West Sussex. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

David Pescod Suffolk Kitchen, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I am a multi media artist, painting, film making and printmaking and also a published writer. Education   BA Middx University MA Royal College of Art   Select Exhibitions/Awards   I have exhibited in the UK over the last forty years including the RA Summer Show and many group shows. My work is in the V&A and private collections. Statement about AOAP Submitted Artwork   These are collages that I often make using mono-printed materials and they influence and inform some of my larger paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

David Pescod Suffolk Kitchen 2, 2022 Colleage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I am a multi media artist, painting, film making and printmaking and also a published writer. Education   BA Middx University MA Royal College of Art   Select Exhibitions/Awards   I have exhibited in the UK over the last forty years including the RA Summer Show and many group shows. My work is in the V&A and private collections. Statement about AOAP Submitted Artwork   These are collages that I often make using mono-printed materials and they influence and inform some of my larger paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Michael Slusakowicz Michael Slusakowicz Lady Plant, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Michael Slusakowicz works predominantly in painting, drawing and video. Specifically, in painting, Michael produces work in sequential series. His work confronts us with a paranormal mystery in each painting. He wishes to capture the intimate moments of time, like the flicker of the candlelit flame. Michael's supernatural figures and esoteric objects almost seem invisible from the choice of an analogous colour palette, but with careful investigation, one can reveal their embodied cognition. The imagery often penetrates a veiled side of contemporary society; it searches for the pure core of humanity with its dark and bright aspects, its needs and desires, and its braveness and fears.   Education   Camberwell College of Arts / UAL   Select Exhibitions/Awards   Royal Society of Portrait Painter Annual Exhibition 2022, Huesos Impíos - The Gallery at Green & Stone 2022, Royal Society of Portrait Painter Annual Exhibition 2021, Summer Exhibition 2021 at Gallery at Green & Stone   Gallery Representation   The Gallery at Green & Stone, London, UK / Materna Y Herencia Galería de Arte, Madrid, Spain.   Statement about AOAP Submitted Artwork   My latest collection of paintings, enigmatically called in Spanish "HUESOS IMPÍOS" further explores my continuous interest in colour and mood. I believe in the purity of creativity in the moment and I follow it without questioning. Random images come to my mind in the process, that I can only describe as a channelling. Through working in this way I tap into this subconscious dream world both familiar and removed from reality. These spontaneously composed paintings interact with each other through key, tonality, colour and repeated imagery, allowing the viewer to create their own interpretation and interwoven narrative. As a result, there becomes a lot of space for the viewer to insert their own histories and ideas when appreciating these works, leading to a more personal experience.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

David Pescod Workshop Vice, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I am a multi media artist, painting, film making and printmaking and also a published writer. Education   BA Middx University MA Royal College of Art   Select Exhibitions/Awards   I have exhibited in the UK over the last forty years including the RA Summer Show and many group shows. My work is in the V&A and private collections. Statement about AOAP Submitted Artwork   These are collages that I often make using mono-printed materials and they influence and inform some of my larger paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Johanna Seidel Hidden (In Plain Sight), 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   *1993, Sebnitz, Germany lives and works in Dresden. In my artistic work I deal with the nature of perceived realities. I approach these by means of a poetic visual language, in which symbols from history, mythology and dreams mix with the everyday and the personal. The canvas offers me the space in which I can freely create references and develop narratives, constantly searching for the balance between realistic and naive figuration. From the painting itself, I thus develop stories and still images that exist in an atmospheric space, condensing memories into abstract moments that become universally accessible and experiential here. Education   2014 - 2021 Studies of Fine Arts at the Academy of Fine Arts Dresden with Peter Bömmels, Anton Henning and Anne Neukamp 2017 - 2018 Semester in exchange at the École nationale superieure des Beaux-Arts Paris 2021 Diploma of Fine Arts Since 2022 Master class studies of Fine Arts at the Academy of Fine Arts Dresden   Select Exhibitions/Awards   2022 Azul Celeste, Artistellar Gallery, London Nocturne, Galerie Mellies, Detmold Dear Diary, Scotty, Berlin If it´s not baroque, don´t fix it, Tchotchke Gallery, New York City 2021 Nymph, Am Walkgraben 13, Chemnitz Staycation Beach, Kunsthalle Ost, Leipzig 2019 Solani Dulcamarae, Phyllis Johnson, Leipzig Dreamers, Galerie Stephanie Kelly, Dresden Statement about AOAP Submitted Artwork   On my postcards you can see my playful approach to the arrangement of motifs that meet in the picture and speak to each other in associative ways. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Johanna Seidel Darling, 2022 Crayon and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   *1993, Sebnitz, Germany lives and works in Dresden. In my artistic work I deal with the nature of perceived realities. I approach these by means of a poetic visual language, in which symbols from history, mythology and dreams mix with the everyday and the personal. The canvas offers me the space in which I can freely create references and develop narratives, constantly searching for the balance between realistic and naive figuration. From the painting itself, I thus develop stories and still images that exist in an atmospheric space, condensing memories into abstract moments that become universally accessible and experiential here. Education   2014 - 2021 Studies of Fine Arts at the Academy of Fine Arts Dresden with Peter Bömmels, Anton Henning and Anne Neukamp 2017 - 2018 Semester in exchange at the École nationale superieure des Beaux-Arts Paris 2021 Diploma of Fine Arts Since 2022 Master class studies of Fine Arts at the Academy of Fine Arts Dresden   Select Exhibitions/Awards   2022 Azul Celeste, Artistellar Gallery, London Nocturne, Galerie Mellies, Detmold Dear Diary, Scotty, Berlin If it´s not baroque, don´t fix it, Tchotchke Gallery, New York City 2021 Nymph, Am Walkgraben 13, Chemnitz Staycation Beach, Kunsthalle Ost, Leipzig 2019 Solani Dulcamarae, Phyllis Johnson, Leipzig Dreamers, Galerie Stephanie Kelly, Dresden Statement about AOAP Submitted Artwork   On my postcards you can see my playful approach to the arrangement of motifs that meet in the picture and speak to each other in associative ways. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Ela Menescal Meet Cute, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022.   Education   She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process.   Select Exhibitions/Awards   Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz   Gallery Representation   2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro   Statement about AOAP Submitted Artwork MEET CUTE, 2022 Reinterpretation of 'Wheat Field with a Lark' (1887) painting by Vincent Van Gogh Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Ela Menescal The Kingdom We Have Made, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022.   Education   She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process.   Select Exhibitions/Awards   Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz   Gallery Representation   2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro   Statement about AOAP Submitted Artwork   THE KINGDOM WE HAVE MADE, 2022 Reinterpretation of 'Eric Clapton' (1993) photo by Terry O'Neill Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Ela Menescal Open Arms, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022.   Education   She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process.   Select Exhibitions/Awards   Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz   Gallery Representation   2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro   Statement about AOAP Submitted Artwork OPEN ARMS, 2021 Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Ela Menescal Revelation, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022.   Education   She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process.   Select Exhibitions/Awards   Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz   Gallery Representation   2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro   Statement about AOAP Submitted Artwork REVELATION, 2022 Reinterpretation of 'The Last Supper' (1498) painting by Leonardo da Vinci Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Jack Penny Front Room, 2022 Pastels and Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Penny's work looks to engage with the rawness of the human experience. His disfigured or elongated figures come about through his theme of escapism, which reoccurs in his work through different subject matter such as commuters, last orders and train riders. At first glance, Penny's approach is apparently figurative, but as one lingers and moves through the figures, the landscape, the colours in his work, one begins to identify that what he attempts to capture is a strong sense of rawness and humanities constant struggle of breaking from and finding comfort between the struggles of the mind and the body. Penny's 'Commuters' series is a key example of this in capturing the essence of the last generation and the choices that the next generation are confronted with - a constant search to relinquish anxiety, a simple moment of stillness, of escape, from our daily rituals In his evocative figurative paintings, British artist Jack Penny depicts contemporary urban life from the perspective of a rural-dwelling outsider. Penny's largely improvised and haphazard compositions question the sustainability of modern society, established systems, and the nine-to-five hustle of the blue-collar and white-collar workers as they go about their daily lives. Penny's creative practice is motivated by a search for authenticity. He is driven by capturing a real sense of humanity within his work. Viewing himself as a 21st century documentarian of city life Penny paints uniform and seemingly anonymous figures clustered together, as if they were searching for validation in numbers. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lotta Camilla Teale Caribbean Turquoise, 2022 Oil on Board Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lotta paints figurative oil paintings, and is inspired by early 20th Century painters such as the Scottish Colourists and William Nicholson. For the last few years she has lived between Islamabad, Tuscany, Bangkok and London, and she recently moved to Jerusalem. Raised in London she trained as a barrister and worked for 14 years in law and development, living for many years in Sierra Leone and Pakistan. Having painted since she was young, in 2018 she started painting professionally, and has developed a practice focusing on still lives and plein air. She aims to paint loosely, with accuracy of colour and drawing, while maintaining a certain liveliness.   Education   Primarily self-trained, with short courses at the Slade, Ecole National Superieure des Beaux Arts (Paris), Charles Cecil Studios (Florence) and Art Student's League of New York.   Select Exhibitions/Awards   Solo show, Panter and Hall, Mayfair, June 2022 First prize, the British Art Prize, 2021 Exhibit frequently at Mall Galleries in various Open Exhibitions (ING Discerning Eye, New English Arts Club, Society of Women Artists, Royal Institute of Oil Painters, Royal Society of Marine Artists) Other mixed Open Exhibitions include: Royal West of England Academy, Chelsea Arts Society, London Art Biennale, Chelsea Arts Club. Prints of her work are available at John Lewis   Gallery Representation   Panter and Hall (Mayfair), Jerram Gallery (Sherborne), Nadia Waterfield Fine Art (Hampshire), Anecdote (Chicago)   Statement about AOAP Submitted Artwork It is a life-sized paint tube of Michael Harding Caribbean Turquoise.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Andrew Mockett Bernard Cribbins, 2022 Stabilo Pencils on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Designer and Printmaker   Education   Bath Academy of Art - Foundation Course in Art Maidstone School of Art - BA (Hons) in Graphic Design Brighton University - Postgraduate degree in Printmaking   Select Exhibitions/Awards   Awarded The Lark Trust Bursary, Bristol University - Chap book of English Tat The Royal Academy Original print fair: 2019 Art on paper Pier 21 New York: 2019 Affordable Art fair Battersea: 2019 The Royal Academy Original print fair 2020/2021 Cancelled/Pandemic Affordable Art fair Hampstead: 2022 The Royal Academy Original print fair: 2022 Gallery Representation   Rebecca Hossack RHG London   Statement about AOAP Submitted Artwork   The four images submitted, date from 1965 to 1976, from the Airfix DB5 to Bernard Cribbins "Busby" for the GPO marketing campaign; via the Wombles and finally, Bob Godfrey's Roobarb. I worked for many years in Advertising and was always drawn to the older craft based packaging and design. For these postcards, I used coloured pencils which are fast, inexpensive and versatile. I love doing these small vibrant images as if I am conjuring up the past by creating these mini homages. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Andrew Mockett Ken Adam (Sir), 2022 Stabilo Pencils on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Designer and Printmaker   Education   Bath Academy of Art - Foundation Course in Art Maidstone School of Art - BA (Hons) in Graphic Design Brighton University - Postgraduate degree in Printmaking   Select Exhibitions/Awards   Awarded The Lark Trust Bursary, Bristol University - Chap book of English Tat The Royal Academy Original print fair: 2019 Art on paper Pier 21 New York: 2019 Affordable Art fair Battersea: 2019 The Royal Academy Original print fair 2020/2021 Cancelled/Pandemic Affordable Art fair Hampstead: 2022 The Royal Academy Original print fair: 2022 Gallery Representation   Rebecca Hossack RHG London   Statement about AOAP Submitted Artwork   The four images submitted, date from 1965 to 1976, from the Airfix DB5 to Bernard Cribbins "Busby" for the GPO marketing campaign; via the Wombles and finally, Bob Godfrey's Roobarb. I worked for many years in Advertising and was always drawn to the older craft based packaging and design. For these postcards, I used coloured pencils which are fast, inexpensive and versatile. I love doing these small vibrant images as if I am conjuring up the past by creating these mini homages. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Andrew Mockett Elisabeth 'B', 2022 Stabilo Pencils on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Designer and Printmaker   Education   Bath Academy of Art - Foundation Course in Art Maidstone School of Art - BA (Hons) in Graphic Design Brighton University - Postgraduate degree in Printmaking   Select Exhibitions/Awards   Awarded The Lark Trust Bursary, Bristol University - Chap book of English Tat The Royal Academy Original print fair: 2019 Art on paper Pier 21 New York: 2019 Affordable Art fair Battersea: 2019 The Royal Academy Original print fair 2020/2021 Cancelled/Pandemic Affordable Art fair Hampstead: 2022 The Royal Academy Original print fair: 2022 Gallery Representation   Rebecca Hossack RHG London   Statement about AOAP Submitted Artwork   The four images submitted, date from 1965 to 1976, from the Airfix DB5 to Bernard Cribbins "Busby" for the GPO marketing campaign; via the Wombles and finally, Bob Godfrey's Roobarb. I worked for many years in Advertising and was always drawn to the older craft based packaging and design. For these postcards, I used coloured pencils which are fast, inexpensive and versatile. I love doing these small vibrant images as if I am conjuring up the past by creating these mini homages. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Andrew Mockett Bob Godfrey, 2022 Stabilo Pencils on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Designer and Printmaker   Education   Bath Academy of Art - Foundation Course in Art Maidstone School of Art - BA (Hons) in Graphic Design Brighton University - Postgraduate degree in Printmaking   Select Exhibitions/Awards   Awarded The Lark Trust Bursary, Bristol University - Chap book of English Tat The Royal Academy Original print fair: 2019 Art on paper Pier 21 New York: 2019 Affordable Art fair Battersea: 2019 The Royal Academy Original print fair 2020/2021 Cancelled/Pandemic Affordable Art fair Hampstead: 2022 The Royal Academy Original print fair: 2022 Gallery Representation   Rebecca Hossack RHG London   Statement about AOAP Submitted Artwork   The four images submitted, date from 1965 to 1976, from the Airfix DB5 to Bernard Cribbins "Busby" for the GPO marketing campaign; via the Wombles and finally, Bob Godfrey's Roobarb. I worked for many years in Advertising and was always drawn to the older craft based packaging and design. For these postcards, I used coloured pencils which are fast, inexpensive and versatile. I love doing these small vibrant images as if I am conjuring up the past by creating these mini homages. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Emma Davis Stop It I Like It, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night!   Education   Liverpool John Moores University University of Wolverhampton Fine Art BA   Select Exhibitions/Awards   Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation   John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford   Statement about AOAP Submitted Artwork   I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Emma Davis Seaham Seaglass, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night!   Education   Liverpool John Moores University University of Wolverhampton Fine Art BA   Select Exhibitions/Awards   Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation   John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford   Statement about AOAP Submitted Artwork   I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Emma Davis Beachcombing, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night!   Education   Liverpool John Moores University University of Wolverhampton Fine Art BA   Select Exhibitions/Awards   Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation   John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford   Statement about AOAP Submitted Artwork   I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Zara Matthews Mesh (Study-Dark Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.      

Gavin Turk 4 Eggs, 2022 Photograph on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Gavin Turk (b 1967) is a British born, international artist. He has pioneered many forms of contemporary British sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art. Turk's installations and sculptures deal with issues of authorship, authenticity and identity. Concerned with the 'myth' of the artist and the 'authorship' of a work, Turk's engagement with this modernist, avant-garde debate stretches back to the ready-mades of Marcel Duchamp. In 1991, the Royal College of Art refused Turk a degree on the basis that his final show, 'Cave', consisted of a whitewashed studio space containing only a blue heritage plaque commemorating his presence 'Gavin Turk worked here 1989-91'. Instantly gaining notoriety through this installation, Turk was spotted by Charles Saatchi and was included in several YBA exhibitions. Turk's work has since been collected and exhibited by many major museums and galleries throughout the world. Prestel published Turk's first major monograph in 2013, showcasing more than two decades of his work and in 2014 Trolley Books published 'This Is Not A Book About Gavin Turk' which playfully explores themes associated with the artist's work via thirty notable contributors. Turk has recently been commissioned to make several public sculptures including L'Âge d'Or (2016), sited on the south corner of the Press Centre building in the Olympic Park and Nail, a 12-meter sculpture at One New Change, next to St Paul's cathedral, London, England.   Education   1989 -1991 Royal College of Art 1986 -1989 Chelsea School of Art   Awards   2010 Honorary Doctorate in Arts, University of East London 2007 Charles Wollaston Award, Royal Academy of Arts 2001 Jack Goldhill Sculpture Prize, Royal Academy of Arts Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Nicole Gagnum Tread Soft, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicole Gagnum is a Norwegian/American artist living and working in Barcelona, Spain. She was born in Great Britain and throughout her childhood moved to Canada, Greece, and back to Great Britain, where she finished her school studies. She then attended university at Bennington College in Vermont, where she graduated with a Bachelor of Arts degree in 1984. Subsequently, she established herself in New York City, where she graduated with honors from Queens College, City University of New York, completing a Master of Fine Arts degree in 1987. Nicole Gagnum continued to live and work in New York City until 1992, when she moved to Barcelona, Spain to pursue her artistic career. Parallel to her work as an artist, Nicole Gagnum taught as a professor in Parsons School of Design, New York, U.S.A. from 1987-1992, and in EINA Escola d´Art I Disseny, Barcelona, from 1997-2010.   Education   Bennington College, VT, U.S.A., Bachelor of Arts degree, 1981-84 Queens College, City University of New York, U.S.A., Master of Fine Arts degree, 1985-1987   Select Exhibitions/Awards   Selected solo exhibitions: 2022 - Espai Casinet, ´Violets are Blue´, Masnou, Spain; 2020 - Esther Montoriol Gallery, ´Talk to me of Love´, Barcelona; Valgrassa Center for Experimental Arts, ´Rosella´, Begues, Spain ; 2017 - Can Sisteré Center for the Arts, ´Desfulla´m i Vola - Nicole Gagnum, mes d´una década recreant la flor´, Barcelona, Spain; 2015 - Casa de la Palabra, ´Alegoria de la Flor´, Barcelona, Spain; 2009 - ´Beads´, ESPAI-8 Gallery, Barcelona, Spain; 2008 - Alejandro Sales Gallery, Barcelona, Spain; 2005 - Museu d´Art de Girona, L´Espai, ´Belly Dance and Return´, Girona, Spain Selected art fairs: 2015 - LOOP ´15 International Videoart Fair, Barcelona, (Esther Montoriol Gallery); 2007 - ARCO ´07 International Art Fair, Madrid, Spain, (Antonio de Barnola Gallery); 2006 - ARCO ´06 International Art Fair, Madrid, (Antonio de Barnola Gallery); 2005 - LOOP ´05 International Videoart Fair, Barcelona, (Antonio de Barnola Gallery); 2004 - ARCO ´04 International Art Fair, Madrid   Gallery Representation   Nicole Gagnum has exhibited with numerous galleries and art institutions in Europe and North America. Most notably, she has worked with various galleries in Spain, and is currently represented by Esther Montoriol Gallery in Barcelona. Her work has been exhibited on various occasions in both LOOP International Video art Fair in Barcelona and ARCO International Art Fair in Madrid, Spain.   Statement about AOAP Submitted Artwork   My art work revolves around the representation of the flower and the plant world. Flowers, while being symbols of beauty and femininity, are also windows or openings that transport me to other places. In this sense, I see them as both metaphysical and feminine; they unite the worldly and the otherworldly. These four oil paintings on paper form part of a new series of work titled ´All Creatures´, in which I incorporate insects and small animals, as a way of exploring and expanding possibilities within the narrative. Evolving through the juxtaposition of images, forms, and color, the imaginary scenes are reflective of intuitive, interior landscapes. I am interested in a playful development of composition and an emotional use of color, as a way of arriving at something essential. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicole Gagnum Mirror, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicole Gagnum is a Norwegian/American artist living and working in Barcelona, Spain. She was born in Great Britain and throughout her childhood moved to Canada, Greece, and back to Great Britain, where she finished her school studies. She then attended university at Bennington College in Vermont, where she graduated with a Bachelor of Arts degree in 1984. Subsequently, she established herself in New York City, where she graduated with honors from Queens College, City University of New York, completing a Master of Fine Arts degree in 1987. Nicole Gagnum continued to live and work in New York City until 1992, when she moved to Barcelona, Spain to pursue her artistic career. Parallel to her work as an artist, Nicole Gagnum taught as a professor in Parsons School of Design, New York, U.S.A. from 1987-1992, and in EINA Escola d´Art I Disseny, Barcelona, from 1997-2010.   Education   Bennington College, VT, U.S.A., Bachelor of Arts degree, 1981-84 Queens College, City University of New York, U.S.A., Master of Fine Arts degree, 1985-1987   Select Exhibitions/Awards   Selected solo exhibitions: 2022 - Espai Casinet, ´Violets are Blue´, Masnou, Spain; 2020 - Esther Montoriol Gallery, ´Talk to me of Love´, Barcelona; Valgrassa Center for Experimental Arts, ´Rosella´, Begues, Spain ; 2017 - Can Sisteré Center for the Arts, ´Desfulla´m i Vola - Nicole Gagnum, mes d´una década recreant la flor´, Barcelona, Spain; 2015 - Casa de la Palabra, ´Alegoria de la Flor´, Barcelona, Spain; 2009 - ´Beads´, ESPAI-8 Gallery, Barcelona, Spain; 2008 - Alejandro Sales Gallery, Barcelona, Spain; 2005 - Museu d´Art de Girona, L´Espai, ´Belly Dance and Return´, Girona, Spain Selected art fairs: 2015 - LOOP ´15 International Videoart Fair, Barcelona, (Esther Montoriol Gallery); 2007 - ARCO ´07 International Art Fair, Madrid, Spain, (Antonio de Barnola Gallery); 2006 - ARCO ´06 International Art Fair, Madrid, (Antonio de Barnola Gallery); 2005 - LOOP ´05 International Videoart Fair, Barcelona, (Antonio de Barnola Gallery); 2004 - ARCO ´04 International Art Fair, Madrid   Gallery Representation   Nicole Gagnum has exhibited with numerous galleries and art institutions in Europe and North America. Most notably, she has worked with various galleries in Spain, and is currently represented by Esther Montoriol Gallery in Barcelona. Her work has been exhibited on various occasions in both LOOP International Video art Fair in Barcelona and ARCO International Art Fair in Madrid, Spain.   Statement about AOAP Submitted Artwork   My art work revolves around the representation of the flower and the plant world. Flowers, while being symbols of beauty and femininity, are also windows or openings that transport me to other places. In this sense, I see them as both metaphysical and feminine; they unite the worldly and the otherworldly. These four oil paintings on paper form part of a new series of work titled ´All Creatures´, in which I incorporate insects and small animals, as a way of exploring and expanding possibilities within the narrative. Evolving through the juxtaposition of images, forms, and color, the imaginary scenes are reflective of intuitive, interior landscapes. I am interested in a playful development of composition and an emotional use of color, as a way of arriving at something essential. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicole Gagnum Tricks, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicole Gagnum is a Norwegian/American artist living and working in Barcelona, Spain. She was born in Great Britain and throughout her childhood moved to Canada, Greece, and back to Great Britain, where she finished her school studies. She then attended university at Bennington College in Vermont, where she graduated with a Bachelor of Arts degree in 1984. Subsequently, she established herself in New York City, where she graduated with honors from Queens College, City University of New York, completing a Master of Fine Arts degree in 1987. Nicole Gagnum continued to live and work in New York City until 1992, when she moved to Barcelona, Spain to pursue her artistic career. Parallel to her work as an artist, Nicole Gagnum taught as a professor in Parsons School of Design, New York, U.S.A. from 1987-1992, and in EINA Escola d´Art I Disseny, Barcelona, from 1997-2010.   Education   Bennington College, VT, U.S.A., Bachelor of Arts degree, 1981-84 Queens College, City University of New York, U.S.A., Master of Fine Arts degree, 1985-1987   Select Exhibitions/Awards   Selected solo exhibitions: 2022 - Espai Casinet, ´Violets are Blue´, Masnou, Spain; 2020 - Esther Montoriol Gallery, ´Talk to me of Love´, Barcelona; Valgrassa Center for Experimental Arts, ´Rosella´, Begues, Spain ; 2017 - Can Sisteré Center for the Arts, ´Desfulla´m i Vola - Nicole Gagnum, mes d´una década recreant la flor´, Barcelona, Spain; 2015 - Casa de la Palabra, ´Alegoria de la Flor´, Barcelona, Spain; 2009 - ´Beads´, ESPAI-8 Gallery, Barcelona, Spain; 2008 - Alejandro Sales Gallery, Barcelona, Spain; 2005 - Museu d´Art de Girona, L´Espai, ´Belly Dance and Return´, Girona, Spain Selected art fairs: 2015 - LOOP ´15 International Videoart Fair, Barcelona, (Esther Montoriol Gallery); 2007 - ARCO ´07 International Art Fair, Madrid, Spain, (Antonio de Barnola Gallery); 2006 - ARCO ´06 International Art Fair, Madrid, (Antonio de Barnola Gallery); 2005 - LOOP ´05 International Videoart Fair, Barcelona, (Antonio de Barnola Gallery); 2004 - ARCO ´04 International Art Fair, Madrid   Gallery Representation   Nicole Gagnum has exhibited with numerous galleries and art institutions in Europe and North America. Most notably, she has worked with various galleries in Spain, and is currently represented by Esther Montoriol Gallery in Barcelona. Her work has been exhibited on various occasions in both LOOP International Video art Fair in Barcelona and ARCO International Art Fair in Madrid, Spain.   Statement about AOAP Submitted Artwork   My art work revolves around the representation of the flower and the plant world. Flowers, while being symbols of beauty and femininity, are also windows or openings that transport me to other places. In this sense, I see them as both metaphysical and feminine; they unite the worldly and the otherworldly. These four oil paintings on paper form part of a new series of work titled ´All Creatures´, in which I incorporate insects and small animals, as a way of exploring and expanding possibilities within the narrative. Evolving through the juxtaposition of images, forms, and color, the imaginary scenes are reflective of intuitive, interior landscapes. I am interested in a playful development of composition and an emotional use of color, as a way of arriving at something essential. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nicole Gagnum Upside Down, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nicole Gagnum is a Norwegian/American artist living and working in Barcelona, Spain. She was born in Great Britain and throughout her childhood moved to Canada, Greece, and back to Great Britain, where she finished her school studies. She then attended university at Bennington College in Vermont, where she graduated with a Bachelor of Arts degree in 1984. Subsequently, she established herself in New York City, where she graduated with honors from Queens College, City University of New York, completing a Master of Fine Arts degree in 1987. Nicole Gagnum continued to live and work in New York City until 1992, when she moved to Barcelona, Spain to pursue her artistic career. Parallel to her work as an artist, Nicole Gagnum taught as a professor in Parsons School of Design, New York, U.S.A. from 1987-1992, and in EINA Escola d´Art I Disseny, Barcelona, from 1997-2010.   Education   Bennington College, VT, U.S.A., Bachelor of Arts degree, 1981-84 Queens College, City University of New York, U.S.A., Master of Fine Arts degree, 1985-1987   Select Exhibitions/Awards   Selected solo exhibitions: 2022 - Espai Casinet, ´Violets are Blue´, Masnou, Spain; 2020 - Esther Montoriol Gallery, ´Talk to me of Love´, Barcelona; Valgrassa Center for Experimental Arts, ´Rosella´, Begues, Spain ; 2017 - Can Sisteré Center for the Arts, ´Desfulla´m i Vola - Nicole Gagnum, mes d´una década recreant la flor´, Barcelona, Spain; 2015 - Casa de la Palabra, ´Alegoria de la Flor´, Barcelona, Spain; 2009 - ´Beads´, ESPAI-8 Gallery, Barcelona, Spain; 2008 - Alejandro Sales Gallery, Barcelona, Spain; 2005 - Museu d´Art de Girona, L´Espai, ´Belly Dance and Return´, Girona, Spain Selected art fairs: 2015 - LOOP ´15 International Videoart Fair, Barcelona, (Esther Montoriol Gallery); 2007 - ARCO ´07 International Art Fair, Madrid, Spain, (Antonio de Barnola Gallery); 2006 - ARCO ´06 International Art Fair, Madrid, (Antonio de Barnola Gallery); 2005 - LOOP ´05 International Videoart Fair, Barcelona, (Antonio de Barnola Gallery); 2004 - ARCO ´04 International Art Fair, Madrid   Gallery Representation   Nicole Gagnum has exhibited with numerous galleries and art institutions in Europe and North America. Most notably, she has worked with various galleries in Spain, and is currently represented by Esther Montoriol Gallery in Barcelona. Her work has been exhibited on various occasions in both LOOP International Video art Fair in Barcelona and ARCO International Art Fair in Madrid, Spain.   Statement about AOAP Submitted Artwork   My art work revolves around the representation of the flower and the plant world. Flowers, while being symbols of beauty and femininity, are also windows or openings that transport me to other places. In this sense, I see them as both metaphysical and feminine; they unite the worldly and the otherworldly. These four oil paintings on paper form part of a new series of work titled ´All Creatures´, in which I incorporate insects and small animals, as a way of exploring and expanding possibilities within the narrative. Evolving through the juxtaposition of images, forms, and color, the imaginary scenes are reflective of intuitive, interior landscapes. I am interested in a playful development of composition and an emotional use of color, as a way of arriving at something essential. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Crossed, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Cupped, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Caressed, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Cosseted, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lois Wallace Field of Fire, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lois Wallace Blaze, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Movers and Shakers, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Foot, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Magic Tip, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Adverse Conditions, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Rose Dawn Swimmers, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Golden Dawn Swimmer, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Waitrose Flat Peaches, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising