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Helen Beard Cupped, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Caressed, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Beard Cosseted, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy.   Select Exhibitions/Awards   Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018   Gallery Representation   Reflex, Amsterdam www.reflexamsterdam.com   Statement about AOAP Submitted Artwork   My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lois Wallace Field of Fire, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lois Wallace Blaze, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Movers and Shakers, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Foot, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Magic Tip, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Adverse Conditions, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Rose Dawn Swimmers, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Golden Dawn Swimmer, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Waitrose Flat Peaches, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Michael Dawson Working Class Fireflies, 2022 Chinagraph Pencil and Crayon on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I mainly make vibrant images on paper, wood, and canvas in an expressionist, graphic and romantic style. The work has been called 'outsider'; I take that as a compliment! I use a combination of elements to make paintings - acrylic paint and oil sticks, colour and text, historical references, contemporary culture, social commentary, abstraction and figuration, to create deliberate enigmas, mysterious kaleidoscopes! Education   Self taught artist (BA HONS English)   Select Exhibitions/Awards   Jul - Aug 2022 The Royal Academy of Arts Summer Exhibition May 2018 National Galleries of Scotland 'Artists at Work' (Group Show) 2014 - 2016 Scottish Royal Academy Open Exhibition, Edinburgh UK (2016 Recipient of Royal Scottish Academy Open Exhibition Award, Summerhall Prize)   Statement about AOAP Submitted Artwork   The four A6 pieces are made in a loose, fast automatic style. I combine colour and text as an oblique, enigmatic commentary on my life and society as I find them. They are an expressionistic frozen moment, the lid is lifted and what is there escapes!   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Archie Franks Ghost Train, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tyson Valentine Sharp A Day At The Zoo, 2022 Felt Tip Pens on This Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tyson Valentine Sharp was born on the 14th of February in the Midlands, UK. With Greek heritage he grew up in a lively, gregarious, supportive and VERY fun-loving family, all of which are reflected in his personality and key to fuelling his drive and passion for both art and science. His families' strong values, especially toward hard work and intellectual betterment, encouraged Tyson into a career in academia. This choice was a challenging direction as he has severe dyslexia but obtained a place at the University of Essex to study for a Bachelor of Science Degree (BSc Hons) in Molecular Biology and then went on to complete a PhD in Biochemistry/Molecular Virology at St. George's Hospital Medical School, University of London. After working as a Postdoctoral Researcher in the Netherlands and as a molecular virologist in the USA, Tyson is now researching cancer biology as a Professor of Cellular and Molecular Biology at the Bart's Cancer Institute, Queen Mary University; which is part of the Cancer Research UK City of London Major Centre.   As a self-taught Abstract Artist Tyson has, over the last 20 years, combined his artwork, art ideas, sketches, and plans for larger art projects and pieces (see Commissions), alongside his scientific research. Much of his work as an artist is intimately linked to his virus and cancer research, the literature, the grant applications and the scientific papers he writes. His works are semi-subconscious Wu Wei-like meditations in primary colours, and geometric shapes that fight for conformity on the page against the complexity, heterogeneity and chaos of cancer biology. Often, his frustrations at our lack of understanding of cancer biology, human health and the human condition drives his geometric work in a palette that is heavily based on primary colours. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tyson Valentine Sharp Defined Emotions, 2022 Felt Tip Pens on This Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tyson Valentine Sharp was born on the 14th of February in the Midlands, UK. With Greek heritage he grew up in a lively, gregarious, supportive and VERY fun-loving family, all of which are reflected in his personality and key to fuelling his drive and passion for both art and science. His families' strong values, especially toward hard work and intellectual betterment, encouraged Tyson into a career in academia. This choice was a challenging direction as he has severe dyslexia but obtained a place at the University of Essex to study for a Bachelor of Science Degree (BSc Hons) in Molecular Biology and then went on to complete a PhD in Biochemistry/Molecular Virology at St. George's Hospital Medical School, University of London. After working as a Postdoctoral Researcher in the Netherlands and as a molecular virologist in the USA, Tyson is now researching cancer biology as a Professor of Cellular and Molecular Biology at the Bart's Cancer Institute, Queen Mary University; which is part of the Cancer Research UK City of London Major Centre.   As a self-taught Abstract Artist Tyson has, over the last 20 years, combined his artwork, art ideas, sketches, and plans for larger art projects and pieces (see Commissions), alongside his scientific research. Much of his work as an artist is intimately linked to his virus and cancer research, the literature, the grant applications and the scientific papers he writes. His works are semi-subconscious Wu Wei-like meditations in primary colours, and geometric shapes that fight for conformity on the page against the complexity, heterogeneity and chaos of cancer biology. Often, his frustrations at our lack of understanding of cancer biology, human health and the human condition drives his geometric work in a palette that is heavily based on primary colours. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tyson Valentine Sharp Dry Raindrops, 2022 Felt Tip Pens on This Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) ' About   Tyson Valentine Sharp was born on the 14th of February in the Midlands, UK. With Greek heritage he grew up in a lively, gregarious, supportive and VERY fun-loving family, all of which are reflected in his personality and key to fuelling his drive and passion for both art and science. His families' strong values, especially toward hard work and intellectual betterment, encouraged Tyson into a career in academia. This choice was a challenging direction as he has severe dyslexia but obtained a place at the University of Essex to study for a Bachelor of Science Degree (BSc Hons) in Molecular Biology and then went on to complete a PhD in Biochemistry/Molecular Virology at St. George's Hospital Medical School, University of London. After working as a Postdoctoral Researcher in the Netherlands and as a molecular virologist in the USA, Tyson is now researching cancer biology as a Professor of Cellular and Molecular Biology at the Bart's Cancer Institute, Queen Mary University; which is part of the Cancer Research UK City of London Major Centre.   As a self-taught Abstract Artist Tyson has, over the last 20 years, combined his artwork, art ideas, sketches, and plans for larger art projects and pieces (see Commissions), alongside his scientific research. Much of his work as an artist is intimately linked to his virus and cancer research, the literature, the grant applications and the scientific papers he writes. His works are semi-subconscious Wu Wei-like meditations in primary colours, and geometric shapes that fight for conformity on the page against the complexity, heterogeneity and chaos of cancer biology. Often, his frustrations at our lack of understanding of cancer biology, human health and the human condition drives his geometric work in a palette that is heavily based on primary colours. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Clayton Schiff Dweller, 2022 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Clayton is a painter based in Queens, NY   Education   BFA in painting from Rhode Island School of Design 2009   Select Exhibitions/Awards   2021 NYFA painting grant. Small World at 56 Henry 2020, Nervous System at Harkawik 2021   Gallery Representation   56 Henry in New York, Harkawik in Los Angeles Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Clayton Schiff Brooder, 2022 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Clayton is a painter based in Queens, NY   Education   BFA in painting from Rhode Island School of Design 2009   Select Exhibitions/Awards   2021 NYFA painting grant. Small World at 56 Henry 2020, Nervous System at Harkawik 2021   Gallery Representation   56 Henry in New York, Harkawik in Los Angeles Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Henrike Gomber Curly King, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   HENRIKE GOMBER is a German artist who has lived many lives. She was first a ceramic artist, before working as a designer, mostly digital and conceptual. She has now decided to retire from the fashion and trends industry to dedicate herself to color. Her work explores the relationships between people, with a fascinated eye. Her characters are raw, dark and playful at the same time. As she says herself, painting enables her to express nasty emotions, and mad feelings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Henrike Gomber Firehead, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   HENRIKE GOMBER is a German artist who has lived many lives. She was first a ceramic artist, before working as a designer, mostly digital and conceptual. She has now decided to retire from the fashion and trends industry to dedicate herself to color. Her work explores the relationships between people, with a fascinated eye. Her characters are raw, dark and playful at the same time. As she says herself, painting enables her to express nasty emotions, and mad feelings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Henrike Gomber O.T. (1), 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   HENRIKE GOMBER is a German artist who has lived many lives. She was first a ceramic artist, before working as a designer, mostly digital and conceptual. She has now decided to retire from the fashion and trends industry to dedicate herself to color. Her work explores the relationships between people, with a fascinated eye. Her characters are raw, dark and playful at the same time. As she says herself, painting enables her to express nasty emotions, and mad feelings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Henrike Gomber O.T. (2), 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   HENRIKE GOMBER is a German artist who has lived many lives. She was first a ceramic artist, before working as a designer, mostly digital and conceptual. She has now decided to retire from the fashion and trends industry to dedicate herself to color. Her work explores the relationships between people, with a fascinated eye. Her characters are raw, dark and playful at the same time. As she says herself, painting enables her to express nasty emotions, and mad feelings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Smouldering August, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Red Dust Vapour II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Holly Frean 1926 - 2022, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Holly Frean Study No.1 of HM The Queen, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sue Bryan Sunset With Trees, 2022 Charcoal and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A native of Ireland, Sue is primarily self-trained. After studying briefly in the School of Visual Arts in New York in the mid 90's, she continued to work independently, finding most influential the works of Inness, Blakelock, Turner and Corot. Her work has been selected for several juried and invitational exhibitions throughout Ireland and the US, including the Bradley International Print and Drawing Exhibition in 2011 and 2015. She has exhibited in many galleries and group shows, including the Fort Wayne Museum of Art, the Florence Academy of Art, and the National Arts Club in New York. She has exhibited annually in the Royal Hibernian Academy's Summer Exhibition since 2014. She is the recipient of many awards, including an Award of Distinction at the 5th Annual Drawing Discourse, an international exhibition of contemporary drawing held at the University of North Carolina, Asheville.   Gallery Representation   Carrie Haddad Gallery, New York; Galerie Felli, Paris, France; GBS Fine Art, UK   Statement about AOAP Submitted Artwork   My work is drawing based. My process is one of building up tones and textures using a method of charcoal, carbon and graphite combined, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. As a native of Ireland, the landscape there has certainly shaped and influenced my work. Many of my drawings are of places that have a deep personal association for me; an endeavour perhaps to stay connected to my roots. The work is not just about particular places however, but an attempt to find meaning in my response to the natural world, a way of looking beyond and beneath what I see. As the climate continues to change, there is added poignancy in the gloaming. I look for it now more than ever.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Holly Frean Study No.2 of HM The Queen, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Salvatore Fiorello Cloud Lake, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Salvatore Fiorello Pale House, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mel Arzamarski Not a Striking Clock, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mel Arzamarski (born 1990) is an American painter based in New Haven, CT. Her mystery-laden and metaphorical paintings are focused on introspection with a sense of dry humor. Her influences are film, 18th century Baroque painting, and Surrealism.   Education   2016 The Lyme Academy College of Fine Arts: BFA, Drawing, minor in Painting 2019 The University of Tulsa: MFA, Painting   Select Exhibitions/Awards   2021 Together/Apart, Shin Gallery, NY, NY 2020 Young American Painters, Presented by Shin Gallery, Korea 2020 Pollock, Motherwell and Friends: Hamptons Curiosity Room, Shin Gallery, Southampton, NY 2020 SHIN HAUS JUNE, Shin Gallery, NY, NY 2019The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mel Arzamarski FOOL!, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mel Arzamarski (born 1990) is an American painter based in New Haven, CT. Her mystery-laden and metaphorical paintings are focused on introspection with a sense of dry humor. Her influences are film, 18th century Baroque painting, and Surrealism.   Education   2016 The Lyme Academy College of Fine Arts: BFA, Drawing, minor in Painting 2019 The University of Tulsa: MFA, Painting   Select Exhibitions/Awards   2021 Together/Apart, Shin Gallery, NY, NY 2020 Young American Painters, Presented by Shin Gallery, Korea 2020 Pollock, Motherwell and Friends: Hamptons Curiosity Room, Shin Gallery, Southampton, NY 2020 SHIN HAUS JUNE, Shin Gallery, NY, NY 2019The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mel Arzamarski The Tears of Pan, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mel Arzamarski (born 1990) is an American painter based in New Haven, CT. Her mystery-laden and metaphorical paintings are focused on introspection with a sense of dry humor. Her influences are film, 18th century Baroque painting, and Surrealism.   Education   2016 The Lyme Academy College of Fine Arts: BFA, Drawing, minor in Painting 2019 The University of Tulsa: MFA, Painting   Select Exhibitions/Awards   2021 Together/Apart, Shin Gallery, NY, NY 2020 Young American Painters, Presented by Shin Gallery, Korea 2020 Pollock, Motherwell and Friends: Hamptons Curiosity Room, Shin Gallery, Southampton, NY 2020 SHIN HAUS JUNE, Shin Gallery, NY, NY 2019The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mel Arzamarski Most Lovely One, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mel Arzamarski (born 1990) is an American painter based in New Haven, CT. Her mystery-laden and metaphorical paintings are focused on introspection with a sense of dry humor. Her influences are film, 18th century Baroque painting, and Surrealism.   Education   2016 The Lyme Academy College of Fine Arts: BFA, Drawing, minor in Painting 2019 The University of Tulsa: MFA, Painting   Select Exhibitions/Awards   2021 Together/Apart, Shin Gallery, NY, NY 2020 Young American Painters, Presented by Shin Gallery, Korea 2020 Pollock, Motherwell and Friends: Hamptons Curiosity Room, Shin Gallery, Southampton, NY 2020 SHIN HAUS JUNE, Shin Gallery, NY, NY 2019The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther III, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Florent Stosskopf Flowers Jungle, 2022 Acrylic and Markers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   FLORENT STOSSKOPF (1989, Rennes, France) is currently based in Brittany, France. The self-taught young artist.Stosskopf's work deftly blends traditional themes and archetypes through a contemporary perspective   Education   BA in Web and Graphic Design and an Advanced Technician Diploma in Communication from L'école Multimedia   Select Exhibitions/Awards   Beers London Gallery in London (2021) "Eternal Flowers" Durand Mashaal Gallery (2022) at Future Fair (New-York City) "Master of botanical"   Gallery Representation   Beers London - Durand Mashaal Gallery - Over The Influence   Statement about AOAP Submitted Artwork   Some flowers in a perspective view Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Elise Ansel Esther IV, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Paula Boyd-Barrett Oak Foliage, 2022 Screenprint on Paper (Artist's Proof) Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Paula studied Fine Art at WSCAD, Farnham. She's inspired by the natural world and her aim is to capture the quirky characteristics of the animals she's observed at first hand. She uses screenprint techniques to make her prints. Recently her work has been exhibited at the Royal Academy Summer Exhibition, Wildlife Artist of the Year and The Royal Birmingham Society of Artists. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Paula Boyd-Barrett Damsel at Rest, 2022 Screenprint with Hand Painting on Paper (Artist's Proof) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Paula studied Fine Art at WSCAD, Farnham. She's inspired by the natural world and her aim is to capture the quirky characteristics of the animals she's observed at first hand. She uses screenprint techniques to make her prints. Recently her work has been exhibited at the Royal Academy Summer Exhibition, Wildlife Artist of the Year and The Royal Birmingham Society of Artists. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Beaujolais, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Wandering Madder, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Summer Green, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Toby Holmes Rizla Girl, 2022 Unique Giclèe Print Signed verso 15 x 10cm (5¾ x 3¾ in.) About   As an Artist & Designer I like to create playful and hopefully humorous 'Pop-Surrealist' sculptures and prints combining images drawn from a huge variety of sources from classical art to contemporary packaging & advertising. I like to combine disparate imagery and materials to create eclectic, playful and amusing pieces. Often using discarded children's toys, packaging etc to generally achieve a wholly disarming effect, one that he likes to think belies the quiet and contemplative aesthetic with which I hope his work is ultimately underlined by. Working as both an artist and graphic designer he's interested in the overlap of both disciplines.   Education   Latymer Upper School Kingston University - Arts Foundation course Chelsea School of Arts BA   Select Exhibitions/Awards   RA Summer Exhibition 2022 Wells Contemporary Art Exhibtion Woolwich Contemporary Print Show Black Swan Open Gallery Representation   Artrepublic   Statement about AOAP Submitted Artwork   A couple of pieces from a larger series entitles 'The Product Placement Project', combining classical portraits with contemporary and 20thC packaging. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Toby Holmes Allsorts, 2022 Unique Giclèe Print Signed verso 15 x 10cm (5¾ x 3¾ in.) About   As an Artist & Designer I like to create playful and hopefully humorous 'Pop-Surrealist' sculptures and prints combining images drawn from a huge variety of sources from classical art to contemporary packaging & advertising. I like to combine disparate imagery and materials to create eclectic, playful and amusing pieces. Often using discarded children's toys, packaging etc to generally achieve a wholly disarming effect, one that he likes to think belies the quiet and contemplative aesthetic with which I hope his work is ultimately underlined by. Working as both an artist and graphic designer he's interested in the overlap of both disciplines.   Education   Latymer Upper School Kingston University - Arts Foundation course Chelsea School of Arts BA   Select Exhibitions/Awards   RA Summer Exhibition 2022 Wells Contemporary Art Exhibtion Woolwich Contemporary Print Show Black Swan Open Gallery Representation   Artrepublic   Statement about AOAP Submitted Artwork   A couple of pieces from a larger series entitles 'The Product Placement Project', combining classical portraits with contemporary and 20thC packaging. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mit Senoj Jubilee, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mit Senoj Slapped, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Florent Stosskopf Vase Flowers Still Life, 2022 Acrylic and Markers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   FLORENT STOSSKOPF (1989, Rennes, France) is currently based in Brittany, France. The self-taught young artist.Stosskopf's work deftly blends traditional themes and archetypes through a contemporary perspective   Education   BA in Web and Graphic Design and an Advanced Technician Diploma in Communication from L'école Multimedia   Select Exhibitions/Awards   Beers London Gallery in London (2021) "Eternal Flowers" Durand Mashaal Gallery (2022) at Future Fair (New-York City) "Master of botanical"   Gallery Representation   Beers London - Durand Mashaal Gallery - Over The Influence   Statement about AOAP Submitted Artwork   Some flowers in a perspective view Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Mit Senoj Dance, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ceal Warnants Teenage Kicks (Khaki), 2022 Unique Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Select Exhibitions/Awards   2022 'JEALOUS NEEDS YOU' - JEALOUS GALLERY 'CHOOSE LOVE X THE PRINT CLUB' - ROYAL ALBERT HALL 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2021 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'CHOOSE LOVE' SOHO REVUE GALLERY, LONDON WITH THE PRINT CLUB 'ART CAR BOOT FAIR' WITH JEALOUS GALLERY 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2020 "HOUSE OF VANS COMMUNITY MARKET" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH "COCO FENNELL" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH "THE BIG ISSUE" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION PRIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   Statement about AOAP Submitted Artwork   "Teenage Kicks (Khaki)" is a clash of old and new and the dual meaning of "Kicks". "Are teenage dreams so hard to beat? Everytime she walks down the street Another girl in the neighbourhood Wish she was mine, she looks so good" The Undertones - "Teenage Kicks" Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bryony Bensly Protection (Detail), 2022 Oil on Card Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Classically trained figurative artist. Work juxtaposes realism with conceptual ideas to find form to express our multilayered reality. Focus is on the plight of animals in the face of habitat loss and climate change.   Education   MFA New York Academy of Figurative Art   Select Exhibitions/Awards   Sotheby's, Royal Society of Portrait Painters, Attleboro Art Museum,The Historic Santa Fe Foundation: 3 year artist-in-residence, Portrait Society of America, Art Renewal Center, Luna Codex Collection.   Gallery Representation   Meyer Gallery, USA   Statement about AOAP Submitted Artwork   It was hard to paint this small! So, this is a detail of a larger work and in it is a common thread that links many of my paintings: a white circle of protection. The deer in Native American culture is a call for gentleness. The circle is from an old wives' tale, that I heard when I was a student living in Devon. It's always makes me feel safe. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bronwen Malcolm Black Pond, 2022 Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Bronwen Malcolm works in central London. Trained at St Martins, Malcolm had her first exhibition in her second year of her degree. The show sold out. On graduation Malcolm continued to develop her own style, constantly reassessing her own visual language. Her paintings are largely narratives, drawing on her vivid imagination. Her love of drawing led to a series of large nude and horse studies in 1987. These were produced by blowing and brushing graphite powder onto damped paper. The resulting work was shown at a one man show at the Diorama Gallery. Following four months travelling in India and Nepal in 1990, Malcolm produced a body of work based on her travels and the people she had met. By 1993 Malcolm was being represented by the Thackeray Gallery in London, who showed her work extensively both in the UK and the USA. In 2003 Malcolm began a series of paintings based loosely on the lives of the saints. The work was a tapestry of research into not just the saints, but the cults and superstitions that have grown around them. Some of the renderings were based on real people often in contemporary settings, often satirical. Weaving the anecdotal with symbols and often bizarre facts about the saints, the works explored stories that are largely unfamiliar today. The exhibition was at Gallery 286. Since then Malcolm has been experimenting with a new pictorial language that is much looser than her early work. She has had recent success at the Discerning Eye and Royal Academy.   Education   Wimbledon School of Art 1981-82, St Martins School of Art 1982-85   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   They are from a series of work I'm building. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bronwen Malcolm Squirrels, 2022 Watercolour and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Bronwen Malcolm works in central London. Trained at St Martins, Malcolm had her first exhibition in her second year of her degree. The show sold out. On graduation Malcolm continued to develop her own style, constantly reassessing her own visual language. Her paintings are largely narratives, drawing on her vivid imagination. Her love of drawing led to a series of large nude and horse studies in 1987. These were produced by blowing and brushing graphite powder onto damped paper. The resulting work was shown at a one man show at the Diorama Gallery. Following four months travelling in India and Nepal in 1990, Malcolm produced a body of work based on her travels and the people she had met. By 1993 Malcolm was being represented by the Thackeray Gallery in London, who showed her work extensively both in the UK and the USA. In 2003 Malcolm began a series of paintings based loosely on the lives of the saints. The work was a tapestry of research into not just the saints, but the cults and superstitions that have grown around them. Some of the renderings were based on real people often in contemporary settings, often satirical. Weaving the anecdotal with symbols and often bizarre facts about the saints, the works explored stories that are largely unfamiliar today. The exhibition was at Gallery 286. Since then Malcolm has been experimenting with a new pictorial language that is much looser than her early work. She has had recent success at the Discerning Eye and Royal Academy.   Education   Wimbledon School of Art 1981-82, St Martins School of Art 1982-85   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   They are from a series of work I'm building. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell The Spanish English Lady, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Femme Fatale With Red Hair, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Women With Curls, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Femme Avec Des Boucles Au Bord De La Mer, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising