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Isaac Aldridge Your Head, 2022 Oil, Ink and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Painter (b.1996 Essex, England). Lives and works in Glasgow, Scotland.   Education   MLitt Fine Art Practice Painting, Glasgow School of Art 2022. BA Fine Art, Falmouth University 2018.   Select Exhibitions/Awards   Sonnet Eyes, GSA Stow Building, Glasgow (2022); Good Life, Glasgow Botanic Gardens, Glasgow (2022); Shrewn Taboos, The Barnes Garage, Glasgow (2022); Early Days, The Barnes Garage, Glasgow (2021); LA Summer, Arusha, Edinburgh (2018); Manchester Art Fair, Arusha, Manchester (2018); Isaac Aldridge Residency Show, Back Lane West, Redruth (2018); BA Degree Show, Falmouth University, Falmouth (2018); The Thrown Gauntlet Festival, Falmouth (2018); 1 of 2, The Poly, Falmouth (2017); Harwich Arts Festival, Old Bank Studios, Harwich (2015); Limited Additions, The Minories, Colchester (2015).   Gallery Representation   A selection of work available with New Blood Art.   Statement about AOAP Submitted Artwork   Isaac sees painting as a slippery structure that provides visual bonds a surface to redefine the value of an image. The visual bonds are the debris of an audio-visual production(s). I am mostly interested in oxymorons, irony and satire; where the Postdigital provokes translation and mistranslation. Image making in this way creates disruptive engagements of thought and affect. In short, painting imitates life, if only for a moment. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Isaac Aldridge My Chest, 2022 Oil, Ink and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Painter (b.1996 Essex, England). Lives and works in Glasgow, Scotland.   Education   MLitt Fine Art Practice Painting, Glasgow School of Art 2022. BA Fine Art, Falmouth University 2018.   Select Exhibitions/Awards   Sonnet Eyes, GSA Stow Building, Glasgow (2022); Good Life, Glasgow Botanic Gardens, Glasgow (2022); Shrewn Taboos, The Barnes Garage, Glasgow (2022); Early Days, The Barnes Garage, Glasgow (2021); LA Summer, Arusha, Edinburgh (2018); Manchester Art Fair, Arusha, Manchester (2018); Isaac Aldridge Residency Show, Back Lane West, Redruth (2018); BA Degree Show, Falmouth University, Falmouth (2018); The Thrown Gauntlet Festival, Falmouth (2018); 1 of 2, The Poly, Falmouth (2017); Harwich Arts Festival, Old Bank Studios, Harwich (2015); Limited Additions, The Minories, Colchester (2015).   Gallery Representation   A selection of work available with New Blood Art.   Statement about AOAP Submitted Artwork   Isaac sees painting as a slippery structure that provides visual bonds a surface to redefine the value of an image. The visual bonds are the debris of an audio-visual production(s). I am mostly interested in oxymorons, irony and satire; where the Postdigital provokes translation and mistranslation. Image making in this way creates disruptive engagements of thought and affect. In short, painting imitates life, if only for a moment. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Estuary - Detail, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Estuary II - Detail, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Sun and Mist - Thirsk Hall, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katrina Lyne-Watt Blue Rose, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Katrina Lyne-Watt is a painter based in South East London. Her work combines elements of print technique with surface materiality. Education   I studied Textile Design at Winchester School of Art 2011. More recently I enrolled on the Off-site painting program and the Correspondence Painting Course at Turps Banana Art School. 2020-2022. Statement about AOAP Submitted Artwork   These paintings are derived from memories of walks through gardens and woods where colour represents the mood and feelings I experienced. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oona Grimes Etruscan Puppet b, 2022 Pencil and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oona Grimes is a London based artist, primarily a chaser of language through drawing, clay making & film. During Grimes' 2018 Bridget Riley Fellowship at The British School at Rome she segued from thieving Lorenzetti tartans and cartoon detail from Etruscan paintings, to the appropriation of neorealist films - mis-remembered, imitated and low tech re- enacted: a physical drawing of herself captured on i-phone. Recently a Visiting Lecturer at The Royal College of Art London, The Ruskin School of Art Oxford University & University of The Arts London   Education   Norwich School of Art BA Hons; Slade School of Art MA   Select Exhibitions/Awards   Bridget Riley Fellowship British School at Rome 2018; Brian Robertson Award 2022   Gallery Representation   Danielle Arnaud Gallery London   Statement about AOAP Submitted Artwork   A set of three fuzzy-felt warrior puppets, battling against unseen predators. Their defining nature and only hope is their quickness and lightness. What Calvino calls, "the irreplaceable outline of all human stories."   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ella Freire JFK Pan Am Tag, 2022 Unique Gicleé Print 1/1 Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Ella Freire is a London artist, a silk screen printer, based at Delta House Studios, in Wimbledon. Having a passion for classic cars, amongst other vintage interests, she has been inspired to produce her collection of classic car prints. She has also been fascinated with hearing stories about her Grandfather racing round Brooklands, in his Bugatti in the 1930's, and these have also caught her imagination. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ella Freire London Pan Am Tag, 2022 Unique Gicleé Print 1/1 Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Ella Freire is a London artist, a silk screen printer, based at Delta House Studios, in Wimbledon. Having a passion for classic cars, amongst other vintage interests, she has been inspired to produce her collection of classic car prints. She has also been fascinated with hearing stories about her Grandfather racing round Brooklands, in his Bugatti in the 1930's, and these have also caught her imagination. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pensive, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pomeline and Louis, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Prachi Gothi Transcience Afar, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Prachi Gothi is a London based painter attempting to discover her authentic self through painting by questioning her boundaries in art and life to have a more earnest approach to her visceral and emotive works. Taking inspiration from her personal life, memories, experiences, and a fantasy world that she often uses as an escape from reality, Gothi attempts to blur the line between the known and the unknown in her new body of works. Born and raised in Mumbai, Gothi completed her MA Fine Art from Chelsea College of Art & Design, London in 2010. She won The Other Art Fair's 'New Futures Prize' presented by Saatchi Art in 2021. Gothi's work has featured in various exhibitions and is in collections across India, UK, Europe, USA and Australia.   Education   MA Fine Art, Chelsea College of Art and Design, University of the Arts, London   Select Exhibitions/Awards   2021 New Futures Prize Winner 2021 - Global Virtual editions, The Other Art Fair presented by Saatchi Art NEW FUTURES Prize winner 2021 THE OTHER ART FAIR, Truman Brewery 14th - 17th Oct 2021 REDis Open Call 2021- online group show curated by Sergio Gomez 2021 Create! Magazine's Call for art: Global Curated Online Exhibition - special mention 2020 The V-Art Show 3.0- online group show via the Zoom app 2020 The V-Art Show 2.0- online group show via the zoom app 2012 Dangerous Curves Ahead, Bermondsey Project Space, London 2012 Bloomsbury Art Fair, Sarah Reynolds Art, London House, Mecklenburgh Square, London 2010 Annual Selection of Graduates, Gift Gallery, 10 Vyner Street, London 2010 MA Fine Art Degree Show, Chelsea College of Art and Design, London 2009 Chelsea Salon, The Woodmill, Neckinger Depot, London 2009 Triangle Project, Chelsea Space, London 2009 32nd Monsoon Art Show, Jehangir Art Gallery, Mumbai 2009 Rim-Zhim Show, Veh Art Gallery, Mumbai Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Prachi Gothi Transcience Near, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Prachi Gothi is a London based painter attempting to discover her authentic self through painting by questioning her boundaries in art and life to have a more earnest approach to her visceral and emotive works. Taking inspiration from her personal life, memories, experiences, and a fantasy world that she often uses as an escape from reality, Gothi attempts to blur the line between the known and the unknown in her new body of works. Born and raised in Mumbai, Gothi completed her MA Fine Art from Chelsea College of Art & Design, London in 2010. She won The Other Art Fair's 'New Futures Prize' presented by Saatchi Art in 2021. Gothi's work has featured in various exhibitions and is in collections across India, UK, Europe, USA and Australia.   Education   MA Fine Art, Chelsea College of Art and Design, University of the Arts, London   Select Exhibitions/Awards   2021 New Futures Prize Winner 2021 - Global Virtual editions, The Other Art Fair presented by Saatchi Art NEW FUTURES Prize winner 2021 THE OTHER ART FAIR, Truman Brewery 14th - 17th Oct 2021 REDis Open Call 2021- online group show curated by Sergio Gomez 2021 Create! Magazine's Call for art: Global Curated Online Exhibition - special mention 2020 The V-Art Show 3.0- online group show via the Zoom app 2020 The V-Art Show 2.0- online group show via the zoom app 2012 Dangerous Curves Ahead, Bermondsey Project Space, London 2012 Bloomsbury Art Fair, Sarah Reynolds Art, London House, Mecklenburgh Square, London 2010 Annual Selection of Graduates, Gift Gallery, 10 Vyner Street, London 2010 MA Fine Art Degree Show, Chelsea College of Art and Design, London 2009 Chelsea Salon, The Woodmill, Neckinger Depot, London 2009 Triangle Project, Chelsea Space, London 2009 32nd Monsoon Art Show, Jehangir Art Gallery, Mumbai 2009 Rim-Zhim Show, Veh Art Gallery, Mumbai Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Bartram Billy The Third, 2022 Oil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Simon was born in Jarrow and brought up in Hebburn in an area of northeast England that was previously defined by heavy industries such as shipbuilding and mining. He paints and draws a selection of post industrial men who, somewhat stereotypically, find their identities in the clothes they wear, the haircuts they sport and the football team they follow. They live in real and imaginary towns and cities that are intersected by rivers that flow east into the North Sea. Above them, the skies are intersected by the vapour trails of aeroplanes leaving for places far away. The painted men, however, always stay and, going forward, it is Simon's ambition to look beyond their haircuts and hoodies and explore who they really are and how they fit into their changing environment.   Education   Birmingham Polytechnic, Illustration (BA) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1722, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1822, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1922, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 2022, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rose Electra Harris From The Morning I, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rose Electra Harris (b.1991) is a London-based printmaker and painter. Having completed a degree in printmaking at the University of Brighton in 2015, she now works from her studio in south London. Rose uses her work to explore interior space, using the obscure and everyday objects to which she's drawn to create her still lifes. Fascinated by colour, line, shape, texture and pattern, Rose places these objects - some from memory, some imagined, some collected over time - in her roomscapes, playing around with them until she finds the perfect composition, always in search of balance and harmony.Rose reimagines the colourful dialogue that exists between space and furnishings, as interested in the negative space between objects as she is in the objects themselves. She isn't concerned with portraying objects exactly as they are, but more how they make her feel, making use of a singularly distorted, ever so slightly off-kilter, perspective to do so. To her, a room is an oasis and the things within it are what bring it to life.   Education   Turps Banana Correspondence Course, 2021-2022 Brighton Faculty of the Arts, Fine Art : Printmaking BA Hons 2012-2015 City and Guilds London Art School, Foundation Course, 2012   Select Exhibitions/Awards   Solo Exhibitions 2021 I Dream in Colour, Greatorex Studios, London 2019 Moving Rooms, Partnership Editions, Islington Square, London 2018 Sicillian Setaccio, William Yeoward, London The Modern Society, London The Difference Between Things, Blue Shop Cottage, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rose Electra Harris From The Morning II, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rose Electra Harris (b.1991) is a London-based printmaker and painter. Having completed a degree in printmaking at the University of Brighton in 2015, she now works from her studio in south London. Rose uses her work to explore interior space, using the obscure and everyday objects to which she's drawn to create her still lifes. Fascinated by colour, line, shape, texture and pattern, Rose places these objects - some from memory, some imagined, some collected over time - in her roomscapes, playing around with them until she finds the perfect composition, always in search of balance and harmony.Rose reimagines the colourful dialogue that exists between space and furnishings, as interested in the negative space between objects as she is in the objects themselves. She isn't concerned with portraying objects exactly as they are, but more how they make her feel, making use of a singularly distorted, ever so slightly off-kilter, perspective to do so. To her, a room is an oasis and the things within it are what bring it to life.   Education   Turps Banana Correspondence Course, 2021-2022 Brighton Faculty of the Arts, Fine Art : Printmaking BA Hons 2012-2015 City and Guilds London Art School, Foundation Course, 2012   Select Exhibitions/Awards   Solo Exhibitions 2021 I Dream in Colour, Greatorex Studios, London 2019 Moving Rooms, Partnership Editions, Islington Square, London 2018 Sicillian Setaccio, William Yeoward, London The Modern Society, London The Difference Between Things, Blue Shop Cottage, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kirsty Harris Totem, 2022 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Harris explores nuclear explosions as cultural, historical and iconic symbols in her practice. Referencing the scale, beauty and abhorrent nature of the atom bomb she delves into the periphery of the subject, the myths, characters and surrounding evidence. She works across a wide range of media from vast oil paintings, tapestries & projections to delicate paintings on glass and ceramics you could hold in your hand. She is fascinated by the beauty and awe of the disrupted landscape, the dust, the glow. The violent & repellent force of the explosion.   Education   BA/Hons Fine Art - Cass School of Art, London, 2001   Select Exhibitions/Awards   SOLO EXHIBITIONS AND TWO MAN SHOWS 2023 THAT LETHAL CLOUD, Studio KIND, Devon, UK. 2019 A FOUL AND AWESOME DISPLAY, Vane Gallery, Newcastle Upon Tyne, UK. 2017 PARADICE LOST (sic), Plymouth Art Weekender, Plymouth School of Creative Arts. 2016 HOW I LEARNED TO STOP WORRYING (1945-2016), CFCCA, Manchester. SELECTED GROUP EXHIBITIONS 2023 TWO PLUS TWO MAKES FOUR, Auxiliary, Middlesbrough, UK. 2022 ROYAL ACADEMY SUMMER EXHIBITION 2022, London, UK. 2022 ONCE UPON AN INSTANT, University of Applied Sciences HTW, Berlin, Germany. 2022 HORIZON (LANDSCAPE AND BEYOND), Cello Factory, London, UK. 2021 ABSENT AUTHORS, APT Gallery, London, UK. 2020 CONTEMPORARY BRITISH PAINTING PRIZE, ASC Gallery, London, UK. 2019 LOVE& RAGE, Barbican Arts trust, London, UK. RESIDENCIES AND AWARDS 2022 Artist Residency at Karst Gallery & Studios, Plymouth, UK. 2019 Contemporary British Painting Prize - Shortlisted. Statement about AOAP Submitted Artwork   I wanted to experiment using oil paints on prepared paper, in thin washes, almost like watercolours. The painting depicts a British atmospheric nuclear test, called Totem, which took place at Emu Field in South Australia in October 1953. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Helen Bur Maude, 2022 Oil on Acrylic Medium Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Helen Bur (b.1990) is a British artist working between the UK and on the road where she has participated in outdoor and indoor projects world-wide from Brazil to Norway with exhibitions in USA, UK and Europe. Using traditionally influenced techniques in figuration, sensitive and poetic narratives are used as tools to dissect and understand experiences, where the personal often becomes global.   Education   2011-2014 - BA (hons) Fine Art, Cardiff School of Art, UK 2009/2010 - Foundation Diploma Art and Design, Brighton City College, UK   Select Exhibitions/Awards   2022 - Feet on The Ground, La Causa Galeria, Madrid, Spain 2022 - UrbanArt Biennale, Völklinger Hütte, Germany 2021 - At the Edge of Realism, Kirk Gallery, Aalborg, Denmark 2021 - Silent Shout, Saatchi Gallery, London, UK 2020 - Awarded Arts Council England Project Grant 2019 - Alchemy, Saatchi Gallery, London, UK 2019 - Tapia, B-Murals Centre d'Art Urba, Barcelona, Spain 2019 - ThinkSpace Gallery, SCOPE art fair, Miami, USA 2019 - LAX/ ORD, Vertical gallery, Chicago USA 2019 - Aletheia, Mirus Gallery, Denver USA 2018 - Laugh At The Odds, La Causa Galeria, Madrid, Spain Gallery Representation   Freelance but work non-exclusively with: Saatchi, London. La Causa, Madrid and Kirk Gallery, Denmark.   Statement about AOAP Submitted Artwork   Portrait of the artists daughter Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Brian McKenzie Hanging Bosci Suits, 2022 Etching Signed verso 15 x 10cm (5¾ x 3¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused.Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Brian McKenzie Hanging Bosci Suits II, 2022 Etching Signed verso 15 x 10cm (5¾ x 3¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zara Matthews Mesh (Study-Orange), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Oona Grimes Etruscan Fool a, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oona Grimes is a London based artist, primarily a chaser of language through drawing, clay making & film. During Grimes' 2018 Bridget Riley Fellowship at The British School at Rome she segued from thieving Lorenzetti tartans and cartoon detail from Etruscan paintings, to the appropriation of neorealist films - mis-remembered, imitated and low tech re- enacted: a physical drawing of herself captured on i-phone. Recently a Visiting Lecturer at The Royal College of Art London, The Ruskin School of Art Oxford University & University of The Arts London   Education   Norwich School of Art BA Hons; Slade School of Art MA   Select Exhibitions/Awards   Bridget Riley Fellowship British School at Rome 2018; Brian Robertson Award 2022   Gallery Representation   Danielle Arnaud Gallery London   Statement about AOAP Submitted Artwork   A set of three fuzzy-felt warrior puppets, battling against unseen predators. Their defining nature and only hope is their quickness and lightness. What Calvino calls, "the irreplaceable outline of all human stories."   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Brian McKenzie Collecting Mutated Plants Near Fukushima Daiichi Reactor, 2022 Etching Signed verso 10 x 15cm (3¾ x 5¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Brian McKenzie Fungal Dream, 2022 Etching Signed verso 15 x 10cm (5¾ x 3¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Brian McKenzie Francois De Sarra Eaten By Frogs + Worms, 2022 Etching Signed verso 10 x 15cm (3¾ x 5¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Brian McKenzie Another Crime-Free Day In The Busy Life of Batman, 2022 Etching Signed verso 15 x 10cm (5¾ x 3¾ in.) About   My work focusses on the human figure. I'm interested in aberration, distortion and happenstance. I love to use or adapt processes that incorporate random, natural self creating pattern fused with fine drawing / making. My practice is often printmaking but I also love to paint, sculpt and make videos.   Education   Started out as an engineering student but switched to study graphic design at the London College of Printing in the late 80's. This is where I learned and loved printmaking especially drypoint, etching and monotype.   Select Exhibitions/Awards   Exhibited at the Royal Academy Summer show several times   Gallery Representation   Something Gallery   Statement about AOAP Submitted Artwork   I have printed from etching plates directly onto the blank postcards. I chose a broad selection of the sort of images I like to make. This includes my ongoing 'alter ego' artwork Bosci. He is a animal like house guest creature who collects items for his growing hermitage/museum. I have an interest in the Fukushima Nuclear plant disaster and its ongoing effects. I have recently been making a growing suite of fine, very detailed etchings where humans and fungi are fused.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jan Lee Johnson Parrot Tulip, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Yorkshire. Worked at BBC london as scene painter from 1976-84. Worked as a Court Artist, drawing in trials from memory (the Rolex Watch murder particularly fascinating) M.A. painting Bath Spa University. Lecturer in painting and interior design at Plymouth college of art and Richmond college of Art. Regular iPad drawing instruction and workshops at Kew Botanic Gardens, V & A. Chelsea Arts Club yearbook 2020   Education   BA HONS Fine Art Loughborough. MA painting Bath Spa University   Select Exhibitions/Awards   Discerning Eye 2020 /Orleans Gallery 'reimagine' 2020/ Royal Academy 2022/ Trinity Bouy Wharf Drawing Prize Longlisted.   Statement about AOAP Submitted Artwork   Given the small postcard size on which to paint I chose to paint tulips.The Parrot Tulips, have multi-coloured markings similar to the exotic bird and this phenomena inspired me to make two watercolours. I have often painted parrot tulips in other paintings, often on a larger scale. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jan Lee Johnson Black Tulip Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Yorkshire. Worked at BBC london as scene painter from 1976-84. Worked as a Court Artist, drawing in trials from memory (the Rolex Watch murder particularly fascinating) M.A. painting Bath Spa University. Lecturer in painting and interior design at Plymouth college of art and Richmond college of Art. Regular iPad drawing instruction and workshops at Kew Botanic Gardens, V & A. Chelsea Arts Club yearbook 2020   Education   BA HONS Fine Art Loughborough. MA painting Bath Spa University   Select Exhibitions/Awards   Discerning Eye 2020 /Orleans Gallery 'reimagine' 2020/ Royal Academy 2022/ Trinity Bouy Wharf Drawing Prize Longlisted.   Statement about AOAP Submitted Artwork   Given the small postcard size on which to paint I chose to paint tulips.The Parrot Tulips, have multi-coloured markings similar to the exotic bird and this phenomena inspired me to make two watercolours. I have often painted parrot tulips in other paintings, often on a larger scale. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eleanor Nadimi Palm Springs Series/5 Lilac, 2022 Emulsion on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eleanor Nadimi is a British artist, textile designer and design creative living in London. A graduate of the Royal College of Art, she is inspired by mid century design as well as picking up on her Iranian roots, the traditional architecture and geometric pattern combinations typical of the region.   Education   The Royal College of Art, MA Printed Textiles, 2010 Chelsea College of Art and Design, University of the Arts London, BA Printed Textiles, 2007   Select Exhibitions/Awards   2022 - The Other Art Fair, The Mansard Gallery by Heal's   Statement about AOAP Submitted Artwork   This set of postcard paintings have been directly inspired by Eleanor's Palm Springs series where she seeks to explore the interaction of people and buildings, focusing on how colour and shape effect our mood and environment in the form of abstract paintings. The pieces are minimal and abstract in appearance but deliberate in their composition, colour and surface texture. Her fascination with mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, which brought the outside in allowing you to become immersed in the landscape captured her attention and is a theme she continues to explore. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eleanor Nadimi Palm Springs Series/6 Lilac, 2022 Emulsion on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eleanor Nadimi is a British artist, textile designer and design creative living in London. A graduate of the Royal College of Art, she is inspired by mid century design as well as picking up on her Iranian roots, the traditional architecture and geometric pattern combinations typical of the region.   Education   The Royal College of Art, MA Printed Textiles, 2010 Chelsea College of Art and Design, University of the Arts London, BA Printed Textiles, 2007   Select Exhibitions/Awards   2022 - The Other Art Fair, The Mansard Gallery by Heal's   Statement about AOAP Submitted Artwork   This set of postcard paintings have been directly inspired by Eleanor's Palm Springs series where she seeks to explore the interaction of people and buildings, focusing on how colour and shape effect our mood and environment in the form of abstract paintings. The pieces are minimal and abstract in appearance but deliberate in their composition, colour and surface texture. Her fascination with mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, which brought the outside in allowing you to become immersed in the landscape captured her attention and is a theme she continues to explore. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eleanor Nadimi Palm Springs Series/14 Lilac, 2022 Emulsion on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eleanor Nadimi is a British artist, textile designer and design creative living in London. A graduate of the Royal College of Art, she is inspired by mid century design as well as picking up on her Iranian roots, the traditional architecture and geometric pattern combinations typical of the region.   Education   The Royal College of Art, MA Printed Textiles, 2010 Chelsea College of Art and Design, University of the Arts London, BA Printed Textiles, 2007   Select Exhibitions/Awards   2022 - The Other Art Fair, The Mansard Gallery by Heal's   Statement about AOAP Submitted Artwork   This set of postcard paintings have been directly inspired by Eleanor's Palm Springs series where she seeks to explore the interaction of people and buildings, focusing on how colour and shape effect our mood and environment in the form of abstract paintings. The pieces are minimal and abstract in appearance but deliberate in their composition, colour and surface texture. Her fascination with mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, which brought the outside in allowing you to become immersed in the landscape captured her attention and is a theme she continues to explore.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eleanor Nadimi Palm Springs Series/22 Lilac, 2022 Emulsion on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eleanor Nadimi is a British artist, textile designer and design creative living in London. A graduate of the Royal College of Art, she is inspired by mid century design as well as picking up on her Iranian roots, the traditional architecture and geometric pattern combinations typical of the region.   Education   The Royal College of Art, MA Printed Textiles, 2010 Chelsea College of Art and Design, University of the Arts London, BA Printed Textiles, 2007   Select Exhibitions/Awards   2022 - The Other Art Fair, The Mansard Gallery by Heal's   Statement about AOAP Submitted Artwork   This set of postcard paintings have been directly inspired by Eleanor's Palm Springs series where she seeks to explore the interaction of people and buildings, focusing on how colour and shape effect our mood and environment in the form of abstract paintings. The pieces are minimal and abstract in appearance but deliberate in their composition, colour and surface texture. Her fascination with mid century homes, in particular desert modernism architecture established in Palm Springs in the 1920s, which brought the outside in allowing you to become immersed in the landscape captured her attention and is a theme she continues to explore. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Hotel, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Clapham Common, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Swan Study, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Fish Painting, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Earl Rogers Please Turn Left/Right, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education   BA Hons Fine Art University of Derby.   Select Exhibitions/Awards   RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018.   Gallery Representation   Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery   Statement about AOAP Submitted Artwork   Please Turn Left/Right: I sometimes make paintings using archive photographic material. In 'Please Turn Left/Right' the archive image held an appeal because it contained a number of symbols (the policeman, stop sign) and a gesture that was a simultaneously a symbol and instruction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Earl Rogers Life Drawing Class x4, 2022 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education   BA Hons Fine Art University of Derby.   Select Exhibitions/Awards   RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018.   Gallery Representation   Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery   Statement about AOAP Submitted Artwork Life Drawing Class x4: I run a weekly life drawing class and thought it would make for an interesting image if I combined a drawing of my own with that of three of my students. The viewer can form their own view as to who, tutor or student, is responsible for the different drawings.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (1), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (2), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (3), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Aidan Myers Banana Leaf Forms XIII, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1992 Stoke On Trent, UK Aidan Myers is an early career artist based in Cardiff, Wales working between painting and drawing. He studied Fine Art at Cardiff School of Art and Design graduating in 2014; subsequently he worked at the Art School's 'Inc Space' for a 2-year studio placement. In 2021 Myers was a recipient of the Artist Support Pledge 'Surfaces Award', which led to being part of a group show at Hastings Contemporary, his first museum exhibition. Notably in 2018 Myers travelled to India for a 3-month artist residency at the Aamir Art House in Goa, which has formed the direction to his most recent work. In 2017 Myers won first prize at the Oriel CRiC Open in Wales. Myers has held solo shows in Cardiff (2021, 2018 & 2016) and Stroud (2016).   Education   2011-14 - BA Hons Fine Art, Cardiff School of Art & Design, Wales (First Class with honours)   Select Exhibitions/Awards   Solo: 2021 Cardiff M.A.D.E, 'Encounters', Cardiff, Wales, UK (Cambium) 2018 The Sustainable Studio, 'Labyrinth', Cardiff, Wales, UK 2017 Waterloo Gardens Teahouse, 'Small Works', Cardiff, Wales, UK Line Gallery - Stroud Visual Arts, 'New Matter', Stroud UK 2016 Cardiff M.A.D.E, 'Manoeuvred Matter', Cardiff, Wales, UK Group Selected: 2023 Ty Pawb, 'Horizon Garden', Wrexham, Wales, UK 2022 Terrace Gallery, 'Wish You Were Here', London, UK 2021 Hastings Contemporary, 'A Generous Space', Hastings, UK The Godown, 'BUKA BUKA' (Open Books), Kuala Lumpur, Malaysia 2019 Fringe Arts Bath Festival, 'SELF', Bath, UK 2018 The National Eisteddfod of Wales, CAV/UHL, Cardiff, Wales, UK 2017 Oriel CRiC, 'Crickhowell Open Art', Crickhowell, Wales, UK 2016 Curious Duke Gallery, 'Insert Art Here', London, UK 2015 Cardiff M.A.D.E, 'MADE from the Museum', Cardiff, Wales, UK 2014 Elysium Gallery, 'A Portrait of the Artist as...' BEEP Painting Prize, Swansea, Wales Gallery Representation   Rise Art Singulart   Statement about AOAP Submitted Artwork   My practice is painting and drawing based. Different outlooks on landscape form my process including: environmental climate concerns; the benefits and hopeful outlook of landscape through re-wilding; rhythms and cycles of landscape seasons and the co-existence of humans within the environment. These images are formed around the motif of the banana plant, which has been a re-occurring subject within my work since travelling to India in 2018. I found a lasting connection with the banana plant form; it has taken on the resonance of a figure within my compositions, playing a central focus in the images. Their forms are delicate, somewhat abstracted, spiralling from a central column to produce these dominant, distinct structures. They describe fragility of living as much as the opportunity of prospering. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sarah Bold Inlet, 2022 Oil and Fluorescent Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Originally from Australia, Sarah lives and works in the Western Isles of Scotland.   Education   BA Painting Wimbledon College of Art, University of London, Turps Banana Correspondence Course 2021   Select Exhibitions/Awards   Society Scottish Artists Mentorship Programme (Mentee) 22/23, Royal Academy Summer Show 2022, Jacksons Painting Prize Winner Landscape Category 2021   Statement about AOAP Submitted Artwork   I am a landscape painter interested in the significant impact of human activity upon the planet's ecosystems, geology and climate, and more specifically how this relates to the rural environment. Issues such as climate change, the coastal and marine environment, agriculture, isolation and migration underpin my work, whilst considering our transitory existence in relation to the geological age of the Earth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Aidan Myers Banana Leaf Forms XIV, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1992 Stoke On Trent, UK Aidan Myers is an early career artist based in Cardiff, Wales working between painting and drawing. He studied Fine Art at Cardiff School of Art and Design graduating in 2014; subsequently he worked at the Art School's 'Inc Space' for a 2-year studio placement. In 2021 Myers was a recipient of the Artist Support Pledge 'Surfaces Award', which led to being part of a group show at Hastings Contemporary, his first museum exhibition. Notably in 2018 Myers travelled to India for a 3-month artist residency at the Aamir Art House in Goa, which has formed the direction to his most recent work. In 2017 Myers won first prize at the Oriel CRiC Open in Wales. Myers has held solo shows in Cardiff (2021, 2018 & 2016) and Stroud (2016).   Education   2011-14 - BA Hons Fine Art, Cardiff School of Art & Design, Wales (First Class with honours)   Select Exhibitions/Awards   Solo: 2021 Cardiff M.A.D.E, 'Encounters', Cardiff, Wales, UK (Cambium) 2018 The Sustainable Studio, 'Labyrinth', Cardiff, Wales, UK 2017 Waterloo Gardens Teahouse, 'Small Works', Cardiff, Wales, UK Line Gallery - Stroud Visual Arts, 'New Matter', Stroud UK 2016 Cardiff M.A.D.E, 'Manoeuvred Matter', Cardiff, Wales, UK Group Selected: 2023 Ty Pawb, 'Horizon Garden', Wrexham, Wales, UK 2022 Terrace Gallery, 'Wish You Were Here', London, UK 2021 Hastings Contemporary, 'A Generous Space', Hastings, UK The Godown, 'BUKA BUKA' (Open Books), Kuala Lumpur, Malaysia 2019 Fringe Arts Bath Festival, 'SELF', Bath, UK 2018 The National Eisteddfod of Wales, CAV/UHL, Cardiff, Wales, UK 2017 Oriel CRiC, 'Crickhowell Open Art', Crickhowell, Wales, UK 2016 Curious Duke Gallery, 'Insert Art Here', London, UK 2015 Cardiff M.A.D.E, 'MADE from the Museum', Cardiff, Wales, UK 2014 Elysium Gallery, 'A Portrait of the Artist as...' BEEP Painting Prize, Swansea, Wales Gallery Representation   Rise Art Singulart   Statement about AOAP Submitted Artwork   My practice is painting and drawing based. Different outlooks on landscape form my process including: environmental climate concerns; the benefits and hopeful outlook of landscape through re-wilding; rhythms and cycles of landscape seasons and the co-existence of humans within the environment. These images are formed around the motif of the banana plant, which has been a re-occurring subject within my work since travelling to India in 2018. I found a lasting connection with the banana plant form; it has taken on the resonance of a figure within my compositions, playing a central focus in the images. Their forms are delicate, somewhat abstracted, spiralling from a central column to produce these dominant, distinct structures. They describe fragility of living as much as the opportunity of prospering. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nan Collantine Untitled (1), 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nan Collantine is an artist living and working in Greater Manchester. She works with assemblage and installation, although considers painting her primary medium. She is drawn to responding to place, using the language of painting to explore memory and hidden social and cultural politics that might shape perception, sentiment and feelings of belonging and exclusion.   Education   Nan Collantine completed a foundation in art in 1990 followed by 25 years working in the creative sector. Her self-taught art practice began as she and her family moved to Australia in 2016, on her return she joined the Islington Mill Art Academy, a year long peer-led art programme. From 2019-2020 Nan participated in the Turps Banana Painting correspondence course. Select Exhibitions/Awards   Beep Painting Prize shortlist 2022 Castlefield Gallery Award recipient 2022 Solo exhibition at World of Glass St Helens 2021 Gallery Representation   New Blood Art   Statement about AOAP Submitted Artwork   Painting onto pages of the Futon catalogue is a favourite past time of mine. It's a rest from my large scale paintings and using oil paint. These are made using pencil drawings and gouache paint, which I love for its powdery texture. I enjoy playing around with the shadows that the catalogue images cast under the paint, and I collage the pages too in order to create abstract interior landscapes, each postcard is like a flattened, cropped intersection of space. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nan Collantine Untitled (2), 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nan Collantine is an artist living and working in Greater Manchester. She works with assemblage and installation, although considers painting her primary medium. She is drawn to responding to place, using the language of painting to explore memory and hidden social and cultural politics that might shape perception, sentiment and feelings of belonging and exclusion.   Education   Nan Collantine completed a foundation in art in 1990 followed by 25 years working in the creative sector. Her self-taught art practice began as she and her family moved to Australia in 2016, on her return she joined the Islington Mill Art Academy, a year long peer-led art programme. From 2019-2020 Nan participated in the Turps Banana Painting correspondence course. Select Exhibitions/Awards   Beep Painting Prize shortlist 2022 Castlefield Gallery Award recipient 2022 Solo exhibition at World of Glass St Helens 2021 Gallery Representation   New Blood Art   Statement about AOAP Submitted Artwork   Painting onto pages of the Futon catalogue is a favourite past time of mine. It's a rest from my large scale paintings and using oil paint. These are made using pencil drawings and gouache paint, which I love for its powdery texture. I enjoy playing around with the shadows that the catalogue images cast under the paint, and I collage the pages too in order to create abstract interior landscapes, each postcard is like a flattened, cropped intersection of space.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nan Collantine Untitled (4), 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nan Collantine is an artist living and working in Greater Manchester. She works with assemblage and installation, although considers painting her primary medium. She is drawn to responding to place, using the language of painting to explore memory and hidden social and cultural politics that might shape perception, sentiment and feelings of belonging and exclusion.   Education   Nan Collantine completed a foundation in art in 1990 followed by 25 years working in the creative sector. Her self-taught art practice began as she and her family moved to Australia in 2016, on her return she joined the Islington Mill Art Academy, a year long peer-led art programme. From 2019-2020 Nan participated in the Turps Banana Painting correspondence course. Select Exhibitions/Awards   Beep Painting Prize shortlist 2022 Castlefield Gallery Award recipient 2022 Solo exhibition at World of Glass St Helens 2021 Gallery Representation   New Blood Art   Statement about AOAP Submitted Artwork   Painting onto pages of the Futon catalogue is a favourite past time of mine. It's a rest from my large scale paintings and using oil paint. These are made using pencil drawings and gouache paint, which I love for its powdery texture. I enjoy playing around with the shadows that the catalogue images cast under the paint, and I collage the pages too in order to create abstract interior landscapes, each postcard is like a flattened, cropped intersection of space. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Max Renneisen Nave Nave Mahana I, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery.⁠   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Max Renneisen Nave Nave Mahana II, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery.⁠   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Max Renneisen Nave Nave Mahana III, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery.⁠   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Chambers RA Untitled (1), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Stephen Chambers studied at Winchester School of Art from 1978 to 1979 and then at St Martin's School of Art from 1979 to 1982. He graduated with a Masters from Chelsea School of Art in 1983. Chambers has won many scholarships and awards, including a Rome Scholarship, a Fellowship at Winchester School of Art, and a Mark Rothko Memorial Trust Travelling Award. Besides his painting and printmaking, Chambers has also collaborated on three dance projects with the Royal Ballet: Sleeping with Audrey (1996), Room of Cooks (1997, 1999) and This House Will Burn (2001). Chambers has said that his work "speaks of states of mind, behaviours and sensibilities", and critics have praised his use of colour. Chambers' most recent major project is The Court of Redonda, a large portrait series shown first in Venice during the 2017 Biennale, and subsequently at The Heong Gallery at Downing College, Cambridge. Chambers has a long association with Downing College, having been Artist in Residence at Kettle's Yard in 1998. He also received an Honorary Fellowship from Downing College in 2016.   Select Exhibitions/Awards   Recent solo exhibitions 2018 The Court of Redonda, The Heong Gallery at Downing College, University of Cambridge 2017 The Court of Redonda, Ca'Dandolo, Venice Works from the Press, Tremenheere Sculpture Gardens, Cornwall 2016 Recent Works, Northern Print, Newcastle 2015 Pickpocket, Atelier Rose & Gray, Hale, Manchester 2014 The Big Country and Other Stories, Pera Museum, Istanbul 2013 Black Mirror, Ten Art Gallery, Milan 2012 The Big Country (Artist's Laboratory 06), Royal Academy of Arts 2010 Flowers Gallery, Cork Street, London North House Gallery, Manningtree, Essex Kings Place Gallery, London 2009 Wills Lane Gallery, St Ives, Cornwall 2008 University of Northumbria Gallery, Newcastle 2006 Flowers Central, London 2005 Galerie Frank Pages, Baden Baden, Germany Flowers Graphics, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Chambers RA Untitled (2), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Stephen Chambers studied at Winchester School of Art from 1978 to 1979 and then at St Martin's School of Art from 1979 to 1982. He graduated with a Masters from Chelsea School of Art in 1983. Chambers has won many scholarships and awards, including a Rome Scholarship, a Fellowship at Winchester School of Art, and a Mark Rothko Memorial Trust Travelling Award. Besides his painting and printmaking, Chambers has also collaborated on three dance projects with the Royal Ballet: Sleeping with Audrey (1996), Room of Cooks (1997, 1999) and This House Will Burn (2001). Chambers has said that his work "speaks of states of mind, behaviours and sensibilities", and critics have praised his use of colour. Chambers' most recent major project is The Court of Redonda, a large portrait series shown first in Venice during the 2017 Biennale, and subsequently at The Heong Gallery at Downing College, Cambridge. Chambers has a long association with Downing College, having been Artist in Residence at Kettle's Yard in 1998. He also received an Honorary Fellowship from Downing College in 2016.   Select Exhibitions/Awards   Recent solo exhibitions 2018 The Court of Redonda, The Heong Gallery at Downing College, University of Cambridge 2017 The Court of Redonda, Ca'Dandolo, Venice Works from the Press, Tremenheere Sculpture Gardens, Cornwall 2016 Recent Works, Northern Print, Newcastle 2015 Pickpocket, Atelier Rose & Gray, Hale, Manchester 2014 The Big Country and Other Stories, Pera Museum, Istanbul 2013 Black Mirror, Ten Art Gallery, Milan 2012 The Big Country (Artist's Laboratory 06), Royal Academy of Arts 2010 Flowers Gallery, Cork Street, London North House Gallery, Manningtree, Essex Kings Place Gallery, London 2009 Wills Lane Gallery, St Ives, Cornwall 2008 University of Northumbria Gallery, Newcastle 2006 Flowers Central, London 2005 Galerie Frank Pages, Baden Baden, Germany Flowers Graphics, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Isabel Reitemeyer Z.H., 2022 Paper Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Isabel Reitemeyer (*1966) is a collage artist living in Berlin. She was trained to be a window dresser, studied visual communications, worked as a printer and as a set decorator and graphic artist for different movies. After dedicating herself to painting, she began mixing materials in 2007. Thus the first Mixed Media collages on canvas were created, which developed into increasingly minimalist pure paper collages. Many of her works have been published in various magazines and books worldwide and were used for book and record covers.     Education   Visual Communications | University of Applied Sciences for Design in Muenster/Germany   Select Exhibitions/Awards   Solo Exhibitions: 2021 | Animal Kingdom | The Hok | Den Haag | NL 2017 | IR in the Curve | The Curve | Berlin | GER 2014 | Collagen | Studio Oppermann | Berlin | GER 2010 | durch die bank | gg galerie grünstraße | Berlin | GER 2009 | kurz und klein | Galerie Premarts | Berlin | GER Group Exhibitions: 2022 | The Artist as Curators Vol. XII | Schaufenster Berlin | GER 2020 | THE AGE OF COLLAGE 3 | The Curve Pop Up | Berlin | GER 2020 | BERÜHREND | Museen Böttcherstraße | Bremen | GER 2017 | Kiss. From Rodin to Bob Dylan | Broehan Museum | Berlin | GER 2016 | COLLAGISM | Museum Strathroy Caradoc | CAN 2015 | ANNA LOOG | Gallery Navart | Sint-Niklaas | BEL 2015 | GlueHeads Exhibition | Alternative Gallery | Berlin | GER 2014 | Collagerie 14 | Stew Gallery | Norwich | GB 2014 | Cut Ups | Schillerpalais | Berlin | GER 2013 | Weird Show | Tête Galerie | Berlin | GER 2013 | Deutsche Guggenheim | Macht Kunst | Berlin | GER Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Isabel Reitemeyer Three Cats, 2022 Paper Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Isabel Reitemeyer (*1966) is a collage artist living in Berlin. She was trained to be a window dresser, studied visual communications, worked as a printer and as a set decorator and graphic artist for different movies. After dedicating herself to painting, she began mixing materials in 2007. Thus the first Mixed Media collages on canvas were created, which developed into increasingly minimalist pure paper collages. Many of her works have been published in various magazines and books worldwide and were used for book and record covers.     Education   Visual Communications | University of Applied Sciences for Design in Muenster/Germany   Select Exhibitions/Awards   Solo Exhibitions: 2021 | Animal Kingdom | The Hok | Den Haag | NL 2017 | IR in the Curve | The Curve | Berlin | GER 2014 | Collagen | Studio Oppermann | Berlin | GER 2010 | durch die bank | gg galerie grünstraße | Berlin | GER 2009 | kurz und klein | Galerie Premarts | Berlin | GER Group Exhibitions: 2022 | The Artist as Curators Vol. XII | Schaufenster Berlin | GER 2020 | THE AGE OF COLLAGE 3 | The Curve Pop Up | Berlin | GER 2020 | BERÜHREND | Museen Böttcherstraße | Bremen | GER 2017 | Kiss. From Rodin to Bob Dylan | Broehan Museum | Berlin | GER 2016 | COLLAGISM | Museum Strathroy Caradoc | CAN 2015 | ANNA LOOG | Gallery Navart | Sint-Niklaas | BEL 2015 | GlueHeads Exhibition | Alternative Gallery | Berlin | GER 2014 | Collagerie 14 | Stew Gallery | Norwich | GB 2014 | Cut Ups | Schillerpalais | Berlin | GER 2013 | Weird Show | Tête Galerie | Berlin | GER 2013 | Deutsche Guggenheim | Macht Kunst | Berlin | GER Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Rose Durley Quietly, Patiently, 2022 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory.   Education   BA (Hons) Fine Art Painting, University of Brighton 2017   Select Exhibitions/Awards   House & Garden magazine - The Art Edit, June 2018 The Other Art Fair London - March 2022 and June/July 2022 Gallery Representation   Rise Art   Statement about AOAP Submitted Artwork   Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy Little Boy Lost, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising