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Lot 953
Romney Hythe & Dymchurch Poster DUNGENESS BY THE ROMNEY HYTHE & DYMCHURCH RAILWAY WORLD'S SMALLEST PUBLIC RAILWAY double royal 25in x 40in. Printed by Vincent Brooks Day & Sons Ltd, Lith. London WC2. In very good condition with a small edge tape repair. This is an original 1928 poster that with others were found in the old clock tower at New Romney Station in 1981.
Lot 942
Original poster artwork BRITISH RAILWAYS - NEW SUMMER SERVICE shows and image of an Eastern Region blue Pacific steam train and flower in watercolour & gouache for a railway poster by Geron for the ER Publicity Dept. Signed, framed and glazed measures 32.5in x 22in overall. In very good condition. (Provenance Malcolm Guest Collection Morphets sale Harrogate, 2010).
Lot 980
A signed 'Champions Choice' practice dart board (with smaller doubles and trebles) gifted to vendor by Eric Bristow and signed to verso by Cliff Rizorenco, Tony Brown, Stephan Lord, Eric Bristow, Terry Massey and others together with a photograph taken at the Foaming Quart Pub, Stoke on Trent and a Dennis Preistley poster. (3)
Lot 693
Haring, Keith (1958 - 1990), "Lucky Strike" (1987), Original-Siebdruck-Poster, weiß/rot,gedruckt von Albin Uldry in der Schweiz, i. d. Platte re. u. sign., Gr. ca. 100 x 70 cm. Starke Knicke und leichte Verschmutzung an den Rändern. 1987 beauftragte der Zigarettenhersteller Lucky Strike Keith Haring mit der Gestaltung einer Werbeserie für die Marke.
Lot 692
Haring, Keith (1958 - 1990), "Lucky Strike" (1987), Original-Siebdruck-Poster,gelb/orange/grün/rot, gedruckt von Albin Uldry in der Schweiz, i. d. Platte re. u. sign., Gr. ca. 100 x 70 cm. Minimale Knicke und leichte Verschmutzung an den Rändern. 1987 beauftragte der Zigarettenhersteller Lucky Strike Keith Haring mit der Gestaltung einer Werbeserie für die Marke.
Lot 691
Haring, Keith (1958 - 1990), "Lucky Strike" (1987), Original-Siebdruck-Poster,blau/orange/grün/rot, gedruckt von Albin Uldry in der Schweiz, i. d. Platte re. u. sign., Gr. ca. 100 x 70 cm. Minimale Knicke an den Rändern. 1987 beauftragte der Zigarettenhersteller Lucky Strike Keith Haring mit der Gestaltung einer Werbeserie für die Marke.
Lot 146
A large collection of various Dalkeith postcards from series such as Classic Poster series - The Beggarstaffs, Domestic, British Circus, More Railway posters of the Southern, Great Westen Railway Posters, Dalkeith's Commemorative Tribute The Great George Stephenson, Cornish Riviera, Dalkeiths Tribute to Dinky Toys, Motor Racing posters, etc. (alot)
Lot 564
007 James Bond movie From Russia With Love 8x10 movie poster photo signed by Bond girl Martine Beswick . Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 546
007 James Bond movie The Spy Who Loved Me 8x10 inch colour poster photo signed by actress Caroline Munro. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 563
007 James Bond movie Thunderball 8x10 movie poster photo signed by Bond girl Martine Beswick . Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 503
The Day of the Triffids colour 8x10 movie poster photo signed by child star actress Janina Faye. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 973
Vinyl: The Beatles and solo recordings LP Albums - including 2 x Sgt Pepper's Lonely Hearts Club Band, PMC 7027 (one XEX.637-1, with cut outs insert, the other a later pressing, YEX-637-5); Abbey Road PCS-7088 (YEX-749-2); Beatles For Sale, PMC 1240 (XEX-504-3N); White Album, PCS 7067/8, No. 235937, Stereo (no poster or photos); plus seven solo albums by Paul McCartney, Wings and Ringo Starr, condition fair to good overall; plus a copy of The Beatles Anthology, pub. Cassell & Co, 2000. (13)
Lot 977
Four rare Elvis Presley vinyl LP and Single record box sets - comprising 1) Sun Singles, ELVIS 101X, limited edition yellow vinyl, no. 0527, with 5 x 7" singles, unique bonus EP and Colour Poster with Essay; 2) Artist of the Century, 1954-1976, limited edition 5-Disc Vinyl Set, 180 GMS, RCA ELVIS 100, with 24 page colour booklet (sealed, as new); 3) The International EP Collection, RCA ELVIS 105, in gold card box; 4) The UK No 1 Singles Collection, RCA ELVIS 103, in blue flock box; together with Greatest Hits, RCA Readers Digest box set GELV-6A, 7-LP box set.
Lot 166
A striking framed black-and-white photographic poster depicting a woman dressed in military-inspired attire. The image features a bold composition, emphasizing contrast and style. The subject wears leather gloves, suspenders, and a peaked cap adorned with symbolic insignia, set against an evocative backdrop. The artwork conveys a provocative aesthetic that combines elements of vintage fashion and photographic art. The piece is enclosed in a sleek black frame under glass. Artwork can be unframed and rolled for shipment.Issued: 20th centuryDimensions: 19"W x 25"HCondition: Age related wear.
Lot 81
Lizzie Coles Keith, 2025 Watercolour and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I'm a visual person, all about shapes and symmetry, expressing this through my love of interior design, fashion and typography. I notice how things fit together and line up, I get easily distracted by how a curve leans into a surface or how the weight of chunky lettering helps a delicate photograph on a vintage poster. I'm impressed by figurative art that has personality as well as graphic, bold, abstract artwork. I try hard to combine at least a few of these elements in my art. My background is a little more eclectic than I'd planned. All I ever wanted to do was draw people, but I didn't really understand what a career doing that looked like. I was removed from Fine Art when it was obvious that I am colourblind, so I switched to Animation, because I'd seen an old film of Disney artists drawing Cinderella sat in a circle around a dancing actress. I hated the Animation degree, their obsession with concept over drawing quality didn't inspire or encourage me. I then worked in advertising as a business director supporting big brands such as John Lewis, Barclays, Vittel, Ryvita and L'Oréal. Whilst I loved the glamour of clicking across Soho with my Gwyneth Paltrow cropped hair and skyhigh heels, I dropped it all when I got impossibly pregnant (I'd been told after too many operations that it wouldn't be an option) So, the next chapter began when my husband, (together since we were 16) our new 1 year old and a massive bump, soon to become kid number 2 all emigrated to Paris. I adore Paris and thoroughly enjoyed hanging out with our kids and made friends for life. When the kids went to school, I was lucky enough to draw at the Académie de la Grande Chaumière, indulging in 8 hours a week of life drawing for 5 years. This was an absolute joy and such a privilege to be in surroundings established over a 100 years ago, once inhabited by the best French Impressionist painters. My French isn't as good as it could be, I could chat to a 10-year-old about peanut flavoured crisps but it became apparent that my knowledge of chemistry or history in French was a bit lax. With a heavy heart, we returned to the UK to support the kids through their education - don't ever mention Brexit to me. It's taken me a while to find my feet, hugely sidetracked with breast cancer and a year of chemo and radiotherapy (now fully in remission, thankfully), I've been a full-time artist for 3 years now and intend to stick at this for a while, hopefully. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 72
Ella Kowalska M is for Mother, 2024 Photographic print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ella Kowalska is a photographer who practices street, documentary, and art photography. In her photography work she is particularly sensitive to the colours, materials, and sounds that give the world its texture, and she seeks to achieve the right balance between realism and fantasy. She is driven by the desire to give an account of our times and searches for a form of 'augmented reality' able to tell our modernity. Her Polish upbringing was marked by a culture that calls for absurdity and irrationality and sublimes the beauty and profoundness in the unreasonable and extravagant. It's in this distorted reality, which could sometimes seem more real than the reality itself, and in its astonishing connections that she feels at home. Education 2022 Training in Photography, Gobelins Imagery School, Paris, France 2010-2011 Master of Art history specialised in museology and cultural heritage, University Panthéon Sorbonne, Paris, France 2009-2010 Master of law specialised in cultural heritage, University Paris-Sud XI, Sceaux, France 2009-2010 Master of art history specialised in contemporary art, University Panthéon Sorbonne, Paris, France 2008-2009 Master of law specialised in public law, University Panthéon Sorbonne, Paris, France Exhibitions 2025 La Chapelle, Halle Pajol, Paris, France 2024 100 Years, 100 Women, MVAC du 7ème, Paris, France Elles par elles, Les Camélias, Nice, France Women in Art Exposition, The Roundhouse, London, United Kingdom Women street photographers: a global street photography exhibition, Objectifs, Singapore 2023 Culture(s): between fusion(s) and contrast(s), Espace Aleph, Montréal, Canada Awards 2023 1st price, Culture(s): between fusion(s) and contrast(s), Arab World Festival of Montreal Statement about AOAP Submitted Artwork Call Me is a reflection photography piece employing the technique of capturing layered visuals. A young woman, seen through the interplay of reflections, appears on the phone, her pregnant belly symbolizing renewal. The image bridges spaces and generations, representing the duality of migration in France and everywhere else-loss and separation, yet hope and continuity through new life. M is for Mother is a reflection photography piece employing the technique of capturing layered visuals. The M metro sign, positioned within the reflection of a Madonna poster, evokes a powerful metaphor-a motherly figure watching over the city with a nurturing gaze. A tender narrative unfolds within the urban landscape. Time Travelers is a reflection photography piece utilizing the panning technique. By blurring the background and foreground, enhanced through dynamic reflections, two figures appear as if journeying through space and time. The interplay of motion and light evokes a surreal narrative of movement beyond reality. Yellow is a photography piece utilizing the panning technique. Rainy days transform the cityscape, with reflections in water blurring reality. As natural light fades, artificial hues emerge, casting a dreamlike glow. The figure with the vibrant umbrella seems to step straight out of a fairytale, merging movement and magic in one fleeting moment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 74
Ella Kowalska Time Traveller, 2024 Photographic print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ella Kowalska is a photographer who practices street, documentary, and art photography. In her photography work she is particularly sensitive to the colours, materials, and sounds that give the world its texture, and she seeks to achieve the right balance between realism and fantasy. She is driven by the desire to give an account of our times and searches for a form of 'augmented reality' able to tell our modernity. Her Polish upbringing was marked by a culture that calls for absurdity and irrationality and sublimes the beauty and profoundness in the unreasonable and extravagant. It's in this distorted reality, which could sometimes seem more real than the reality itself, and in its astonishing connections that she feels at home. Education 2022 Training in Photography, Gobelins Imagery School, Paris, France 2010-2011 Master of Art history specialised in museology and cultural heritage, University Panthéon Sorbonne, Paris, France 2009-2010 Master of law specialised in cultural heritage, University Paris-Sud XI, Sceaux, France 2009-2010 Master of art history specialised in contemporary art, University Panthéon Sorbonne, Paris, France 2008-2009 Master of law specialised in public law, University Panthéon Sorbonne, Paris, France Exhibitions 2025 La Chapelle, Halle Pajol, Paris, France 2024 100 Years, 100 Women, MVAC du 7ème, Paris, France Elles par elles, Les Camélias, Nice, France Women in Art Exposition, The Roundhouse, London, United Kingdom Women street photographers: a global street photography exhibition, Objectifs, Singapore 2023 Culture(s): between fusion(s) and contrast(s), Espace Aleph, Montréal, Canada Awards 2023 1st price, Culture(s): between fusion(s) and contrast(s), Arab World Festival of Montreal Statement about AOAP Submitted Artwork Call Me is a reflection photography piece employing the technique of capturing layered visuals. A young woman, seen through the interplay of reflections, appears on the phone, her pregnant belly symbolizing renewal. The image bridges spaces and generations, representing the duality of migration in France and everywhere else-loss and separation, yet hope and continuity through new life. M is for Mother is a reflection photography piece employing the technique of capturing layered visuals. The M metro sign, positioned within the reflection of a Madonna poster, evokes a powerful metaphor-a motherly figure watching over the city with a nurturing gaze. A tender narrative unfolds within the urban landscape. Time Travelers is a reflection photography piece utilizing the panning technique. By blurring the background and foreground, enhanced through dynamic reflections, two figures appear as if journeying through space and time. The interplay of motion and light evokes a surreal narrative of movement beyond reality. Yellow is a photography piece utilizing the panning technique. Rainy days transform the cityscape, with reflections in water blurring reality. As natural light fades, artificial hues emerge, casting a dreamlike glow. The figure with the vibrant umbrella seems to step straight out of a fairytale, merging movement and magic in one fleeting moment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 71
Ella Kowalska Yellow, 2024 Photographic print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ella Kowalska is a photographer who practices street, documentary, and art photography. In her photography work she is particularly sensitive to the colours, materials, and sounds that give the world its texture, and she seeks to achieve the right balance between realism and fantasy. She is driven by the desire to give an account of our times and searches for a form of 'augmented reality' able to tell our modernity. Her Polish upbringing was marked by a culture that calls for absurdity and irrationality and sublimes the beauty and profoundness in the unreasonable and extravagant. It's in this distorted reality, which could sometimes seem more real than the reality itself, and in its astonishing connections that she feels at home. Education 2022 Training in Photography, Gobelins Imagery School, Paris, France 2010-2011 Master of Art history specialised in museology and cultural heritage, University Panthéon Sorbonne, Paris, France 2009-2010 Master of law specialised in cultural heritage, University Paris-Sud XI, Sceaux, France 2009-2010 Master of art history specialised in contemporary art, University Panthéon Sorbonne, Paris, France 2008-2009 Master of law specialised in public law, University Panthéon Sorbonne, Paris, France Exhibitions 2025 La Chapelle, Halle Pajol, Paris, France 2024 100 Years, 100 Women, MVAC du 7ème, Paris, France Elles par elles, Les Camélias, Nice, France Women in Art Exposition, The Roundhouse, London, United Kingdom Women street photographers: a global street photography exhibition, Objectifs, Singapore 2023 Culture(s): between fusion(s) and contrast(s), Espace Aleph, Montréal, Canada Awards 2023 1st price, Culture(s): between fusion(s) and contrast(s), Arab World Festival of Montreal Statement about AOAP Submitted Artwork Call Me is a reflection photography piece employing the technique of capturing layered visuals. A young woman, seen through the interplay of reflections, appears on the phone, her pregnant belly symbolizing renewal. The image bridges spaces and generations, representing the duality of migration in France and everywhere else-loss and separation, yet hope and continuity through new life. M is for Mother is a reflection photography piece employing the technique of capturing layered visuals. The M metro sign, positioned within the reflection of a Madonna poster, evokes a powerful metaphor-a motherly figure watching over the city with a nurturing gaze. A tender narrative unfolds within the urban landscape. Time Travelers is a reflection photography piece utilizing the panning technique. By blurring the background and foreground, enhanced through dynamic reflections, two figures appear as if journeying through space and time. The interplay of motion and light evokes a surreal narrative of movement beyond reality. Yellow is a photography piece utilizing the panning technique. Rainy days transform the cityscape, with reflections in water blurring reality. As natural light fades, artificial hues emerge, casting a dreamlike glow. The figure with the vibrant umbrella seems to step straight out of a fairytale, merging movement and magic in one fleeting moment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 295
London Underground poster.- Cox (Elijah Albert) A Pageant of London, for London's children, depicting the history of the city, starting with 'The First Settlement' and finishing with 'London going about its business to-day', showing Londoners heading to the Underground, lithograph printed in colours, sheet 1000 x 1280 mm (39 3/8 x 50 1/2 in), some folds, otherwise minor handling creases, presented in a fine oak frame, 1926; together with two framed maps (3)
Lot 89
Europe.- France.- Boucher (Lucien) Air France - Réseau aérien mondial, chromolithographic poster of a map of the world on a Mercator projection, heightened with gold on thick wove paper, sheet 625 x 990 mm (24 1/2 x 39 in), signs verso of having been carefully removed from a previous support, scattered surface dirt and browning, minor nicks and marginal handling creases, unframed, rolled, Imprimerie Perceval, Paris, 1935
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132079 item(s)/page