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A JAMAICAN HARDWOOD "WATERFALL" FOUR POSTER BED, 19th century, the baluster turned tapering posts enclosing typically carved arched headboard, slatted wood base, 68 1/2" x 82 1/4" x 83" (Est. plus 21% premium inc. VAT)Head board possibly early 19th century, therefore associated and not slotting in between posts but merely tacked to the back of them. Also, side rails have been re-fixed to a lower position in the post
DAVID BOWIE - UK LP COLLECTION. A fantastic catalogue of 12 x UK pressing LPs from David Bowie including many originals. Titles are Space Oddity (RCA Victor orange labels LSP 4813 1E/1E - VG+/with inner/VG+), Hunky Dory (RCA Victor orange labels SF 8244 3T/3T - solid VG/with 2 x same design lyric inserts 'A Gem Production'/VG+ no Mainman, matte sleeve), The Man Who Sold The World (RCA Victor orange labels LSP 4816 1E/1E - VG+/with VG+ condition poster and inner/VG+), Aladdin Sane (INTS 5067, green label RE - Ex+/Ex with inner), Young Americans (RCA Victor orange labels RS 1006 A-2E/B-2E - VG/Ex, with inner), Diamond Dogs (RCA Victor orange labels APL1 0576 A-1/3E - VG+/Ex+ very clean sleeve), Low (orange labels PL 12030 A1/B1 - VG+/VG+, inner, no track listing on sleeve), Let's Dance (AML 3029, also with picture disc AMLP 3029), Tonight (DB 1), Tin Machine S/T (MTLS 1044), Lodger (BOW LP 1, orange labels - Ex/Ex with insert) and Changes One. Condition elsewhere is typically VG+ to Ex+.
DAVID BOWIE - LP COLLECTION (MAINLY 70s/80s PRESSINGS). Smashing collection of 13 x LPs largely comprising of 70s/80s pressings. Titles are Space Oddity (LSP 4813, orange labels, A-4E/B-4E - Ex+/Ex+ still in shrink, with poster), Ziggy Stardust (SF 8287, orange labels, 2E/2E, Mainman/Chrysalis side 1 credit, no Mainman logo on sleeve - VG+/VG+, with VG inner), Aladdin Sane (RS 1001 3T/3T, orange labels - solid VG copy), Scary Monsters (BOW LP 2), Tonight (DB 1), Pinups (RS1003, orange labels A-3E/B-3E), Low (green label RE), Young Americans (black/silver label), Heroes (PL 12522, beige labels), The Man Who Sold The World (UK LSP 4816, orange labels 1E/1E - Ex/VG, with clean poster), Hunky Dory (RE) and Love You Till Tuesday (BOWIE 1). Condition is generally VG+ to Ex+ (records) and VG to Ex (sleeves).
GLAM - LP COLLECTION. More stone-cold classics with 15 x (predominantly) LPs included here. Artists/titles are T. Rex - Electric Warrior (UK original HIFLY 6 A-2U/B-2U PORKY/PECKO DUCK - clean Ex record/with inner, no poster/solid VG sleeve, light paper tear on the front) and A Beard Of Stars/Unicorn (TOOFA 9 double), Gloria Jones - VIcen (EMC 3159 - VG/VG), Mick Ronson (x4) - Heaven And Hull (ltd edition picture disc, 474742 0 - Ex condition), Just Like This (ltd edition 2018 release on red vinyl, EARS140LP), Slaughter On 10th Avenue (APL1 0353 A-1T/B-1T UK og) and Play Don't Worry (APL1 0681 1A-1/1B-2, UK og), New York Dolls (UK 1977 comp, 6641 631 CF), Iggy Pop & James Williamson - Kill City (10" LP, black vinyl, 1995 RE, BLP 4042/10), Brett Smiley - Sunset Tower (2019 release), Queen - Jazz (2 x embossed cover copies, one with loose poster, the other without poster), Cockney Rebel - The Psychomodo (EMC 3033) and Faces. Condition is generally VG to Ex+
GLAM/RELATED ARTISTS - 7" COLLECTION. Superb collection of around 62 x classic 45s. Artists/titles include Iggy Pop/Stooges (x23) including The Villagers (RSD 2019, CAROLRSD001), Fire Engine (2015 ltd edition green vinyl), Five Foot One (pic disc), Search And Destroy (2005 p/s RE, S 173), 1970 b/w Not Right (2005 p/s release), Down On The Street (2005 release), Corruption (red vinyl), Run Like A Villain, I'm Bored (2012 green vinyl), Candy and Cold Metal (poster bag), Johnny Thunders/New York Dolls (x4) - Give Her A Great Big Kiss (RSD 2018, sealed), Born To Cry, Personality Crisis and Bad Girl/Chatterbox, Queen (x8), Ian Hunter/Mott The Hoople (x6) inc. Dandy (2017 RSD, x2 copies), The Sweet (x6), The Move - Do Ya (demo, HAR 5086), ELO - Showdown (demo, HAR 5179), Mick Ronson, Wizzard (HAR 5076 demo), Oscar, Lou Reed and Alice Cooper. Condition is generally VG to Ex+. An excellent collection.
T. REX - STUDIO LP COLLECTION. Excellent run of 7 x studio LPs from T. Rex taking us from 1969 to Bolan's tragic death in 1977. Titles are Unicorn (UK stereo original, SLRZ 1007 - VG+ a few light and minor surface marks/VG a fan has drawn a Unicorn on the inside section of the gatefold!), A Beard Of Starts (UK stereo original, SLRZ 1013 - glossy VG condition, a few surface marks and a small but feelable scratch at the end of A1/with VG insert/VG some creasing), Electric Warrior (HIFLY6 - VG+/with clean condition poster and inner/VG+), The Slider (BLN 5001 - VG+/Ex, with inner), Tanx (BLN 5002 - Ex/VG+ with inner), Dandy In The Underworld (BLN 5005 - Ex/VG, no damage to the die-cut, with inner), and Futuristic Dragon (German, 27 134 OT - Ex+/with inner/Ex).
NEW YORK DOLLS - LP COLLECTION. Showdown time with this wicked selection of 7 x LPs including UK originals and limited edition coloured vinyl reissues. Titles are New York Dolls (including UK original, Mercury 6338 270 - VG+ a few light and minor surface marks/VG+ some minor edgewear, also 2017 limited edition split pink/black coloured vinyl, B0026031-01, 'as new'), Red Patent Leather (1984 Fan Club FC 007 original red vinyl - Ex+/Ex+ with inner), New York Dolls (UK 1977 comp, 6641 631 CF - Ex+ records/VG+ neat condition gatefold sleeve), Too Much Too Soon (including UK original 6338 498 - VG/Ex, also 2017 RE, B0026036-01) and Teenage News (MR135, pink vinyl, with poster).
GLAM - CLASSIC LP COLLECTION. Super instant collection of 20 x classic LPs. Artists/titles are Easy Action (US green labels WS 1845), Killer (UK, K 56005), School's Out (UK K 56007, no pants...) and Billion Dollar Babies (UK copy, no bill), Queen - Jazz (EMA 788, UK original with fully attached poster - Ex+/VG+), Sheer Heart Attack (EMC 3061) and A Night The Opera, Sweet - Desolation Boulevard (LPL1 5080), Roxy Music/Bryan Ferry inc. S/T (Polydor 2302-048) and Viva! (ILPS 9400), Slade - Old New Borrowed And Blue (2383261) and Slade Alive, Mott The Hoople - Wildlife (pink rim ILPS 9144), Ian Hunter (x3) and Elton John. Condition is generally VG+ to Ex+ (records) and VG to Ex (sleeves).
176DB0-045 DAVID BOWIE, MICK RONSON ET AL SIGNED PROMOTIONAL 12"x12" POSTER FROM 1972. Beautiful set of autographs signed on the rear of the orange poster featuring images of David Bowie, Mick Ronson, Woody Woodmansey and Trevor Bolder. The orange promotional poster measures 12"x12" and was given out to fans on the Ziggy Stardust of 1972. It has been signed in blue ballpoint pen by Bowie, Mick Ronson, Trevor and Woody on the white side of the poster that has David Bowie's forthcoming release information. Authenticated by www.davidbowieautographs.com prior to entry to this sale.
QUEEN EMI MINI POSTER/HANDBILL FOR THEIR 1ST ALBUM SIGNED BY ROGER TAYLOR & MORE. Extremely rare EMI promotional handbill/mini poster for Queen's first album that was given out at the Hammersmith Odeon gig that featured Mott The Hoople and Queen in December 1973. The poster has been signed on the rear in blue ballpoint pen by Roger Taylor of Queen and, Ian Hunter, Ariel Bender and Mick Bolton of Mott The Hoople. Poster measures approximately 21cm x 30cm and has been folded and has creases.
Elizabeth Power Blue Still Life Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Elizabeth Power Studio View Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Mary Webb January I Collage Using Painted Papers Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About 1939 Born London. 1958-63 Fine Art Department University of Newcastle. 1962-63 Hatton Scholarship. 1963 Postgraduate course Chelsea school of Art. 1964-66 Head of Foundation Studies Harrogate School of Art. 1966-73 Part time lecturer in painting. 1973-90 Senior lecturer in painting. Norwich School of Art. Lives and works in Suffolk. Select Exhibitions/Awards 1974 Serpentine Summer Show 2. 1974 John Moores. 1984 The Showroom Bethnal Green (solo show). 1991 Selected by Tim Hilton for The Discerning Eye. The Mall Galleries. 2002 Five Abstract Printmakers Flowers East. 1990/1/7/8/9/0/2/3/4/5/7 Royal Academy Summer Show. 2008 Constructed. 40 years of the UEA Collection of constructivist work. Sainsbury Centre UEA. Commissioned to design poster to commemorate exhibition. 2009 Kings Lynn Art Centre. The Fermoy Gallery (solo show). 2009 Northern Print Biennale Hatton Gallery Newcastle University. 2011/12 Journeys in colour solo show Sainsbury Centre for Visual Arts UEA Norwich. 2012 Royal Academy Summer Show. 2012/13 Journeys in Colour, Hatton Gallery, Dept of Fine Art, University of Newcastle. 2013 East Contemporary Art: A collection of 21st Century Practise. University Campus Suffolk. 2013 2Q13 Women Collectors, Woman Artists. Lloyds Club, London. 2014 Small is Beautiful XXX1 - Who is afraid of Red Yellow and Blue? Flowers, London. 2014 Contemporary British Painting solo show at St.Marylebone Church Crypt London. 2015 Solo show at The Cut, Halesworth, Suffolk. 2015 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2016 Selected by Sacha Craddock for The Discerning Eye. The Mall Galleries. 2016 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2018 Reverie, Hales Gallery, 7 Bethnal Green Road, London E1 6LA 2020 Landings - Hales New York 2021 To Situations New - Lamb Gallery, London 2021 Extended Square, Hales Gallery, 7 Bethnal Green Road, London E1 6LA CURRENT Constructivist Art in Britain since 1951 at Sainsbury Centre until 17 July 1970 Northern Arts Print Award 1984 Eastern Arts Award 1991 £3000 Painting Award Wingfield Arts and Music 1997 Eastern Arts Award for travel and research in Portugal 2004 Arts Council Award for travel and research in Italy
Mary Webb January II Collage Using Painted Papers Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About 1939 Born London. 1958-63 Fine Art Department University of Newcastle. 1962-63 Hatton Scholarship. 1963 Postgraduate course Chelsea school of Art. 1964-66 Head of Foundation Studies Harrogate School of Art. 1966-73 Part time lecturer in painting. 1973-90 Senior lecturer in painting. Norwich School of Art. Lives and works in Suffolk. Select Exhibitions/Awards 1974 Serpentine Summer Show 2. 1974 John Moores. 1984 The Showroom Bethnal Green (solo show). 1991 Selected by Tim Hilton for The Discerning Eye. The Mall Galleries. 2002 Five Abstract Printmakers Flowers East. 1990/1/7/8/9/0/2/3/4/5/7 Royal Academy Summer Show. 2008 Constructed. 40 years of the UEA Collection of constructivist work. Sainsbury Centre UEA. Commissioned to design poster to commemorate exhibition. 2009 Kings Lynn Art Centre. The Fermoy Gallery (solo show). 2009 Northern Print Biennale Hatton Gallery Newcastle University. 2011/12 Journeys in colour solo show Sainsbury Centre for Visual Arts UEA Norwich. 2012 Royal Academy Summer Show. 2012/13 Journeys in Colour, Hatton Gallery, Dept of Fine Art, University of Newcastle. 2013 East Contemporary Art: A collection of 21st Century Practise. University Campus Suffolk. 2013 2Q13 Women Collectors, Woman Artists. Lloyds Club, London. 2014 Small is Beautiful XXX1 - Who is afraid of Red Yellow and Blue? Flowers, London. 2014 Contemporary British Painting solo show at St.Marylebone Church Crypt London. 2015 Solo show at The Cut, Halesworth, Suffolk. 2015 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2016 Selected by Sacha Craddock for The Discerning Eye. The Mall Galleries. 2016 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2018 Reverie, Hales Gallery, 7 Bethnal Green Road, London E1 6LA 2020 Landings - Hales New York 2021 To Situations New - Lamb Gallery, London 2021 Extended Square, Hales Gallery, 7 Bethnal Green Road, London E1 6LA CURRENT Constructivist Art in Britain since 1951 at Sainsbury Centre until 17 July 1970 Northern Arts Print Award 1984 Eastern Arts Award 1991 £3000 Painting Award Wingfield Arts and Music 1997 Eastern Arts Award for travel and research in Portugal 2004 Arts Council Award for travel and research in Italy
DANIEL PAREA Y ROJAS (Zaragoza, 1834 - 1909).La caída del picador o el garrochista" ("The Fall of the Picador or the Garrochista").Charcoal and chalk on paper.Signed in the lower right corner.Size: 32 x 49.5 cm; 35 x 62.5 cm (frame).Daniel Perea belongs to the first generation of great bullfighting poster designers, being a precursor of the genre together with Marcelino de Unceta and Ramón Miró. He also worked as a bullfighting illustrator, and was the creator of the famous bullfighting cards for the magazine "La Lidia", a publication of which he was also the director. Several of his works were exhibited at the First International Poster Exhibition held in St. Petersburg in 1897. Perea was characterised both by his bulls running across the paper and by his costumbrista style, rich in detail. He also cultivated landscape themes with popular scenes, with a loose brushstroke of Goyaesque inheritance. He is currently represented in many Spanish bullfighting museums, as well as in the municipal archives of cities such as San Sebastián and Zaragoza.
PERE PRUNA OCERANS (Barcelona, 1904 - 1977)."Dancers.Oil on canvas.Signed in the lower left corner.Size: 51 x 41 cm; 60 x 50 cm (frame).A mainly self-taught artist, Pere Pruna completed his training at the School of Fine Arts in Barcelona. After beginning to exhibit in Barcelona when he was still very young, he travelled to Paris in 1920, where he was helped and guided by Picasso. In the French capital he held a successful one-man show at the Galerie Percier, and came into contact with intellectuals such as Cocteau, Drieu la Rochelle, Max Jacob and others, with whom he founded the magazine "Philosophie" in 1924. Serge Diaghilev, who visited one of his exhibitions, also asked him to create the sets and costumes for the ballet "Les matelots" in 1925. From then on, he also worked on other musical works, such as "La vie de Polichinele" (1934) and "Oriane" (1938), among others. In 1928 he won second prize in the Carnegie Institute exhibition in Pittsburg and later, on his return to Barcelona, he won other awards such as the "Montserrat seen by Catalan artists" competition (1931) and the Nonell Prize (1936). The latter was surrounded by controversy, because Pruna won it for his oil painting "El vi de Chios", for which he used a photograph published in a Parisian pornographic magazine as a model. In response to the uproar, Pruna withdrew the prize, but the jury upheld its decision. Following the outbreak of the Civil War, Pruna settled in Paris and continued his international exhibition activity, most notably the exhibition organised in London in 1937. At the same time he worked for Ridruejo's propaganda services, with works such as the poster commemorating the promulgation of the Labour Force, and Eugenio d'Ors, National Head of Fine Arts, introduced him to the Spanish representation at the Venice Biennale in 1938. After the war he combined easel painting exhibitions with mural painting, a genre in which his work in the Monastery of Montserrat was particularly celebrated. In 1965 he won the City of Barcelona Prize, and three years later he was appointed academician of the Far de Sant Cristòfor. His style, centred on a graceful, stylised female figure, is based on the clear delicacy of the pink and "neoclassical" Picasso, and reveals a certain parallelism with the Italian Novencento, being fully in keeping with the classicist trend that appeared in Western art after the first wave of avant-gardism and of which his friend Cocteau was the driving force. Pruna focused on portraiture and above all on the female figure, capturing images marked by great delicacy and sober distinction. His representations are characterised by a stylised, diaphanous line, and are in tune with the return to order that followed the rupture that Cubism represented in France, thus linking directly with the avant-garde. Pere Pruna is currently represented in the Museum of Montserrat, where there is a space bearing his name, the MACBA in Barcelona and the Maricel Museum in Sitges, among others.
JOSÉ MONGRELL TORRENT (Valencia, 1870 - Barcelona, 1937)."Parrot".Oil on cardboard.Signed in the lower right corner.Size: 51 x 41 cm; 80 x 66 cm (frame).José Mongrell studied at the School of Fine Arts of San Carlos in Valencia, where he was a disciple of Ignacio Pinazo and Joaquín Sorolla. He gained artistic renown thanks to his participation in numerous competitions and exhibitions in Madrid and Barcelona. In 1897 he produced, with great success, the bullfighting poster for the Feria de San Jaime in Valencia, and in fact his poster for the Valencia July Fair of 1912 was reissued in 1971 on the occasion of the centenary of these festivities. He obtained a teaching post at the San Jorge School of Fine Arts in Barcelona, where he lived for the rest of his life. Of particular note from this period is the work he did for the Palace of the Generalitat de Catalunya, in charge of the Diputació de Barcelona, as well as his portrait of King Alfonso XIII. He also produced mosaics in the Art Nouveau style, such as those for the great arch of the Mercado de Colón and the façade of the Estación del Norte, both in Barcelona. Mongrell devoted himself to genre scenes, portraits and landscapes, and was a master of capturing the instant, giving his scenes vitality and dynamism through bright, naturalistic colours and light. Traditionally pigeonholed as a disciple of Sorolla, Mongrell, however, only learned from the master what helped him to extend his art. The painter developed his work somewhere between regionalism and modernism, but a certain French-influenced symbolism can also be seen in his work. In fact, Mongrell was characterised by his emphasis on content, attributing to the image a meaning that went beyond pure appearance. At a time when grand, idealistic and dramatic historical compositions prevailed, Mongrell developed a style of painting concerned with depicting the past and present from an everyday, gentle and picturesque perspective, generally far removed from the grandiloquence and theatricality of academic history painting. Despite his technical mastery, Mongrell did not, like others, fall into a refined mannerism at the service of an inconsequential subject matter, but developed a fully personal language, characterised by its dynamism and expressive freedom. José Mongrell is currently represented in the Museo de Bellas Artes San Pío V and the Museo Nacional de Cerámica y de Artes Suntuarias González Martí in Valencia, the Museo de Bellas Artes in Asturias, Badajoz and Pontevedra, the Museo Nacional de Arte de Cataluña, the Rijksmuseum in Amsterdam, the Museo de La Habana and the Museo de Bellas Artes in Buenos Aires, among others.
A French gold and enamel vesta case, circa 1900, of rectangular form with sloping sprung hinged lid, enamelled throughout, the front and reverse depicting images of Fanny Legrand, in two different black gowns, front panel with artist’s monogram, dimensions 50 x 36 x 10mm. £500-£600 --- The image to the reverse of the vesta case is after the oil painting by Italian artist Ignace Spiridon, painted in 1894, depicting Fanny LeGrand, the main character from the French author Alfonce Duadet’s novel ‘Sappho’, published in 1884. The story was a thinly disguised autobiographical account of Daudet's love affair with the notorious Parisian model-cum-courtesan, Marie Rieu, the story perhaps written as moral tale intended for his two sons to read when of age. In 1900, an American play of the same name, ‘Sapho’ (sic) was produced by Clyde Fitch, and based on the 1884 French novel. The play caused a sensation in New York City leading to an indecency trial involving the play's star and producer/director, Olga Nethersole. The court case was ultimately considered to be a landmark case in the transformation of American society away from the Victorian morals of the past. Spiridon’s painting was used as the basis for the theatre posters advertising Olga Nethersole’s role in the play. The Broadway poster shows a more modest version of the dress length than seen in the original painting.
A large vintage 20th century French movie film poster for La Valle Dell ' Eden / East of Eden starring James Dean. Directed by Elia Kazan and written by John Steinbeck. The poster having an enlarged black and white photograph of James Dean with fight scene below. Some tears along the edges of the poster. Measures 100cm x 140cm.
Tom Wesselmann1931 Cincinnati - 2004 New York - "Look at Wesselmann, Nude with Still Life" (Poster Galerie Thomas, 1968) - Farbserigrafie/Papier. 58,4 x 69,9 cm, 62,5 x 80,5 cm (Sichtmaß). Unter Glas gerahmt. Ungeöffnet. Glas defekt. Neben Roy Lichtenstein und Andy Warhol wurde Wesselmann zu den wichtigsten Vertretern der amerikanischen Pop-Art. Sein Leitmotiv waren weibliche Akte in sexueller Provokation. Berühmt sind seine großformatigen Great American Nudes, von denen die Große Nackte Nr. 98 im Kölner Museum Ludwig ausgestellt ist. Andere Arbeiten werden vom Museum of Modern Art in New York City verwahrt.
WWI Welsh language enlistment to arms poster, 'Y 'Darn Papur', printed by Johnson, Riddle & Co, London72 x 46cmsprivate collection Ceredigion, consigned via our Cardiff officeAuctioneer's Note: ironically the use of the Welsh language was very much frowned upon within regiments during the first World WarCondition report: Comments: neatly framed and glazed, slight creasing to the poster and marks to left edge
(1) to commemorate the poet with a photographic print of Thomas with bandaged arm, seated at his desk, with verse from The Mabinogion, 58 x 40cms (2) 'The Dylan Thomas Society of Great Britain Under Milk Wood' poster, 56 x 41cmsQty: 2private collection Swansea, consigned via our Cardiff officeCondition report: Comments: both mounted, (1) in good condition (2) creased
Graphic poster for 'Telynau Cymru - Arddangosfa Deithiol Cyngor Celfyddydau Cymru gyda Chefnogaeth y Cyngor Crefftau / Welsh Harps - A Welsh Arts Council Touring Exhibition with the Support of the Crafts Council'72 x 48cmsprivate collection Swansea, consigned via our Cardiff officeCondition report: Comments: mounted, folded, no notable damage
(1) Allan Fearnley limited edition (613/850) colour print to commemorate WRU Centenary rugby union match between Wales and England, 1981, signed by Welsh players, 57 x 71cms (2) Western Mail published Welsh rugby union cartoon 'The Magnificent Seven - the record breaking players', 35 x 48cms (3) Western Mail advertising poster '...best for Welsh rugby', 76 x 51cmsQty: 3private collection Swansea, consigned via our Cardiff officeCondition report: Comments: two mounted, each in good condition overall

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132079 item(s)/page