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A Pair of Late XIX Century Chinese Pottery Vases, of baluster form, painted in blue with dragons entwining flowering shrubs, all within scrolling borders, 37cm high. (2) Lot 1089 - Vase 1 - 7cm crack to rim, firing flaw/crack to neck 'C' shape, 10cm downwards crack to body, pitting - largest 1cm x ½cm. Vase 3 - firing chip to base, pitting.
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, all over pale celadon glaze with russet splash to one side, the walls with carved textured finish, incised towards base Cornwall, 24cm high
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff bodyFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.25cm high
ATTRACTIVE ARTS & CRAFTS GLASGOW SCHOOL BRASS WALL MIRROR EARLY 20TH CENTURY decorated with sinuous mushrooms in relief and single inset Ruskin-type pottery roundel54.5cm high, 92cm wideDent and crimping to upper left corner, patch of oxidisation lower right, further general wear but no major issues to note, images available; structurally sound and stable, no visible maker's marks, mirror is fine, likely replacement glass but difficult to say with certainty
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff bodyFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.26.5cm high
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 21.5cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
TROIKA POTTERY ST. IVES, GEOMETRIC WALL PLAQUE 1960-69 alternating manganese and white tin glaze, signed Troika St. Ives with trident mark and indistinct monogram to reverse38cm high, 13cm wideUnfortunately in the past this piece has been broken into perhaps three pieces and simply glued and restored, images available, it does feel stable
MAK' MERRY POTTERY QUAICH EARLY 20TH CENTURY circa 1920s, of footed circular form with shaped twin handles, the interior hand painted with apples and foliage, pale blue ground, signed to base15cm diameterOne prominent hairline crack, another smaller, crazed throughout, no ring, small spots of paint, small glaze inclusions, further general light wear, images available
LUIGI CARRON FOR ALCYONE ITALY, ART POTTERY VASE CIRCA 1950-59 abstract form, hand-painted with geometric motifs, inscribed ALCYONE ITALY to base46.5cm highSmall crack and chips to upper rim of handle with another small chip slightly lower down, additional glaze chips to rim of top, small glaze inclusions throughout, fritting to exposed rims, some glaze rubbing, some surface blemishes to lower section, images available
TROIKA POTTERY ST. IVES, CALCULATOR PLAQUE 1960-69 the upper section with buff ground, the lower with white tin glaze, with black oxide and cobalt, signed Troika St. Ives to reverse31cm high, 20.5cm wideThere is a very small chip to the reverse upper left corner but this only marginally affects the side, otherwise light general wear and dirt, manufacturing imperfections, there are small unglazed areas to the upper section but cannot say whether this is later rubbing and loss or how the glaze applied originally; but no other issues to note; images available; to confirm the piece is 31.5cm high, 19.5cm wide
TROIKA POTTERY ST. IVES, ABSTRACT WALL PLAQUE 1960-69 white tin glaze with alternated buff ground, signed Troika St. Ives with trident mark and indistinct monogram to reverseFootnote: both Benny Sirota and Sylvia Vallance produced this design in the early years of Troika during the 1960s.Two firing cracks to reverse, three small chips to reverse rim interior; there is general surface wear and dirt, manufacturing imperfections such as impressions to the clay, glaze staining and pitting but otherwise no other visible issues to note, images available
FREDERICK RHEAD (BRITISH, 1880–1942) FOR WILEMAN & CO, FOLEY POTTERY 'INTARSIO' CHARGER CIRCA 1900 the central reserve hand-painted with a Classical scene of two maidens, one with lyre, the other sewing, within a stylised border of foliage, printed marks to base37cm diameterThere is a large restored area approx 20cm wide and up to 13cm deep from rim to centre; there are visible repaired hairlines and recolouring; additional hairline visible to reverse, otherwise tightly crazed groundout, no ring, light general wear, some rubbing and enamel loss, fritting to rim, images available
YOUNG GI SEO (SOUTH KOREAN), LARGE STUDIO POTTERY MOON JAR CONTEMPORARY titled In the Beginning: Nature & Art, wood-fired, decorated in coloured overglaze slip against a celadon and purple splashed ground, bearing incised signature and date 19.8.1 to baseFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University; he is fascinated by the traditional Korean moon jar in its harmony of volume and tension, straight and curved lines, dynamism and restraint. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.For further reference see Michel Francois & Young Gi Seo: Cornwall to Korea, Leach Pottery St. Ives 2019 catalogue38cm high, 36cm wide38.5cm high, approx 37cm diameter
SUSIE COOPER (BRITISH, 1902-95), POTTERY 'PLAYING CARDS' DISH AND SET OF FOUR SAUCERS EARLY-MID 20TH CENTURY each decorated in overglaze enamels with playing card suits, variously hand-signed or impressed marksthe dish 33cm longQty: 5One saucer broken but piece present; one saucer chipped; tray with fritting and some small glaze losses to rim; all tightly crazed with some rubbing and small losses to the overglaze enamel, glaze inclusions and imperfections, images available
FREDERICK BRADDON FOR C.H. BRANNAM POTTERY, ARTS & CRAFTS VASE EARLY 20TH CENTURY of baluster form with triple whiplash handles, incised with foliage and hummingbirds, impressed CH Brannam Barum 1908 and FB monogram to base39cm highCracked and repaired section to rim, another small chip to rim, tightly crazed, one handle displaying a series of glaze scratches, small chip and two scratches to body, small chip to foot, further light general wear, glaze inclusions, staining and imperfections to rim interior, images available
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 22.5cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 21cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
YOUNG GI SEO (SOUTH KOREAN), LARGE STUDIO POTTERY MOON JAR CONTEMPORARY titled White Galaxy, wood-fired, decorated in coloured overglaze slip with detail in relief against a pale celadon ground, bearing signature to baseFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University; he is fascinated by the traditional Korean moon jar in its harmony of volume and tension, straight and curved lines, dynamism and restraint. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.For further reference see Michel Francois & Young Gi Seo: Cornwall to Korea, Leach Pottery St. Ives 2019 catalogue34.5cm high, 37cm wide
ROYAL DUX, ART DECO POTTERY FIGURE EARLY 20TH CENTURY modelled as a lady feeding three ducks, in part orange glazed colourway with gilt detail, bearing printed and impressed marks to base38.4cm highIngrained dirt and dust, some glaze rubbing and small losses including to head, some fritting to right hand and rim, some blemishes to both legs, fritting to rim, some light crazing but no major damages visible to note, images available, stands well
TROIKA POTTERY ST. IVES, CALCULATOR PLAQUE 1960-69 white tin glaze with black oxide, signed Troika St. Ives to reverse30.5cm high, 19.5cm wideThere has been a slight chip to the reverse upper left corner but this has remained visible only to the back side and reverse; very slight imperfection from manufacture to the corresponding upper corner; otherwise in good condition, light general wear, dirt and manufacturing imperfections but no other issues to note
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 19.5cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 28cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff bodyFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.18cm high
BURMANTOFTS, FAIENCE POTTERY BOTTLE VASE LATE 19TH CENTURY BURMANTOFTS FAIENCE BOTTLE VASE,in teal, stamped, marked, and number 531 to base, together with a dimpled bottle vase in mustardthe teal vase 19.5cm highQty: 2Teal: tightly crazed, slight glaze inclusions and staining, glaze paler at top of neck. Mustard: tightly crazed, some areas where the crazing lines can be felt with a fingernail and some small surface glaze losses, underglaze staining, further manufacture imperfections both from firing and glazing including a slight flaw and hairline again presumably from production to the rim; light general wear including some pitting to glaze on both; Images available
CLARICE CLIFF (BRITISH, 1899–1972) FOR WILKINSON POTTERY, ART DECO WALL MASK CIRCA 1930-39 modelled as a woman wearing floral headscarf, printed CLARICE CLIFF WILKINSON marks12cm longThis is a genuine piece; there has been an unfortunate break and loss to the left lower side; otherwise light fritting and general wear but no other issues to note, images available
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 30cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
EICHWALD POTTERY, SECESSIONIST MAJOLICA VASE EARLY 20TH CENTURY of tapered cylindrical form, decorated with stylised and geometric foliate designs to purple and black ground, moulded Eichwald mark and numbered 420/4 to base29.5cm highSmall flaw to rim likely from firing, crazed throughout with some crazing lines able to be felt with a fingernail, some further glaze scratches, imperfections, further light general surface wear, images available
CLARICE CLIFF (BRITISH, 1899-1972) FOR NEWPORT POTTERY, BIZARRE WALL PLAQUE EARLY 20TH CENTURY floral moulded and reticulated, together with a similar smaller plaque for Wilkinson Ltdthe Newport plaque 34cm diamaterQty: 2The larger with losses to the overglaze enamelling, firing hairlines visible to reverse, crazed; the smaller with one chip to rim and a tiny chip to one of the central flowers; images available
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff bodyFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.24cm high
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff bodyFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.20.5cm high
YOUNG GI SEO (SOUTH KOREAN), LARGE STUDIO POTTERY MOON JAR CONTEMPORARY titled Magnolia Moon, wood-fired, crackle glazed monochrome celadon ground, unsignedFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University; he is fascinated by the traditional Korean moon jar in its harmony of volume and tension, straight and curved lines, dynamism and restraint. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.For further reference see Michel Francois & Young Gi Seo: Cornwall to Korea, Leach Pottery St. Ives 2019 catalogue38cm high, 40cm wideGood condition, no damage to note, crazed as part of production, a couple of tiny discoloured underglaze spots, images available (note the celadon tone is stronger in person)
YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE CONTEMPORARY YOUNGGI SEO (SOUTH KOREAN), STUDIO POTTERY VASE,wood-fired with Cornish soil, bottle/flask form, with glazed neck and shoulders, textured buff body, 25cm highFootnote: Young Gi Seo started producing pottery at the age of 18 and has risen to prominence as one of South Korea's premier studio potters while holding a professorship at Kyonggi University. A joint exhibition featuring Young Gi Seo was held at the Leach Pottery, St. Ives, in 2019, exploring the ongoing relationship between Korean and Cornish pottery established by its founder Bernard Leach who visited Korea in the 1930s and brought back a Joseon Dynasty moon jar, stating that owning it was akin to 'carrying a piece of happiness'.
Three Boxes of Collectible Porcelain & Pottery, including a Lladro figure, Royal Doulton vases, Paragon cups and saucers, Hammersley jug and cup and saucer, Nao goose, Adderley floral ornament, quantity of assorted sized plates including Crown Ducal, etc., New Devon jug, ruby glass bell, Spode teapot, Royal Commemorative ware, Crown Devon, Meakin, assorted teapots, etc. Great lot for sorting.

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355113 item(s)/page