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Lot 35

Carolina M. Valvona, a large glazed studio pottery vessel

Lot 16

A mixed lot of pottery including spice jars with lids, sugar castor, china wall ducks, pottery cows and two oyster dishes etc (a lot)

Lot 100

A LLANELLY POTTERY MUG painted with single tea-rose on branch with leaves, stencilled Llanelly to base, 8.5cms high Condition Report: no apparent problems

Lot 101

A SMALL LLANELLY POTTERY SPILL VASE with faceted body and shaped neck, painted with briar-roses, stencilled Llanelly to base, 16cms high Condition Report: no apparent problems

Lot 102

A LLANELLY POTTERY MUG painted with single black cock strutting on grass, stencilled LLANELLY to base, 7.5cms high Condition Report: no apparent problemseven craquelure to graze

Lot 68

THREE WELSH POTTERY TRANSFER DECORATED PLATTERS comprising Llanelly 'Colandine' pattern, Swansea 'Monopteros' and another Condition Report: hairlines to Monopteros and other

Lot 70

LARGE & MEDIUM SIZE GLAMORGAN POTTERY BLUE & WHITE TRANSFER PLATTERS in the 'Ladies of Llangollen' pattern with the iconic same-sex couple Lady Eleanor Butler and Miss Sarah Ponsonby on horseback with landscape and buildings Condition Report: hairline to small platter only

Lot 71

EWENNY POTTERY THREE-FACED OWL BOWL of trefoil form in mottled blue glaze with painted sgraffito and relief decoration, inscribed 'Clay Pits Pottery Ewenny' to base, 10cms high Condition Report: discolouration, possibly restored

Lot 72

EWENNY POTTERY THREE-FACED OWL BOWL of trefoil form in mottled green glaze with painted sgraffito and relief decoration, inscribed 'Clay Pits Pottery Ewenny' to base, 11cms high Condtion Report: no apparent problems

Lot 73

EWENNY POTTERY SHAVING MUG of circular footed form with loop handle and half-shelf interior, inscribed 'This pot was made for John Davies, Who's beard grows stout & strong, May it last many a year, And John live twice as long', 9cms high Condition Report: no apparent problems

Lot 74

EWENNY POTTERY MODEL OF A SEATED PIG in brown mottled glaze, incised decoration, inscribed to base 'Ewenny Pottery 1900' to base, 15cms long Condition Report: restored ear and trotter

Lot 75

EWENNY POTTERY MODEL OF A SEATED PIG titled to the back 'Y Mochyn Bach' inscribed to the base 'Ewenny Pottery', 16.5cms long Condition Report: extensively restored

Lot 76

EWENNY POTTERY MODEL OF A SEATED CAT in mottled yellow glaze, unglazed bow and eyes, incised decoration and title 'Pwsi Fach', 18cms high Condition Report: repaired ear

Lot 77

EWENNY POTTERY MODEL OF A SEATED CAT in mustard glaze, incised decoration, untitled, inscribed to base, inscribed 'Clay Pits Pottery Ewenny', 21cms high Condition Report: scrapes / chips to foot and earsBoth tips of the ears are chipped.There are glaze flakes missing from the side of the head and ears. Chips the base at the back and to the base of the paws.There are superficial surface stains and a glaze chip to the tip of the nose.They are turn of the century, around 1898-1912

Lot 78

EWENNY POTTERY MODEL OF A SEATED CAT in mottled blue glaze, separate front legs, incised decoration including tied bow, untitled, 19cms high Condition Report: restored

Lot 79

EWENNY SLIPWARE POTTERY VASE DESIGNED BY HORACE ELLIOTT of bottle form with straight-sided expanding neck, rich mustard glaze with sgraffito decoration and chevron panels of slip, made for the dedication of St Matthew's Church, Pontypridd, 33cms high Provenance: see illustration 47 'The Ewenny Potteries' (National Museum of Wales, 1982) Condition Report: re-glazed areas, chip to foot and neck

Lot 80

EWENNY POTTERY SLIPWARE WATER JUG of tapered form with loop handle, in mustard glaze, naturalistic sgraffito decoration and inscriptions 'Gwlad Morgan, Gard Gymru yw hi' (Morgan's Country, Its the Guard of Wales) and 'Deep rivers flow with silent majesty, shallow brooks are noisy', signed to the base by Evan Jones 'E Jones Clay Pits Pottery Bridgend', circa 1890, 31cms high Condition Report: chips to foot

Lot 81

EWENNY POTTERY HEN & CHICKS MONEY BOX of bottle form with hen finial with chick on her back above a raised series of eight small chicks to the shoulder, inscribed 'Betty Christopher 1925', base unmarked, 18cms high Condition Report: chips to chicks and minor hairlines to body, secure

Lot 82

EWENNY POTTERY SEATED PIG with integral rear legs and separate front, mottled green glaze, sgraffito detailed and sgraffito title to side 'Y Mochyn'' (The Pig), base inscribed Ewenny Pottery 1900, 15cms snout to tail Condition Report: restoration at ears

Lot 84

EWENNY POTTERY OWL JUG in mottled blue glaze, gourd shape with loop handle, the upper section in the form of an owl character and detailed with sgraffito, incised 'Clay Pits Pottery Ewenny' to base, 23cms high Condition Report: no apparent problems

Lot 90

LLANELLY POTTERY JARDINIERE of lobed circular form, painted with wild-blackberries, stencilled Llanelly to base, 22cms diam Condition Report: repaired body

Lot 94

TWO PAIRS OF LLANELLY POTTERY COCKEREL TEA-PLATES, 17.5cms and 16cms diam Condition Report; crazing, hairlines to the two larger, please enquire

Lot 98

A LLANELLY POTTERY CHAMBERSTICK WITH THREE SNUFFERS of circular form with loop handle, painted with plums, 15cms diam Condition Report: one snuffer cracked, restored handle

Lot 99

A LLANELLY POTTERY PLATE painted with single strutting black cock on grass, 20cms diam Condition Report: no apparent problems / crazing

Lot 4

A Barnstaple Slipware Puzzle Jug, dated 1822, of traditional baluster form with pierced neck and three spouts, with incised inscription dated Oct 10 1822 and with sun and moon and various implements, 18cm high; and A Robert Fishley Fremington Pottery Slipware Money Box, with presentation inscription dated Sept 2nd 1844, 11.5cm high (2) See illustration

Lot 29

An Isnik Pottery Tile, circa 1580, typically painted in red, green, turquoise and blue with stylised foliage, 12.5cm by 13cm See illustration. Typical losses to edges. 070220

Lot 1249

A late Georgian Staffordshire pottery dogs head whistle, with painted markings, eyes and features, 4.5cm, on 9ct gold belcher link neck chain, the chain weighing approx 13g, chain length 58cm

Lot 164

Studio pottery bowl marked Hartrox

Lot 10

NO RESERVE Ceramics.- Burlington Fine Arts Club. Exhibition of Early English Earthenware, 1914 § Hodgkin (J.E. & Edith) Examples of Early English Pottery Named, Dated, and Inscribed, limited edition, 1891 § Falkner (Frank) The Wood Family of Burslem, one of 450 copies, 1912 § Rackham (B.) & Herbert Read. English Pottery, 1924 § Price (Capt. R.K.) Astbury, Whieldon, and Ralph Wood Figures, and Toby Jugs, broken and loose, some tears repaired, 1922, plates and illustrations, some colour, original cloth, rubbed, the second with spine torn; and 2 others on Toby jugs, 4to & 8vo (7)Provenance: The Partridge Fine Arts Research Library

Lot 11

NO RESERVE Ceramics.- Chaffers (William) Marks and Monograms on European and Oriental Pottery and Porcelain, edited by Frederick Litchfield, bound in half red morocco, by Sangorski & Sutcliffe, spine gilt and a little rubbed, 1912 § Rondot (B.) Discovering the Secrets of Soft-Paste Porcelain at the Saint-Cloud Manufactory ca.1690-1766, New York, 1999 § Dawson (A.) A Catalogue of French Porcelain in the British Museum, 1994 § Meyer (E.) Faïence et Porcelaine de Boisettes, Paris, 1994 § Beauchamp-Markowsky (B.) Boîtes en Porcelaine des Manufacutres Européennes au 18e siècle, Fribourg, 1985, illustrations, some colour, all but the first original cloth with dust-jackets; and 10 others on European porcelain, 8vo & 4to (15)Provenance: The Partridge Fine Arts Research Library

Lot 15

NO RESERVE Ceramics.- Solon (Louis M.) [Sale Catalogue] Catalogue of the Pottery & Porcelain in the Collection, limited edition (number 189 of an unspecified number), buckram, roan label (defective), Hanley, Stoke-on-Trent, Charles Butters & Sons, 1912; and a quantity of other sale catalogues of European porcelain including the Leveson Gower Collection of Sèvres Porcelain (1916), Bischoffsheim Collection of Dresden (1926) and Wallace Elliot (1938), some with prices in manuscript, mostly Sotheby's or Christie's, 4to & 8vo (c.200)Provenance: The Partridge Fine Arts Research Library

Lot 39

Decorative Arts.- Tatlock (R.R.) & others. A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire..., 3 vol., one of 350 sets, plates, handsomely bound in purplish-red morocco, by Sangorski & Sutcliffe, gilt arms to upper covers, g.e., 4to, 1928.⁂ Comprising: Tatlock. English Painting of the XVIIIth to XXth Centuries; Hobson. Chinese Porcelain & Wedgewood Pottery; Macquoid. English Furniture, Tapestry and Needlework of the XVIth to XIXth Centuries.Provenance: The Partridge Fine Arts Research Library

Lot 1

A modern Moorcroft pottery bowl in the Anna Lily pattern, designed by Nicola Slaney, of squat shouldered form, impressed backstamp, monogrammed and dated '98 verso, dia. 23cmCondition: Overall very good ‘as new’ condition throughout. No faults.

Lot 10

A contemporary Moorcroft pottery vase in the Anemone pattern, of baluster form, underglaze painted and tube-lined decorated, impressed backstamp verso, h.13.4cm

Lot 11

A contemporary Moorcroft pottery vase in the Anemone pattern, of baluster form, underglaze painted and tube-line decorated, impressed backstamp and green painted monogram verso, h.18.8cm

Lot 12

A modern Moorcroft pottery vase in the Finches & Fruit pattern, of baluster form, underglaze painted and tube-line decorated, impressed backstamp and green painted monogram verso, h.18.8cm

Lot 13

A contemporary Moorcroft pottery jug in the Finches & Fruit pattern, of slightly bulbous form, underglaze painted and tube-line decorated, printed backstamp and green painted monogram verso, h.14.5cm.Wide crazing throughout, otherwise very good.

Lot 14

A contemporary Moorcroft pottery jug in the Pink Roses pattern, of slightly bulbous form, underglaze painted and tube-line decorated, impressed and painted Moorcroft Collectors Club backstamp and further green painted monogram verso, h.14.2cmCondition: Areas of wide crazing to glaze, otherwise very good throughout.

Lot 15

A Moorcroft pottery miniature shouldered squat vase in the Pomegranate pattern, underglaze painted and tube-line decorated, impressed mark verso, h.6.6cm

Lot 16

A Moorcroft pottery miniature shouldered tapering vase in the Anemone pattern, underglaze painted and tube-line decorated, with faint impressed marks verso (with thumb-nail surface chip to outside lower edge), h.9cm; together with another Moorcroft Pink Roses pattern oval pin-tray, w.11.2cm (2)

Lot 17

A circa 1930s Moorcroft pottery circular fruit bowl in the Pomegranate pattern, underglaze painted and tube-line decorated, raised on circular foot, with green painted monogram and impressed Moorcroft Made in England M71 verso, h.9.6cm, dia.21cm. Mid to fine crazing throughout, particularly to interior.Approx. 10x5mm repaired chip to inside edge of top rim (repaired with same fragment which was broken off).Approx. 15x8mm scratched/scuffed area to surface on outer side of bowl towards base.Otherwise good.

Lot 176

A circa 1900 Doulton Lambeth glazed stoneware and polished brass oil lamp, having floral frosted and acid etched globe shade and plain cylindrical replacement chimney, with fleur de lis decorated removable glass font to spiral turned column, and domed and further stepped circular pedestal, the stoneware underglaze painted and having incised floral stylised decoration, stamped marks for J.Hinks & Son Ltd verso, max h.67cmCondition: Chimney and shade both good and complete.  Stands well.  Brass areas very good, complete and well maintained.  Pottery areas also very good and complete. Overall very good example.

Lot 18

A near-pair of Moorcroft pottery circular miniature footed bowls, each underglaze painted and tube-line decorated, one in the Pomegranate pattern and the other in the Hibiscus pattern, each with incised signatures and further impressed backstamps verso, dia.7.8cm (2)

Lot 197

Three various Crown Devon pottery wall masks, each painted by Dorothy Ann, each modelled as women wearing hats, with underglaze painted decoration, printed backstamps and hand-painted signatures verso, the largest 17.5 x 17cm (3).The smaller masks with mid to wide crazing throughout.Large mask with wide crazing to reverse.Otherwise good and original overall.

Lot 2

A modern Moorcroft pottery vase in the Spanish pattern, of ovoid form, printed backstamp, painted marks and dated 2013 verso, h.13.5cmCondition: Overall very good ‘as new’ condition throughout. No faults.

Lot 3

A limited edition modern Moorcroft pottery vase in the King of the Waterways pattern, designed by Kerry Goodwin, of tapering form, impressed backstamp, signed, dated 2013 and numbered 2/75, further stamped 'Made for the RSPB' verso, h.14.8cm

Lot 31

Clews & Co - a 1930s Chameleon-ware pottery jug in the 'Persian Art' pattern, painted in mottled green and blue tones, with raised opposing stylised decoration, having raised printed and painted marks verso, h.15cm

Lot 32

Paddy Peters - a large contemporary pottery model of a smiling Lion, in standing pose, raised on integral plain rectangular tapering base, underglaze painted with studio 'P' mark to one end of base, h.33cm, length 40cm.Repaired to the tail.Wide crazing to the glaze throughout.Otherwise good.

Lot 36

Carlo Manzoni (Italian 1855-1910) - an art pottery vase, underglaze painted in tones of blue, yellow and brown, with incised floral stylised decoration and oval feature panels, onion topped and of lower bulbous tapering form, incised monogram and dated 1895 verso, h.24.8cmCondition : Visible areas of restoration to top rim.  Subsequent repainting of these areas also visible. Running and trailing to paint (vertically) to body of vase. Otherwise good. 

Lot 37

A 1930s Clarice Cliff pottery circular wall charger, pierced and floral stylised moulded, typically painted in bright colours, having printed backstamp Clarice Cliff Wilkinson Ltd England verso, dia.33cm

Lot 38

Janet Leach (1919-1997) - a twin handled studio pottery vase, of slightly flattened oval form to ribbed textured body, impressed monogram stamp towards base, h.18cmCondition: Further information:  Large area of repainting and restoration to one side of body of vase. Arched crack still visible. Small chip/firing imperfection to top rim. 3x2mm surface glaze loss/imperfection half way down body.

Lot 4

A modern Moorcroft pottery vase in the Second Dawn Eventide pattern, designed by Kerry Goodwin, of squat bellied form, impressed backstamp, monogrammed and dated 2012 verso, h.10cmCondition: Overall very good ‘as new’ condition throughout. No faults.

Lot 40

A 1930s Clarice Cliff pottery 'rocket' vase, in the Fantastique Bizarre 'Orange Chintz' pattern, printed backstamp, with further Lawleys retailers backstamp verso, h.15cmCondition: Generally very good and original.  Some very light scuffs and scratches to decorated surfaces, but nothing significant.

Lot 41

A 1970s Troika cylindrical pottery vase, having stylised geometric lower banded decoration, painted mark for Troika Cornwall and further artists monogram verso, h.19.5cm.Very good condition overall.The textured body has some minor surface nicks, which are only noticeable upon close inspection.

Lot 42

A large contemporary studio pottery circular table bowl, the ribbed body underglaze painted with stylised flowers, unmarked, h.15.5cm, dia.38cm

Lot 43

A pair of large Art Nouveau pottery vases, in the style of William Morris, each underglaze floral stylise decorated and of shouldered baluster form, unsigned, h.32cm.Each very finely crazed throughout.Approx. 15x12mm blackened surface blemish to centre body of one vase.Some further smaller surface blemishes.

Lot 46

A contemporary Art Pottery vase by Anita Harris, of slightly ovoid form, underglaze decorated with trees in tones of green and blue, further heightened in gilt, printed and painted marks verso, h.29cm

Lot 5

A modern Moorcroft pottery vase in the Florence pattern, designed by Rachel Bishop, the waisted neck to lower bellied body, impressed backstamp, artist signed and dated 2013 verso, h.15.5cm.Excellent original condition throughout.

Lot 6

A modern Moorcroft pottery vase, decorated with birds, of angular shouldered and waisted form, impressed backstamp and dated 2007 verso, h.17cm

Lot 7

A modern Moorcroft pottery ewer in the Walnut Tree Meadow pattern, designed by Rachel Bishop, of tapering form, impressed backstamp, monogrammed and dated 2012 verso, h.18.5cm

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