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EWENNY POTTERY MODEL OF A SEATED CAT in mustard glaze, incised decoration, untitled, inscribed to base, inscribed 'Clay Pits Pottery Ewenny', 21cms high Condition Report: scrapes / chips to foot and earsBoth tips of the ears are chipped.There are glaze flakes missing from the side of the head and ears. Chips the base at the back and to the base of the paws.There are superficial surface stains and a glaze chip to the tip of the nose.They are turn of the century, around 1898-1912
EWENNY SLIPWARE POTTERY VASE DESIGNED BY HORACE ELLIOTT of bottle form with straight-sided expanding neck, rich mustard glaze with sgraffito decoration and chevron panels of slip, made for the dedication of St Matthew's Church, Pontypridd, 33cms high Provenance: see illustration 47 'The Ewenny Potteries' (National Museum of Wales, 1982) Condition Report: re-glazed areas, chip to foot and neck
EWENNY POTTERY SLIPWARE WATER JUG of tapered form with loop handle, in mustard glaze, naturalistic sgraffito decoration and inscriptions 'Gwlad Morgan, Gard Gymru yw hi' (Morgan's Country, Its the Guard of Wales) and 'Deep rivers flow with silent majesty, shallow brooks are noisy', signed to the base by Evan Jones 'E Jones Clay Pits Pottery Bridgend', circa 1890, 31cms high Condition Report: chips to foot
A Barnstaple Slipware Puzzle Jug, dated 1822, of traditional baluster form with pierced neck and three spouts, with incised inscription dated Oct 10 1822 and with sun and moon and various implements, 18cm high; and A Robert Fishley Fremington Pottery Slipware Money Box, with presentation inscription dated Sept 2nd 1844, 11.5cm high (2) See illustration
NO RESERVE Ceramics.- Burlington Fine Arts Club. Exhibition of Early English Earthenware, 1914 § Hodgkin (J.E. & Edith) Examples of Early English Pottery Named, Dated, and Inscribed, limited edition, 1891 § Falkner (Frank) The Wood Family of Burslem, one of 450 copies, 1912 § Rackham (B.) & Herbert Read. English Pottery, 1924 § Price (Capt. R.K.) Astbury, Whieldon, and Ralph Wood Figures, and Toby Jugs, broken and loose, some tears repaired, 1922, plates and illustrations, some colour, original cloth, rubbed, the second with spine torn; and 2 others on Toby jugs, 4to & 8vo (7)Provenance: The Partridge Fine Arts Research Library
NO RESERVE Ceramics.- Chaffers (William) Marks and Monograms on European and Oriental Pottery and Porcelain, edited by Frederick Litchfield, bound in half red morocco, by Sangorski & Sutcliffe, spine gilt and a little rubbed, 1912 § Rondot (B.) Discovering the Secrets of Soft-Paste Porcelain at the Saint-Cloud Manufactory ca.1690-1766, New York, 1999 § Dawson (A.) A Catalogue of French Porcelain in the British Museum, 1994 § Meyer (E.) Faïence et Porcelaine de Boisettes, Paris, 1994 § Beauchamp-Markowsky (B.) Boîtes en Porcelaine des Manufacutres Européennes au 18e siècle, Fribourg, 1985, illustrations, some colour, all but the first original cloth with dust-jackets; and 10 others on European porcelain, 8vo & 4to (15)Provenance: The Partridge Fine Arts Research Library
NO RESERVE Ceramics.- Solon (Louis M.) [Sale Catalogue] Catalogue of the Pottery & Porcelain in the Collection, limited edition (number 189 of an unspecified number), buckram, roan label (defective), Hanley, Stoke-on-Trent, Charles Butters & Sons, 1912; and a quantity of other sale catalogues of European porcelain including the Leveson Gower Collection of Sèvres Porcelain (1916), Bischoffsheim Collection of Dresden (1926) and Wallace Elliot (1938), some with prices in manuscript, mostly Sotheby's or Christie's, 4to & 8vo (c.200)Provenance: The Partridge Fine Arts Research Library
Decorative Arts.- Tatlock (R.R.) & others. A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire..., 3 vol., one of 350 sets, plates, handsomely bound in purplish-red morocco, by Sangorski & Sutcliffe, gilt arms to upper covers, g.e., 4to, 1928.⁂ Comprising: Tatlock. English Painting of the XVIIIth to XXth Centuries; Hobson. Chinese Porcelain & Wedgewood Pottery; Macquoid. English Furniture, Tapestry and Needlework of the XVIth to XIXth Centuries.Provenance: The Partridge Fine Arts Research Library
A contemporary Moorcroft pottery jug in the Pink Roses pattern, of slightly bulbous form, underglaze painted and tube-line decorated, impressed and painted Moorcroft Collectors Club backstamp and further green painted monogram verso, h.14.2cmCondition: Areas of wide crazing to glaze, otherwise very good throughout.
A Moorcroft pottery miniature shouldered tapering vase in the Anemone pattern, underglaze painted and tube-line decorated, with faint impressed marks verso (with thumb-nail surface chip to outside lower edge), h.9cm; together with another Moorcroft Pink Roses pattern oval pin-tray, w.11.2cm (2)
A circa 1930s Moorcroft pottery circular fruit bowl in the Pomegranate pattern, underglaze painted and tube-line decorated, raised on circular foot, with green painted monogram and impressed Moorcroft Made in England M71 verso, h.9.6cm, dia.21cm. Mid to fine crazing throughout, particularly to interior.Approx. 10x5mm repaired chip to inside edge of top rim (repaired with same fragment which was broken off).Approx. 15x8mm scratched/scuffed area to surface on outer side of bowl towards base.Otherwise good.
A circa 1900 Doulton Lambeth glazed stoneware and polished brass oil lamp, having floral frosted and acid etched globe shade and plain cylindrical replacement chimney, with fleur de lis decorated removable glass font to spiral turned column, and domed and further stepped circular pedestal, the stoneware underglaze painted and having incised floral stylised decoration, stamped marks for J.Hinks & Son Ltd verso, max h.67cmCondition: Chimney and shade both good and complete. Stands well. Brass areas very good, complete and well maintained. Pottery areas also very good and complete. Overall very good example.
Three various Crown Devon pottery wall masks, each painted by Dorothy Ann, each modelled as women wearing hats, with underglaze painted decoration, printed backstamps and hand-painted signatures verso, the largest 17.5 x 17cm (3).The smaller masks with mid to wide crazing throughout.Large mask with wide crazing to reverse.Otherwise good and original overall.
Carlo Manzoni (Italian 1855-1910) - an art pottery vase, underglaze painted in tones of blue, yellow and brown, with incised floral stylised decoration and oval feature panels, onion topped and of lower bulbous tapering form, incised monogram and dated 1895 verso, h.24.8cmCondition : Visible areas of restoration to top rim. Subsequent repainting of these areas also visible. Running and trailing to paint (vertically) to body of vase. Otherwise good.
Janet Leach (1919-1997) - a twin handled studio pottery vase, of slightly flattened oval form to ribbed textured body, impressed monogram stamp towards base, h.18cmCondition: Further information: Large area of repainting and restoration to one side of body of vase. Arched crack still visible. Small chip/firing imperfection to top rim. 3x2mm surface glaze loss/imperfection half way down body.
A 1930s Clarice Cliff pottery 'rocket' vase, in the Fantastique Bizarre 'Orange Chintz' pattern, printed backstamp, with further Lawleys retailers backstamp verso, h.15cmCondition: Generally very good and original. Some very light scuffs and scratches to decorated surfaces, but nothing significant.
A 1970s Troika cylindrical pottery vase, having stylised geometric lower banded decoration, painted mark for Troika Cornwall and further artists monogram verso, h.19.5cm.Very good condition overall.The textured body has some minor surface nicks, which are only noticeable upon close inspection.
A pair of large Art Nouveau pottery vases, in the style of William Morris, each underglaze floral stylise decorated and of shouldered baluster form, unsigned, h.32cm.Each very finely crazed throughout.Approx. 15x12mm blackened surface blemish to centre body of one vase.Some further smaller surface blemishes.

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355190 item(s)/page