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Lot 141
A pair of Alan Shearer Umbro black size 8 football boots worn when he scored his 201st goal for Newcastle United during the Barclays Premiership match against Portsmouth at St James Park, Saturday 4th 2006, also a signed action picture of the goal scored and an action print by the artist Geoff Tristram. (3)
![Six Japanese oban, including: Kanaya [24th Tokaido Station]; Kusatsu [52nd Tokaido Station]; an oban depicting two figures by](https://cdn.globalauctionplatform.com/eb0cb250-609f-4848-817f-ac6800fd4ef2/3ea0257a-4fa3-4b8d-afb0-ac690131e903/468x382.jpg)
Lot 1081
Six Japanese oban, including: Kanaya [24th Tokaido Station]; Kusatsu [52nd Tokaido Station]; an oban depicting two figures by Toyokuni III; and an oban of Yuki-hime [representing the Year of The Rat] from the Mitate Jun-ishi [Selected Histories of the12 Zodiac signs] by Utagawa Kuniyoshi [6]For another print from the Mitate Jun-ishi series, see British Museum 2008, 3037.13107.The small Rat in the colophon of the Kuniyoshi print here is typical of the rather oblique references to the Zodiac which regularly appear within the Ukiyo-e genre. See for example the Hokusai surimono depicting a merchant with his horse, dating the image to the year of The Horse [1798]. Woodblock printers were thereby able to also provide an aide-memoire for the complicated calendar system of the Edo Period, creating calendars known as 'egoyomi' [Source: 'The Frank Lloyd Wright Collection of Surimono' by Joan B. Mirviss/1995]. Please note that this is a group lot where each image is framed; areas of deterioration, soiling, fugitive colour, and other paper or colour damage. The Yuki-hime with fugitive colour apparent in a number of places including both kimono and rat.
Lot 1082
A number of books on Japanese Ceramics, Prints and Art, including: 'Japanese Prints' by Julia Hutt; 'The Japanese Print Since 1900' by Lawrence Smith; 'Kakiemon' by Takeshi Nagatake; 'Karatsu' by Tarouemon Nakazato; 'Imari' by Nagatake; 'Nabeshima' by Imaizumi; 'Japanese Military Sake Cups/1894-1945' by Dan King; and a number of Books on the Art of Bonsai [16]
Lot 1085
A Japanese Hinaningyo of a Daimyo, possibly for the Hinamatsuri Festival of March 3rd, about 35 cm high; together with three other similar ningyo including a Daimyo wearing a kabuto, about 49 cm high [4]Dolls of Daimyo, Samurai or high ranking courtiers are clearly associated with the March 3rd Festival of Hinamatsuri. Such Hinaningyo were displayed on a stepped daias since at least the Edo Period, and on occasion images of them may be found in Ukiyo-e. See for example the shunga print in the Vever Collection [Sotheby's 26-3-1975/lot 85] by Isoda Koryusai [active 1769-1790] where the hinaningyo sit at the top of a daias above the Taiyaki [popular pancake snack in the shape of a Tai fish] and the Shiru-wan [lacquer bowl for soup]. A Third Month calendar print by Utagawa Toyokuni [1769-1825] also illustrates the hananingyo; see the impression on pages 182-183 of 'The Frank Lloyd Wright Collection of Surimono' by Joan B. Mirviss [1995]. Other traditions associated with the Hinamatsuri festival include the drinking of white sake, and the consumption of hishi mochi [lozenge-shaped rice cakes].
Lot 3
George Lazenby signed 14x12 colour James Bond print by the artist Jeff Marshall limited edition. George Robert Lazenby born 5 September 1939, is an Australian actor, martial artist and former model. He is known for playing the fictional British secret agent James Bond in the Eon Productions film series, playing the character in On Her Majesty's Secret Service 1969, . Lazenby's tenure as Bond was the shortest among the actors in the official film series and he is the series' only Bond actor to appear in only one film. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 2
Richard Kiel signed 14x12 colour print by the artist Jeff Marshall limited edition, pictured in his iconic role as Jaws in the James Bond movies. Richard Dawson Kiel September 13, 1939 - September 10, 2014, was an American actor and voice artist. Standing 7 ft 2 in 218 cm, tall, he was known for portraying Jaws in The Spy Who Loved Me 1977, and Moonraker 1979, ; he lampooned the role with a tongue-in-cheek cameo in Inspector Gadget 1999, . Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 77
Montague Dawson (British, 1890-1973)Smugglers' Baysigned 'MONTAGUE DAWSON' (lower left) oil on canvas 101.6 x 127cm (40 x 50in).painted in 1971.Footnotes:This work was published as a signed artist's limited edition print under the title of 'Pieces of Eight' (Venture Prints Ltd, 1971, edition of 500).ProvenanceWith Frost & Reed, London, no. 46509 (acquired directly from the artist 26 January 1971).Harry W Bass Jr, Texas (acquired from the above 21 July 1971).With W.J. Morpill Ltd., Dallas, Texas.This impressive work belongs to Dawson's much sought-after Caribbean and Pacific Island series of paintings, of which a small number have come to auction in recent years. These works are unique in that they run contrary to Dawson's primary reputation for depictions of the elegant commercial sailing ships of the 19th century, the high-octane world of yacht racing in the early/mid-20th century and the military craft of the war years, himself having served in the Royal Navy during the First World War. This series offer an insight into the excitement that the artist took from all aspects of the nautical world, not just the historical past and the present, but also folklore and the tales associated with the 17th century heyday of buccaneers patrolling Caribbean and Pacific waters. Stories of this nature would have been brought to the fore of one's imagination during Dawson's lifetime through the popularisation of the subject in cinema. The present work is the only moonlit example from this series, with others being in the intense glare of the midday sun. The moonlight provides the perfect setting for the pirates' clandestine activities; as we can see, their booty is being brought ashore, inspected, and prepared for stashing. Although we cannot be certain of the location, we do know that Dawson painted both the Cocos Island and Gorgona Island in this series and it therefore seems plausible that this treasure is being buried in one of these locations. The Cocos Island being the centre of the greatest deal of speculation and excitement during the period, with rumours of vast hoards of treasure having been buried here and never found.The present work was published as a signed limited-edition print under the title of 'Pieces of Eight' (Venture Prints Ltd, 1971, edition of 500). The title of the print conjures images of Robert Louis Stephenson's 'Treasure Island' and the main protagonist Long John Silver and his parrot, Captain Flint. Captain Flint being remembered for the repetition of the phrase 'Pieces of eight! Pieces of eight!' – this being a reference to the Spanish silver dollar which would often be cut into eight pieces in order that change could be provided.It is clear that this was a significant work to the artist. The scale is grand, and the level of finish is exceptionally high. The glow emulating from the party's lanterns, and reflection from those situated on their ship in the bay, have been expertly crafted to create an ambience of both serenity and excitement. We know that Dawson visited the Pacific and Caribbean on a number of occasions, and it is therefore very likely that the depiction of the topography and flora are based on first-hand accounts and sketches. Leonard Ramsey's acclaimed book on Dawson gives a description of the artist's handling of his subjects, a description that can certainly be applied to this work:'His brushwork, though free, is never careless and his colours are graded with discipline and restraint. This all contributes to the feeling of spaciousness and harmony which is the mark of a Montague Dawson'[1][1] L.G.G Ramsey, Montague Dawson R.S.M.A., F.R.S.A., Leigh-on-Sea, 1967, p. 16.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 80
William Lionel Wyllie, R.A. (British, 1851-1931)A view out to sea signed 'WLWyllie' (lower right)watercolour24.4 x 34.6cm (9 5/8 x 13 5/8in).Footnotes:ProvenanceWith Robert Dunthorne Print Publishers, London, according to old label affixed verso (this label is also indistinctly inscribed with the work's title).Private collection, UK.For further information on this lot please visit Bonhams.com
Lot 21
A fine Tibetan Thang-ka, 20th century, pigment with gold on cloth, depicting an arhat seated under a tree outside a cave, an attendant at his side, a small lion in the foreground, figures of Amitayus and Sakyamuni suspended above, with 18th/19th century Chinese brocade surround, the picture 74cm x 49cm and the reverse of the scroll with the hand print of the 14th Dalai Lama Tenzin Gyatso, the print inscribed with the three-character Tibetan mantra 'Om Ah Hum' [三字明咒], which is used to purify the mind, speech and heart, accompanied with the 14th Dalai Lama's personal seal mark, mounted with 18th or 19th century geometric brocade silk, picture size 72.5cm x 47cm, overall size including brocade 148cm x 76cm, with scroll stand Provenance: 1st Earl Mountbatten of Burma, of Broadlands and thence by descentAlmost certainly gifted by His Holiness the 14th Dalai Lama in 1974 and thence by descent. Many temples in Tibet were given brocades as offerings from wealthy Chinese through the ages. They were sometimes used as the surround for a Thank-ga, as in this instance. The geometric patterns are associated with the royal household during the Qianlong reign. 20世纪 释迦摩尼佛唐卡一件背面：十四世达赖喇嘛旦增嘉措手印及私印，并墨书三字明咒 拍品来源：十四世达赖旦增嘉于1974年访问亲自赠予英国海军元帅、东南亚盟军总司令蒙巴顿勋爵（现英国菲利普亲王的舅舅）Condition Report: Overall condition is quite good with just some creasing to picture and some minor stains throughout Condition Report Disclaimer
Lot 352
A mixed group of oil paintings, prints and other pictures to include a David Shepherd print of elephants, two marine oil paintings signed Ambrose, and another signed S Harvey, a signed limited edition print of the Lamb at Berkhamsted, a framed and glazed display of mounted butterflies, and others
Lot 58
A Victorian novelty papiermache lacquer box in the form of a book, and decorated with scenes after Watteau, within a Rococo gilt framed cartouche7cm wide, 18cm high, and a Victorian lacquer string box with lithographic print of children to the cover, 8cm diameter (2)Condition report: Both items are in good condition, the string box has wear to the blue paper lining.
Lot 203
A photographic print of Stockport Cricket Club, second eleven season 1920, a further Stockport Cricket Club third eleven, 1920, a further early 20thC portrait photograph of a wedding scene, a photograph of The Employees of The National Coal Board and a school photograph, Fettes College 1968. (a quantity)
Lot 166
AFTER JOHN KNAPP-FISHER (British born 1931-2015, worked extensively with gallery in Wales), a Pembrokeshire farmstead on a dark day, limited edition coloured print no. 477/750, signed in pencil by the artist, signed in the plate, dated 1999. 29 x 46cm approx.(B.P. 21% + VAT) The print appearing in good original condition. Frame has damage and wear in places.
Lot 548
* Bristol. Anstie (Samuel, attrib.), Bristol, 1817, aquatint with contemporary hand colouring, proof before letters but after title, margins strengthened with tape, slight mount staining, 465 x 640 mmQty: (1)NOTESRare. No auction records found apart from an example sold in these rooms in April 2019. The City of Bristol Museum and Art Gallery has an example of this print. The British Library has three similar aquatints after Anstie by Clark and Duberg but not this view of the city.
Lot 596
* Sutherland (Thomas). Margate, with the Venus Steam Packet entering the Harbour. This Print is respectfully dedicated to the Proprietors of the above Vessel by their most Obedient servant W.I. Huggins, London: R. Lambe, April 5, 1823, aquatint on wove after W.I. Huggins, with contemporary hand colouring, light toning, 410 x 530 mm, mounted, framed & glazed, Baynton-Williams gallery label to backboardQty: (1)
Lot 64
Ferguson (Malcolm). An Autumn Tour through Orcadia and the North of Scotland, 1st edition, Glasgow: Robert Anderson, 1869, 2 albumen print photographic plates (mounted), front free endpaper excised, half-title browned, a few marks, original red cloth gilt, marked, spine-ends rubbed, 8vo, together with: Edmonston (Thomas). An Etymological Glossary of the Shetland & Orkney Dialect, 1st edition, Edinburgh: Adam and Charles, Black, 1866, inscribed 'To Rear Admiral Sir William Edmonstone, Bart, with the very respectful regards of the author' on title-page, original cloth, spine faded, mark to front cover, 8vo, Fea (James). The Present State of the Orkney Islands considered. An an Account of the New Method of Fishing on the Coasts of Shetland, Edinburgh: William Brown, 1884, original cloth, 8vo, number 72 of 162 copies only, Smith (H. L. Norton.). A Collection of Armorials of the County of Orkney. Illustrated by A. M. Traill, 1st edition, Galashiels: for the author, 1902, colour frontispiece, plates, original cloth, 8vo, one of 200 copies only, Dennison (Walter Traill). The Orcadian Sketch-Book, being Traits of Old Orkney Life. Written partly in the Orkney Dialect, 1st edition, Kirkwall: William Peace & Son, 1880, original red cloth gilt, 8vo, Charleson (M. M., editor). Orcadian Papers: being Selections from the Proceedings of the Orkney Natural History Society, from 1887 to 1904, 1st edition, Stromness: for the Society by William Rendall, 1905, 6 halftone plates including frontispiece, spotting, original cloth, 8vo, and 33 others, all Orkney-related, including 13 Orkney imprints, 19th and early-20th century, nearly all in original cloth, mainly 8voQty: (39)NOTESTHE DAVID WILSON LIBRARY PART III: SCOTLAND, HIGHLANDS & ISLANDS Three copies of Ferguson's work traced in libraries world-wide, of which one in the UK (National Library of Scotland).
![* London. Shotter Boys (Thomas), The Tower of London, as seen October 31st 1841. The Morning after the Fire, [1841], lithogra](https://cdn.globalauctionplatform.com/097ee6b6-2081-432a-b7f6-ac6000a6c3d8/3e2c577b-464f-481b-838a-ac6001180de3/468x382.jpg)
Lot 497
* London. Shotter Boys (Thomas), The Tower of London, as seen October 31st 1841. The Morning after the Fire, [1841], lithograph with contemporary hand colouring, slight staining and creasing, one marginal closed tear, 200 x 435 mm, mounted, framed and glazedQty: (1)NOTESA separately published print not included in his 'Original Views of London as it is'.
Lot 89
Reid (John Eaton). History of the County of Bute, and Families connected therewith, 1st edition, Glasgow: Thomas Murray and Son, 1864, 8 albumen print photographs by Thomas Annan each on separate card mount with printed caption, folding lithographic plate, map, occasional light spotting to text, a little mild fading to albumen prints, modern quarter calf, 4to (28.2 x 20.6 cm), together with: Heron (Robert). General View of the Natural Circumstances of those Isles, Adjacent to the North-West Coast of Scotland, which are distinguished by the Common Name of Hebudae or Hebrides, 1st edition, Edinburgh: John Paterson, 1794, half-title discarded, upper fore corner of first 3 leaves consolidated, modern half calf, 4to (27 x 21 cm), [Browne, James]. A Critical Examination of Dr. MacCulloch's Work on the Highlands and Western Isles of Scotland, 1st edition, Edinburgh: Daniel Lizars, 1825, half-title discarded, spotting, edges untrimmed, modern half calf 8vo (20 x 11.5 cm), [Burt, Edward]. Letters from a Gentleman in the North of Scotland to his Friend in London, 2 volumes, 5th edition, London: for Ogle, Duncan, and Co., 1822, engraved frontispieces (offset), no half-titles, edges untrimmed, 20th-century red half calf by Maltby of Oxford, 8vo (22.6 x 13.2 cm), and 3 others, Highlands-related, including MacCulloch, A Description of the Western Islands of Scotland, 1st edition, 1819 (text volumes only; not collated)Qty: (9)NOTESTHE DAVID WILSON LIBRARY PART III: SCOTLAND, HIGHLANDS & ISLANDS ESTC T40705 (Heron); Gernsheim 227 (Reid: erroneously described as containing nine photographs); Kress B2758 (Heron).
Lot 278
Print Quarterly, 125 original issues, a near-unbroken run, volume I-XXXI & XXXII, no. 1 only, March 1984-March 2015, colour and monochrome illustrations, all original printed wrappers, plus 2 duplicate issues for volume XX, no. 1, and XXVIII, no. 1 (March 2003 and March 2011), large 8vo, generally VGQty: (127)
Lot 556
* Dolby (Edwin Thomas). Fores's Marine Sketches. The Iron Steam Yacht "Alexandria", 416 Tons, built for H.I.M. the Emperor of Russia by C. I. Mare & Co of Blackwall, designed by Mr Waterman Junr & fitted with engines of 140 horse power by Sir John & Mr George Rennie, London: Fores, May 14th 1852, colour lithograph printed by Michael and Nicholas Hanhart after Thomas Sewell Robins, short closed tear to lower blank margin, light toning and spotting, image 310 x 450 mm, sheet size 445 x 625 mm, mounted, together with: Herdman (W.G.), The Peninsular and Oriental Company's Steam Ship Liverpool, Commanded by Lieutenant R. Engledus, R.N. To whom this Print is, with permission, respectfully inscribed, by his obedient Servant N.J. Kempe, Manchester: printed by T. Physick, [1838?], tinted lithograph after N.J. Kempe, some spotting, lined to verso, repaired closed tear to upper margin, image 246 x 350 mm, sheet size 358 x 482 mm, mountedQty: (2)NOTESA fine view of the Imperial Russian Steam Yacht. Also inscribed below the image with statistical details The ship's length was 195ft. 10in. with a breadth of 21ft. 7in.
Lot 105
* Bird Photography. A group of 44 large exhibition print photographs by B. Curtis, Cambridge, c. 1960s, gelatin silver prints, mostly close-ups of British birds including Arctic skua, little owl, lapwing, sedge warbler and young, redstart, fulmar, etc. and a few of mammals, images approximately 37 x 44 cm and similar large sizes, the majority mounted on board with photographer wetstamp and some Cambridge Camera Club labels to versosQty: (44)
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