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Lot 567
*KEITH MURRAY (1892-1981) 'Florence' canal scene with gondolier, signed and dedicated in pencil to the margin, monogrammed in plate lower right, etching, the image 12.5cm x 13cm; together with four further prints by Murray (5) (all unframed)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.
Lot 506
A Group Of Three Modern Prints To include Sarah van Niekerk, Hirudines of Selborne, signed and numbered 83/175, wood engraving, 20.5 x 13.5cm; Stephen Hills, Ibizan Goat + Bay Tree, signed and numbered A/P, linocut, 33.5 x 25.5cm; Vernon Mills, Hog Weed & Willows, signed and numbered 17/50, wood engraving, 16 x 10cm (3)
Lot 547
After Thomas Bewick (British, 1753-1828) A Group of woodblock prints; to include three 'River Scenes', five small vignettes, Folio 3, published 1981, issue no 34 ; Thomas Bewick Wood engravings 'River Scenes', five small Vignettes, Folio 2 Charlotte press/Northern Publishing Workshop, published 1978, issue no 289 (qty)
Lot 549
Joan Hassall (British, OBE 1906-1988) A group of three woodblock prints, signed in pencil, titled 'Highland Mary, 8 x 8.5cm, 'The Highland Widow's lament' 6 x 8cm, 'Willie Brewed a Peck o'Maut', 10 x 11cm; with a further woodblock print by George Mackley titled, 'The Creek' signed in pencil, numbered edition 15/75, 9.5 x 11.5cm; and an etching by Bert Cobb of a Flat Coat Retriever with Spaniel, 30 x 25.5cm, unframed (5)
Lot 373
DEUCHAR, DAVID AFTER HOLBEIN, JEAN: 'LE TRIOMPHE DE LA MORT' a volume of engravings with companion text, printed by S. Gosnell, Holborn, 1786, three-quarter brown leather bound; together with a later red vinyl bound companion volume of Holbein prints, all contained together in slip caseProvenance: A Dorset bibliophile.
Lot 455
Vinyl / Box Set - 2 The White Stripes limited edition box sets to include: Icky Thump X (Third Man Records – TMR 498 / TMR 499 / TMR 500, US 2017 10th anniversary limited edition 4 LP set, black, white, white with red splatter, red with black splatter vinyl, with photo book, pin set, and one of nine 8" x 10" screen printed posters by Rob Jones) EX+ (in original Third Man Records mailer) and Aside From That And Besides This: The White Stripes Greatest Hits (Triple LP on Third Man Records – TMR-700, white, red and white with red and black splatter vinyl set with an envelope of prints by Rob Jones, and a set of White Stripes Magnetic Fridge poetry, in Third Man Records mailer) EX+
Lot 15
Vinyl - Grunge / Alternative - 4 UK 1st pressing 12" and one album to include: Nirvana – All Apologies / Rape Me / MV (Geffen Records – GFST 66, 12" with 2 art prints included), Soul Asylum – Runaway Train (Columbia – 659390 6, limited edition blue vinyl 12" with hype sticker), Smashing Pumpkins – Cherub Rock (Hut Recordings – HUTT 31, 12"), Rage Against The Machine – Bombtrack (Epic – XPR 1952, promo only 12” with unique picture sleeve), Faith No More – The Real Thing (Slash / London Records – 828 154-1, original Uk 1st pressing with printed lyrics inner). Condition EX overall.
Lot 498
Vinyl / Box Sets - 2 Gorrilaz box sets to include: The Now Now (Parlophone – 0190295643416, EU 2018 blue vinyl with 52-page booklet, 4 12” x 12” art prints, 6 pin badges, download card and hype sticker on shrink wrap) sealed, and Humanz ( 2 LP’s set on Parlophone – 9029585118, EU 2017 with art book) sealed.
Lot 485
Vinyl - 2 The White Stripes limited edition Third Man Records LP’s to include: Live At The Gold Dollar III (TMG 345, US 2015, red and black marbled vinyl with Jack White designed flyers iron-on transfer, reproduction flyer and the hand written setlist, 2 full-color, 8 x 10, glossy prints of photographs taken by Doug Coombe, news clipping of the show preview, hand-written price list from the merchandise table from that night and a 1.25” enamel pin of the new Third Man Records Cass Corridor logo, sealed, (in Third Man Records original mailer) and Live Under The Lights Of The Rising Sun (TMR-285, US 2014 soluble album with Third Man Records nylon flag) Sealed (in Third Man Records original mailer).
Lot 130
▲ HM King Charles III (b.1948) 'Tetbury Church From Highgrove House'lithograph in colours, signed and dated 'Charles '98' in pencil l.r., and numbered '44/100', printed at Curwen Chilford Prints on paper made at St Cuthbert's Mill, Somerset, complete with a certificate of authenticity signed by the publisher, and in original box as issuedimage 14.5 x 20cmCondition ReportPROVENANCE: With certificate of authenticity and original box.Framed: 37.5 x 41cmBox: 42.5 x 45.5 x 5.5cmThe print appears to be in good condition and is ready to hang. Not viewed out of glazed frame. Light surface scuffs and scratches to the exterior of the box.
Lot 87
▲ Edward Bawden RA (1903-1989) 'Dunlopera'a group of twenty-three lithographs in colours from 'Dunlopera: The Works and Workings of the Dunlop Rubber Company' by Paul Jennings, illustrated by Bawden, privately published for the Dunlop Rubber Company, 1961 11.5 x 13cm and similar, twenty-three works in four frames (4)Condition ReportFramed: 43.5 x 61cmFramed in groups of five and six. There is printing to the reverse which shows through the paper slightly in places. The prints appear to be in otherwise good condition. Not viewed out of perspex glazed frames.
Lot 10
▲ Peter Lanyon (1918-1964) Composition with horse and boat signed and dated 'Peter Lanyon 49' l.l., traced slate monotype, printed in dark blue, with pencil, pen and ink and gouache 64 x 49.5cm Provenance: Bonhams, Knightsbridge, 'Modern Prints and the St Ives School', 25 May 2010, lot 18; the property of a private collector. Lots 9 and 10 are rare and significant works by Peter Lanyon, showcasing his experimental approach to artistic production. We see this in the inclusion of mixed media within the printing process, as well as additions of pencil, ink and gouache. The imagery of the horse in a landscape can be linked to the large linocuts 'Red Horse, Red Boat', 1951, and 'The Returned Seaman', 1949, as well as the painting 'The Yellow Runner', 1946. In our compositions, the eye is led to the horse - a monumental beast embedded against the dramatic Cornish landscape. The prints are abstract in composition with multiple perspectives of the coastal hillside blurring organic and architectural forms as one. An echo perhaps of the impact of the local mining industry. Condition ReportFramed: 75 x 88cm Time staining with spots of foxing starting to emerge in places. Pinholes to corners with brown staining around. Discolouration to left edge. There is a faint brown area in the upper right quarter with a smaller patch of brown at the top of the right edge, please refer to illustration. Both have the appearance of watercolour/ wash with some age, however it is unclear if this was executed by the artist. Not viewed out of glazed frame.
Lot 100
Louis Icart (French, 1888-1950) 'Vitesse' (Speed II), 1933etching with aquatint and drypoint in colours, signed 'Louis Icart' in pencil and inscribed '105', with artist's blind stampplate 39.5 x 65.5cmProvenance: Bonhams, Knightsbridge, 'Old Master, Modern and Contemporary Prints', 21 September 2011, lot 298.Condition ReportFramed: 66.5 x 89cmA little time staining. Some small spots of foxing starting to emerge. Two small black spots in the margin in the lower right corner. An extremely faint, small brown mark to the margin in the upper right. Not viewed out of glazed frame.
Lot 6
▲ Ben Nicholson OM (1894-1982) 'Ronco' etching, signed and dated '68' in pencil l.r., numbered '23/50', published by Leslie Waddington Prints, London, printed by François Lafranca with blind stampsheet 37.5 x 44cmProvenance: Bonhams, Knightsbridge, 'Prints and Multiples', 29 November 2017, lot 27.Condition ReportFramed: 61.5 x 67.5cmA little cockled. Appears to be in otherwise good condition and ready to hang. Not viewed out of glazed frame.
Lot 425
Cubitt Print Box a portfolio of prints in various mediums, 2000, each signed and numbered '75/100', with the exception of the print by Elizabeth Wright numbered '175/220%' as per the artist's intention, published by Cubitt, in the original presentation box box 28.5 x 23.5cm The portfolio includes prints by 20 British and international artists who had come to prominence in the 1990s, all of whom had either worked or shown at the Cubitt studios and gallery in King’s Cross, London: Martin Creed, Tacita Dean, Peter Doig, Ceal Floyer, Matthew Higgs, Gareth Jones, Alex Katz, Scott King, Jochen Klein, Hilary Lloyd, Paul McCarthy, Paul Noble, Chris Ofili, Peter Pommerer, James Pyman, Giorgio Sadotti, Jane Simpson, Wolfgang Tillmans, Piotr Uklanski and Elizabeth Wright. 'Snowball' by Elizabeth Wright was created as a varied edition of 120 individual versions, with the perfectly round snowball in each print scaled differently in successive increments from 101/220% to 220/220%. The variations in size reflect the platitude that no two snowflakes are alike. Getting bigger as the edition progresses, the circles created by the artist manifest as a literal 'snowball effect'. Condition ReportAppears to be in good condition.
Lot 376
▲ Eric Shanes (1944-2017) 'Olympiad 1: Jump';'Olympiad 3: Lift';'Olympiad 5: Run';'Olympiad 1: Jump'four screenprints in colours, each signed and dated 'Eric Shanes 72' in pencil l.r., inscribed with title and individually numbered from an edition of 75, created for the occasion of the 1972 Olympics in Munich75.5 x 76cm and similar, unframed (4)Condition ReportFaint dirty marks to the margins. Light creasing. There are a few lines where the ink is a little raised, presumed to be a result of the printing process. Minor surface scratches. One of the 'Olympiad: 1 'Jump' prints has brown marks at the top of the left edge and a small rip and creasing to the centre of the right edge. The other Jump print has some cracking to the ink on and around the figure at the top.
Lot 9
▲ Peter Lanyon (1918-1964) Composition with horse and boatmonotype, linocut, woodcut and wash, stamped 'Lanyon', with later inscription and date 'c.1951' versosheet 45 x 71cm, unframedProvenance: Purchased from Andrew Lanyon in 2010 by Paul Vibert, St Ives, Cornwall;the property of a private collector.Lots 9 and 10 are rare and significant works by Peter Lanyon, showcasing his experimental approach to artistic production. We see this in the inclusion of mixed media within the printing process, as well as additions of pencil, ink and gouache.The imagery of the horse in a landscape can be linked to the large linocuts 'Red Horse, Red Boat', 1951, and 'The Returned Seaman', 1949, as well as the painting 'The Yellow Runner', 1946. In our compositions, the eye is led to the horse - a monumental beast embedded against the dramatic Cornish landscape. The prints are abstract in composition with multiple perspectives of the coastal hillside blurring organic and architectural forms as one. An echo perhaps of the impact of the local mining industry.Condition ReportTime staining and foxing. Diagonal fold marks in the lower corners. Crease marks in the centre of the top edge. A line of discolouration at the top of the left edge. Deckled edges. The right edge has been torn unevenly. Two small areas of abrasion to the left of the horse's rear in the lower left quarter. Pin holes in top corners.
Lot 86
Edward Bawden RA (1903-1989) 'Review of Revues and Other Matters'twelve lithographs in colours from 'Review of Revues and Other Matters', illustrated by Bawden and edited by Charles B Cochran, published by Jonathan Cape, London, 1930visible 6.5 x 12.5cm, twelve works in three frames (3)Condition ReportFramed: 30.5 x 43cmThe prints are framed in groups of four. A little very faint foxing starting to emerge. There is printing to the reverse which shows through the paper slightly in places. Ready to hang. Not viewed out of perspex glazed frames.
Lot 444
Bob Dylan (American, b.1941) 'Woman in Red Lion Pub - Portfolio'a set of four giclée prints in colours, 2008, each signed 'Bob Dylan' in pencil l.r., and numbered '263/295', printed by GTZ Fine Art Editions, New York, on Hahnemühle 350gsm Museum Etching, published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art blind stamps, certificates of authenticity, and in original portfolio as issuedsheet 69.5 x 55.5cm, unframed (4)Provenance: Purchased from Halcyon Gallery, London.Condition ReportPROVENANCE: With certificates of authenticity.The prints appear to be in good condition. In raking light the portfolio has a couple of very light, superficial surface scratches, and the extreme upper left corner is a little dented. The prints are unaffected. Please see additional images.
Lot 374
▲ David Bailey (b.1938) 'Box of Pin-Ups', 1965thirty-six half-tone prints, with the biographical details of each sitter printed on the reverse of each print, printed by Weidenfeld & Nicolson, London, and contained in the original card box, signed to the reverseeach approximately 37 x 32cmProvenance: Sotheby's, New Bond Street, 'Made in Britain II', 13 September 2017, lot 175;The David and Pam McCleave Collection of Modern British Art.Literature: Martin Harrison, 'David Bailey: Archive One, 1957-1969', Thames & Hudson, London, 1999, ill. pp.157, 169, 175, 177, 179 and 181;David Bailey, 'Bailey's Stardust', National Portrait Gallery, London, 2014, ill. pp.191-197.Condition ReportThe prints appears to be in good condition overall. Light handling creases, only visible in raking light. The box has some discolouration with surface dirt, staining and abrasions to the reverse. The edges and corners of the box are worn with a tear to the upper left corner.
Lot 79
▲ Edward Bawden RA (1903-1989) 'Évora';'Lisboa'two lithographs in colours after linocuts created for 'Bawden in Portugal', published in 'Motif: A Journal of the Visual Arts; No. 9: Summer 1962', printed at the Shenval Press, visible 29.5 x 40.5cm and 29.5 x 33.5cm (2)Condition ReportFramed: 44 x 61cmThe prints have centrefolds as issued. The print of Lisbon has slight time staining with a faint brown mark to the left edge, lower centre. There is a print of on the reverse which shows through the paper slightly. Overall both prints present well. Not viewed out of perpex glazed frames.
Lot 357
▲ David Hockney OM CH RA (b.1937) 'Pool Made With Paper and Blue Ink' for the book 'Paper Pools' (MCA Tokyo 234)lithograph in colours, 1980, signed and dated 'Hockney 80' in pencil l.r., and numbered '681/1000', published by Tyler Graphics Ltd., Mount Kisco, New York, with blind stamp sheet 27 x 24cmWhen thinking about David Hockney, the subject of the swimming pool is one that comes to mind. It has become one of the defining motifs of his artistic career and an iconic image of modern art. The theme recurs frequently in his paintings, drawings, photographs and prints.Hockney’s fascination with pools began in 1964 when he flew over Los Angeles and was captivated by the vivid expanse of blue pools dotting the Californian landscape - an image starkly different from the scenery of Britain he had left behind. To Hockney, the swimming pool was a representation of pleasure and leisure in the 1960s, and a joyous image to reproduce. Additionally, it provided a creative opportunity to explore the play of light and reflections on water, shaped by ripples, curves and shadows cast by gentle breezes or the movement of swimmers.This motif repeatedly surfaced in his work over the years, including the present lithograph titled 'Pool Made With Paper and Blue Ink for a Book'. This piece was created for the special edition book 'Paper Pools' by David Hockney, edited by Nikos Stangos and published in 1980 by Thames & Hudson. The book delves into Hockney’s 'Paper Pool' series, comprising twenty-nine paper pulp artworks that he created in 1978 while staying with his friend, the printmaker Ken Tyler. Inspired by this new medium, Hockney used Tyler’s swimming pool as the subject for this lithograph. He meticulously studied the pool at various times of the day and night, observing and recording the interplay of light and colour, through drawings and photographs.Though smaller in scale compared to Hockney’s large oil paintings, this lithograph is equally vibrant and demonstrates meticulous precision in its execution. The image was initially hand-drawn by the artist and then printed in six colours from three lithographic limestones and three aluminium plates. This lot is pencil signed and numbered '681' from a limited edition of 1,000 prints with an additional 122 proofs. Condition ReportFramed: 58 x 49.5cmPresents well overall. In our opinion the colours are bright. Slight time staining to the margins. There is some acid discolouration to the extreme edges. There is a little rubbing/ abrasion to the water in the lower centre and along the left edge, please see additional condition images. The print has been stuck down in the corners and it is not possible to see the reverse of the sheet. The print sits flat without any obvious cockling or creasing.
Lot 259
A collection of eleven assorted pictures and prints, including a signed print, 'Paper Wraps Stone Sharpens Scissors Cuts Paper', indistinctly signed lower right, 96 x 66cm, framed and glazed, also a further signed limited edition print, 'Kora, Garden, 2004', signed lower right and numbered 4/25, 48 x 33cm, framed and glazed, and various further pictures (12).
Lot 277
† PHILIP MENINSKY (1919-2007); two pastel drawings, both rural woodland scenes, both signed in pencil lower right, 60 x 48.5cm and 48.5 x 60cm, both framed and glazed, four Hertz Mark prints of pencil and charcoal drawings, all 17 x 24.5cm, framed and glazed, and two further unattributed rural watercolours, both indistinctly signed and dated 84, both 12 x 19cm, all framed and glazed (8).
Lot 288
UNATTRIBUTED; a set of three signed limited edition Memphis design style prints, including 'Come What May' and two further examples, all indistinctly signed in pencil, dated lower right and numbered 64/75, 12/100 and 24/75, the largest 51 x 66cm, framed and glazed, the two smaller examples both 42 x 34cm, both framed and glazed (3).
Lot 248
Ten Christmas cards signed by Dame Barbara Cartland, all with applied photographs / prints showing Dame Barbara Cartland, some showing her family as well, 1970, and 1972-1979; Barbara Cartland, Food For Love, Corgi Books, London 1975, personal inscription and signature by the author; and another Christmas card signed by her son, Ian McCorquodale, with applied photograph showing him and his family. Qty: 12
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254243 item(s)/page