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Lot 89
Top Cover Robert Taylor print signed by 93 WW2 fighter, bomber and Battle of Britain aces. A superb one off prints with the autographs collected personally at many signing event of a number of years. by 1 Tony Gaze, 2 Ted McGindle,, 3 Albert Gregory, 4 Keith Aldridge, 5 Roy McGowan, 6 Terry Clark, 7 Billy Drake, 8 Bob Foster, 9 Doug Nicholls, 10 JR Toombs, 11 Peter Ayerst, 12 Peter Cunningham, 13 Bob Nawarski, 14 Raymond Baxter, 15 Alfred Ball, 16 Byron Duckenfield, 17 Bob Large, 18 Frank Wheeler, 19 Viv Snell, 20 MS Pujji, 21 Stanley Brand, 22 Edgar Lee, 23 Terence Bulloch, 24 Ted Dunford, 25 Hilly Hilliard, 26 Tommy Broom, 27 Doug Hadland, 28 Ken Johnson, 29 Ron Homes, 30 Bill Lucas, 31 Benny Goodman, 32 Ian Blair, 33 Tom Neil, 34 Peter Brown, 35 Trevor Gray, 36 Eric Brown, 37 Dennis Eales, 38 Alan Oates, 39 George Raine, 40 Ray Thomas, 41 Jack Biggs, 42 Eric Burke, 4 Peter Green, 44 Bob O'Dell, 45 Jack Routley, 46 John Elliott, 47 Clifford Caley, 48 Jack Linaker, 49 Andrew Barron, 50 Alfie Fripp, 51 Ron Wade, 52 Ken Cockram, 53 Jimmy Taylor, 54 Eric Carter, 55 Rodney Scrase, 56 Ron Powers, 57 Harry Irons, 58 Terence Kane, 59 Geoffrey Wellum, 60 Tony Pickering, 61 Ken Wilkinson, 62 Doug Vince, 63 William Gould, 64 Andy Wiseman, 65 Alan Payne, 66 Rusty Waughman, 67 Len Manning, 68 Tom Coles, 69 Gordon Mellor, 70 Ron Brown, 71 Ernie Patterson, 72 Bluey Mottershead, 73 Eric Varney, 74 Ralph Wild, 75 Jim Wright, 76 Ray Worrall, 77 George Cash, 78 Maurice Webb, 79 Tadeusz Andersz, 80 Jurek Mencel, 81 Adam Ostrowski, 82 M Sawici, 83 Marian Jankiewicz, 84 Stefan Ryll, 85 Francis Pavey (Tomczak), 86 John Linford, 87 Mike Randles, 88 Boleslav Jan Klecha?, 89 Franciszek Kornicki, 90 Harold Wood, 91 JH Waye, 92 Jack Ball ??, 93 Rafael 'Howard' Boyers. From the Battle of Britain to the last days of a crumbling Third Reich, the magnificent Spitfire became a symbol of the heart of a nation. For one Halifax crew on 6 October 1944, the presence of 610 Squadron's Spitfires became a godsend. Tony Gaze and his flight of 610 Squadron Spitfires have picked up a severely damaged Halifax over Holland as it lumbers homeward after an attack on synthetic oil plants in Germany. Two crew members have been ordered by skipper Ted McGindle to depart the ailing bomber by parachute while he struggles on with other crew members too badly wounded to escape. Top cover provided by 610's Spitfires ensured this 462 Squadron Halifax made it home on that October day. Comes with 7 pages of career info on many of the autographs and in the companion book see LOT90. Highly Collectable piece of WW2 history. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 105
Alma Singer (British, born 1986)Genius; Masterpiece Two archival inkjet prints in colours with screenprinted varnish, 2023, on Somerset Satin paper, each signed and inscribed 'AP', two artist's proofs aside from the numbered edition of 25, printed and published by Jealous Gallery & Print Studio, London, the full sheets, framedEach sheet 560 x 400mm (22 x 15 3/4in)(2)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- each float-mounted to the backing board n several places versoOtherwise, in very good condition, the colours fresh and bright. Unexamined outside of the frame. The full sheet visible within the frames.
Lot 122
Nick Smith (British, born 1984)Fame; Beauty Two giclée prints in colours with screenprinted varnish, 2022, on wove paper, each signed, dated and numbered 46/66 in pencil, published by Rhodes Contemporary, London, with their and the artist's blindstamps, with full marginsEach sheet 620 x 600mm (24 3/8 x 23 5/8in)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com These works are unframed.In addition to the catalogue entry:- a very soft half-moon crease to the lower left margin of 'Beauty' Otherwise, in very good condition, colours are fresh and bright.
Lot 164
Cui Xiuwen (Chinese, born 1970)One Day in 2004, No.3 Chromogenic prints in three parts, 2005, on photographic paper, each signed, titled, dated and numbered 4/6 in ink verso, the full sheets, framedEach sheet 1150 x 805mm (45 1/4 x 31 3/4in)(3)For further information on this lot please visit Bonhams.com
Lot 44
David Shrigley (British, born 1968)My Artwork is Terrible and I Am a Very Bad Person Linocut, 2018, on wove paper, signed with the initials, dated and numbered 23/125 in pencil, published by Schäfer Grafik, Copenhagen, the full sheetSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- a few tiny nicks to the sheet edges in places- a few possible finger prints to the upper sheet edgeOtherwise, in good condition.
Lot 82
Tracey Emin (British, born 1963)My Favourite Little Bird Offset lithographic poster in colours, 2015, on glossy wove paper, signed and inscribed 'X' in silver felt-tip pen, from the edition of 500, printed and published by Emin International, London, the full sheet Sheet 700 x 500mm (27 1/2 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- minor handling creases to the sheet- occasional nicks to the sheet edges and corners - a few finger prints to the surface, only visible in raking light- occasional soft scuffs in placesOtherwise, in very good condition, colours are fresh and bright.
Lot 83
Tracey Emin (British, born 1963)The Kiss Was Beautiful Offset lithographic poster in colours, 2015, on glossy wove paper, signed and inscribed 'X' in silver felt-tip pen, from the edition of 500, printed and published by Emin International, London, the full sheet Sheet 700 x 500mm (27 1/2 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- handling creases to the sheet- occasional nicks to the sheet edges and corners - a few finger prints to the surface, only visible in raking light- occasional soft scuffs in placesOtherwise, in very good condition, colours are fresh and bright.
Lot 89
Damien Hirst (British, born 1965)The Empresses (H-10) The complete set of five laminated giclée prints with screenprinted glitter, 2022, on aluminium composite panels, each signed in pencil on the publisher's labels affixed verso, each stamp-numbered 1715 from the editions of varying sizes, published by Heni Editions, London, the full sheets printed to the edges, housed in the original packagingEach sheet 1000 x 1000mm (39 3/8 x 39 3/8in)(5)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com Numbering:H10-1. 1715/2853H10-2. 1715/3041H10-3. 1715/3315H10-4. 1715/3310H10-5. 1715/2814Each in very good original condition, housed within their original packaging.
Lot 1338
Fionnuala Boyd & Leslie Evans, British, b.1944 & b.1945- The Flood, 1971; and Untitled, 1971; etchings and aquatint on paper, four prints on two sheets, the first sheet signed, dated, titled, and numbered '17/25' in pencil, the second sheet signed, dated, and numbered '3/25' in pencil, each print 20 x 20 cm. (2) (ARR) Condition Report: Both sheets are framed and glazed, and unexamined out of the frames. Minor cockling to the sheets. Light creases and marks generally, consistent with handling, alongside discolouration and spots of foxing generally. In fair condition overall.
Lot 1359
John Walker, British b.1939- The Forge, 1990; 12 screenprinted woodcuts on du Chene Colombe wove,each signed, dated and numbered 7/8 AP in pencil,printed by Advance Graphics, London,published by Waddington Graphics, London,each 75 x 55 cm (unframed) (13 including frontispiece) (ARR) (VAT charged on the hammer price) Condition Report: Prints are in generally good condition but the frontispiece is quite yellowed by sun damage
Lot 326
Starwars - lucas Films, Darth Sidous replica Lightsaber, Episode III, Revenge of the Sith, limited edition, no 2172; Masterworks, Lithographs collection prints, box set ; embroidered emblems collection, 3204/8000, Etched Badges, 3246/8000; Space Precinct film prop 50 credit notes, framed with certificate (5)
Lot 229
A group of etchings, prints and a watercolour to include Luther Roberts (1923-1988) - Don Quixote prints from life, etching, numbered 2/10, titled and signed in pencil to lower margin, 32cm x 21cm, mounted in glazed frame; Mollie Russell-Smith (1923-2014) - Between the Trees, artist proof etching, 11.5cm x 13,5cm, mounted in glazed frame; a print after Ito Jakuchu of chickens, an unsigned watercolour, and others Location:
Lot 391
A group of framed and glazed horse racing and horse themed prints to include Constance Halford Thompson 'All Out' a limited edition print numbered 128/520 titled and signed in pencil to lower margin 42cm x 53cm; A Lyons 'Stallion' limited edition print numbered 1/50 titled and signed in pencil to lower margin, and various others Location:
Lot 617
Four Colour Prints of the 78th Highlanders, by R. Simkin, taken from the book ‘History and Services of the 78th Highlanders 1799-1881’, by Major H. Davidson, comprising a group of Highlanders in uniform in India in 1852; a group of Highlanders in uniform in 1859, with some wearing the Indian Mutiny Medal; a group of Highlanders in uniform in 1877, with the Colonel of the Regiment mounted; and the original Colours of the 78th Highlanders carried during the campaigns 1793-96, all mounted in matching glazed display frames, approximately 400mm x 340mm, generally good condition (4) £30-£40
Lot 198
Utagawa Kunisada I (Toyokuni III, 1786-1864), two woodblock prints from the series Magic Lantern Slides of that Romantic Purple Figure (Sono sugata yukari no utsushi-e): chapter 47, Trefoil Knots (Agemaki) and chapter 51, A Drifting Boat (Ukifune), Edo period, circa 1852, woodblock prints, ink and pigments on paper, each signed Toyokuni ga, published by Izumiya Ichibei (Kansendo), horizontal oban, mounted, framed and glazed, each sheet approx. 33.8 x 22.6cm (2) Condition Report: 品相報告Unexamined outside frame and glaze. A couple of faint creases and some light fading, otherwise generally good. Some light foxing/discolouration to mount. The erotic prints unexamined.
Lot 201
Three Japanese woodblock prints, to include: After Utagawa Hiroshige, Shinagawa: View of the Station from Goten-yama, from the Fifty-Three Stations of the Tokaido Road 'Vertical' series, held in a gilded glazed frame, 36 x 25cm; After Hiroshi Yoshida, Sacred Bridge, held in a bamboo glazed frame, 24.5 x 36.6cm; and a print in red and blue tones of a gathering in a landscape, 21cm x 30cm (3)(VAT charged on the hammer price)
Lot 757
Pieter Joseph de Pannemaeker, Belgian 1832-1904- Heliconia Triumphans; lithograph printed in colours, 35.7 x 27 cm.: together with a number of prints by the same artist and by a variety of others, largely depicting botanical and topographical subjects (a lot) (unframed)Condition Report: All unframed. Creases, folds, and marks to all of the sheets. Evidence of discolouration to many of the sheets, alongside spots of foxing. Further tears and some damage to some of the sheets. Otherwise in fair condition overall.
Lot 440
A GROUP OF SIX MODERN PRINTS. (d) Comprising `Portrait de Signac`, aquatint by Victor Joseph Roux Champion, 18.5 x 12.5cm.; `Moulin Debray a Montmartre`, etching by Eugene Delatre, 18.5 x 13.5cm.; `The Opera: The Harpist`, etching by Paul Renouard, 40.5 x 28.5cm., this unframed; `L'oiseau aet son Nid`, colour lithograph after Georges Braque, probably from `Derriere Le Miroir`, 33 x 49.5cm.; frame of five small wood engravings by Eric Ravilious, 3.5 x 4.5cm approx.; and a colour linocut, woman with an umbrella, in the style of William Nicholson, 17.5 x 20.5cm. (6). *CR Delatre, Renouard and Braque with foxing; Braque with central vertical fold as issued; the `Nicholson` fair only.
Lot 444
RALPH STEADMAN (B.1936). After. QUASIMODO MOUSE. (d) Colour reproduction, signed and numbered 130/150 43 x 59.5cm.; with three further prints after Steadman, comprising `Down the Rabbit Hole` from `Alice in Wonderland', 1973 (this dedicated `for AK` in marker pen and signed and dated `20. Dec. 1987` in ballpoint); `Caring Banks`, 1985; and `Disneyland`, various sizes (4). *CR Some slight time toning and/or minor handling creases.
Lot 486
SIR MUIRHEAD BONE (1876-1953). AN INTERESTING FOLIO OF ASSORTED WORK OFFERING A BROAD OVERVIEW OF THE ARTIST'S OEUVRE. (d) Comprising an interesting and varied selection of naval and marine subjects, landscapes and topography, figure studies (including skilfully observed studies for `Winter Mine Laying off Iceland`, 1942), working studies and slight sketches, numerous studies on tracing paper and other sketches, many colour prints of war subjects etc Various media, to include charcoal, black crayon, pencil, ink, crayon and pastels. *CR Fair; some creasing, foxing, surface soiling, stains etc.
Lot 866
ALBUM OF JAPANESE WOODBLOCK PRINTS - 'TOKAIDO' AFTER UTAGAWA HIROSHIGE. An album with 18 various woodblock prints after Utagawa Hiroshige. With various views of the Tokaido, including stations, bridges, processions of figures, Mount Fuji etc. In their original card cover, album 26cms by 20cms, prints 24.5cms by 18cms. *CR Cover of the album is quite tatty, edges of the pages have been well thumbed over the years. Prints, see online images for condition.
Lot 892
PAUL JACOULET (FRENCH 1896-1960) - TWO FRAMED COLOURED WOODBLOCK PRINTS. A coloured woodblock print 'Hokkan Zan, Seoul Coree', signed with Red Jar stamp (39cms by 30cms, frame 64.5cms by 52cms). Also with another print 'L'Homme, Accroupi Chinois', also signed and with Red Owl stamp (39cms by 30cms, frame 64.5cms by 52cms). (2). *CR Hokkan, various foxing to the face and clothing of the figure, also some foxing to the mountains in the background. L'Homme, also with various foxing spots to the face, and right side of the background, also with a couple of other small marks.
Lot 168
T. Gring, British School - Sailing Vessel in Calm Seas, watercolour, signed and dated 1869, 13cm x 22cm, together with a quantity of watercolours, drawings and prints by various hands.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 78
Thomas Shotter Boys - 'Hyde Park' and 'Piccadilly', two 19th century lithographs with hand-colouring, 31.5cm x 44cm and 33.5cm x 44.5cm respectively, both within gilt frames, together with two prints after George Morland. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 80
British School - 'Mr Emblin's Academy', 19th century etching with aquatint, 30cm x 44cm, within a gilt frame, together with four other prints and an architectural drawing. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 85
William Woollett - 'A View of Foots-Cray Place in Kent, the Seat of Bourchier Cleeve Esq', 18th century engraving, with later hand-colouring, together with a similar engraving, 'A View of the Canal and of the Gothick Tower in the Garden of His Grace the Duke of Argyl at Whitton', both within Hogarth style frames, and two other Country House prints. Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 123
Anna Pugh - 'A Good Book' and 'Hup A', a pair limited edition giclée colour prints, both signed and editioned 47/95 in pencil recto, Aquarelle Publishing Ltd certificate verso, each 39.5cm x 46cm, both within gilt frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 32
Benjamin Thomas Pouncy, after William Alexander - 'Chinese Barges of the Embassy passing through a Sluice on the Grand Canal' and 'Chinese Military drawn out in Compliment to the British Embassador', a pair of engravings with later hand-colouring, published by George Nicol 1796 for 'The Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', each 33cm x 41.5cm, both within gilt frames, together with two other prints from the same series, 'View in Turon Bay' and 'Natives of Cochin-China, Playing at Shittle Cock with their Feet'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 27
Peter Carreras - a quantity of approximately twenty-four colour prints, mainly signed and editioned in pencil, together with various related printing plates.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 712
Full title: Two Japanese Ukiyo-e woodblock prints, Utagawa Kunisada II (1823-1880) and Kunimasa Utagawa V (1874-1944), Meiji, 19th/20th C.Description: Work: ca. 69,5 x 33,5 cm Frame: 81 x 47,5 cm Work: ca. 50 x 36,5 cm Frame: 77,5 x 57,5 cm The woodblock print on the right side: 'Shichidanme' by Utagawa Kunisada II (1823-1880),vertical oban diptych, with the Toshidama seal (年玉ã®å°) in red ink under the signature, published in 1865 byIseya Kanekichi. The print depicts a scene from Act VII of a jÅruri performance of the play 'ChÅ«shingura Sugata no Eawase' which played at the Ichimura-za on May 7, 1865. Ichimura Kakitsu IV seated on the far left and BandÅ MitsugorÅ VI to his right are providing a chanted narrative, accompanied by Ichikawa Shinsha on shamisen. In front of them we see BandÅ HikosaburÅ V as Teraoka Heiemon and his younger sister (ImÅto) okaru. The woodblock print on the left side depicting a scene of the Russo-Japanese War. Ref.: - A similar 'Shichidanme' print is part ofThe Lavenberg Collection of Japanese Prints. (link). - Some Utagawa Kunimasa V prints part of the collection of the British Museum. (link)
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