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This original WWII-era homefront propaganda poster, published in 1942 by Victory Builders, was created by Bressler Editorial Cartoons, Inc. The striking artwork, signed Bressler, depicts a determined industrial worker flexing his muscles, symbolizing the essential role of factory laborers in wartime production. The bold text, "I'm a Fightin' Man Too! Watch My Smoke", reinforces the message of unity between the homefront workforce and soldiers on the battlefield. Featuring a dynamic color palette of blue, yellow, and orange, this poster embodies the patriotic spirit of wartime America. A powerful historical artifact and a rare collectible for WWII memorabilia and propaganda poster enthusiasts.Artist: Bressler Editorial CartoonsIssued: 1942Dimensions: 27"L x 40"HCountry of Origin: United StatesCondition: Age related wear.

[Chinese Propaganda] A group of items including five colour posters comprising a poster for The Revolution Propaganda of Mao Zedong Thought, The Proletarian Revolutionaries Hold Great Power! (1968), another from 1970 Unite To Defeat The American Invaders, a poster of Ouyang Hai (member of the Communist youth league, killed whilst preventing a rail disaster) and a framed colour print of Chairman Mao declaring the establishment of the People's Republic, taken from a 1953 painting, the text of all in Chinese. Brochure of a Revolutionary Modern Dance Drama 'Red Detachment of Women' (text in Chinese) Adapted by the Chinese Dance Drama Troupe May 1970 with illustrations from the performance, in colour wrappers. China Reconstructs, two illustrated Magazines for August & Oct. 1967. Book of Quotations from Chairman Mao Tse-Tung published Peking 1966. Colour paper tags for the 50th Anniversary of the Communist Party 1921-1971 and six Chinese pin badges

Leni Riefenstahl, Third Reich movie star and director, Hitler's favourite actress who directed the propaganda movies Olympia and Triumph of the Will signed 6x4 inch photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Six reproduction WWII propaganda posters

A MID-CENTURY NORTH VIETNAMESE PROPAGANDA POSTERAnti-Diệm regime and American involvement in Vietnam. Ngô Đình Diệm was the Prime Minister of South Vietnam before he was assassinated in 1963. 94 x 61 cmFramed and glazed 101 x 67 cm

A collection of German WWII propaganda books, photos, documents etc.

WW2 Hitler Hate Club War Propaganda Badges: Wartime period circular bronzed badges, portraying a "lion rampant" suppressing the dreaded serpent bearing the head of 'Adolf Hitler', with battleship in the background and title scroll below "Hitler Hate Club", the reverse stamped in relief "Protected Design" with buttonhole fixings to back. 4 items

WW2 Japanese Military Patriotic Kimono: Printed type propaganda kimono with military panels sowing aircraft, steam train, machine gunners in action, flags and tanks, showing the might of Japanese Empire. Kimono is lined inside and with blue cloth belt in good condition.

WW1 German Propaganda Book and WW2 German Stamps, Original period ww1 German booklet with pictures of the Great War, nice cover, showing signs of age. The book has pages missing and starting with page 41. Also included in this lot is a page of ‘Deutsches Reich’ stamps with Adolf Hitlers portrait donning them. Good condition.

1936 The Thos. D. Murphy Co. Red Oak Iowa, The Birthplace of Art Calendars, The Spirit of Youth calendar, a selection of WWII propaganda adverts and others (1 bag)

Daniel Richter (deutsch, geb. 1962), Propaganda 1, 2001. Farblithografie auf Bütten, unten monogrammiert, verso : 302 B3 Fomm Wilfried Köl, Darstellungsmaß: 38 x 32 cm, Blattmaß: 58,5 x 42 cm. Guter, altersbedingter Zustand.

An unmounted Chinese poster, probably intended as a Propaganda work, depicting a Red Guard from the Mao Zedong era, beside an elderly man; 60 x 35.5 cm

GENIUSZeitschrift für werdende und alte Kunst. Hrsg. von C. G. Heise, H. Mardersteig u. K. Pinthus. Jahrgänge I-III (alles) in 3 Bdn. München: Kurt Wolff Verlag 1919-21. 34,2 x 26 cm. Mit 16 OrGraphiken sowie zahlr. Abbildungen und Beilagen. 319; 332; 356 SS. OrHPgt. mit Rs. und goldgepr. Deckelvignette.(Leicht berieben und bestoßen, kleinere Bezugsdefekte an Ecken und Kanten. Deckel mit schwachen Kratzspuren. Vereinzelt geringe Alterspuren.)Raabe, Zeitschriften 74. Diesch 2968. - Mit 8 OrHolzschnitten von R. Seewald, F. Marc, E. Heckel, M. Kaus, F. Masereel, A. Rouveyre, K. Schmidt-Rottluff (2) und 7 OrLithographien von I. Epper, K. Caspar, A. Archipenko, G. Ehrlich, K. Hofer, A. Kanoldt und E. Scharff sowie 1 OrRadierung von H. Nauen. - „Die Sucht zum Ungewöhnlichen um jeden Preis und die sektenhafte Verstiegenheit ihrer Götzendiener hat wertvolle Beurteiler kopfscheu gemacht und die Gesamtheit der jungen Schaffenden in falschen Ruf gebracht. Die Zeit ist reif, um allem Wirrwarr der Richtungen zum Trotz Nuancen zu vergessen, das Einigende bewußt zu unterstreichen, an Stelle fantastischer Propaganda die besonnene Auswahl des Besten zu setzen, mit dem Herzen leidenschaftlich dem Neuen zugetan, aber ohne lähmende programmatische Formel, als höchsten Maßstab einzig anerkennend, ob das gebotene Werk selbst Leben hat und Leben zeugt“ (Vorwort zu Bd. I). - Die wichtigste und meistbeachtete deutsche Kunstzeitschrift unter Einbeziehung der expressionistischen Dichtung. Mit Beiträgen führender Kunsthistoriker und Vertreter des Museumswesens.

Assorted Third Reich Propaganda Badges or Tinnies, including 'Fliezer - Treffen Hamburg 1934' Tag Der Arbeit 1935 & Tag Der Wehrmacht Frankfurt Main 19.3.36 (approximately forty).

Assorted Third Reich Propaganda Badges or Tinnies, including 'Tag Der Deutschen Polizei', NSBO Grutag Mittelfruken 1933' & Kreistag 19/20.6.37 NSDAP Thuringen' (approximately forty-four).

Reproduction German Military Caps, flags (one Russian), decorations, propaganda medallions, US cloth patches, model battleships (some parts may be missing) and War Dead of the Commonwealth 1939-1945 - Norfolk CWGC 1961 book, military-style belt.

Assorted Third Reich Propaganda Badges or Tinnies, including 'Fest Der Jugend Juni 1933', 'Wir 1934 & 'Aufwarts Aus Eigener Kraft' (approximately forty-six).

Assorted Third Reich Propaganda Badges or Tinnies, including 'Kreistag Koln 1937', Lebe der Reservemann & Grundsteinlegung Des Volkswagenwerkes Mai 1938 (approximately forty-three).

WWII Home Front Reproduction Information and Propaganda Posters, including 'Let Us Go Forward Together', 'Keep Mum She's Not So Dumb' and 'Women of Britain Come Into The Factories', (7)

WWI German Third Reich Wehrmacht Four Year Long Service Medal, Kriegsmarine cloth insignia, pith helmet shields, police cap badge, tunic badge, propaganda books, Adolf Hitler photo card album, Handbuch Der Judenfrage, Theodor Fritsch 1937 and Neu Geist - Neue Zeit Inge Wessel 1937 all printed in German language.

A vintage style war propaganda poster "keep mum, shes not so dumb" and another "the Navy thanks you"

Edna Andrade (American, 1917-2008). Serigraph on paper print titled "Color Motion 5-65" depicting an op-art composition of red and white squares. Pencil signed, titled, and numbered 24/50 along the lower corner as well as the verso.Lot Essay:Edna Andrade was an American abstract artist and a pioneering figure in the Op Art movement. Born in Portsmouth, Virginia, she studied at the Barnes Foundation, the University of Pennsylvania, and the Pennsylvania Academy of Fine Arts, where she was influenced by the Bauhaus movement and German modernism. She spent most of her life in Philadelphia, where she taught for three decades at the University of the Arts. Andrade's early career included working on propaganda materials during World War II and creating public artworks for institutions like the Free Library of Philadelphia. Her early artistic output consisted of watercolor collages and abstracted landscapes before she transitioned to geometric abstraction in the 1950s.As a key figure in Op Art, Andrade’s work explored perception through geometric precision, symmetry, and color contrasts. Her paintings, such as Motion 4-64 and Turbo I, create optical illusions that engage the viewer’s visual experience. Influenced by artists like Paul Klee and Piet Mondrian, as well as disciplines like mathematics and philosophy, Andrade’s work was highly structured yet visually dynamic. Though she received significant recognition later in life, including awards for teaching and artistic achievement, her contributions were somewhat overlooked during her lifetime by the dominant New York art scene. Her legacy continues through retrospectives and scholarships, such as the Edna Andrade Emerging Artist Award, which supports female artists in their careers.Sight; height: 39 1/4 in x width: 39 1/4 in. Framed; height: 48 3/4 in x width: 48 3/4 in x depth: 1 3/4 in.Condition: The sheet is toned. There are no visible tears, creases, losses, or repairs. Housed under an acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.

Edna Andrade (American, 1917-2008). Silkscreen on layers of glass and mirror, 1973. Etched into the lower right corner "For Steve Lavino, From Edna, 12/24/73." Depicting an Op-art composition of waves of black, white, and red lines.Lot Essay:Edna Andrade was an American abstract artist and a pioneering figure in the Op Art movement. Born in Portsmouth, Virginia, she studied at the Barnes Foundation, the University of Pennsylvania, and the Pennsylvania Academy of Fine Arts, where she was influenced by the Bauhaus movement and German modernism. She spent most of her life in Philadelphia, where she taught for three decades at the University of the Arts. Andrade's early career included working on propaganda materials during World War II and creating public artworks for institutions like the Free Library of Philadelphia. Her early artistic output consisted of watercolor collages and abstracted landscapes before she transitioned to geometric abstraction in the 1950s.As a key figure in Op Art, Andrade’s work explored perception through geometric precision, symmetry, and color contrasts. Her paintings, such as Motion 4-64 and Turbo I, create optical illusions that engage the viewer’s visual experience. Influenced by artists like Paul Klee and Piet Mondrian, as well as disciplines like mathematics and philosophy, Andrade’s work was highly structured yet visually dynamic. Though she received significant recognition later in life, including awards for teaching and artistic achievement, her contributions were somewhat overlooked during her lifetime by the dominant New York art scene. Her legacy continues through retrospectives and scholarships, such as the Edna Andrade Emerging Artist Award, which supports female artists in their careers.Height: 12 3/4 in x width: 11 1/4 in x depth: 1 1/4 in.Condition: There are no breaks, losses, or repairs. The back panel is slightly loose in the frame. Light wear to the frame. Some dust gathered throughout.

The War Gallery A 1910 'People's Budget' propaganda poster and three others Under Free Trade For Every £1 Spent, published by the Budget Protest League, Caxton House, Westminster, produced by The Dangerfield Printing Company Ltd, produced in reply to Lloyd George’s ‘People’s Budget’ in 1909 which caused three years of political turmoil, 77cm x 52cm; together with 'The Conscience Clause, section 21 of the Elementary Education Act, 1921; and two reproductions promoting enlisting to the war effort.

Britain in the Blitz Propaganda A "Financial Times " newspaper advertising street board with pressed tin sign 83H x 56W together with a similar vacant lozenge shape board.

Clare Sheridan (1885-1970) - English sculptor, writer, and Sir Winston Churchill's cousin. A unique and important personal photograph album showing Sheridan's secret trip to Russia in the summer of 1920, along with a signed photograph by Winston Churchill. In the summer of 1920, the first Soviet Russian trade delegation visited London. Sheridan met Lev Kamenev, a Russian revolutionary and Soviet politician. The two struck up a relationship and she holidayed with him on the Isle of Wight. Whilst there, Kamenev promised to arrange for her to visit Moscow with him, to further her sculpture work and to create busts of notable Russian figures. With deep unease around the world, the British authorities refused to issue her a visa. Instead, she sailed with Kamenev to Stockholm, where he obtained an Estonian visa for her which allowed her entry to Russia. Once there, she stayed in the Kremlin for two months where her sculpting subjects included Vladimir Lenin, Leon Trotsky, Felix Dzerzhinsky and Kamenev himself. She is reputed to have had affairs with more than one of her sitters. Winston Churchill, as Secretary of State for War, was pressing for British and allied intervention in the Russian revolution and was furious to learn of Sheridan's activities. When she returned to London, Churchill refused to see her, and she found herself widely shunned in polite society. MI5 kept a watch on Sheridan for the rest of her life, and they believed that she had been recruited as a spy for the Soviets, although this was later dismissed and she was labelled a 'mischief-maker.' The period brown leather album contains eighty-three laid-in photographs, largely taken by Sheridan, and most annotated alongside in pencil, in her hand. Some - but not all - were published in her Russian Portraits (1921) and Mayfair To Moscow (1921) diaries. Our research indicates that approximately fifty percent of the images are previously unpublished and unseen. Some of the photographs are faded, whilst others are not. Throughout the album Lev Kamenev is referred to as 'Kameneff' (the alternative Anglicised spelling being well documented in Sheridan's diary). Other names and places are alternatively spelled; either Anglicised, or simply by error. Most of these alternate spellings also align with her diary. The album starts in August 1920 and two images show Sheridan & Kamenev at the residence of Sidney Russell-Cooke on the Isle Of Wight. 'Self & Kameneff in Russell-Cook's garden, Isle Of Wight'. One photograph shows Kamenev and Russell-Cooke, the other is a relaxed pose with Kamenev and Sheridan sitting close together, smiling for the camera. It was during this trip that Kamenev convinced Sheridan to make a trip to Moscow, and the conversation is well noted in Sheridan's diary (August 28th 1920). Within two weeks, the trip was planned and made. The next two pages of photographs depict the start of Sheridan's journey on SS Jupiter, with 'Sydney R.C. sees us off' (this too is well documented in her diary) and 'Kameneff & I start for Moscow'. En route to Moscow, they passed through Oslo and Sheridan has photographed a memorial 'enroute from Oslo - memorial to Scott at a railway station'. The next pages feature large format photographs taken by Sheridan in Oslo and show a meeting between Kamenev and Maxim Litvinov (Sheridan spells this 'Litvinoff') and Litvinov's son, Sacha (we believe this to be a mis-remembering by Sheridan as Litvinov's son's name was actually Mischa. This error was corrected in her published diaries). These particular images were published by Sheridan in 1921, however one particular photograph showing Kamenev, Litvinov and Misha is known to exist only in defaced form - with Kamenev removed. The photograph in this album is the full original image. The next pages are dated 'Sept 20' and two images depict a train journey, annotated 'En route for Moscow - Kameneff's son and I cross the frontier on the engine,' and 'Kameneff at the Russian frontier (his son on the engine)'. The next three images depict 'remnants of civil war' - damaged bridges, taken from the train. The larger of these images was published, the others are alternative unpublished views. From these photographs onwards, all the images taken show Sheridan's time in Moscow and include images variously annotated: 'In the Kremlin - entrance on right to Kameneff's apt,' 'Arrive at the Kremlin,' 'Anna the maid in the window of the Kameneff apt, Kremlin,' 'view from the window in the Kremlin,' 'Kremlin - our Rolls Royce!' 'Self in the Kremlin,' 'The red guard, Kremlin,' 'a corner of the Kremlin - the cathedral?' 'The great bell - Kremlin,' one larger annotated page reads 'I have nothing to do & I can't get outside the Kremlin, so I wander about with my Kodak - Sept 1920' followed by several views of the interior perimeter of the Kremlin, 'The courtyard outside my studio,' 'the great canon taken from Napoleon,' several photographs of the Sofiyskaya 'this is where I was finally housed,' a large format photograph of Leon Trotsky & Lev Kamenev's sons playing - annotated 'Serge Trotski (left) and Alexander Kameneff (right).' Two larger format photographs follow showing 'Imperial eagle flung down from the top of the museum - Moscow, 1920', followed by further views of the Kremlin. Five more laid-in images depict statues in Moscow 'statue of Dostoevski in a square in Moscow.' The next page shows Theodore Rothstein outside the Kremlin (mis-identified by Sheridan as 'Rosenberg (expelled from England)', a previously undocumented photograph of Mikhail Markovich Gruzenberg (Mikhail Borodin) taken by Sheridan annotated 'Michael Borodin' appears to have been taken in her studio / apartment in the Kremlin. This is followed by views of a Moscow market 'but nothing to buy,' Sheridan writes. To the penultimate page of the album are three photographs annotated 'photos of the revolution given me by the (illegible) and propaganda,' and 'Kameneff addressing a crowd.' These three images all feature signatures to the by an unknown hand, presumably the original photographer. The final photograph is annotated 'famous photo, published so often - showing the fighting in the streets of Petrograd' - this image too was likely given to Sheridan. The rest of the album is unfilled. Album size: 22cm x 16cm.Clare Consuelo Sheridan (1885-1970) was an English sculptor, and writer, known primarily for creating busts for famous sitters and keeping travel diaries. A cousin of Sir Winston Churchill, whom she embarrassed with her wild behaviour. She married in 1910 and had three children, one of whom died in 1914. She modelled an angel for the grave and discovered a talent for sculpture. After her husband's death during the First World War she exhibited her sculptures. She was an admirer of communism, and visited the Soviet Union in 1920 against the advice of Churchill and the British Government. There, she sculpted Lenin and Trotsky, later publishing her diaries. This infuriated Churchill who was very anti-Bolshevik and it caused the first of the ‘scandals’ that would keep her name buzzing on the world’s press wires for the next 30 years. She then went to America, where she settled, becoming friends with Charlie Chaplin. Now older, she took her children to live in Algeria and continued to sculpt and write. She died in 1970. NOTE: in respect to the eventual purchaser, and to safeguard the unseen nature of the images, only a handful have been illustrated here. Further images of the unpublished photographs will not be shown or sent for any reason. In-person viewing can be arranged on a strict one-to-one basis but no copying or photography of the album will be allowed.

Two 'Canada' shoulder flashes; a 'West Yorkshire' cap badge; a '1914' propaganda cross.

WWII folder of British Government Counter Propaganda documents stamped to inside back wrapper 'Supplied for the Public Service', (the folder 35cm x 22cm) Most documents with the heading 'This Document is the Property of His Britannic Majesty's Government', with most documents dating from the 1940 and in advance and after D day including ephemera leaflets, flyers and printed communications addressing the residents of various countries - flown in by the RAF, including 'Le Courier d L'air', 10 June 1944, a flyer communicating the confiscation of Radios by the German army and advertising the new hours of transmissions of French news on the BBC, various German language flyers and small magazines showing the failure of the German army's and German government strategies (Luftpost 13 Februar 1944), a flyer with a warning to German officers who have mistreated prisoners of war signed in print by Churchill, Truman and Stalin 'Alliierte Kriegsgefangene ... Warnung and jeden, der fur Ihre Behandlung verantwortlich ist', a leaflet in colours entitled 'Sie Kommen' showcasing the futility of opposition to the allied forces' with further leaflets and translations thereof distributed by air in France, Germany, The Netherlands, Belgium, Czech Republic, Denmark, Norway and Italy; also bound with a sheet of gummed propaganda labels in orange and black with the Belgian lion dated 31 August

A large Victorian Tory propaganda poster 'In Work', printed with a contented tradesman with blue ribbon in his lapel, inscribed below for Fountains Engineers, Leeds, 245 x 110 cm

A collection of WWII propaganda posters, including Frank Newbould and Montgomery, reproduction

Two WWII French/German propaganda poster prints, in clips frames

Konvolut Literatur bzw. Propaganda aus der Zeit des dritten Reichs. 5x Die Reden des Führers am Parteitag; 5x Der Schulungsbrief und 13x National-Sozialistische Monatshefte. Alters- und Gebrauchsspuren.

This collection of five hardcover books offers an in-depth exploration of World War II, Nazi Germany, military history, and the cultural impact of the era. Radio Priest by Donald Warren examines the life and influence of Father Charles Coughlin, a controversial radio personality known for his political rhetoric during the 1930s. Fuhrer-Ex by Ingo Hasselbach with Tom Reiss is a powerful memoir of a former Neo-Nazi who ultimately renounced extremism and exposed the inner workings of far-right movements. Hitler and the Power of Aesthetics by Frederic Spotts provides a unique perspective on Adolf Hitlers obsession with art, culture, and propaganda, shaping the Nazi vision. Eagle in Flames: The Fall of the Luftwaffe by E.R. Hooton offers a detailed analysis of the decline of Nazi Germany’s air force and its impact on the wars outcome. Fortress Europe: European Fortifications of World War II by Kaufmann & Jurga presents a comprehensive study of the defensive structures and strategic fortifications built across Europe during the war. This set is ideal for history enthusiasts, collectors, and researchers seeking insight into the political, military, and cultural aspects of World War II. Largest book measures 9.5"H.Dimensions: See DescriptionCondition: Age related wear.

Three Nazi propaganda posters, approx 24cm x 34cm excluding frames. Shipping category B.

A Second War German U-boat U-9 propaganda lapel badge

Hitler Hate Club Badge. Very little is known about this club. Maybe it was organised through a newspaper or periodical at the start of the War as a lot of Home Front propaganda items were being produced in the first year of the war, partly to stir up pro-war fervour, mostly to generate a profit. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

An early 20th century John Hassal pewter propaganda Bulldog. Set in a seated position with "How Wow" and "Hoch Hoch" inscribed to the collar, if placed upside down takes the form of an eagle, 9cm high.

A mid-20th century Chinese Revolutionary Committee Propaganda poster, 52 x 76.5cm

A reproduction propaganda poster 'Dig For Victory', together with A WWII 'Order of the Day' Civil Defence poster dated June 12th 1941, the largest 76 x 50.5cm

CD Albums, approximately eighty CD albums with artists comprising U2, Depeche Mode, The Stone Roses, Magazine, The The, Pete Shelley, Yellow Magic Orchestra and related, Garbage, Big Country, Eels, The Beat, Propaganda and related, Blancmange and Erasure / Andy Bell - mainly all in Excellent condition

Posters, three vintage Soviet posters, propaganda poster for the 27th Congress of the Communist Party, depicting Lenin, Soviet Movie poster for the film Everything is fine directed by Oleg Rozenberg 1988, Soviet movie poster for a Hungarian film The Fate of the clown 1954

WW2 Allied 'Eisenhower against Himmler!...Himmler against Germany!' propaganda leaflet 1945: Paper Invasion Currency: Vichy French and German coins: Propaganda Matchbox Cover: Propaganda leaflet dropped on Polish Troops forced into German Service "Polacy w armii niemieckiej".

WW2 Soviet Union Propaganda Portrait panel featuring Marx, Engels and Lenin. Signed and dated "P Rysev 1939r". Canvas over a wooden board. Hanging ring to reverse. Size 665mm in diameter.

A 1938 Spanish Falangist magazine ' Vertice ' published by Nueva Editorial S.A. The magazine supported the rule of Francisco Franco and was used as early propaganda.

Noemi Conan Hello-Goodbye Acrylic medium, pigment, and oil marker on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Noemi Conan, born in Warsaw, Poland in 1987. Painter. Lives and works in London. Exploring the narrative potential of visual art through surreal, confrontational and/or humorous images of female friends, family and feline companions in forest landscapes of firs and ferns. Weaving slavic folklore with themes from communist and capitalist propaganda into stories based on personal experience of a young woman in off centre 90's Eastern Europe. Having gone through a miraculous journey through space and time, after working miriads of menial migrant jobs, Noemi Conan has finally decided that she's grown up to be a painter. Despite the warnings of her grandmother, despite the deluge of her mother's tears. She was not a good cleaner, not an attentive housekeeper. The famous Polish work ethic has not been ignited by any of the jobs that her friends in London worked their way up through. A passion for storytelling and the need for visual aids to explain a curriculum vitae that either confused or outraged her collegues has finally resulted in a glowing path to the Parnassus of a 'career'. Using plastic colours on canvas, on paper, on glass, on wood, the point of all these ridiculous adventures of the past has been found. Taking on the name of one of her REAL dads, the ones who actually taught her life in a small town in Western Poland all those years ago where even all the cats were female cats, Conan decided to take no prisoners. Following her other dad, the sad Norwegian man with a moustache, she gone over-the-top about her emotional landscapes. The last dad taught her that it's sometimes worth looking way back to go forward and applaud that progression on the faces of your opponents. Thank goodness for Arnold and Edvard and Igor.   Conan's work has been exhibited in the UK and internationally. Her work is in the collections of Soho House London, Glasgow School of Art and the Urban Nation Museum in Berlin. She has been selected as one of Bloomberg New Contemporaries in 2021, has been featured in the John Moores Painting Prize in 2020, the Royal Academy Summer Exhibition in 2021 and the Royal Scottish Academy Annual Exhibition. She graduated with a BA (Hons) in Painting and Printmaking from the Glasgow School of Art followed by the Royal Drawing School Drawing Year (2021-2022). Currently at the Turps Studio Programme (2022-2024) and The Fores Project February-March 2023 residency. From september 2024 she will start an MFA in Painting at the Slade in London. Represented by Christine Park Gallery in Shanghai and Traits Libres Gallery in Paris. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Noemi Conan The Ambassador, 2024 Smooth gel ink ball point pen and Ferrero Roche wrapper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Noemi Conan, born in Warsaw, Poland in 1987. Painter. Lives and works in London. Exploring the narrative potential of visual art through surreal, confrontational and/or humorous images of female friends, family and feline companions in forest landscapes of firs and ferns. Weaving slavic folklore with themes from communist and capitalist propaganda into stories based on personal experience of a young woman in off centre 90's Eastern Europe. Having gone through a miraculous journey through space and time, after working miriads of menial migrant jobs, Noemi Conan has finally decided that she's grown up to be a painter. Despite the warnings of her grandmother, despite the deluge of her mother's tears. She was not a good cleaner, not an attentive housekeeper. The famous Polish work ethic has not been ignited by any of the jobs that her friends in London worked their way up through. A passion for storytelling and the need for visual aids to explain a curriculum vitae that either confused or outraged her collegues has finally resulted in a glowing path to the Parnassus of a 'career'. Using plastic colours on canvas, on paper, on glass, on wood, the point of all these ridiculous adventures of the past has been found. Taking on the name of one of her REAL dads, the ones who actually taught her life in a small town in Western Poland all those years ago where even all the cats were female cats, Conan decided to take no prisoners. Following her other dad, the sad Norwegian man with a moustache, she gone over-the-top about her emotional landscapes. The last dad taught her that it's sometimes worth looking way back to go forward and applaud that progression on the faces of your opponents. Thank goodness for Arnold and Edvard and Igor.   Conan's work has been exhibited in the UK and internationally. Her work is in the collections of Soho House London, Glasgow School of Art and the Urban Nation Museum in Berlin. She has been selected as one of Bloomberg New Contemporaries in 2021, has been featured in the John Moores Painting Prize in 2020, the Royal Academy Summer Exhibition in 2021 and the Royal Scottish Academy Annual Exhibition. She graduated with a BA (Hons) in Painting and Printmaking from the Glasgow School of Art followed by the Royal Drawing School Drawing Year (2021-2022). Currently at the Turps Studio Programme (2022-2024) and The Fores Project February-March 2023 residency. From september 2024 she will start an MFA in Painting at the Slade in London. Represented by Christine Park Gallery in Shanghai and Traits Libres Gallery in Paris. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Noemi Conan Underneath a purple cloud, 2025 Acrylic medium and biro on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Noemi Conan, born in Warsaw, Poland in 1987. Painter. Lives and works in London. Exploring the narrative potential of visual art through surreal, confrontational and/or humorous images of female friends, family and feline companions in forest landscapes of firs and ferns. Weaving slavic folklore with themes from communist and capitalist propaganda into stories based on personal experience of a young woman in off centre 90's Eastern Europe. Having gone through a miraculous journey through space and time, after working miriads of menial migrant jobs, Noemi Conan has finally decided that she's grown up to be a painter. Despite the warnings of her grandmother, despite the deluge of her mother's tears. She was not a good cleaner, not an attentive housekeeper. The famous Polish work ethic has not been ignited by any of the jobs that her friends in London worked their way up through. A passion for storytelling and the need for visual aids to explain a curriculum vitae that either confused or outraged her collegues has finally resulted in a glowing path to the Parnassus of a 'career'. Using plastic colours on canvas, on paper, on glass, on wood, the point of all these ridiculous adventures of the past has been found. Taking on the name of one of her REAL dads, the ones who actually taught her life in a small town in Western Poland all those years ago where even all the cats were female cats, Conan decided to take no prisoners. Following her other dad, the sad Norwegian man with a moustache, she gone over-the-top about her emotional landscapes. The last dad taught her that it's sometimes worth looking way back to go forward and applaud that progression on the faces of your opponents. Thank goodness for Arnold and Edvard and Igor.   Conan's work has been exhibited in the UK and internationally. Her work is in the collections of Soho House London, Glasgow School of Art and the Urban Nation Museum in Berlin. She has been selected as one of Bloomberg New Contemporaries in 2021, has been featured in the John Moores Painting Prize in 2020, the Royal Academy Summer Exhibition in 2021 and the Royal Scottish Academy Annual Exhibition. She graduated with a BA (Hons) in Painting and Printmaking from the Glasgow School of Art followed by the Royal Drawing School Drawing Year (2021-2022). Currently at the Turps Studio Programme (2022-2024) and The Fores Project February-March 2023 residency. From september 2024 she will start an MFA in Painting at the Slade in London. Represented by Christine Park Gallery in Shanghai and Traits Libres Gallery in Paris. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Dated late 18th century Dutch political interest engraved glass goblet, probably of German manufacture, dated 1789, the wheel engraved and gilded rounded funnel bowl etched to one side with a bust-length portrait medallion of the elected leader (Burgemeester) of the Amsterdam anti-Orangist patriots, 'Father' Henrik (Hendrik) Danielszoon Hooft (1716-1794), within gilt inscription "HENDRIK HOOFT Danielsz. BURGEMEESTER der Stad(t) AMSTERDAM" [some text rubbed] over a Keeshond dog (symbol of the democratic movement) and poem,"Zie hier het Beeld des achtb 're HooFT! Wiens Heilzon nimmer meer verdoofd Wiens Grootheid nu nog nooit zal meeven Zo lang den Patriotvan zal leeven.", To the other side "HET WAADEN [WADEN] VAN AMSTERDAM" over Amsterdam civic coat of arms and date 1789, above further verse:"Het Achtb're Wapen van de Groote Stan an Hy Het Kweekschool van de Veyheid minnende Burg'ry Sal Eenwig HGryze Hoofd, van Vader Hoofd bekronen, Lang Leev Deez Braave Held, en alle Veyheids Zonen"The bowl supported on triple-knopped octagonally-facetted stem and plain foot (chip), 9.5cm rim diameter x 19.8cm high For a matching dated goblet with differing verse, see https://frideslameris.nl/detail/post/15063 or https://www.pan.nl/nl/artwork-details/3767/glas-met-het-portret-van-de-amsterdamse-burgemeester-hooft-om-mee-te-drinken-op-de-democratische-patriottenbeweging In 1787, Hooft had been re-elected as Burgemeester of Amsterdam. In October of that year, the Prussia invasion reached Amsterdam and the city fell. Hooft was forced to resign and went into political exile, but during this period supporters produced commemorative propaganda wares in the hope of his reinstatement. This glass, and the above cited comparable, are two such items.

Through Dialogue To Disarmament (1988), Russian Propaganda Framed Poster from the Cold War in the height of the Glasnost period, 25 ½ x 18 ¾ inches, in frame 29 x 21 1/4 inches, unfolded Condition Report: Excellent framed condition

RIEFENSTAHL LENI: (1902-2003) German film director, known for her role in producing Nazi propaganda. Vintage signed and inscribed sepia postcard photograph of Riefenstahl in a head and shoulders pose. Signed in bold blue fountain pen ink to the lower border and dated 1960 in her hand. VG

Five World War II Japanese Military propaganda postcards, further propaganda cards, possibly matchbox sleeve covers, British Armed Forces vouchers, pilot's notes for the Dakota I & II, Lilliput magazines, etc. (a quantity)

This collection features four significant books exploring Jewish history, culture, and impact. The American Jewish Year Book 2003 serves as a comprehensive record of Jewish civilization, providing insights into contemporary issues and developments. The Gifts of the Jews by Thomas Cahill examines the contributions of Jewish thought to Western civilization, emphasizing how their ideas shaped modern values and philosophy. The Jewish Enemy by Jeffrey Herf analyzes Nazi propaganda during World War Two, revealing the rhetoric that fueled the Holocaust. I Escaped from Auschwitz by Rudolf Vrba is a firsthand account of survival and escape from one of historys most infamous concentration camps, including the crucial Auschwitz Protocols. This collection offers a profound exploration of Jewish history, persecution, and cultural contributions. Largest item measures: 5.75"L x 2.5"W x 8.5"H. Dimensions: See DescriptionCondition: Age related wear.

A WWII German Third Reich propaganda £10 note, framed, with an SS sauce boat and a small dish modelled as a WWI Pickelhaube (3).

Scout Jamboree interest stamps, covers and ephemera, to include: Australia Victoria Pan-Pacific Jamboree cover with multiple stamps; another with single sg227, mounted under a block of four of the same; 1937 Fifth World Jamboree cover; 1937 propaganda 'Despatched by Rocket' Indian Scouts Message of Loyalty; Austria 1951 World Jamboree cover; South Africa Mafeking pale blue used one penny and deep blue one penny used on piece; a small selection of Girl Guide postcards and other ephemera; and much more, all displayed and written up on graph paper.

COLLECTION OF VINYL ALBUMS AND LP'S, including Alphaville, Propaganda, Chess, Erasure and Pet Shop Boys

A rare First World War period propaganda poster for 4½% War Loan Scrip Vouchers, with striking red background and written in bold 'Pay your 5/- for this and help crush the Germans', printed by David Allen & Sons Ltd, Harrow, Middlesex, 75.5cm x 49cm, later framed and glazed, together with another rare First World War period poster, detailed 'Appeal to Women, Make every Penny do the work of Two, Put your Savings in the War Loan' within a semi-pictorial border, also printed by David Allen & Sons, later framed and glazed.

Morbiducci, Publio (Italian, 1889-1963); b. Rome ITALY, Crociera Aerea del Decennale [Tenth Aerial Cruise], 1933, an Art Déco bronze medal by P. Morbiducci, head of Speed facing left into the wind, roma-chicago new-york-roma below, rev. angled bird’s eye view of the progress of the flight from the Colosseum to a Chicago skyscraper, polar bear at top, redit italia per aethera mvssolini dvce balbo dvctore in centre, 59mm, 120.48g (Casolari XI, 15; cf. Nomisma Aste 5, 1391; cf. DNW 157, 1466). Extremely fine, attractively patinated, rare; in maroon gilt-blocked case of issue by Arte Medaglia, via Nazionale 54, Roma £200-£260 --- Provenance: S. Martin Collection, DNW Auction M5, 17 December 2007, lot 1604. Between 1 July and 12 August 1933 Italo Balbo (1896-1940) led a mass formation of some two dozen Savoia-Marchetti hydroplanes from Italy to the Chicago Century of Progress Exhibition to commemorate the tenth anniversary of Mussolini’s rise to power. The crossing, from Orbetello, via Amsterdam, Reykjavik, Cartwright, Shediac and Montreal, returning via New York, Shoal Harbour, Lisbon and Rome, a distance of 12,000 miles, was a follow-up to the first Atlantic crossing made by Balbo in 1930 to Brazil, which had been a major propaganda coup for the Fascists. The second journey was an equally grand success and 7th street in Chicago was named after him

German WWII original propaganda books etc.

This original World War I propaganda poster, designed by American artist L.A. Shafer in 1917, was part of the U.S. Treasury Department's Victory Liberty Loan campaign, urging citizens to support the nation's war effort through bond purchases. The dynamic composition features an intense naval scene, depicting a heavily armed patrol boat navigating turbulent waters while a convoy of warships and cargo vessels secures crucial supply routes. The upper right text, They Kept the Sea Lanes Open, honors the role of the U.S. Navy in safeguarding maritime transportation during the war. Printed by The W.F. Powers Co., N.Y., this lithograph embodies the patriotic fervor and graphic strength characteristic of early 20th-century war posters. Shafer's use of vibrant colors and dramatic motion conveys urgency and national duty, making this an iconic piece of wartime propaganda. Professionally framed under glass, this rare historical artifact remains a powerful visual reminder of the collective effort required for victory. Artwork dimensions with frame: 48"L x 38.25"H x 1.50"W. Artwork can be unframed and rolled for shipment.Artist: L. A. (Leon Alaric) Shafer (American 1866-1940) Issued: c. 1917Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear. Minor crease on left side.

Film Fun (1943) 46 issues between 1201-1248 incl Easter and Whitsun issues. Starring Laurel & Hardy, George Formby, Jack Keen 'Tec, Max Miller, the Adventures of Sylvia Starr and Abbott & Costello. Propaganda War issues. Cream/light tan pages with rusty disintegrated staples. No 1201 [gd], balance 45 issues [vg-/vg+] (46)