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Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.26 x 6.52 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 6.02 x 7.99 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.26 x 6.52 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 9.27 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.26 x 6.27 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.27 x 6.74 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 8.74 x 10.02 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.73 x 6.01 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 9.27 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 6.5 x 8.24 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.25 x 6.51 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Cindy Sherman is an American artist and photographer known for her groundbreaking work in contemporary art. She was born on January 19, 1954, in Glen Ridge, New Jersey. Sherman is widely recognized for her self-portraits in which she assumes various roles and personas, often challenging stereotypes and exploring the construction of identity. Sherman's photographs are highly conceptual and staged, and she often employs costumes, makeup, props, and elaborate sets to create her images. Through her art, she addresses themes of gender, identity, sexuality, and the representation of women in popular culture. Her works often challenge traditional notions of beauty and provoke questions about the role of women in society. One of her most famous series is the "Untitled Film Stills," created between 1977 and 1980, in which she posed as characters inspired by classic Hollywood and film noir. The series consists of black-and-white photographs that resemble movie stills, capturing scenes that seem familiar yet are entirely fictional.Sherman's work has been exhibited extensively in major museums and galleries worldwide. She has received numerous awards and honors for her contributions to contemporary art, including the MacArthur Fellowship in 1995. Sherman's art continues to be influential, and she is considered one of the most significant and influential artists of her generation. Measures 8.27 x 6.74 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Ladies vintage/retro White leather, Flirt label, sleeveless jacket with sequins and beads, size 12.*Dummies, hats and props not included in the lot.

A Marshall and Snelgrove hatbox containing a vintage 1950's Edna Wallace fur hat, a Country Casuals black felt hat with floral trim and velvet band, Another hat box containing a Balfour pink and black fascinator, three unlabelled vintage fur hats and a racoon collar/stole. (2 boxes containing hats in the lot)*Dummies, hats and props not included in the lot.

1980's CM Creation Mademoiselle, red swing/duster coat with belt, wool and cashmere, size 34. *Dummies, hats and props not included in the lot.

A collection of vintage and retro, handbags to includeskin and skin effect handbags, an evening beaded shoulder bag and a burgundy Gladstone style handbag. (6)*Dummies, hats and props not included in the lot.

1980s Jaklin, Siren Fashion Ltd black evening coat with faux fur collar and beading embellishments. Size M/L. *Dummies, hats and props not included in the lot.

A hat box containing a vintage Pierre Balmain pink chiffon turban style hat, a Walmar turquoise headband hat size 6 and 7/8, A Peter Bettley black velvet soft pillbox style vintage hat with small veil, A pink BHS hat with short veil, a Walmar black felt circle hat size 6 and 7/8, A David Allen green and black fascinator.Another hat box containing a Viv Knowland black felt hat, a BHS felt hat and two other felt hats. ( 2 hat boxes containing hats)*Dummies, hats and props not included in the lot.

1980's Grey and black wool patterned jacket, the option to reverse to a plain grey velvet, size medium/large. Together with a Paisley velour jacket size 42. (2) *Dummies, hats and props not included in the lot.

Ladies vintage retro White leather jacket, with PY Clarence lining, applique details on back and shoulders, made in Turkey, size medium. *Dummies, hats and props not included in the lot.

Menswear - Yves Saint Laurent light brown pinstripe jacket, 44".Ugo Pellegrini wool suit brown with faint stripe, 40R, The Label, navy wool blazer, 42".Lino Vierra wool jacket, size 50.(4)*Dummies, hats and props not included in the lot, vehicles are in the auction on 8th August.

Widegate of London navy patent handbag for Mennells of Malton, Eros brown and tortoiseshell leather handbag, Hidesign buff leather handbag with red cloth interior and brown leather shoulder bag. (4)*Dummies, hats and props not included in the lot.

Escada by Margaretha Ley, black and gold striped vintage 1980's roll neck top with applique detail and matching skirt, size 38, skirt length 24". Together with a Rosie's crinkle suit, olive green colour with sequin and net detail, size 16. (2)*Dummies, hats and props not included in the lot.

TWO INDUSTRIAL ACRO PROPS

Amateur Magician Magic Show Props Including, Guillotine, Fortune Telling Table, Giant Playing Cards, etc.

Amateur Magician Magic Props and Tricks etc.

Second World War Birmingham Blitz Home Guard George Medal Awarded for Gallantry in Rescuing People Trapped Beneath the Wreckage of an A.R.P. Depot at Tysely, Birmingham, George medal, GVI, 2nd type, engraved in upright capitals “PLTN. CDR.THOMAS M. SIMPSON, HOME GUARD”, medal in red titled fitted case of issue. With some research.London Gazette 27th May 1941 - The KING has been graciously pleased to approve the award of the George Medal, for conspicuous gallantry in carrying out hazardous work in a very brave manner, to the undermentioned: — Platoon Commander Thomas Simpson, Home Guard. The recommendation for this award states “On the night of 11th December 1940 Platoon Commander Simpson actively assisted in rescuing several persons who were trapped beneath debris when an A.R.P. depot was hit. He had to crawl through debris with men supporting props and there was great danger of other parts of the building collapsing on him. He managed to saw through steel pipes and removed debris which was lying across trapped persons. He showed conspicuous gallantry and devotion to duty.”Thomas Simpson was serving with the 6th Birmingham (Factories) Battalion (later 26th Warwickshire (Birmingham) Battalion ) Home Guard at the time of his award. The raid on Birmingham on the 11th December 1940 was the longest raid experienced by the city with some 200 enemy bombers pounding the city for 13 hours killing 263 people and badly injuring a further 243 others.The investiture took place at Buckingham Palace on 10th March 1942. A total of 13 George medals were awarded to member of the Home Guard for gallantry during the Second World War, 10 of these were for air raids.Included with the accompanying research is an email from the Central Chancery of Orders and Knighthood confirming that a replacement medal was issued in 1962 as the original medal was lost during a house move whilst the recipient was in hospital. The fact that this is a second type GVI medal would suggest that this is the replacement medal.

A Dinky Toys 62m Light Transport Plane Trade Box, containing one example in red, 'G-ATMH' markings, two, two blade props, F-G, box F-G, no dividers

Mercury Diecast Aircraft, Art.415 Boeing B50 Superfortress, silver body, USAF markings, four blade props, in original box, with loose Art.402 Fiat G212, Art.420 MIG 19, Art.411 Piaggio P 148 (2) and an empty Art.415 Boeing B50 Superfortress box, G-E, Fiat has two fatigue blisters, boxes F-G, both slightly crushed (2)

Airfix - Afrika Korps - British Commandos - Scenery. A boxed #1736 Airfix 1/32 British Commandos and a boxed #1806-1.98 1/32 Afrika Korps. Both appearing in Excellent condition with Evcellent boxes, the Commandos box has some writing on the top. Unmade card props included. (This does not constitute a guarantee).

Gault miniature French street scene comprising 9 buildings, including Galerie Gault and the fleuriste, a street base, and 10 various characters/props

Collection of Eyes, Noses, Whiskers, etc. for toy making, props for theatre, etc. In four plastic boxes.

Two Pine Clothes Props, five walking canes, garden claw, Wilkinson Sword shears.

James Bond - Two signed hardback books, 'From Props to Producing' signed by Dickie and Terry Bamber, and 'The Man with the Golden Eye' signed by Peter Lamont. (2).

Richard Ansdell, RA (British, 1815-1885)Brittany Pets signed and dated 'R Ansdell/1862' (lower right)oil on canvas168.5 x 108cm (66 1/4 x 42 1/2in).Footnotes:ProvenanceWith Thomas Agnew & Sons, 1864, no. 3279 (sold to A.J. Stewart for £577.10).Charles Suthers; his sale, 1876.With Thomas Agnew & Sons, Manchester (acquired from the above on behalf of Thomas Lloyd Esq., 29 April 1876 - according to a label attached to the stretcher).Private collection, Italy.The provenance indicates that the present lot was acquired by Agnew's in 1876 at the sale of Charles Suthers. Records held at The National Gallery (archive number NGA27/20/4/6) show that Agnew's had a claim against the bankrupt Suthers of just under £9000 in 1877. Charles Suthers was a wealthy Oldham cotton miller; his son Leghe Suthers was born in 1855 and associated with the Newlyn School.The present lot is a painting that exudes peace and tranquillity, depicting a unique symbiosis between beast and human which gladdens the heart. It is a charming scene inside a stable or bothy where the mother cow has given birth to her calf. We are given a glimpse through the stable door of a thatched dove cote which is obviously part of the farmyard layout down a rural country lane. The farm girl is tenderly embracing the mother cow which, in turn, is tenderly licking her new born calf. There is total trust between them all; there is an element of wistfulness in the girl's expression which makes us wonder what is going through her mind. It is summer and her straw hat displays red rose buds which symbolise beauty and purity and love at first sight.The stars of the show are the cattle which are meticulously depicted, hair by hair, sparkling eye by sparkling eye and moist noses that you can almost touch. They display the huge talent for which Ansdell was known when painting animals – accuracy, realism and above all, sympathy for the humble beast. Ansdell's characteristic three-legged milking stool and pail are used to good advantage and were two of his favourite props. He kept many props in his studio.Although Ansdell was thought to have travelled to Brittany as a young artist following a circus and working as a sign writer before he became famous on the Victorian art forum, this information was never substantiated, and it may be that the title of this painting comes from the cattle breed depicted, most likely the Bretonne Pie Noir cattle – the calf being a Red Pied variant which died out in the twentieth century.We are grateful to Sarah Dean (formerly Kellam, nee Ansdell) for compiling this catalogue entry. For more information on the artist, see www.richardansdell.co.uk.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A small group of toys including 'Classic Props Motor Max', 'Thrust Supersonic Car', etc.

A pair of Shell branded dummy Beckmeter petrol pumps previously used as props, each approx. 42 1/2" high.

STAR TREK FRANCHISE (1966 - PRESENT) - "Star Trek The Inventory" Production Binder Set - "Star Trek The Inventory" production binder set from the Star Trek franchise. Production kept inventory logs of their props, models, make-up tests, and costumes for all their television series. This lot consists of five 3-ring binders. Each binder features a list of items that were placed within storage containers and photo images and copies, in color and black and white, within the binders that are labeled with the item name and its associated television series. This lot exhibits a sticky residue between the indexes from age. Dimensions: (largest) 11.5" x 11.5" x 4" (29.25 cm x 29.25 cm x 10.25 cm); (smallest) 10" x 11.5" x 1" (25.5 cm x 29.25 cm x 2.75 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.

FRIDAY THE 13TH PART VI: JASON LIVES (1986) - Mario Kirner Collection: Jason Voorhees' (C.J. Graham) SFX Hockey Mask - Jason Voorhees' (C.J. Graham) SFX hockey mask from Tom McLoughlin's horror sequel Friday the 13th Part VI: Jason Lives. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.Jason wore his mask throughout the film as he terrorized teenagers and the police at Camp Forest Green. As the budget for the film was larger than previous entries, a total of 12 masks were made (11 for the initial filming and one for the post-production intro shot of Jason) and this is a vacuum-formed plastic mask made for the scene where Sheriff Garris (David Kagen) shot Jason in the head. The mask is accompanied by a letter of authenticity from special effects "powder man" Ken Sher, which details how the mask was originally fitted with a small detonation device and a blood bag but the shot was ultimately unused in the film. There is a hole in the forehead from the detonation and a noticeable area inside where the device was fitted. The mask exhibits stage blood residue and "6" is handwritten faintly inside. A notable crack runs across the forehead. Dimensions: 10" x 8.75" x 4.5" (25.5 cm x 22 cm x 11.5 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $15,000 - 30,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

TALES FROM THE CRYPT (T.V. SERIES, 1989 - 1996) - Set of Six Continuity Photo Binders - Six continuity photo binders from the horror anthology series Tales from the Crypt. Hosted by the Cryptkeeper, a wisecracking corpse, this horror anthology ran from 1989 to 1995 with a total of 93 episodes.This set consists of six photo albums of 204 pages of behind-the-scenes photographs featuring photos of cast members in costume and makeup, as well as locations, set pieces, and props. The photographs' borders are hand-marked with scene numbers and other continuity information in black ink by production. Also included are continuity photos from The Wonder Years. The set exhibits minor staining on the borders, and yellowing due to age. Dimensions: (each) 11" x 12" x 3" (28 cm x 30 cm x 6.5 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.

FRIDAY THE 13TH PART VII: THE NEW BLOOD (1988) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) Screen-Matched Hockey Mask - Jason Voorhees' (Kane Hodder) screen-matched hockey mask from John Carl Buechler's slasher sequel Friday the 13th Part VII: The New Blood. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason wore his trademark hockey mask throughout the film after being inadvertently released from his tomb at the bottom of Camp Crystal Lake by telekinetic teenager Tina Shephard (Lar Park Lincoln). Markings and paintwork on the mask screen-match to several scenes.Buechler created a dirtied white version of the mask which resembled a human skull. He cut down the overall shape, allowing more of the facial makeup appliances to be seen around the edges. Only two masks were created for this installment, unlike previous films, which saw several masks created. This was the primary mask used for filming, making it the most shown hockey mask in the film series. The second mask was an SFX version created for the sequence where the mask split in half.This primary mask became damaged and scratched during several scenes. Hodder received a severe hit to the face from the falling ceiling lamp before he fell through the stairs and stated that the mask was scratched around the mouth and nose when the roof fell on him. As scenes were not filmed chronologically, the difference in specific damage and distressing on the mask between sequences is noticeable throughout the film.The mask is made of vacuum-formed plastic spray-painted off-white with shades of brown applied. A decorative red triangle emblem is painted on the forehead, and three brown leather straps are adhered to the mask with brass split pins. Black nylon mesh is glued within one eyehole, added to cover Hodder's left eye and to enhance the skull-like design. The mask is heavily distressed to appear aged, including a damaged section on the left side. Buechler purposefully included this damaged section to tie in with the ending of Friday the 13th Part VI: Jason Lives when a propeller hits the mask. There is visible glue residue around the mesh on the interior, and the fragile mask exhibits scratches and paint wear from production use. Dimensions: 9.5" x 8.25" x 7.5" (24 cm x 21 cm x 19 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $60,000 - 120,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

TANK GIRL (1995) - Set of Three Continuity Photo Binders - Three continuity photo binders from the production of Rachel Talalay's sci-fi film Tank Girl. Tank Girl fought against Water and Power after she joined with mutant kangaroos, The Rippers.These three binders feature white hand-marked labels for "Tank Girl" of 102 pages of behind-the-scenes photographs of cast members including Lori Petty, Naomi Watts, and Malcolm McDowell in costume and makeup, and set pieces and props. Their borders feature scene numbers and continuity information hand-marked in red, blue, and black ink by production. They exhibit some minor staining on the borders, and yellowing due to age. Dimensions: (each) 11" x 12" x 3" (28 cm x 30 cm x 6.5 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.

FRIDAY THE 13TH PART VII: THE NEW BLOOD (1988) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) Screen-Matched Costume - Jason Voorhees' (Kane Hodder) screen-matched costume from John Carl Buechler's slasher sequel Friday the 13th Part VII: The New Blood. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason wore his highly distressed costume throughout the film after being inadvertently released from his tomb at the bottom of Camp Crystal Lake by telekinetic teenager Tina Shephard (Lar Park Lincoln). Tears on the bottom of each trouser leg screen match to the moment Jason pulls the machete out from a tree after killing Dan (Michael Schroeder). The placement of rips and marks on the shirt's left shoulder screenmatch to just before Jason is electrocuted in a puddle.The costume in this installment was the most torn-up to feature in the film series, and this example is believed to be one of four complete costumes worn on screen. The green workwear set consists of a shirt and trousers (size 34) that are highly distressed with various rips and staining. Hodder wore an undersuit covered in skin appliances designed to emulate rotting bones and flesh beneath these garments. "A" is handwritten inside the trouser waistband, indicating that this version was the main hero version. Effects coordinator Lou Carlucci also altered this attire for the electrocution scene. The lot exhibits pyrotechnic squibs and burn spots on the shirt and trousers. Foam and glue remnants from the undersuit exhibit inside both garments, and the costume retains a musty odor.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $20,000 - 40,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

FRIDAY THE 13TH PART VII: THE NEW BLOOD (1988) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) Stunt Undersuit - Jason Voorhees' (Kane Hodder) stunt undersuit from John Carl Buechler's slasher sequel Friday the 13th Part VII: The New Blood. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. This suit was used for the stunt where Jason was set on fire in the cabin basement by telekinetic teenager Tina Shephard (Lar Park Lincoln), as well as the electrocution scene.At the time, Hodder set a new record for the longest on-camera controlled burn and was on fire for forty seconds.Hodder wore this suit and a pair of fire-resistant underwear as protection underneath his costume. The undersuit consists of brown mechanic coveralls (size Large) with adhered silicone ribcage and rotten skin appliances. Director Buechler chose silicone as the material for the appliances so they would last longer under heat. Strips of hook-and-loop fasteners are attached down the front. The lot exhibits significant wear and damage caused by the fire.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $5,000 - 10,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

JASON GOES TO HELL: THE FINAL FRIDAY (1993) - Mario Kirner Collection: FX Head - An FX head from Adam Marcus' slasher sequel Jason Goes to Hell: The Final Friday. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. After Jessica (Kari Keegan) drove her knife into Jason's (Kane Hodder) heart, an orange ball of energy shot into the sky and demonic hands broke through the ground dragging Jason down to hell. This foam-filled latex FX head, sculpted by Wayne Toth and cast by special effects artist Brian Rae, features thin strands of real hair glued across the top. It has been airbrushed in blues and purples to encapsulate his rotting flesh and enhance the shadows and bulbous structure during the brightly lit scene. The head has been affixed to a metal stand and exhibits wear from production use and age, including splits and torn foam sections, including a large disintegrated section of the left neck. Dimensions: 11.8" x 13.4" x 11.8" (30 cm x 34 cm x 30 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $3,000 - 6,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

JASON X (2001) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) Screen-Matched Bullet-Hit Shirt, Trousers and Undersuit - Jason's (Kane Hodder) screen-matched bullet-hit shirt, trousers and undersuit from Jim Isaac's horror sequel Jason X. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.Jason wore his increasingly distressed costume for much of the film as he terrorized teenagers in the future, and the shirt screen-matches the one he wore as he slowly approached Professor Lowe (Jonathan Potts) and retrieved his machete, through the faux blood staining and holes.The costume consists of a grey shirt (labeled "2" in the collar), grey trousers (labeled "128"), and a padded undersuit. The undersuit has a padded chest, a wound prosthetic, tape across the chest, and has been autographed in black ink by Hodder. The shirt and trousers exhibit heavy distressing with bullet holes and faux blood, with several of the holes featuring prosthetic wounds. The shirt exhibits a huge hole in the gut where Jason was impaled on a spike.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

JASON X (2001) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) Screen-Matched Bullet-Hit Shirt and Trousers - Jason Voorhees' (Kane Hodder) screen-matched, bullet-hit shirt and trousers from Jim Isaac's horror sequel Jason X. Jason wore his increasingly distressed costume for much of the film as he terrorized teenagers in the future, and the shirt screen-matches the one he wore as he followed Rowan (Lexa Doig) into the cryo-chamber through the stage blood stains and the patterns on the buttons. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.The costume consists of a gray shirt and trousers, both exhibiting intentional distressing with bullet holes, stage blood, and staining. The trousers have "1" handwritten inside the waistband.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $5,000 - 10,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

FREDDY VS. JASON (2003) - Mario Kirner Collection: Autographed Stunt Jason (Ken Kirzinger) Machete - An autographed stunt Jason (Ken Kirzinger) machete from Ronny Yu's horror crossover Freddy vs. Jason. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason used his machete throughout the film, while cutting down teenagers and fighting against Freddy Krueger (Robert Englund). At one point, he even had it turned against him by Freddy. Production designer John Willett designed the film's machetes, and many were made for a variety of different uses and "gags."This machete is a rubber stunt version with a metal armature. It is painted to look like metal and has tape wrapped around the handle. The blade has been autographed and inscribed "Used by myself in "Freddy Vs. Jason" by Kirzinger. The blade exhibits some paint wear from use, and the metal armature is protruding from the end of the blade. Dimensions: 30" x 1" x 4.25" (76 cm x 2.5 cm x 11 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $4,000 - 8,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

FRIDAY THE 13TH (2009) - Mario Kirner Collection: Costume, Prosthetic Head & Torso, Bear Trap & Chain - A costume, prosthetic head, body under-suit, bear trap, and chain from Marcus Nispel's horror reboot Friday the 13th. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason Voorhees (Derek Mears) wore his costume throughout the film.It features a white T-shirt, dark green trousers, and a green and blue quilted coat comprising the lower half of a parka and the upper half of a hunter jacket. The holes and stains on the T-shirt and coat screen-match them to scenes where Jason impaled Chewie (Aaron Yoo). The prosthetic torso is made of flesh-color foam-latex. Featuring a rear zipper, it depicts a sinewy, bloodstained abdomen. The separate prosthetic foam-latex head depicts Jason's large, deformed cranium, stout neck, broad shoulders, and hand-stitched hair. The prosthetic does not extend to the face, as the piece was used for scenes where Jason wore a hockey mask. Both prosthetics are presented on a white plastic mannequin display. Clay (Jared Padalecki) used a bear trap to stab and bind Jason in the climactic fight. Made of resin with metal screws and rubber teeth, the trap features dual-spring levers, a circular plate and a stock bar, attached to which is a long resin chain. The lot is accompanied by a studio letter of authenticity for the costume. All costume elements exhibit perforations, staining, and heavy distressing. The prosthetics exhibit stiffening from age, becoming brittle near the edges, and some holes are present. The trap exhibits production-added, rust-colored paint to create an aged effect. Some chain links are severed at their mid-point. As this lot ships from Propstore's London Office, shipping must be arranged with Propstore prior to bidding. Dimensions: (bear trap and chain) 60" x 16" x 6" (151 cm x 41 cm x 14 cm); (head and torso) 33 1/2" x 23" x 11" (85 cm x 58 cm x 28 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $30,000 - 60,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

FRIDAY THE 13TH (2009) - Mario Kirner Collection: Jason Voorhees' (Derek Mears) Hero Machete - Jason Voorhees' (Derek Mears) hero machete from Marcus Nispel's horror reboot Friday the 13th. This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Jason carried his machete throughout the film and used it to kill his victims, including to stab Trent (Travis Van Winkle) and, in the climactic fight, by Whitney Miller (Amanda Righetti) to stab Jason.The aluminum machete has been coated with a black finish and rust to show wear. The wooden handle features dual metal screws and is wrapped in leather and burlap straps. The film's prop master Koen Wooten kept the piece after production wrapped. The machete is one of 17 that were made for the production, of which eight survive, with Wooten claiming it was the main machete used on the camp location. The lot exhibits signs of wear commensurate with its age and production use, including staining. Dimensions: 36" x 3" x 1.25" (91 cm x 8 cm x 3 cm)This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: $7,000 - 14,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

RAIDERS OF THE LOST ARK (1981) - Full-Size Well of Souls Sarcophagus Casting - A full-size Well of Souls sarcophagus casting from the production of Steven Spielberg's action-adventure film Raiders of the Lost Ark. Indiana Jones (Harrison Ford) encountered sarcophagi and other ancient artifacts, including the Ark of the Covenant, in the Well of Souls.Following production, Industrial Light & Magic (ILM) molded new sarcophagi for an unrelated project requiring Egyptian-style props from one of the Raiders sarcophagi preserved in the Lucasfilm Archives. This is an ornately hand-painted fiberglass casting for that mold with wood backing and holes for lifting and brackets for anchoring to walls. It exhibits some scuffing and paint flaking from age and the wood backing is splitting at the bottom. Dimensions: 30" x 19" x 89" (76.25 cm x 48.5 cm x 226.25 cm) Special shipping required; see notice in the Buyer's Guide.Estimate: $5,000 - 10,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

SAW IV (2007) - Documentary Footage-Matched Exploded Billy the Puppet Head - An exploded Billy the Puppet head from Darren Lynn Bousman's horror sequel Saw IV. In the film, a Billy puppet exploded after Agent Perez (Athena Karkanis) found it in an office. This puppet screen-matches to footage from the making of the sequence in the behind-the-scenes documentary The Props of Saw IV, though a different version of the puppet ultimately appeared in the Saw IV final cut. This resin and metal puppet head features internal machinery, a metal tube neck, an articulate jaw, and wefts of glued-down black synthetic hair. This lot exhibits some notable paint marks, exposed wires, and chipped paint. Dimensions: 17" x 8" x 7" (43.25 cm x 20.5 cm x 18 cm)Contains mechanical components; see notice in the Buyer's Guide.Estimate: $4,000 - 8,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

STAR WARS: THE PHANTOM MENACE (1999) - Obi-Wan Kenobi's (Ewan McGregor) Hero Lightweight Lightsaber - Obi-Wan Kenobi's (Ewan McGregor) hero lightweight lightsaber from George Lucas' Star Wars: The Phantom Menace. Obi-Wan carried his lightsaber throughout the film as he acted as Qui-Gon Jinn's (Liam Neeson) Padawan apprentice. It also appeared on page 21 of Star Wars: The Complete Visual Dictionary. Star Wars: The Phantom Menace introduced audiences to the world before A New Hope, and thus a younger Obi-Wan. The film shattered numerous box office records, and dethroned Jurassic Park's records for both largest single-day gross and fastest to gross $100 million USD in five days. This prequel film was nominated for numerous Academy Awards®, BAFTA, and Grammy Awards® for technical and musical achievements.This lightsaber hilt is predominantly resin with a steel blade emitter, a feature unique to the film's lightsaber props. It is painted silver-color and black, has several static switches, and a black circular fixture where it was previously attached to a belt clip. The piece exhibits some wear to the paint and some small chips in the resin. Dimensions: 11" x 2" x 2" (30 cm x 5 cm x 5 cm)Estimate: $40,000 - 80,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

STAR WARS: THE PHANTOM MENACE (1999) - Adi Gallia's (Gin Clarke) Hero Lightweight Lightsaber - Adi Gallia's (Gin Clarke) hero lightweight lightsaber from George Lucas' Star Wars: The Phantom Menace. Adi Gallia was a member of the Jedi Council who assessed Anakin Skywalker's (Jake Lloyd) eligibility for training in the Jedi arts. Although the lightsaber is not seen in the film, it does appear with Gallia on page 17 of Star Wars: The Complete Visual Dictionary. This style of lightsaber was also used by Bultar Swan (Mimi Daraphet) and Agen Kolar (Tux Akindoyeni) in Attack of the Clones and Revenge of the Sith, respectively (pages 126 and 163 in the Complete Visual Dictionary).This lightsaber hilt is predominantly resin with a steel blade emitter, a feature unique to the film's lightsaber props. It is painted silver-color with black detailing, has several static switches, and a swiveling clip to hook onto a belt. It exhibits minor paint wear from production use and age. Dimensions: 10" x 2.5" x 2" (25.5 cm x 6.5 cm x 5 cm)Estimate: $10,000 - 20,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

STAR WARS: THE PHANTOM MENACE (1999)/STAR WARS: ATTACK OF THE CLONES (2002) - Plo Koon (Matt Sloan) Dueling Lightsaber Hilt - A Plo Koon (Matt Sloan) dueling lightsaber hilt from George Lucas' Star Wars: The Phantom Menace and Star Wars: Attack of the Clones. Designed and built by the production's props department for background Jedi seen in The Phantom Menace, this style of hilt became specifically associated with Plo Koon, a Kel Dor Jedi Master on the Jedi High Council, in Attack of the Clones.This hilt features a resin and metal handgrip with a tapered pommel cap inset with a threaded rod. It is painted silver-color, black, and red to simulate a metallic finish. The threaded rod allowed for installation of aluminum blades that were used for dueling sequences and replaced frequently as they were damaged on set. The resin exhibits scuffs and cracks throughout from production use, with a small ridge piece broken off near the blade end. Dimensions: 14.25" x 2.75" x 2.25" (36.25 cm x 7 cm x 5.75 cm)Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

STAR WARS: THE FORCE AWAKENS (2015) - Rey's (Daisy Ridley) Promotional Prop Staff - A promotional prop of Rey's (Daisy Ridley) staff from J.J. Abrams' Star Wars: The Force Awakens. Propshop, the industry prop and set decoration fabricator that created many props for The Force Awakens, released limited-edition prop replicas in partnership with Disney and Lucasfilm. The pieces were made from original 3-D scan data from the production to ensure utmost accuracy. Used in marketing events, the 3-D-printed staff is painted gray to resemble aged metal and features linen and leather wraps that have been distressed to simulate age and a brown woven cotton strap. The staff exhibits some scuffing to its finish. Dimensions: 72" x 3" x 3" (183 cm x 7.75 cm x 7.75 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $4,000 - 8,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

THE THING (1982) - Norris (Charles Hallahan) Spider Head-Thing - A Norris (Charles Hallahan) Spider Head-Thing from John Carpenter's sci-fi horror film The Thing. After R.J. MacReady (Kurt Russell) burned the Norris-Thing, Norris' head detached from the body to survive the fire and transformed into a spider-like monster. The primary mechanical spider-head puppet seen in the film was burned on camera, but a few static props were also made during production.Designed by special effects makeup artist Rob Bottin, this static version of the Spider Head-Thing was gifted by Bottin to Henry Alvarez, a sculptor who worked on the film, at the time filming wrapped. This piece is very similar to the one seen on the cover of a special double issue of Cinefantastique for "The Incredible Effects of The Thing," though the legs on the Cinefantastique prop had added spikes that were never seen in the film versions.Originally obtained from the family of Alvarez, the head is made of dense latex and foam based on a sculpture bearing Charles Hallahn's likeness with life-like resin eyes. It features welded metal armatures inside the six spider-like legs; the armatures are covered with latex skins. A replica lace wig with synthetic hair has been added for display. Also included is a copy of the referenced Cinefantastique magazine. The Thing was not a critical success upon its release, but has been reevaluated over time and is now widely considered a staple title in the horror genre. Rob Bottin's effects work, especially on The Thing, is regularly lauded as an amazing practical effects achievement even by today's standard. Bottin won a Special Achievement Academy Award in 1991 for Total Recall, and later withdrew from the film industry. Original Bottin pieces in the collecting world are both scarce and sought after. This is one of the most significant Rob Bottin effects pieces ever offered at public auction.The head has had minor restoration and stabilization work done. This lot exhibits discoloration, cracked and fragile latex from age; exposed foam and metal around the head; and lifted adhesive from age. Dimensions: 48" x 36" x 48" (122 cm x 91.5 cm x 122 cm)Estimate: $100,000 - 200,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

BETTER CALL SAUL (T.V. SERIES, 2015 - 2022) - Kim Wexler (as played by Rhea Seehorn) and Saul Goodman's (as played by Bob Odenkirk) Revenge on Hamlin Components - Kim Wexler (as played by Rhea Seehorn) and Saul Goodman's (as played by Bob Odenkirk) components for their revenge on Hamlin from Vince Gilligan and Peter Gould's prequel series Better Call Saul. Wexler and Goodman used various components, props, and costumes to end Howard Hamlin's (as played by Patrick Fabian) career and get the Sandpiper case to settle.This lot consists of 51 colored sticky notes with drawings and key words, and a navy cloth and white nylon arm sling with fastening strips. This lot exhibits creases and notable loss of adhesion on the sticky notes. Dimensions: (notes) 3" x 3" (7.75 cm x 7.75 cm)Sony Pictures Television will be donating a portion of the sales proceeds from this lot to the Assistance League of Albuquerque and ABQ Mutual Aid of the SouthWest Organizing Project, two local charities located in Albuquerque, New Mexico where Better Call Saul was filmed.Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.

CATCH ME IF YOU CAN (2002) - Set of Annotated Continuity Photos - 459 annotated continuity photos from the production of Steven Spielberg's biographical crime caper Catch Me If You Can. These photos depicted Frank Abagnale, Jr. (Leonardo DiCaprio), Carl Hanratty (Tom Hanks), and other key characters, costumes, props, and sets replete with hand-marked annotations denoting scene numbers and other continuity notes in the margins. The photos are hung on three metal binder rings. The set exhibits creasing, bending, edge wear, discoloration, and color fade. Dimensions: 4" x 4" x 5.5" (10.25 cm x 10.25 cm x 14 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.

INDIANA JONES AND THE TEMPLE OF DOOM (1984) - Continuity Photo and Notes - A continuity photo and notes from the production of Steven Spielberg's action-adventure prequel Indiana Jones and the Temple of Doom. This set originated with script supervisor Pamela Mann, who used the materials to track the appearance and placement of various costumes, props, and set dressing.This lot consists of one color photograph of Lao Che (Roy Chiao) and his men; one printed "Bridge squence [sic]" continuity page with numbers written throughout; and an A5 size notebook of handwritten continuity notes. The photo exhibits staining around the edges, the paper exhibits corner creasing, and the notebook's cover exhibits scuffing. Dimensions: (largest) 8.5" x 11" (21.75 cm x 28 cm)Estimate: $600 - 1,200Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.