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Click here to subscribeRaphael Nannini (Continental, 19th/20th century), a bronze and ivory figurine of a lady in an off the shoulder evening dress, leaning forward with her hands on her lap, raised on a green onyx base, signed in the casting and numbered '128', 29.5cm highIvory submission reference 6MXDG39S.Condition:Ok, other than some tiny splatters of decorator's paint and the ivory with tiny hairline scratches.
Two rare Raphael Tuck & Sons Nursery Rockers with children circa 1908, chromolithographic embossed cardboard with hinged right side, the reverse with printed poem - A Game of Gallop, two girls riding a rocking horse —7 3/4in. (19.5cm.) wide (repaired legs) and Tally-Ho! - a boy in Pinks riding a wooden horse
A rare Raphael Tuck & Sons Nursery Rocker Mr Jumbo reading The Three Bears circa 1908, chromolithographic embossed cardboard, hinged right side, the reverse printed with ‘Mr Jumbo - Mr Jumbo is very wise; he puts his glasses on and stares, with both his funny little eyes, at pictures in his Book of Bears! - Norman Gale —9 1/4in. (23.5cm.) high (two repairs)
A rare Raphael Tuck & Sons Nursery Rocker The Glad Golliwog circa 1908, chromolithographic embossed cardboard, hinged right side, the reverse printed with ‘The Glad Golliwog - To jump this merry child upon my knee, said Golliwog, is jut the fun for me! She used to seem afraid because my hair is black as coals, but now she doesn’t care: Whatever toys her aunts and uncles send, she chooses me to be her favourite friend! - Norman Gale’ —7 3/4in. (20cm.) wide
A rare Raphael Tuck & Sons Nursery Rocker three dressed Teddy Bears riding a large Teddy circa 1908, chromolithographic embossed cardboard, hinged right side, the reverse printed with ‘Off to the Party. Now, darlings, mind you stay up there and don’t fall off - said Mrs Bear; At parties children should be neat, and not appear with muddy feet! Norman Gale’ —8 1/2in. (22cm.) long
Two rare Raphael Tuck & Sons Nursery Rockers with dolls circa 1908, chromolithographic embossed cardboard with hinged right side, the reverse with printed poem - To and Fro, two girls in a rocker surrounded by dolls —9in. (23cm.) wide (corner of hat repaired) and The Bonnie Boatload - Jolly Jack Tar rowing a boat with dolls and a Teddy Bear
Alice in Wonderland and Peter Pan, Alice - a Ponda Jig-saw The Mad Tea Party, in original box; Raphael Tuck Alice in Wonderland with ‘Come to Life’ panorama; Mabel Lucie Attwell Alice in Wonderland; a Journey Alice dexterity puzzle and two other books; Peter Pan - Pepys Card Game, in original box, Juvenile Production Peter Pan & Wendy and Hodder & Stoughton Peter Pan in Kensington Gardens; Hutchinson L Frank Baum Wizard of Oz and Kenneth Grahame’s First Whisper of The Wind in the Willows
Two rare Raphael Tuck & Sons Nursery Rockers with animals circa 1908, chromolithographic embossed cardboard with hinged right side, the reverse with printed poem - Three Little Kittens, mother cat seated with kittens —8 1/2in. (21.5cm.) high (missing ear) and Naughty Neddy, donkey with two boy riders in pond
Berlin, Verlag der Grazien/ Carl Messer & Cie (2x Bureau der Grazien, Amsterdam), mostly undated (ca. 1900), 2-4 p., ills. after Julian Klinger, Knut Hansen, E.M. Lilien a.o. and photogr. ills., var. sizes. All w. folds. These extremely rare prospectuses were only sent to book traders, this set to P. Out, Koog aan de Zaan (all w. letterpress ticket). (12-24) Thirteen similar prospectuses for various publications such as the Junggesellen-Bibliothek, Der moderne Act and Hopplah! Vater sieht's ja nicht, all published in Berlin by Carl Messer & Cie, mostly undated (ca. 1900), 2-4 p., ills. after Knut Hansen, Raphael Kirchner a.o., various sizes. All w. folds and letterpress ticket of P. Out, occas. other imperfections. (total 24)
Franz WiegeleMädchen mit Nelken in Landschaft1935Öl auf Leinwand; gerahmt97 x 70 cmSigniert und datiert links unten: Wiegele / 1935Ausstellungsetiketten Carnegie Institute, Pittsburgh, rückseitig am Keilrahmenösterreichischer Privatbesitz1935 Pittsburgh, Carnegie Institute, 17.10.-08.12., Nr. 214, Abb. Tafel 48;1987 Klagenfurt, Kärntner Landesgalerie, 01.04.-17.05.;1987 Wien, Österreichische Galerie im Oberen Belvedere, 04.06.-19.07.Carnegie Institute Pittsburgh (Hg.), The 1935 international exhibition of paintings, Kat. Ausst., Carnegie Institute, 17.10.-08.12.1935, Pittsburgh 1935, Kat. Nr. 214, s/w-Abb. Tafel 48 (Titel dort "Study of Carnations");Franz Wiegele, Gemälde, Katalog zur Ausstellung in der Kärntner Landesgalerie und in der Österreichischen Galerie im Oberen Belvedere, mit Beiträgen von Max Raphael u.a., Klagenfurt/Wien 1987, Kat.-Nr. 37, Abb. S. 115 (dort mit den Maßen 87 x 70 cm);Gerbert Frodl und Elisabeth Brandstötter (Hg.), Franz Wiegele, Salzburg 2007, WVFW 125, Id.-Nr. 126, Abb. S. 97 (dort mit den Maßen 87 x 70 cm)Bei Franz Wiegele stand zeitlebens der Mensch im Mittelpunkt seines Œuvres, ein Motiv, das ihn malerisch am meisten forderte und an dem er versuchte, die Aspekte der Nachahmung der geschauten Realität durch die Kunst adäquat umzusetzen und dabei mehr zu schaffen als nur bloße Wirklichkeit. Vor allem faszinierte ihn die Darstellung der Frau, der er in zahlreichen Porträts und Aktzeichnungen eine fortwährende Huldigung zukommen ließ. Wenn der naturverbundene Wiegele, der selbst ein begeisterter Rosenzüchter war, seinen weiblichen Modellen überdies Blumen zuordnete, wollte er damit ein besonderes symbolisches Zeichen seiner Verbundenheit und Bewunderung ihrer Anmut und Schönheit in seine Kompositionen einbringen.So auch im Porträt "Mädchen mit Nelken in Landschaft", das in Wiegeles Spätzeit entstanden ist und Stefanie Maurer, eine Freundin der Familie, als luftig gekleidete Halbfigur vor dem Hintergrund des Dobratschmassivs im heimatlichen Ambiente wiedergibt. Mit leicht zur Seite geneigtem Antlitz, versunken in Gedanken, die ihr ein tiefgründiges Lächeln auf die Lippen zaubern, blickt die junge Frau am Betrachter vorbei über einen üppigen Strauß duftender Gebirgshängenelken, der aus einer Vase hervorquillt, die sie mit beiden Händen umfassend vor ihrem Körper trägt. Während der Künstler die Frauengestalt und ihre Umgebung mit großzügigen Pinselstrichen definiert, fällt die detaillierte, äußerst naturnahe Gestaltungsweise des floralen Arrangements umso mehr auf. Diese Unterschiedlichkeit in der malerischen Ausführung ist typisch für Wiegeles Porträts des letzten Schaffensjahrzehnts und kennzeichnet ebenfalls sein letztes großes Gruppenbild "Abschied von der Jugend", an dem er bereits 1932 zu malen begann, es aber bis 1941 immer wieder überarbeitete. Darin entwirft der Künstler auch erstmals die Bildidee des Nelken tragenden Mädchens.Stefanie Maurer stand Franz Wiegele nicht nur für "Mädchen mit Nelken in Landschaft" Modell, sondern auch für eine Reihe von Zeichnungen und einem als "Rosenbild" titulierten Porträt, welches die Dargestellte mit dem Attribut einer gerade im Aufgehen befindlichen Rose in der Hand schildert.(Sigrid Diewald)
POSTCARDS, two albums containing approximately 478 early 20th century Postcards (early Edwardian - 1930's with exceptions) from Britain, Europe and North America, subjects include sentimental/romantic examples from France, British Beauties, and various birthday greetings postcards, publishers include J. Taihades- Levallois-Perret, O. Oliviery, L'At. D'Art Phot. Raphael Tuck, Wildt & Kray, H.G.L Living Picture Series, Valentine Series, etc
POSTCARDS, two albums containing approximately 360 postcards dating from the early 20th century to the late 20th century, one album contains British and European Christmas Greetings postcards, album two contains a miscellaneous collection from Britain, Europe, Africa and Asia of sentimental, photographic portraiture, religious, art reproduction, floral, nature and topographic examples, publishers include J. Salmon, Percy Redjeb, Rotary, Raphael Tuck, Philco and many others
POSTCARDS, two albums containing approximately 583 Postcards dating from the early 20th century to the late 20th century, one album contains eighty Christmas and Easter postcards from Holland, Belgium, Germany, France, Italy, Poland, Norway, Finland, Yugoslavia and the Soviet Union, the other album contains a miscellaneous collection of approximately 503* Postcards from Britain, Europe, N. America, The Middle East and Africa, subjects include sentimental greetings, comic, religious, topographical, landmarks, floral, scenic, artistic, photographic portraiture examples, etc, publishers include Raphael Tuck, Wildt & Kray, Millar & Lang, C.W. Faulkner, J. Welch & Sons and many others
A 20th century oil on canvas, Parisian street scene with figures, signed Barney lower right, within a moulded gilt frame 19cm x 26cm & 35cm x 40cm overall, sold along with a 20th century oil on canvas, depicting a thatched cottage, signed Reynold lower right, within a matching frame, after G Taylor (contemporary) a signed colour print, stone archway 32cm x 25.5cm overall, a monochrome stipple engraving by Charles Parsons Knight (1743-1826) after John Raphael Smith (1751-1812) depicting a young boy selling matches, mounted framed and glazed 40.5cm x 32cm overall
Niederländischer Meister um 1500/1520- Die Vision des Heiligen Bernard (Milchspende des Hl. Bernhard von Clairvaux) - Öl/Holz. Parkettiert. 53 x 37,8 cm. Rahmen. Rest. Die vorgenommene Datierung ergibt sich aus dem italienischen Einfluss, der in dem Gemälde sichtbar wird - explizit in dem lieblichen Gesicht der Madonna, der auf Einflüsse von Raphael und seinem Kreis hinweist.
George VI (1895-1952) and Queen Elizabeth The Queen Mother (1900-2002). Wartime autograph Christmas card, 1943, signed by both individually in black ink, the mounted family portrait depicting the king & queen with young princesses Elizabeth [later Queen Elizabeth II] and Margaret [Countess of Snowdon], the card published by Raphael Tuck & Sons Ltd., bearing gilt-embossed crown, toning from age. Together with Prince George, Duke of Kent (1902-1942) and Princess Marina, Duchess of Kent (1906-1968), autograph Christmas card, signed by both, additionally inscribed by George to 'Nancy & Waldorf', Xmas 1937, the portrait depicting the duke & duchess with a young Prince Edward, Duke of Kent (2)
Mickey Mouse Movie Stories, Story and Illustrations by Staff of Walt Disney Studio, first edition, Philadelphia: David McKay Company, 1931, very well-preserved, clean & bright, housed in protective mylar covers. Together with The Water Babies, with "Come to Life" Panorama, by Charles Kingsley, London: Raphael Tuck & Sons Ltd., [c. 1920], internally bright with pale spotting in places, pop-up in good order, gift inscription dated 1938, covers good, protective mylar jacket, and Peter Pan & Wendy, by J. M. Barrie, Retold by May Byron, illustrated by Mabel Lucie Attwell, London: Hodder & Stoughton, [c. 1938], internally bright with pale spotting in a few places, tipped-in colour plates, owner inscription dated 1938, covers good (3)
GUERCINO (GIOVANNI FRANCESCO BARBIERI) (ITALIAN 1591-1666) THE VIRGIN AND CHILD WITH AN OWLpen and brown ink, possibly bister 23.2 x 18.5cm; 9 1/2 x 7 1/4in43.5 x 38cm; 17 1/4 x 15in (framed)Property from a Private Collection, LondonProvenance: John Bouverie (d.1750) Anne Bouverie (d.1757; wife of the above) John Hervey (d.1764; brother of the above) Christopher Hervey (d.1786; son of the above) Elizabeth Bouverie (d.1798; aunt of the above) Sir Charles Middleton, later 1st Baron Barham (d.1813; by bequest from the above) Charles Noel, later 1st Earl of Gainsborough (d.1866; grandson of the above) Charles Noel, 3rd Earl of Gainsborough (d.1926; grandson of the above) Hon. Charles and May Noel (a wedding present from the above prior to the First World War ) Colonel Archibald Noel (inherited from the above, his mother) Thence by descent to the present owner (son of the above)Guercino’s drawings are widely celebrated for the virtuosity of their line and the sensitivity in which subject melds with graphic touch. Whether in caricatures, sacred groups, or mythological figures, Guercino imbued them with a remarkable freedom of expression, often concentrating on moments of heightened emotion and drama. Simultaneously, through the agility and unobstructed movement of their line, Guercino’s drawings permit his viewers to trace the artist’s mind at work. A diversity of graphic passages can be recognised in the present sheet - from careful parallel hatching to quick outlines and spontaneous squiggles. While the figure of the Virgin can be compared to that of Salome in Guercino’s painting, Salome receiving the Head of St John the Baptist of 1637 (Musée des Beaux-Arts, Rennes) and its associated red-chalk study (Royal Collection 902789, verso), the present sheet bears greater resemblance, in subject, style, and medium, to the pen and ink drawings of the 1620s, and in particular, The Virgin and Child with St Anne, circa 1620-25 (British Museum, inv. no. Pp,4.62).The finished nature of the present sheet further suggests that it was either intended as an end in itself or, perhaps, a preparatory study for an unexecuted print. In any case, the inclusion of an owl on the right-hand side of the composition is a curious addition. Owls, and bird imagery more generally, began appearing in Guercino’s oeuvre in the early 1620s (see the painting, Memento Mori, ca. 1622-23, in a private collection, as well as the drawings, Group of Figures, with Owl on a Pole, Art Institute, Chicago, 1922.493; A Young Man with an Owl on a Stick, ca. 1630, RISD Museum, Rhode Island, 2015.85; and The Bird-Catcher, ca. 1625-1632, Morgan Library, New York, 1979.8). In the seventeenth century, owls attracted a wide variety of interpretations, from enlightenment to salacious pursuit, all of which Guercino seems to have conveyed across several of his works. In this Virgin and Child, the owl’s presence would certainly bend the interpretation towards the clarity of spiritual vision, particularly considering the animal’s placement on the same level as the Virgin’s sightline. The sharp-eyed creature is, furthermore, an apt, if humorous, inclusion for an artist known to have been cross-eyed (il guercino being the Italian diminutive for guercio, the squinter).Adding to the fascination of this sheet is its exceptional, unbroken provenance traceable to the prestigious Bouverie Collection in the eighteenth century. John Bouverie (ca. 1723–1750) was an intrepid British art collector who amassed an array of important drawings by, among others, Michelangelo, Raphael, Rembrandt and an extensive group by Guercino. The latter may even have been acquired directly from Guercino’s descendants (see, Nicholas Turner, “John Bouverie as a Collector of Drawings” in The Burlington Magazine vol. 136, no. 109, p.91).
Ficino (Marsilio). Epistole Marsilii Ficini Florentini, Venice: Matteo Capcasa for Hieronymus Blondus, 1st edition, 11 March 1495, 204 leaves (6 unnumbered pages, clxxxxvii, 1 unnumbered leaf), printed in Roman type, front blank with small ownership inkstamp of the Bibliotheca Heberiana, title printed in black (with woodcut motif of a phoenix) with small contemporary inscription 'Diem dies docet, Aedeus', illegible oval ownership blindstamp, and ink signature of H. N. Coleridge dated 1834, elaborate woodcut border to title verso, repeated to first two pages of the prologue, numerous small woodcut initials, occasional minor mark or small waterstain, larger stains to upper outer corners of folios CXXIV to CXXIX, dampstaining to lower blank margin beginning at leaf CXXXXI and continuing to end, with some associated fraying and small losses to final leaves, contemporary ownership inscription of Nicolas Pelletur, dated 1499 to verso of blank leaf at rear, medieval manuscript fragment bound in to rear gutter, 17th century full calf with coat-of-arms of the Prince de Condé to centre of each cover, worn with backstrip missing and small loss to lower outer corner of rear cover, folio (textblock measures 305 x 202 mm)QTY: (1)NOTE:Provenance: Nicholas Pelletur, 1499 (inscription at rear of volume); Louis de Bourbon (1621-1686), Prince de Condé, "The Great Condé" with his coat-of-arms to covers; Richard Heber (1773 – 1833), bibliophile and founder member of the Roxburghe Club, inkstamp; H. N. Coleridge (1798-1843), signature.The very early latin manucript ownership inscription in brown ink reads: 'Nicolaus pelliparius artium et medicine doctor/hunc librum emit Lugdin' precio 21 gross’/anno domini 1499/Ni pelletur' ('Nicholas Pelletur, doctor of arts and medicine/bought this book at Lyons for 21 groschen/in the year of our Lord 1499/Ni Pelletur').Hain-Copinger 7059; GW 9873; BMC V, 486; Goff F154; ISTC if00154000. Editio princeps of the Epistole of Ficino.Marsilio Ficino of Florence (1433-1499), one of the most influential thinkers of the Renaissance, put before society a new ideal of human nature, emphasising its divine potential. For Ficino, the writings of Plato provided the key to the most important knowledge for mankind, knowledge of God and the soul. Ficino had been directed by Cosimo de’ Medici towards the study of Plato in the original Greek, and later formed a close connection with Cosimo’s grandson, Lorenzo de’ Medici. Gathered round Ficino and Lorenzo were such men as Landino, Bembo, Poliziano and Pico della Mirandola. The ideas they discussed became central to the work of many Renaissance writers and artists, including Botticelli, Michelangelo, Raphael, Dürer, Spenser, Shakespeare and Donne.“The Letters occupy in fact a very important place in Ficino's work. As historical documents, they give us a vivid picture of his personal relations with his friends and pupils, and of his own literary and scholarly activities. As pieces of literature, edited and collected by himself, the letters take their place among other correspondences of the time and are a monument of humanistic scholarship and literature. Finally, the letters are conscious vehicles of moral and philosophical teaching and often reach the dimensions of a short treatise. Ficino began to collect his letters in the 1470's, gradually arranged them in twelve books, had them circulated in numerous manuscript copies, and finally had them printed in 1495." (Paul Oskar Kristeller).
* Mezzotint Portraits. Seven Portraits, 19th century, including [Ward (George Raphael). Sir James Brooke, the First White Rajah of Sarawak, circa 1847], uncoloured mezzotint after Sir Francis Grant on India wove, signed by the engraver in pencil to the lower right, some staining, slight creasing and marginal dust soiling, 515 x 385 mm, together with another copy similar, with Cousins (Samuel). Elizabeth, Duchess of Rutland..., circa 1826, uncoloured mezzotint after G. Sanders, remarque of a ducal coronet to the upper margin, some staining and spotting, 700 x 440 mm, with another copy similar, plus another three uncoloured mezzotints of Robert Speccott Barker and Philip Pleydell Bouverie (2 copies), various sizes and conditionQTY: (7)
* Tuck (Raphael & Sons, publishers). Travelling on the Liverpool and Manchester Railway, 1831, Plate I. A Train of the First Class of Carriages with the Mail, Plate II (below) A Train of the Second Class for Outside passengers with three Third Class Carriages behind, Plate III. A Train of Waggons with Goods &c. &c. Plate IV (below) A Train of Carriages with Cattle, 1894, together 4 chromolithographs on two sheets (as published), very slight spotting, each approximately 245 x 635 mmQTY: (2)
A collection of early 20th Century Magic Lantern Slides comprising: The Old Masters, to include: Rembrandt, Titian, Gainsborough, Leonardo Da Vinci, Van Dyck, Raphael, Giotto; together with The Life of David Livingstone, American Lecture Paintings: City Hall, Canal Street, Birdseye view of New York, view of Broadway, Central Park, Profile Rock on the Mohawk, and more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 5 pounds (crown), 1990. Royal Mint. Proof. Celebrating the 90th birthday of Queen Elizabeth the Queen Mother. The first £5 crown-sized denominated coin issued by the Royal Mint. The face value of previous issues, following decimalisation in 1971, was 25 pence.Third crowned head of Elizabeth II facing right; RDM on neck truncation; ELIZABETH · II · DEI · GRATIA · REGINA · F · D · FIVE POUNDS · Design by Raphael Maklouf. / Crowned monogram of Lady Elizabeth Bowes-Lyon, the Queen Mother, flanked by an English rose on the left and a Scottish thistle on the right; inscription around 'QUEEN ELIZABETH THE QUEEN MOTHER' and anniversary dates '· 1900 · 1990 ·'. Design by Leslie Durbin. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 5775828-004. NGC Census in this grade: 61.NGC Census in higher grade: 38Total NGC Census: 116Reference: S-L1 (was 4301); KM-962bMintage: 2,750.Diameter: 38.61 mm.Thickness: 2.89 mm.Weight: 39.9403 g. (AGW=1.1777 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 25 pounds, 1997. Royal Mint. Proof. To commemorate the 10th anniversary of the Britannia coin the 1997 issue features a special design for the first time, known as The Charioteer, on which Britannia is depicted riding a chariot in the manner of the war Queen Boudicca.Third, crowned bust of Queen Elizabeth II right; RDM on truncation; ELIZABETH ' II ' DEI ' GRATIA ' REGINA ' F ' D ' 25 POUNDS '. Design by Raphael Maklouf. / Britannia standing, riding a chariot drawn by two horses, holding reins and trident, wearing a Corinthian helmet; BRITANNIA below; QUARTER ' OUNCE ' FINE ' GOLD ' 1997 around above. Design by Philip Nathan. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6671525-007. NGC Census in this grade: 31, equal-finest graded.Total NGC Census: 69Reference: S-BO3 (was 4293); KM-983Mintage: 1,815.Diameter: 22 mm.Weight: 8.51 g. (AGW=1/4 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Julius II Adam 1852 München - 1913 München Spielende Katzenfamilie im Wald. Um 1860/70. Öl auf Leinwand. Rechts oben signiert. 27,5 x 40 cm (10,8 x 15,7 in). PROVENIENZ: Privatsammlung Bayern. Julius II Anton Adam wird als Sohn des Lithografen und Fotografen Julius (I) Adam und als Enkel des Pferdemalers Albrecht Adam in München in eine bereits hoch angesehene Künstlerfamilie geboren. Bis 1882 widmet sich Adam hauptsächlich der Genremalerei und setzt sich damit anfänglich bewusst von den Tierdarstellungen ab, die in der Malerfamilie Adam vorherrschen. Mitte der 1880er Jahre findet ein Katzenbild von ihm jedoch so großen Anklang im Münchner Kunstverein, dass er sich fortan fast ausschließlich der Katzenmalerei widmet. In feinmalerisch präziser Technik verbindet er die genauen Licht- und Farbbeobachtungen des weichen Fells mit der genauen Beobachtung ihrer Bewegungen. So wird der Künstler bei seinen Zeitgenossen als 'Katzenraffael' oder 'Katzenadam' bekannt. Im Werben um Aufmerksamkeit und Käuferschaft ist dies nicht zuletzt als Strategie zu verstehen, das eigene Schaffen unverwechselbar zu etablieren. Mehrere seiner Bilder werden auf der Internationalen Kunstausstellung München mit der Goldenen Medaille ausgezeichnet, wodurch er nicht zuletzt unter den Münchner Tiermalern der Gründerzeit eine bedeutende Stellung einnimmt. [KT] Aufrufzeit: 10.06.2023 - ca. 18.00 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJulius II Adam 1852 München - 1913 München Spielende Katzenfamilie im Wald. Um 1860/70. Oil on canvas. Signed in upper right. 27.5 x 40 cm (10.8 x 15.7 in). PROVENANCE: Private collection Bavaria. Julius II Anton Adam was born into a highly respected family of artists in Munich, the son of the lithographer and photographer Julius (I) Adam and the grandson of the horse painter Albrecht Adam. Until 1882, Adam devoted himself mainly to genre painting and made works that were clearly distinguishable from the animal depictions typical of the Adams family. In the mid-1880s, however, a cat picture he had made was so well received at the Munich Kunstverein, that he decided to paint nothing but cats from then on. Using a precise, fine-painting technique, he combined light and color observations of the soft fur with exact observations of their movements. Eventually, the artist became known as 'Cat Raphael' or 'Cat Adam'. In trying to get the attention of buyers, establishing an unmistakable brand nothing less than a necessary marketing strategy. Several of his paintings were awarded the gold medal at the International Art Exhibition in Munich, which earned him an important position among the Munich animal painters of the Wilhelminian period. [KT] Called up: June 10, 2023 - ca. 18.00 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Raphael (Frederic) The Necessity of Anti-Semitism, 1997; The Hidden I: A Myth Revised, illustrations by Sarah Raphael, 1990; Coast to Coast, 1998, first editions, signed presentation inscription from the author to endpapers, additionally signed under his real name or pseudonym to titles, original boards, dust-jackets, fine copies; and 22 others by the same, all first editions, including 2 scarce early amateur theatre programmes listing Raphael as an actor or playwright, 8vo (25)⁂ A good group of works by Frederic Raphael (1931-), American-British BAFTA and Academy Award winning screenwriter, biographer, nonfiction writer, novelist and journalist.
Graphik -- Ca. 22 Blatt des 17.-18. Jh.Darunter von und nach: Hans Sebald Beham, Jacques Callot, Etienne Delaune, Albrecht Dürer, Allaert van Everdingen, Polifilo Giancarli, Theodor van Kessel, Jacques Kuyper, Jan Londerseel, Michiel Mousyn, Raphael, Johannes Sadeler "Allegorie der Hoffnung" (H. 487), Raphael Sadelder, Cornelis Schut, Johann Storer, Agostino Veneziano. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Wolfgang Suschitzky, Backyard of Charing Cross Road Tenement, LondonSpäterer Gelatinesilberabzug. 33,8 x 26 cm. Rückseitig mit Bleistift signiert, datiert, betitelt und beziffert. - Unter Passepartout montiert.ProvenienzPrivatsammlung, NorddeutschlandLiteraturRaphael Samuel, Wolf Suschitzky. Charing Cross Road in the Thirties, London 1990, S. 13 mit Abb.; Michael Omasta (Hg.), Wolf Suschitzky. Photos, Wien 2006, S. 80 mit Abb.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1987. Royal Mint. Proof. Third crowned head of Elizabeth II facing right; RDM on truncation; ELIZABETH · II · DEI · GRA · REG · F · D. Design by Raphael Maklouf. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6382353-001. NGC Census in this grade: 64, equal-finest graded.Total NGC Census: 192Reference: S-SC2 (was 4271); KM-943Mintage: 9,979.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1985. Royal Mint. Proof. Third crowned head of Elizabeth II facing right; RDM on truncation; ELIZABETH · II · DEI · GRA · REG · F · D. Design by Raphael Maklouf. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 70 CAMEO, certification number 6381608-008. NGC Census in this grade: 84.NGC Census in higher grade: 82Total NGC Census: 315Reference: S-SC2 (was 4271); KM-943Mintage: 11,393.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1985. Royal Mint. Proof. Third crowned head of Elizabeth II facing right; RDM on truncation; ELIZABETH · II · DEI · GRA · REG · F · D. Design by Raphael Maklouf. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6382353-003. NGC Census in this grade: 84, equal-finest graded.Total NGC Census: 233Reference: S-SC2 (was 4271); KM-943Mintage: 11,393.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 50 pence, 1992. Royal Mint. Proof. Celebrating the United Kingdom's Presidency of the European Community, and the completion of the Single European Market. It was demonetised in 1998, shortly after the denomination was reduced in size in 1997.Third crowned portrait of HM Elizabeth II facing right; RDM on truncation; ELIZABETH II D · G · REG · F · D · 1992. Design by Raphael Maklouf. / Conference table from above, twelve chairs around and twelve stars on the table for each of the member states, linked by a network of lines to signify trade and commerce within the Community. A larger chair at the top of the table shows the letters 'UK', representing UK's Presidency of the Council of Ministers. Design by Mary Milner Dickens. Edge plain.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6382353-013. NGC Census in this grade: 23.NGC Census in higher grade: 6Total NGC Census: 48Reference: S-H5 (was 4352)Mintage: 1,864.Diameter: 30 mm.Thickness: 1.78 mm.Weight: 26.32 g. (AGW=0.7761 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1990. Royal Mint. Proof. Third crowned head of Elizabeth II facing right; RDM on truncation; ELIZABETH · II · DEI · GRA · REG · F · D. Design by Raphael Maklouf. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6382353-002. NGC Census in this grade: 56.NGC Census in higher grade: 24Total NGC Census: 93Reference: KM-943; Marsh-313I; S-SC2 (was 4271)Mintage: 4,767.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
RUGBY UNION - 2008 LONDON WASPS V BATH AUTOGRAPHED PROGRAMME London Wasps v Bath Rugby, Guiness Premiership, Sunday 18th May 2008 signed by 23 Wasps squad to include Lawrence Dallaglio, Raphael Ibanez, Simon Shaw, Phil Vickery, Joe Worsley, Fraser Waters, coach Ian McGeechan etc along with 16 Bath players to include Danny Grewcock, Nick Walshe, Peter Short, Andrew Higgins, Lee Mears, Steve Borthwick etc
Agostino Veneziano (Italian, circa 1490-circa 1540), after Giulio Romano (Italian, 1499-1546)The young Hercules in his cradle strangling snakes (Bartsch XIV) Engraving, 1533, on heavy laid paper, with thread margins; together with Marco Dente da Ravenna (Italian, 1493-1527) after Marcantonio Raimondi (Italian, circa 1480–before 1534) The Judgment of Paris (Bartsch XIV) Etching, circa 1520, on laid paper, trimmed to the imageEach sheet 219 x 180mm (8 5/8 x 7 1/8in); 285 x 424mm (11 1/4 x 16 3/8in)(2)Footnotes:The work by Marco Dente has been long described as a copy after a print of the same subject by Raimondi (RCIN 851707) and dated between 1520 and 1527. Suggestions have been made that it may have been executed around 1515-16 after the original design by Raphael (see Massari in Raphael Invenit 1985, p.242, II.2).For further information on this lot please visit Bonhams.com
POSTCARDS, One Postcard Album containing approximately 432* early 20th century CHRISTMAS Postcard (Edwardian - 1930's with exceptions) from Britain, Europe and N. America, publishers include E.J. Hev & Co London, Raphael Tuck & Sons, The Carlton Publishing Co, B.B. Ltd, The Regent Publishing Co, A & G Taylor's 'Orthochrome Series, E.Mack, Aristophot Co, F.W. Woolworth & Co, Valentine Series, etc
POSTCARDS, One Postcard Album containing approximately 370* early 20th century CHRISTMAS Postcard (Edwardian - 1930's with exceptions) from Britain, Europe and N. America, publishers include W. McKenzie & Co, Raphael Tuck & Sons, Wildt & Kray, Hills & Co. Ltd, 'For the Empire' Series, W & K. London, Rotary Photo, Owen Card Publishing Co. New York, E.A. Schwerdtfeger & Co, J. Beagles & Co, Inter-Art Co, etc
POSTCARDS, two albums containing approximately 492* early 20th century BIRTHDAY Postcards (Edwardian - 1940's with exceptions) from Britain, America and Europe, some hand-coloured, silk or embossed, publishers include Raphael Tuck & Co, Valentine, Rotary Photographic Co. Misch & Co, W.B.L. London, Milton 'Glazette' Series, Wildt & Kray, E.J. Hey & Co, J. Beagles& Co, Photochrom 'Celesque' Series, B.B. London, etc
POSTCARDS, one album containing approximately 504* early 20th century BIRTHDAY Postcards (Edwardian - 1930's with exceptions) from Britain, America and Europe, mostly floral themed, some hand-coloured, silk or embossed, publishers include, Philco Series, Alpha Publishing Co, Raphael Tuck & Sons, Wildt & Kray, Rotary Photo E.C, E.W. Savory Ltd, J.W.A. & Co, Carlton Publishing Co, Valentine & Sons, E. Alexander, etc
Photographs by Raphael Mazzucco. A treasure trove of spectacular photography curated by artist on this unprecedented "reunion shoot" of 8 Swimsuit Issue cover subjects. Features fresh, edgy, and thoroughly captivating set of images capturing the warmth of the friendship among these stunning women and the heat they generate. Includes book jacket. Contains 144 pages. Artist: Steven HoffmanIssued: 2006Dimensions: 10.25"W x 13.75"HManufacturer: Time Inc. Home EntertainmentCountry of Origin: United StatesCondition: Age related wear.
Templum Fine Art Auctions is pleased to present the best Guatemalan colonial sculptural group to be offered at auction in the recent years. From an important Spanish family private collection, Northern Spain. Sculptural group in polychrome wood with exquisite details, quality and original polychromy work on the face and mantles. Crystal eyes. Measurements: 47 x 62 x 27 cm. Archangel Raphael is the angel who healed Patriarch Tobias, which is why he is the "patron saint" of the war sick and maimed. In some countries he is considered the Patron of doctors. Saint Raphael is one of the three archangels known by name within the Christian, Jewish, and Muslim tradition along with Michael and Gabriel. Archangel Rafael represents the healing and purification of the soul and body. It guides the human being to leave behind all the negative that has accumulated throughout his life and to accept "God's healing", as its name indicates. Intercede and advocate so that human beings can free themselves from their past and resume the path of life with a new vision of the future full of hope and regeneration. San Rafael helps the sick in their transition to a new life full of opportunities for spiritual growth. For those people whose path on Earth has come to an end, it gives the opportunity for the healing and purification of the soul in its new stage of existence. San Rafael Arcángel is celebrated on October 24. Reference bibliography: VV.AA.; Ramos Sosa, Rafael (2013). «Sculptors and sculptures in the former Captaincy General of Guatemala (1524 – 1660)». The consolidation of the baroque in Andalusian and Spanish-American sculpture. University of Granada. ISBN 978-84-338-5509-1; Gallo Armosino, Antonio (1979). Colonial sculpture in Guatemala. General Directorate of Culture and Fine Arts (Guatemala). OCLC 1025899913.
With fine Wood-cut Illustrations Holinshed (Raphael) & Stanyhurst (R.) The Historie of Ireland from the First Inhabitation thereof, unto the Yeare 1509, collected by Raphael Holinshed, and continued until the Year 1547, by Richard Stanyhurst. Folio, Lond. (George Bishop / John Harrison) 1577, First Edn., Black Letter throughout. Attractive engd. title, with coat of arms verso, [2] 28 folios, 116pps, [L.], woodcut initials and 62 woodcut illus., device on last leaf, contemp. full calf, rebacked, new spine. Good Copy. Extremely Rare. (1)
ERZENGEL RAPHAEL Italien, 19.Jh., Holz, vollplastisch geschnitzte Figur stehend, farbig gefasst über Kreidegrundierung, eingesetzte Glasaugen, H: 35 cm. Altersspuren. ARCHANGEL RAPHAELItaly, 19th century, wood, fully carved standing figure, coloured over chalk grounding, inset glass eyes, h: 35 cm. Signs of age.
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