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Signed rugby shirt from Rugby Aid Northern VS Southern Hemisphere to raise money for the 2004 Tsunami, Rebuilding after the Tsunami, Twickenham, 5th March 2005. Signed by 21/23 of the Northern Squad; John Yapp, Andy Titterrell, Chris Horsman, Marco Bortolami, Donncha O'Callaghan, Lawrence Dallaglio (c), Pat Sanderson, Simon Taylor, Gareth Cooper, David Humphreys, Ben Cohen, Ceri Sweeney, Ollie Smith, Mirco Bergamasco, Chris Paterson, Raphael Ibanez, Cedric Soulette, Eric Miller, Jonathan Thomas, Mike Phillips, Mark Taylor, Mathew Tait, Clive Woodward. Autographs signed in silver marker on navy blue kit, size 4XL.  Condition for this Lot - Sale 17/03/21Please look carefully at the signatures; there are 21 signatures out of the squad of 23.

Signed rugby shirt from Rugby Aid Northern VS Southern Hemisphere to raise money for the 2004 Tsunami, Rebuilding after the Tsunami, Twickenham, 5th March 2005. Signed by 20/23 of the Northern squad; John Yapp, Andy Titterrell, Chris Horsman, Marco Bortolami, Donncha O'Callaghan, Lawrence Dallaglio (c), Pat Sanderson, Simon Taylor, Gareth Cooper, David Humphreys, Ben Cohen, Ceri Sweeney, Ollie Smith, Mirco Bergamasco, Chris Paterson, Raphael Ibanez, Cedric Soulette, Eric Miller, Jonathan Thomas, Mike Phillips, Mark Taylor, Mathew Tait, Clive Woodward. Autographs signed in silver marker on navy blue kit, size 3XL.  Condition for this Lot - Sale 17/03/21Please look carefully at the signatures; there are 20 signatures out of 23 of the squad.

2 polished steel chains with hallmarked silver circle of raphael tallsmans for health and wealth, 18 and 16 inches

Anton Raphael Mengs1728 Aussig/Böhmen - 1779 Rom, nachHl. Maria Magdalena büßendRücks. auf dem Keilrahmen bezeichnet sowie Reste eines Katalogausschnitts. Öl auf Lwd. 51 x 64,2 cm. Rest. Craquelé. Rahmen min. besch. Kopie nach dem Gemälde von Anton Raphael Mengs in der Gemäldegalerie Alte Meister, Dresden, Inv.-Nr. 2162. Literatur: Roettgen, Steffi, Anton Raphael Mengs. 1728 - 1779. Band 1. Das malerische und zeichnerische Werk. München 1999, S. 138, WK 2: hinsichtlich der Maße und der rückseitigen Bezeichnungen sollte es sich bei vorliegendem Gemälde um diese Kopie handeln. Anton Raphael Mengs1728 Aussig/Bohemia - 1779 Rome(after) Saint Mary Magdalene penitentInscribed on the stretcher and remnants of a catalogue excerpt verso. Oil on canvas. 51 x 64.2 cm. Restored. Craquelure. Minor damage to frame. Literature: Roettgen, Steffi, Anton Raphael Mengs. 1728 - 1779. Volume 1. Das malerische und zeichnerische Werk. Munich 1999, page 138, WK 2.

Antonio Carnicero1748 Salamanca - 1814 Madrid, zugeschriebenBildnis eines Knaben mit Kanarienvogel(Francisco de Paula Antonio de Borbón, Duque de Cádiz ?). Ganzfigur leicht nach links. Auf der rechten Hand ein gezähmtes Vögelchen haltend. Öl auf Lwd. 115 x 77,5 cm. Doubliert. Rest. Rahmen min. besch. Möglicherweise handelt es sich bei dem dargestellten Knaben um den spanischen Infanten Francisco de Paula (1794 Madrid - 1865 ebenda). Ein Vergleich mit Francisco Goyas Porträt des Infanten auf dem Familienbildnis König Karls IV. von Spanien und der dieses vorbereitenden Studie (beide im Prado, Madrid) aus dem Jahr 1800 lässt deutliche physiognomische Übereinstimmungen erkennen. In der Madrider Ausstellung 1925 (s. u.) werden als Leihgeber angegeben: "Sres. De Mora (D[on]. Gonzalo". Hierbei könnte es sich um Gonzalo e Mora y Riera (1836-1930) und/oder seinen Sohn Gonzalo de Mora y Fernández del Olmo, Marqués de Casa Riera (1887-1957) gehandelt haben. Geht man in der Geschichte dieser bedeutenden Familie weiter in die Vergangenheit zurück, stößt man auf den ersten Marqués de Casa Riera, Tomás Felipe Riera y Rosés (1790-1881). Dieser stand als Schatzmeister in Diensten des o. g. Infanten Francisco de Paula. Während das vorliegende Gemälde in der genannten Ausstellung nur vage mit dem Künstler Antonio Carnicero in Verbindung gebracht wird, ist es auf einer Fotografie des Gemäldes in der Fototeca des Patrimonio Histórico als Werk dieses Künstlers erfasst (Inv.-Nr. 08569_B). Ein Vergleich des vorliegenden Gemäldes mit Carniceros Porträt "Un infante con tambor y pandereta" (Prado, Madrid, Inv.-Nr. P04719) unterstützt diese Zuschreibung ergänzend. Antonio Carnicero studierte an der königlichen Akademie in Madrid, schloss 1769 sein Studium mit Auszeichnung ab. Es folgte im Rahmen eines Stipendiums ein zweijähriger Aufenthalt in Rom. Carnicero war vorwiegend als Porträtist tätig. Stilistisch anfangs an den Werken des Anton Raphael Mengs orientiert, nimmt Carnicero später vor allem hinsichtlich des Kolorits deutliche Anleihen am Werk Francisco Goyas. 1797 wurde er Hofmaler des spanischen Königs, später Zeichenlehrer des Prinzen Fernando von Asturien und der Infanten. Literatur: Ausst.-Kat. Exposición de retratos de niño en España. Catálogo general ilustrado. Madrid, Sociedad Española de Amigos del Arte, Mai - Juni 1925, Tafel XXXIII (als "Carnicero [?]"). Provenienz: Laut Angaben des Vorbesitzers aus spanischem Adelbesitz erworben. Antonio Carnicero1748 Salamanca - 1814 Madrid(attributed to) Portrait of a boy with a canary(Francisco de Paula Antonio de Borbón, Duque de Cádiz ?). Oil on canvas. 115 x 77.5 cm. Relined. Restored. Minor damage to frame. Provenance: according to the information given by the previous owner, acquired from Spanish nobility Literature: exhibition catalogue Exposición de retratos de niño en España. Catálogo general ilustrado. Madrid, Sociedad Española de Amigos del Arte, May - June 1925, plate XXXIII (as "Carnicero [?]").

Two French Spelter Figures comprising 'Marchand De Legumes', After L Raphael, with signature to back and 'Marchand De Volailles'

AN ALBUM OF POSTCARDS, UK, EARLY 20TH C, MAINLY NORTH AND WELSH, TO INCLUDE LAKE DISTRICT, LLANDUDNO, BISHOP AUCKLAND, SWANSEA, DERWENT WATER, LOCH LOMOND, SEASCALE, NEWCASTLE-ON-TYNE, BUXTON, PICCADILLY MANCHESTER, ETC, CONTAINED WITHIN A RAPHAEL TUCK AND SONS ALBUM (APPROXIMATELY 94 CARDS) Consistent with age

ONE ALBUM OF POSTCARDS, MAINLY UK, EARLY 20TH C, TO INCLUDE LAKE DISTRICT, BOURNEMOUTH, INFANTS, CATS, DOGS, OTHER ANIMALS, SOME CARDS BY RAPHAEL TUCK, ETC (APPROXIMATELY 300) Consistent with age

KPM; a good pair of 19th century painted porcelain plaques featuring depictions of The Madonna and Child after Raphael, both with E. Grindley  & Palmer of Liverpool labels verso in gilt Rococo-style frames, the plaques 14 x 10cm (2).Additional InformationWhile we have not removed the backs we are confident with the attribution to KPM, some surface dirt, dust and light marks, some further rubbing marks and small losses to the frames.

FOLIO SOCIETY; A large collection of Folio Society books, to include, DANTE (A), THE DIVINE COMEDY; BROWNING’S DRAMATIC MONOLOGUES; RAPHAEL (A), OF GODS AND MEN; BETJEMAN’S BRITAIN; OVID, METAMORPHOSES; DAVID (E), A BOOK OF MEDITERRANEAN FOOD; ASHERSON (N), BLACK SEA; TURGENEV (I), ON THE EVE; NEWBY (E), A SHORT WALK IN THE HINDU KUSH; THE DISCOVERY AND CONQUEST OF PERU; HUXLEY (A), THE DEVILS LOUDUN; BURGESS (A), A CLOCKWORK ORANGE; A NARRATIVE OF THE VOYAGE OF HMS BEAGLE; MANN (T), THE MAGIC MOUNTAIN, seventy vols, many in original slip cases (70).Additional InformationFootnote: This lot forms part of The Library of a Cheshire Gentleman collection, see lot 2317for more details.

17th CENTURY, AFTER RAPHAELMassacre of the innocentsoil on copper59 x 92cmRaphael's rendition of the Massacre of the Innocents is rather unusual when compared to the larger body of work by the Renaissance master, renowned for his harmony and balance. The Massacre of the Innocents contradicts this by being a highly active topic, in which Roman soldiers are seen slaughtering the newborns of Bethlehem. This early rendition, however, would come to inspire several other important renditions of the subject, such as the ones of Tintoretto and Rubens.Condition report: There is some unevenness to the surface. There are areas of loss to the paint surface apparent in the illustration. The surface is covered with a layer of dirt and discoloured varnish making any reading under UV light difficult.

Kirchner, Raphael. Frauengestalten aus 1001 Nacht. Folge von 19 Tafeln mit Heliogravüren. 33 x 25 cm. Lose Blatt in OPapp-Mappe (fleckig und berieben). (Wien, Stern, um 1910).Seltene Folge mit voyeuristisch-lasziven Illustrationen zum Märchenepos. Druck auf festem Kupferdruckkarton. - Wohlerhalten.

Duns Scotus, Johannes. Summa theologica. 5 Bände. 37 x 24 cm. Pergament d. Z. (etwas angeschmutzt und fleckig, stellenweise lichtrandig und bestoßen) mit hs. RTitel. Rom, Georg Plachus, Raphael Peveroni, Michaelis, 1728-1738.Spätere Ausgabe von Duns Scotus "Summa theologica" mit den Kommentaren Hieronymus de Montefortinos (1662-1738). - Titel mit hs. Besitzvermerken. Der letzte Band zu Beginn mit Feuchtigkeitsschaden. Gering gebräunt und fleckig. Exlibris

Ris Paquot, (Oscar Edmond). Histoire générale de la faience ancienne française et étrangère, considérée dans son histoire, sa nature, ses formes et sa décoration. Text- und Tafelband, zusammen 2 Bände. 2 Bl., 240 S.; 2 Bl. Mit 200 (4 doppelblattgroßen, diese jeweils als 2 Tafeln nummeriert) teils kolorierten, teils pochoirkolorierten lithographischen Tafeln. 39,5 x 29,5 cm. Rotes Halbmaroquin d. Z. (minimal berieben) mit goldgeprägtem RTitel. Amiens, Selbstverlag, Paris, Raphael Simon, 1874-1876.Nummeriertes und vom Autor signiertes Exemplar. Die erste Tafel zeigt einen Brennofen für Keramiken, die folgenden Tafeln präsentieren die verschiedene Objekte aus unterschiedlichen Epochen und Regionen, neben Vasen, Krügen, Amphoren, Vogelkäfigen, Tellern sowie Schuhen, auch reine Dekorelemente und szenische Darstellungen, aber auch Signets der verschiedenen Werkstätten (Lille, Rouen, Sinceny, Nevers, Straßburg, Moustiers, Marseille, Angleterre, Delft, Urbino) werden abgebildet - Minimal gebräunt. Wohlerhaltenes Exemplar. Mit gestochenem Exlibris "Ex Libris Comte E. du Certre".

Franckenberg, Abraham von. Raphael oder Artzt-Engel. Das ist ein heiliges Licht und heilsamer Bericht von dem wahren Grunde und rechten Verstande menschlicher Kranckheit und darwieder geordneten Artzeney. (Faksimile der Urschrift von 1639). 3 Bl., 98 S., 2 Bl. Mit zahlreichen, teils farbigen Textillustrationen und 3 (2 farbigen) Falttafeln. 22,5 x 17 cm. OLeder (gering berieben) mit RVergoldung, Deckelfileten, Deckelvignette und Goldschnitt in Wachspapierumschlag. Wolfenbüttel, Verlag der Freude, 1924. Wolfenbütteler Unica- und Kuriosa-Drucke I. Eines von 400 nummerierten Exemplaren. "Eine mystische Pathologie. Am Schluß erfolgt eine theologische Schilderung magischer Kuren". Lose beiliegend das dazugehörige Begleitheft. - Nahezu tadellos.

-- Mit Darstellung des Ausbruchs des Ätnas auf Sizilien-- Serlin, Wilhelm (Hrsg.). Continuatio XIX Diarii Europaei, Insertis variis Actis Publicis Oder Täglicher Geschichts-Erzehlung Zwatzigster Theil. 4 Bl., 595; 35; 344; 132, 33 (recte 43), 8 Bl., 11 S., 8 Bl. Mit mehrfach gefalteter Kupfertafel und 2 mehrfach gefalteten Tabellen. 20,5 x 17 cm. Pergament d. Z. (kaum angestaubt) mit spanischen Kanten und gefärbtem Schnitt. Frankfurt, Wilhalm Serlin, 1670.VD17 23:234671Z. Németh, S.K. Hungarica H 388. - Band XX der bedeutenden Chronik und historischen Zeitung, "Worinnen enthalten Theils was in dem Heil. Röm. Reiche theils auch in anderen demselbigen angränzenden und weit entlegenen Königreichen ... in Kriegs- und Friedens-Geschäfften, das 1669. Jahr über, denckwürdigst vorgegangen, Wobey abermahls ein absonderlicher Appendix, oder Anhang Vnterschiedlicher leßwürdiger Schrifften und Acten, sambt einer kurtzen Beschreibung deß gegenwärtigen Staats im Königreich Engelland. Die Zeitschrift erschien, jeweils in mehreren Tranchen und Lieferungen in 45 Bänden zwischen 1657 und 1683. Sie bildet eine der wichtigen historische Quellen mit chronologischer Darstellung der Ereignisse in Europa in den Jahren 1663-1680 mit teils umfangreichen separat paginierten Anhängen, darunter: "Gerichtlicher Proceß und Urtheil, Deß Parlaments zu Metz, Eines Juden Raphael Levi genandt, Wegen eines von ihme den 23. Septembr. 1669. geraubten drey jährigen Kindes".Die große Falttafel mit Ansicht des sizilianischen Vulkans Ätna, der sich feuerspeiend über der Stadt Catania erhebt: "Eigentliche Abbildung, der grausamen und erschrecklichen, neu entstandenen Feuersbrunst deß bergs Aethna in Sicilien, welche unterschiedliche grund und Löcher in Mompellieri, mit großen schrecken und Verderben deß gantzen gebiets in Cattania auf gerißen die See auf 4. Meilen lang ein getrucknet und seinen Anfnag den ii. Martij 1669 genommen hat". - Kaum gebräunt, fast ohne Papierläsuren, insgesamt in erstaunlich gutem Zustand und zeitgenössisch in honigfarbenem Pergament sorgsam eingebunden.

A Raphael framed print and limited print, Oxford

After Raphael, oil on canvas, Madonna della Seeggiola, 76 x 74cm

Raphael Lipkin, BBRB, Others - A collection of three plastic toys (two boxed) and an unboxed diecast Matchbox airplane. Lot includes a boxed BBRB battery operated Fishing Boat; a boxed HK made #1859 Puff Puff Tug Boat; and a unmarked plastic Nuffield Tractor (attributed to Raphael Lipkin). Both boats appear to be in Mint condition in Good - Very Good boxes with some storage imperfections. The tractor shows signs of play, with missing parts but generally appears to be in Fair plus condition - would benefit from cleaning and display well!

9ct yellow twist link bracelet 7 inch and 1.5g together with 2 rose gold plated pendants produced and issued by the circle of Raphael one being path 3 angelic love the other angelic rejuvenation path six

14ct gold talisman of the the seven archangels issued and created by the circle of Raphael marked 9ct 17.5 inch chain the talisman being 2.9g and chain being 1.5g

Two 19th century prints after Alonzo Perez. Village streets with figures. Copyright 1902. By Raphael Tuck & Sons London / Paris / New York. Printed in Vienna. Lithography on paper. Dimensions: H 39 x W 31 cm. In good condition.

RAPHAEL KIRCHNER POSTCARD - L'ARPETE MONTMARTROISE IN GOOD CONDITION

Vito Timmel (Austrian, 1886-1949)Winter landscape signed and dated 'Timmel/XXVII-XII-XXVI.' (lower left)oil on canvas64 x 64cm (25 3/16 x 25 3/16in).Footnotes:ProvenancePrivate collection, Greece.ExhibitedPossibly Trieste, Padiglione Municipale del Giardino Pubblico, II Esposizione Sindacale di Belle Arti, as 'Paesaggio invernale'.LiteraturePossibly Silvio Benco, 'La mostra regionale d 'arte al Giardino . Le opere degli scultori', Il Piccolo, Trieste, 18 October 1928, as 'Paesaggio invernale'.Vito Timmel (born Vittorio von Thümmel) was born in Vienna in 1886. He was the son of a German aristocrat, Raphael von Thümmel and an Italian Countess, Adele Scodellari. In 1890 the family relocated to Trieste where later Vito studied under the artist Eugenio Scomparini. In 1905 Timmel enrolled in the Kunstgewerbeschule in Vienna which pushed his oeuvre and production towards symbolism and Art Nouveau styles. After the First World War, when he fought for the Austro-Hungarian Empire, Timmel returned to Trieste. Then a very intense and creative period started for the artist. Unfortunately however, his health began to suffer and deteriorated to the point that he had to be admitted to a psychiatric hospital in 1946, where he passed away in 1949.The present work was painted at the height of the artist's career and encapsulates all the qualities that made Timmel famous: a subject charged with mystical connotations, a bold symbolist style and a captivating narrative.For further information on this lot please visit Bonhams.com

A full set of four vintage Teenage Mutant Hero Turtles wrist watches in original packaging by Hi-Tech., c.1988, comprising of Leonardo; Raphael; Donatello; Michaelangelo.

A Continental patinated bronze Biblical relief plaque of Noah Leaving the Ark, after Raphael, possibly 17th century, with the figures standing before the large vessel beyond and with descending pairs of animals, 45.5 x 36 cmThe present relief takes after a scene in Raphael's Loggia in the Apostolic Palace, in the Vatican. During the 17th century, the composition was reproduced in engravings including by Cornelis Visscher in Northern Europe (note for example Fine Arts Museum of San Francisco, 1963.30.37060). It is likely that the present plaque, which is possibly Flemish in origin, is derived from such a source.  Condition Report: Patina mid brown, with lighter sections to the raised parts and minor patches of verdigris oxidisation to edges, more so to reverse where there are also areas of light wash possibly result of previous mounting. Minor nicks and losses to sides, some possibly result of previous drilling/mounting. Some flattening to Noah's nose and some surface dappling (likely due to casting) to the upper backs of lowermost animals. The plaque is slightly bent. Please refer to additional images for visual reference to condition Condition Report Disclaimer

Raphael Kirchner (Austrian/American, 1876-1917)Study of a standing figure;Study of a nude on a swingpencil47 x 30cm, mounted (2)Provenance: From the artist's studio sale.Condition report: Some handling creases, otherwise in good order. Both mounted and protected by plastic.

Raphael Kirchner (Austrian/American, 1876-1917)A lady at her toilet;Studies of ladies at their toiletpencil and bodycolour40.5 x 24cm and 28 x 38cm (2)Condition report: The paper of each is a golden yellow.A lady at her toilet: small scuff to the surface of the paper to the right of her lower back. A few very small pale dots of foxing. Studies of ladies at their toilet: A few tiny indents in the paper to the right of the central woman. A few very small pale dots of foxing. Neither seen outside of glazed frames.

Raphael De Buck (1902-1986) Courtisans. Watercolor on paper. Signed. Courtisans. Aquarel op papier, gesigneerd. 31 x 22.5 cm

Raphael DE BUCK (1902-1986) Dune sight. Oil on panel. Signed and dated 1947 Duinenzicht. Olieverf op paneel, gesigneerd en gedateerd 1947. 25 x 35 cm

Raphael DE BUCK (1902-1986) watercolor (2) 'Flowers' and 'Courtisanes' aquarel op papier(2) 'Bloemen' en 'Courtisanes'. 52 x 58 and 24 x 30 cm

Baroque painter of the 18th century "Jesus with 2 apostles and archangels Raphael and Tobias"2 pictures with scenes from the Bible, oil on wood, without frame, dimensions: 62 x 44,5 cm

Thirty Three Louis Wain Early XX Century Picture Postcards, of cats in humorous pursuits to include 'Our Football Match', 'Catching It', 'Fortune Teller', etc, some published by Raphael Tuck and Sons.

Suppenteller „Kinder à la Raphael“. Meissen 1765. Porzellan, unterglasurblau bemalt mit nacktem Putto, D=23,5 cm. (sichtbar mehrfach geklebt)

* Sadeler (Johannes, I, 1550-1600). Landscape with a rabbit hunt, after Paul Bril, etching and engraving on laid paper, without watermark, published by Justus Sadeler, a very good, well-contrasted impression, image size 198 x 273 mm, plate size 205 x 274 mm (8.1 x 10.8 ins), sheet size 22.4 x 29.4 cm (8.8 x 11.6 ins), unidentified collector's mark to verso (Lugt 4073), tipped-on to cream backing card, together with: Sadeler (Aegidius, circa 1570-1629). Mountainous landscape with a hermit, after Paul Bril, etching and engraving on laid paper, image size 195 x 270 mm, plate size 197 x 272 mm (7.7 x 10.75 ins), trimmed to plate margins, collector's mark of the Renesse-Breidbach collection (Lugt 1209), and unidentified collector (Lugt 4073) to verso, hinge-mounted to cream backing card, plus: Sadeler (Raphael, 1560/61-1628/32). Mountainous landscape with wooden bridge, after Paul Bril, etching and engraving on laid paper, trimmed to plate margins, sheet size 205 x 270 mm (8.1 x 10.7 ins), framed and glazed, and five other Italianate landscape etchings after Paul Bril by Willem Adriaensz. van Nieulandt (circa 1584-1635), published by Bonenfant or Mariette, one with margins, the remainder all trimmed to plate margins, each with unidentified collector's mark to verso (Lugt 4073), one with collector's mark of H.C. Levis (Lugt 1700), and one with collector's mark of J. Burleigh James (Lugt 1425), some light marks and minor soiling, all hinge-mounted on cream backing cardQty: (8)NOTESLandscape with a rabbit hunt: Hollstein 580, only state, Wurzbach 158. Mountainous landscape with a hermit: Hollstein 206, only state, Wurzbach 100. Mountainous landscape with wooden bridge: Hollstein 218, only state, Wurzbach 125, 2.

* Sketchbook. An artist's small sketchbook, circa 1840s, pp.164, numerous sketches and manuscript jottings to rectos and versos (and a number of blank pages), including approximately 45 pencil drawings and sketches, and 6 watercolours, e.g. landscapes, several studies of cattle, figure and head studies, children, trees and flora, etc., a couple titled 'Wickham Bridge Stapleton' and 'Snuff Mills, Stapleton', and copious manuscript notes, including details of painting materials purchased, artists' techniques (mentioning Raphael, Rubens, Fuseli), a draft letter tendering resignation as a representative on the committee of management of the Academy dated 1849, medical notes, accounts, poetry, receipts, etc., printed title-page 'Harwood's Improved Paper Memorandum Book', sheet size 11.5 x 7.5cm (4.5 x 3ins), front pastedown forming pocket, and with Harwood's engraved green label, original blindstamped black roan, rubbed and some minor wear to extremities, lacking clasp and pencil, oblong 12moQty: (1)

* Maestri (Michelangelo, active in Rome 1790s-1812). Two allegorical female figures, from the series of Hours of the Day and Night, watercolour with pen and black and brown ink, on laid paper, with outer decorative border in gouache on a black background, sheet size 348 x 232 mm (13.7 x 9.1 ins), matching early to mid 19th-century rosewood veneer frames, with gilt inner slip, glazedQty: (2)NOTESMichelangelo Maestri is best known for his watercolour and bodycolour designs based on the then recently discovered wall frescoes at Pompeii, which became popular with travellers on the Grand Tour, as well as a series of 12 works forming the Hours of the Day and Night, thought to have been based on lost works by Raphael.

Frankreich, 2. Hälfte 18. Jh. Tobias mit dem Schutzengel Raphael. Aquarellierte Federzeichnung. 13,5 x 9 cm. Gl.u.R

After RAPHAEL A copy of 'La Madonna della Seggiola'In ornate gilt frame, 43.5 x 43.5cm overall

TUCK, Raphael - Pop Up : The Picture Land - two pop ups (in good order), Org, pictorial glazed covers chipped at edges, 4to, c1890s. With Nister's, Picture Puzzle book, and a very worn copy of Nister's Book of Gnomes. * Sold with all faults not subject to return

RAPHAEL OSKAR UNVERDROSS 1873 Düsseldorf - 1952 Schäfer in bewegter Landschaft Öl auf Leinwand. 51 x 70 cm. Signiert unten links 'R O Unverdross Df.'. Verso: Auf Keilrahmen handschr. bez. Part. verschmutzt, rest. RAPHAEL OSKAR UNVERDROSS 1873 Duesseldorf - 1952 Shepherd in vivid landscape Oil on canvas. 51 x 70 cm. Signed lower left 'R O Unverdross Df.'. Verso: on stretcher handwritten indicated. Part. soiled, rest.

Postcards, Raphael Kirchner, Middle Period, La Paresse, Salone montmartroise, Le petit indescret, Poisson d'April; Reinthal & Newman, Covetousness, The Dream; Bruton, The Vision, Bubbles, (1 torn, fair to vg) (9)

Postcards, Raphael Kirchner, Girl With Egg, P.M. & Co., Della'Aquila D24-4, UB (vg)

A collection of prints relating to equestrian subjects including a set of three Dickensian style coaching subjects after Ludovici printed by Raphael Tuck 1907, 35 x 53cm approx visible sheet size, Just Man Enough, after Basil Nightingale, a pair of scenes with highwaymen after Frank Gillett, a dramatic racing scene after Cecil Aldin, etc, various sizes all framed (14)

Cast lead study of a baby, 26 cm long, together with a further cast metal study of a seated toddler on a marble base and a further primitive cast metal study of a standing nude child, sticker below inscribed Hope by Raphael Maxlou (3)

Raphael Lipkin 'Pull-Apart' Farm Tractor, in yellow polythene with red wheels, Lincoln International Major Models all metal Bulldozer, Quercetti Tor Missile, Marx Toys battery-operated E Type Jaguar, in original boxes, P-G, Jaguar wheel broken, Lipkin tractor lacks one front and one rear light, boxes P (4)

Alfred George Stevens (1817-1875) Oil on Canvas Self portrait of the artist showing a newly painted portrait, Bears label verso ? Self Portrait of Alfred Stevens from Collection of Kenneth Romney Towndrow ? and indistinct writing lower right 11 x 9? ( 27.9 x 22.8 cms) £80-120 Reference ARTUK (b Blandford Forum, Dorset, 31 Dec. 1817; d London, 1 May 1875). English sculptor, painter, and designer, the son of a housepainter. With the assistance of the local clergyman, who recognized his talent, Stevens was sent to study in Italy in 1833, at the age of 15, and remained there until 1842. He worked with Thorvalden in Rome, and laid the foundations of his style in the study of the Renaissance masters, above all Raphael. Kenneth Romney Towndrow ( c.1900-1953) art Critic and respected Art Historian

Frederick (Fred) Cecil Jones RBA (1891-1966) ''York'' Signed, inscribed and dated 1943, mixed media, 27cm by 42cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See Illustration Fred Cecil Jones was the son of artist, Maud Raphael Jones and the husband of Ethel Mary Kitson, also an artist. He studied at Bradford College of Art, 1915 -16, and part-time at Leeds College of Art, 1930-35. In 1916 Fred volunteered for the Army, but his artistic talent was recognised and he served as a reconnaissance artist, where he gained the nickname, 'Detail Jones', for the quality and precision of his work. He briefly taught other Army artists the skill of panoramic reconnaissance drawing, but served most of his time on the Western Front until the close of the war. After the war, Fred drew and painted the towns and cities of North England, with work again characterized by its close observation and attention to detail as seen here in lots 3-15. He also often applied tinted washes to the paintings. He exhibited locally, including at Cartwright Hall, Bradford and nationally at the Royal Academy, Royal Scottish Academy, Royal Society of British Artists (RBA). He was elected to RBA in 1940 and a memorial exhibition of his work was held at Cartwright Hall, 1956 and at Keighley, 1957. He taught, with his wife and fellow artist, Ethel, at Pudsey School of Art, where he became Deputy Principal, and his work is held by the Tate Gallery, as well as by the Bradford, Huddersfield and Wakefield Art Galleries. He was a member of the Bradford Arts Club.

Bleistift- u. TuschfederzeichnungTobias Raphael Pils geb. 1971 Linz "o.T." 1998 Bleistift- u. Tuschfederzeichnung auf Papier 154 x 110 cm

Bleistift- u. TuschfederzeichnungTobias Raphael Pils geb. 1971 Linz "o.T." 1995 Bleistift- u. Tuschfederzeichnung auf Papier 197 x 110 cm

4 TuschfederzeichnungenTobias Raphael Pils geb. 1971 Linz "o.T." 1996-97 je sign. Tuschfederzeichnung auf Papier je 28 x 38 cm

Bleistift- u. TuschfederzeichnungTobias Raphael Pils geb. 1971 Linz "o.T." 1995 Bleistift- u. Tuschfederzeichnung auf Papier 154 x 110 cm

Bleistift- u. TuschfederzeichnungTobias Raphael Pils geb. 1971 Linz "o.T." 2002 Bleistift- u. Tuschfederzeichnung auf Papier 156 x 290 cm, Eisenrahmen

Tuschfederzeichnung auf PapierTobias Raphael Pils geb. 1971 Linz "o.T." 1995 154 x 110 cm, gerahmt

Drei Zeichnungen Tusche auf PapierTobias Raphael Pils geb. 1971 Linz "Gärten" 2001 Freiliegend, säurefrei gerahmt. 28 x 38 cm

RAPHAEL, Joseph(1869 Jackson/Kalifornien - 1950 San Francisco) Damenbildnis mit Hund Öl/Leinwand. Rechts unten signiert. 93 x 70 cm. Gerahmt 113 x 90 cm. Porträt einer jungen Frau im grünlich-grauen Kleid mit einem Hund an ihrer Seite Leichte Altersspuren. Amerikanischer Maler und Grafiker, studierte an der California School of Design mit Arthur F. Mathews, ging 1902 nach Paris an die École des Beaux-Arts sowie an die Académie Julian unter Laurens. Verbrachte danach viel Zeit in den Niederlanden und studierte die Alten Meister. Später ansässig in Belgien und Holland. Stellte im Pariser Salon sowie in seiner Heimat San Francisco aus, in die er 1939 zurückkehrte.

PENNA stilografica Raphael con chiusura in argento 925 e pennino in iridio, entro astuccio originale.

GRAND THEATRE BLACKPOOL POSTER PRINT THE ARCADIANS AND A LITHOGRAPHIC MUSIC COVER BY RAPHAEL THOMPSON PUBLISHED BY HAWSEY & CO

A Marchettini (born 1800), 3 pencil drawings, after Old Master paintings, including Raphael (3) A few tiny fox marks, generally good condition. There is a tear to the paper of the largest picture approximately 3 inches from the side which is just visible inside of the mount.

Eight playworn Circa 80's toys to include 6 x He-Man Masters of the Universe featuring He-Man, Tung Lashor, Skeletor, Syklone, The Real Ghostbusters Wolfman, Teenage Mutant Ninja Turtles Raphael and Lifeguard Leonardo, plus accessories