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Click here to subscribeBINDER OF 267 PICTURE POSTCARDS INCLUDING OF RAPHAEL TUCK AND SONS OILETTE FAIR JAPAN, A + C LIMITED FLOWERS AND GARDENS OF JAPAN, TUCKS POSTCARDS OF THE HOLY LAND JERUSALEM, TUCKS WORLDWIDE SERIES INCLUDING, NAPLES, TIBET, ROME, TUCKS SERIES BONNY SCOTLAND, EDINBURUGH, THE HIGHLANDS, YORKSHIRE AND WALES
Collection of Raphael Kirchner signed postcards including Singed Wings, Cupid's Captive, Sunshine No. 1252, Reflections, The Call No. 1267, Ma Marraine, Two in a Car, Friolerie No. 1254, The Little Sister; Together with other artist signed including Goddess in the Car by The Delta Fine Art Co, Constance Symonds Series 1645, Harrison Fisher No. 763, Schumann's Children's Pieces, Barham.
Female figures from the frescoes at the Villa of Cicero, Pompeii: Allegory of Autumn and a ' Danzatrice ' water and bodycolour over an etched line on paper with margins drawn in colour (2) 47.3 x 36.8cm; 46.5 x 36cmFootnote: Michelangelo Maestri is mainly known for his bodycolours that he based on the then only recently discovered wall frescos in Pompeii. The drawings, which are often over etched outlines became very popular amongst travellers on their Grand Tour. Besides Roman frescos, the artist also drew inspiration from Renaissance artists such as Giulio Romano (c.1499-1546) and Raphael (1483-1520). The first of the works in the present lot is from the series of Seasons, based on the frescoes in the triclinium of the Villa of Cicero in Pompeii discovered on 25th May 1748 (now at the Archaeological Museum of Naples, inv. 9295). The second is from the fragments of a fresco of seven flying female figures found in the villa on 18th January 1749 (inv. 9297). CONDITION:Discolouration and toning to the margins. Slight staining along the edges. Slight mildew to the surface. The figures painted over printed base. On laid paper. Both unframed. Old paper hinges.
The Entombment of Christ oil on panel, in a feigned stone oval cartouche 27 x 20.5cmFootnote: The present painting derives from a composition by von Aachen known principally from the print by Raphael Sadeler after the original in the Alte Pinakothek, Munich. Several versions of the composition are known, both in oil and on other supports and most, including one on vellum sold at Sotheby's on 4th of July 2007, lot 194, include in the foreground a female figure seen from behind, which is to be seen in the Sadeler print, though absent here. Another derivative in oil, also in the Munich Alte Pinakothek, is without the foreground female figure as is the case in the present painting.Condition report: 17 / 09 / ??, lot 62 marked to the reverse Oil on panel. The panel is very thin, formed from a single board in vertical orientation is has a slight warp which is accommodated by the frame. The paint layers have a network of cracks which are raised and vulnerable in areas. There are small scattered losses and some slight pitting in the foreground. There are some localised areas of retouching covering small losses and cracks, well matched to the original. The varnish is clear, even and semi-glossy. The frame is in a good condition but the panel is not adequately supported, being held on the reverse with clips, possibly being restrained, leading to the raised paint.
A BOX OF CHILDRENS BOOKS, including 'Stories from the Arabian Night' illustrated by Edmund Dulac (Hodder, Boots c1930), 'Alice in Wonderland' illustrated Mabel Lucie Attwell (Raphael Tuck), and Crampton, ???? 'William' (reprint, Geo Neednes,) 1930 Condition Report Strawberry & Cream 6th edn 1946. The Circus 1st published May 1948, Fireworks notm stated and 2nd edn 1942, Alice in Wonderland - not stated, The Arabian Nights - not stated
(Pistoia, 1753 - Venezia, 1831)Angelica e MedoroOlio su tela, cm 136X162Il dipinto raffigura la celebre scena dell'Orlando Furioso di Ludovico Ariosto, con Angelica, principessa asiatica alla corte di Carlo Magno giace sul grembo del suo amante, il cavaliere saraceno Medoro, mentre scrive i loro nomi sul tronco di un albero. L'autore Teodoro Matteini fu dedito principalmente a dipingere soggetti storici in stile neoclassico e si formò con il padre Ippolito e con il patrocinio di Domenico Corvi si trasferì a Roma nella bottega di Anton Raphael Mengs, fino a quando non fondò il suo studio e nel 1802 fu eletto professore di pittura all'Accademia di Belle Arti di Venezia. Bibliografia di riferimento:Memorie per le belle arti, III (1787), pp. VII s., XVI
(Roma, 1750-1799) Madonna con BambinoOlio su tela, cm 72X57Provenienza:Londra, Bonhams, 5 luglio 2006, lotto 62 (come Pietro Fancelli)Di probabili origini francesi, Giuseppe Cades fu un artista precoce e di talento. Formatosi con Domenico Corvi e all'Accademia di San Luca, mostrò da subito una sensibilità innovativa, mediando tra la cultura barocca e classicista ed esprimendo una rara felicità cromatica e disegnativa. Questi aspetti ben si colgono osservando la piccola tela in esame, quanto mai preziosa nei suoi esiti e che esibisce una felicità pittorica di altissima qualità. I modelli a cui sembra far riferimento il pittore sono la pittura veneta rinascimentale, da cui apprese il gusto del colore, i modelli nordici e specialmente francesi, sorprendendoci altresì per la sua consapevole autonomia rispetto ai colleghi più in voga, come Pompeo Batoni o Anton Raphael Mengs.Bibliografia di riferimento:M. T. Caracciolo, Giuseppe Cades 1750-1799 et la Rome de son temps, Parigi 1990, ad vocem
A Milton ShieldBy Elkington & Co., Signed Morel Ladeuil Fecit 1866Of copper electrotype coated with oxidised silver, of slightly convex oval form with roped border, the central circular panel depicting Adam and Eve addressed by the archangel Raphael, framed on either side with ovoidal panels depicting subjects from Milton's 'Paradise Lost', sixth book, the hosts of Heaven attacking the rebels who are driven out and fall to perdition, St. Michael waving his flaming sword over the dragon who appears in human form, Sin and Death appearing either side at the base, the border with Zodiac signs symbolising the rolling year and flight of Time, the upper part of the shield depicting angels and seraphs soaring high above the strife below flanking the emblem of all Light and Life and encircled by winged cherub's heads, the interior with applied oval plaque of the Victoria & Albert Department of Sciences & Art 85.5 cm. highFootnotes:The original of this shield was manufactured for the 1867 Paris Exhibition for which Messrs. Elkington were awarded a gold medal. The shield and medal and now in the Victoria & Albert Museum. Made originally by Morel Ladeuil, a pupil of the renowned French craftsman Antoine Vechte, Elkington manufactured a large number of electrotypes that were made for sale at the South Kensington (later Victoria & Albert) Museum. For more information see Patricia Wardle, Victorian Silver and Silver-Plate, 1963, pp. 149, 150 and 172For further information on this lot please visit Bonhams.com
An interesting folio of prints including Raphael Sciaminossi (1572-1622), Edward Lear (British 1812-1888), Claude Goyrand (c.1620-1662) etc. CONDITION REPORT: Veduta Di Napoli - this engraving is a good impression but in very poor condition. Michael Pacinius - close trimmed and glued to paper ground. In reasonable condition.Piranesi - bad crease in upper section and tear centre right. Impression good. Other lesser prints and engravings have various faults. Recommend viewing.
After Raffaello Sanzio da Urbino, known as Raphael (Italian, 1483-1520)The Madonna della Sediaoil on canvas, circular72 x 72cmRaphael's original composition is in the Palazzo Pitti, Florence, Italy, and is said to have been painted on bottom of a barrel.Condition report: Oil on canvas which appears to be lined although this has been partially removed. It is unclear if there is a second lining layer. The canvas is in plane and has good tension. There are several small patches on the reverse repairing old damages to the canvas. The paint layer is stable overall. The varnish is glossy, even and slightly yellowed. There are areas of overpaint, the largest area is in centre of the canvas on the Madonna's sleeve and arm of the child. There are other areas of overpaint across the surface. There is some wear to the gilding on the frame and splits in the flat corner section of the slip, but overall it is in a sound condition.
Collection of 1980s & 90s Vintage playmates Teenage Mutant Ninja Turtles figures, including, 1988 wave 1, bebop, foot soldier, rocksteady, shredder, splitter with ninja bow and sword cane missing sheathe, all four turtles, Leonardo, Donatello, Michelangelo and Raphael, 1989 wave 2, ace duck, Breakfightin' Raphael, leather head, two Rock 'N Roll Michelangelo, broken play feature and shield, with nun chuck and shield with working play feature, Sewer-Swimmin' Donatello, Usagi Yojimbo, 1990 wave 3, Donatello, with Storage Shell and staff, wingnut with bat gun and belt, 1991, wave 4 talkin Donatello unchecked, 1992 wave 5, lifeguard leo, Movie III Samurai Mike, mutatin’ bebop, Mutatin' Donatello and Michelangelo, Private Porknose Bebop, 1993 wave 6, mutatin’ rahzar and tokka, Night Ninja Leo, plus two vehicles, 1988 go-cart and 1989 turtle trike with trach can shield, all figures range from fair to good condition, vehicles are in good condition with original stickers, (30 items).
1908 franked Clevedon postcard. Raphael Tuck and sons on back. Front shows sketch by Thackery of 3 young ladies with caption A Jolly Sea at Clevedon. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A Continental porcelain circular plaque, Italian or German, late 19th century, painted with the Madonna della Seggiola after Raphael, impressed numerals 462, 10.5cm. diameter, framed.Remains of paper label to back inscribed `Emma Laura ........ From the Revd GJ Thomas, March 19 1894, From Florence'.
FOSTER, Birket. In the Sweet Summertime. Raphael Tuck, London nd. WIth illustrations after Birket Foster. Together with: VREDENBURG, Edric. (Ed), Favourite Fairy Tales. Raphael Tuck, London nd. Illustrated by M.Bowley, S. Jacobs, E.J. Andrews etc. And. Our Little One’s Delight. Children’s board book printed in Germany. [3]
* Smith (John Raphael). African Hospitality, published Feby 1st. 1791, uncoloured mezzotint after George Morland, trimmed to the image on three sides, 475 x 620 mm, mounted, framed and glazedQty: (1)NOTESAn anti-slavery image of African natives saving a white English family from a storm which has shipwrecked them. Four lines of verse below the image read 'Dauntless they plunge midst the vengeful waves, and snatch from death the lovely sinking fair. Their friendly efforts lo! each Briton saves! perhaps their future Tyrants now they share'.
Chamberlaine (John). Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools; comprising some of the works of Leonardo da Vinci, The Caracci, Claude Lorrain, Raphael, Michael Angelo, The Poussins, and others, in His Majesty's Collection..., printed by W. Bulmer and Co., Shakespeare-Press, 1812, 66 fine etchings with aquatint, and soft ground etchings, by Bartolozzi, F.C. Lewis, P.W. Tomkins, Schiavonetti and others, printed in black, red and brown, occasional minor handling marks and light spotting (one or two plates more heavily spotted), generally in good condition, all edges gilt, contemporary red half morocco, heavily rubbed and scuffed and faded, recased with original spine laid down, some wear to edges, folio (52 x 38 cm, 20.5 x 15 ins)Qty: (1)NOTESBrunet I, 1761. Graesse II, 102. This 1812 reissue retains the original 1796 and 1797 title pages as part titles.
Raphael's (Matt Hill) costume from Stuart Gilard's family adventure sequel Teenage Mutant Ninja Turtles III. When their friend April O'Neil (Paige Turco) was magically transported back in time to 17th century Japan, Raphael and his fellow turtles followed in an attempt to rescue her. This costume includes a zip-up green turtle bodysuit constructed of foam latex cast elements over a Spandex base affixed with dense-foam chest and shell elements, leather knee and elbow pads, and a leather sheath for Raphael's signature sai. The removable head features foam latex skin with cast resin teeth, urethane eyes, a red fabric eye mask, internal padding, and a zipper closure. The costume is in fragile and fair to poor overall condition. It exhibits significant breakdown to its foam latex elements from age and may require restoration to preserve it from further deterioration.Estimate: $3,000 - 5,000 Δ
After Raphael D'Urbino - Sheet of engraved figure studies - Dispute Sur Le Saint Sacrement, engraved by Le Comte, plate no 43, 32 x 42.5cm approx visible sheet size, together with three further 19th century black and white engravings, Sancho and the Duchess, after C R Leslie, Rent Day, and The Reading of a Will, both after David Wilkie RA, 47.5 x 61cm approx visible max sheet size, all framed (4)
A miscellany of late 19th and early 20th century illustrated children's books, comprising: GREENAWAY (K), UNDER THE WINDOW, 1st edition, illustrated card boards, George Routledge & Sons, London 1878, UPTON (F.K.) and UPTON (B), THE GOLLIWOG IN WAR, 1st edition, illustrated card boards, Longmans, Green & Co, London 1899, SOMEBODY'S DARLING, 1st edition, illustrated card boards, Raphael Tuck & Sons Ltd, London 1920, HALL (F), HOICK FOR'ARD, illustrated paper covers, George Bell And Sons, London c1895, EMANUEL (W), THE ZOO - A SCAMPER, illustrated by John Hassall, illustrated card boards, Alston Rivers, London 1904 (5)
7 x UK Proof Sets comprising: 1971 'First Decimals Set,' some toning on bronze, 1984 no cert, some toning on 50p, 1985 with cert & with a second certificate, one of only 300, signed by Raphael Maklouf (designer of new 1985 effigy of the Queen), 1988, 1989, 1990 & 1991 with certs, in cases of issue, 3 x year sets in Sandhill cases: 1962 8 coins halfpenny to halfcrown, 1965 9 coins halfpenny to crown & 1967 6 coins halfpenny to halfcrown; 2 x BU sets 1987 & 1988 in RM presentation packs, 2 x BU £1 coins 1987 & 1988 individually sealed in RM presentation packs & 4 x 'First Day Covers' each with a BU coin insert (2 x £2 1989 'Bill of Rights' & Claim of Right,' £1 1987 'English' rev., & 20p 1982 'First Day of Issue'), together with Guernsey proof set 1987 an 8-coin set comprising: £2 (crown size with portrait of William Duke of Normandy), £1, 50, 20, 10, 5, 2 x 1p, no cert, in case of issue & a First Day Cover with £2 1987 (William of Normandy) BU
Etching of cruiser, tug boats and other vessels in a river, indistinctly signed in pencil to margin, 17 x 30.5cm, a print of an etching by R. E. Roe of a ship, titled 'Off Gravesend', published in 1888 by Raphael Tuck & Sons, 17 x 11.5cm; a Dutch hand-coloured engraving of 'A View of Amsterdam taken from the Old Rampart', 26 x 38.5cm; and a Dutch hand-coloured print of figures by a lake titled 'Gezigt Van Krimpen Aan de Lec', 33.5 x 43.5cm (4 in lot)
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