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1950'S WOLVES V EUROPEAN Seven programmes for matches at Wolves against 1954/5 Spartak, Honved scores entered, 1956/7 Borussia Dortmund, Red Banner, 1957/8 Real Madrid, 1959/0 Red Star and Vorwaerts. Folds and occasional team change. Fair

MANCHESTER UNITED Ticket for the home Grand Challenge match v Real Madrid 13/12/1961, horizontal crease. Generally good

MANCHESTER UNITED Nine programmes including 4 X home v Real Madrid 25/4/1957, European Cup Semi-Final, Red Star of Belgrade 14/1/1958, European Cup 2nd round, 1st Leg, Manchester City 13/4/1959, Manchester Senior Cup Final and Leicester City 19/12/1964, postponed, 2 X away v Wrexham 26/1/1957, FA Cup 4th round and Birmingham City 23/3/1957, FA Cup Semi-Final and 3 X pirate programmes, 1 X home v Real Madrid 25/4/1957, European Cup Semi Final, 2 X away v Birmingham City 23/3/1957, at Hillsborough FA Cup Sem-Final and Fulham 22/3/1958, at Villa Park, some with creases, minor tears and tape marks and repairs, staples removed, writing in pen, team changes and scores entered. Fair to generally good

2017 UEFA SUPER CUP FINAL / MANCHESTER UNITED Ticket for the match at Skopje v Real Madrid, slightly creased. Generally good

1964 EUROPEAN CUP FINAL / REAL MADRID V FC INTER MILAN Programme and 4 page insert for the European Cup Final tie at Praterstadion in Vienna, Austria 27/5/1964. Generally good

1998 UEFA SUPER CUP FINAL Ticket for the match at Monaco, Real Madrid v Chelsea, paper loss. Fair

2016 UEFA SUPER CUP FINAL Ticket for the match at Trondheim, Real Madrid v Sevilla, slightly creased. Generally good

2000 UEFA SUPER CUP FINAL Unused ticket with 2 counterfoils for the match at Monaco, Real Madrid v Galatasaray. Good

Goya y Lucientes (Francisco José de) Los Desastres de la Guerra, third edition, complete set of eighty etchings with aquatint, drypoint and engraving, on sturdy ivory wove paper without watermarks, title and text from the second edition, each platemark approx. 152 x 198 mm (6 x 7 3/4 in), sheets each approx. 235 x 335 mm (9 1/4 x 13 1/4 in), mounted on stubs, occasional marginal spotting, some surface dirt, later calf, rubbed and scuffed, oblong folio, Real Academia de Bellas Artes de San Fernando, Madrid, [1903]Literature:cf. Harris 121-200*** Goya's etchings illustrate events he witnessed in Madrid and Zaragoza, his birthplace and where these works were produced after he fled the court in 1810-15. These events were the result of the Peninsular War (1808-1814), in which Napoleon Bonaparte invaded Spain and was met with bloody resistance from the local population, before being defeated by British and Spanish troops. The images were kept in the artist's country estate, Quinta del Sordo, and were owned by Goya's son Javier until his death in 1854.  The war scenes are devoid of the traditional heroism and triumphalism of such representations; the artist focuses on the horror of the war in a modern and original way and surprises by not putting blame exclusively on either side. The French are condemned for the occupation and the Spanish for excessive violence.

Football pin badge collection - 35 metal badges for Spanish teams, includes Barcelona, Athletico Madrid, Athletico Bilbao, Deportivo Alves, Real Sociedad, Real Mallorca, Valencia and more. (35)

David Beckham Signed Real Madrid Shirt Display, Adidas Siemens mobile Home Shirt, Signed to front in black pen, with COA, framed 81x66cm.

Zinedine Zidane Signed Real Madrid Shirt - Zidane number 5 Adidas Real Madrid Home Shirt, Signed in silver pen on top of number 5, with Adidas tag, With COA.

Football; Gareth Bale; A signed Wales replica Home short sleeved Shirt, 2015-16 season, ink signature on reverse, on the number 11, with certificate from A1 Sporting Memorabilia, together with a Real Madrid signed replica shirt, with certificate from the retailer, a Tottenham Hotspur replica shirt, probably with Bale's signature, two other replica Bale shirts (5)

Spanish Football Shirts, Real Madrid Adidas Homes x 2 with Siemens logo sizes M & L. Valencia Nike Home and Away, both size L (4).

Tottenham Hotspur in the UEFA Cup Programmes, 1972 away at Arad (x 2), at Lyn, at Grasshoppers 1973, at Hajduk1984, Final v. Anderlecht - 2 of both legs, at Prague. At Real Madrid 1985, at Zimbru, at FRK1 and others approximately forty-five in a folder.

Alan Kennedy 16x12 signed colour photo, Autographed Editions, Limited Edition. Photo Shows Liverpool Legend Kennedy clutching the European Cup after his winning goal defeated Real Madrid in the 1981 European Cup Final. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Phil Neal 16x12 signed colourised photo, Autographed Editions, Limited Edition. Photo Shows Neal celebrating the Victory over Real Madrid in the 1981 European Cup Final at the Parc Des Princes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Manchester United 12x16 Multi signed Colourised squad photo, Autographed Editions, Limited Edition. Signatures from: Bill Foulkes, John Aston, Pat Crerand, Nobby Stiles, Alex Stepney and David Sadler. Photo shows the Man United team line up prior to their historic 3-3 draw with Real Madrid in the 1968 European Cup Semi-Final 2nd Leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Antiquarisches zur Reitkunst, Pferdezucht & Pferdeschulen, Madrid 1805Francisco de Laiglesia y Darrac, Ensayos sobre los verdaderos principios de la Equitación, o Teoria de la Escuela de á caballo, adaptada al más exacto raciocinio y a las leyes que dictan la geometría, la anatomia y la mecánica..., mprenta Real,268 S., mit zahlreichen Stichen, Madrid, 1805, im Ganzleder

European Final Football Programmes, Real Madrid v Liverpool 1981 in Paris and Liverpool v Roma 1984 in Rome. [W]

CRISTIANO RONALDO 2014 UEFA SUPER CUP MATCH ISSUED #7 REAL MADRID JERSEYThe 2014 UEFA Super Cup was the 39th edition of the UEFA Super Cup, an annual football match organised by UEFA and contested by the reigning champions of the two main European club competitions, the UEFA Champions League and the UEFA Europa League. The match featured two Spanish teams Real Madrid and Sevilla, the winners of the 2013-14 UEFA Champions League and the 2013-14 UEFA Europa League, respectively. It was played at the Cardiff City Stadium in Cardiff, Wales, on 12th August, 2014. The date was moved from Friday in late August in previous years, to mid-August starting this year, following the removal of the August international friendly date in the new FIFA International Match Calendar. Real Madrid won 2-0 to win their second UEFA Super Cup, with both goals by Cristiano Ronaldo.The offered Adidas white long-sleeved white jersey features the name "RONALDO" and #7 applied on the back. The Real Madrid Club crest, Adidas logo, and sponsor together with matchday details are applied on front. Appropriate felt patches applied to both sleeves. The jersey has two buttons up front. The jersey type is adizero which is designed exclusively for players. Made in Vietnam. Sized 8.

CRISTIANO RONALDO 2008/09 MATCH WORN #7 MANCHESTER UNITED AWAY JERSEYPresented is a Cristiano Ronaldo Manchester United uniform from the 2008/09 Premier League season, his last season with the English football giants before his seismic transfer to La Liga contenders Real Madrid before the 2009/10 season. Possibly the most popular athlete in the world, "CR7" is one of the hottest tickets in soccer collecting, more than two decades after his professional debut. The offered blue jersey contains the icon Red Devils' team crest on the upper left chest, opposite a white Nike Swoosh manufacturer's logo on the upper right chest. The team's "AIG" sponsorship logo is printed in white across the front of the jersey. A pair of Barclay Premier League patches commemorating United's league title from the 2007/08 season rest on either sleeve. The name "RONALDO" and #10 are applied on the back in felt material. The wash label is applied on the inside of the jersey. Made in Morocco. Sized XXL. The jersey exhibits evidence of light use.

FERNANDO TORRES 2012 UEFA CHAMPIONS LEAGUE FINAL MATCH WORN #9 CHELSEA JERSEYThe 2012 UEFA Champions League final was an association football match which took place on Saturday, 19th May, 2012 between Bayern Munich of Germany and Chelsea of England at the Allianz Arena in Munich, Germany. The match was to decide the winner of the 2011-12 season of the UEFA Champions League, Europe's premier club football tournament. Bayern were making their ninth appearance in the competition's final, having won four and lost four, most recently losing in 2010. Chelsea were appearing in their second final, having lost their first in 2008.It was the first Champions League final to be held at the Allianz Arena (known as Fußball Arena Munich. for the final). As tenants of the Arena, this meant Bayern were the first finalists to have home advantage since 1984. Both teams progressed to the knockout stages by finishing top of their group. Bayern then beat Basel, Marseille and Real Madrid to reach the final, while Chelsea knocked out Napoli, Benfica and defending champions Barcelona.Bayern took the lead late in the second half through Thomas Muller, but Didier Drogba equalised for Chelsea five minutes later to take the game to extra time, in which Arjen Robben missed an awarded penalty, Petr ?ech saving the low drive. The teams stayed level at 1-1 and the match went to a penalty shoot-out, which Chelsea won 4-3 to clinch their first Champions League title. In doing so, they became the first London club to win the tournament, the fifth English club and 22nd overall.Presented is an Adidas blue jersey that was worn by Fernando Torres in the aforementioned match. The jersey features the name "TORRES" and #9 applied on the back. The Chelsea Club badge and matchday details are embroidered, while the Adidas logo and sponsor are heat-applied on front. The Champions League starball and the "RESPECT" patch are applied on right and left sleeves, respectively. The jersey brand is Techfit which is designed exclusively for players. Made in China. Sized 10. The jersey comes with an LOA which states that the jersey originates from the collection of the Atletico Madrid player Gabi Arenas.

Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768)‘Virgin of Guadalupe with apparitions’.Oil on copper. Signed "Michl Cabrera pinxit"42,5 x 42 cm. Important representation of the Virgin of Guadalupe, which includes the apparitions and the Indian Juan Diego.It has handwritten legend in Latin: "Non fecit taliter omni nationi" (He did nothing the same with any other nation) in reference to the words pronounced by Benedict XIV when he was presented with the image of the Virgin of Guadalupe and admiring its beauty, he approved the works of the Guadalupe patronage in Mexico.Cabrera is considered the greatest exponent of 18th century Viceroyalty painting, with a production that the Dallas Museum of Art defines as "legendary: more than 309 works from his great studio have been documented".Miguel Mateo Maldonado y Cabrera was born on February 27, 1695 in Antequera, present-day Oaxaca, Mexico, a fact known from the painter's will in 1768.He was the son of unknown parents and godson of a mulatto couple. He moved to Mexico City in 1719, where he began his artistic training, passing through the workshop of Juan Correa in the capital of the Viceroyalty.Cabrera painted altarpieces in the Jesuit church of Tepotzotlán, State of Mexico, in the church of Santa Prisca in Taxco, Guerrero and in the cathedrals of Mexico City and Puebla.Cabrera was not only a painter, but he also participated in the attempt to found an academy of Arts in 1753 and in 1756 he was consecrated as an intellectual, not only as an artist, since he published a narration about the image of the Virgin of Guadalupe in 1756 entitled "Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura", a narration about the image of the Virgin Guadalupe in the printing press of the Jesuit college of San Ildefonso.In addition to easel painting, his production includes the design of altarpieces, large format works, as well as small copper works and nun's shields. Cabrera's religious painting produces figures of remarkable beauty, a beauty understood under the ideological assumptions of the devotion of the time. It is a refined art that possesses a well-arranged chromatic richness, is sustained by a great work of composition and, no less important, a subtle and expressive drawing.Of all the painters of that time, Cabrera was the one with the greatest personality; the conventional treatment in his figures was undoubtedly the basis of his way of painting, because he placed in his paintings models that were not ideal, but corresponded to people that the artist knew and treated, as when he incorporated in some paintings, portraits of donors or the so-called "prelates" because he had the need to observe directly and copy from nature. He was appointed chamber painter of Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe, reproducing the ayate. The image was sent to Pope Benedict XIV, from whom he obtained the highest recognition as a painter of Guadalupe. Among the portraits he painted, the one of Sor Juana Inés de la Cruz, kept in the National Museum of History, and the one of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán,Mexico.He was also a painter for the Society of Jesus, for whose churches he produced numerous works.In 1753 he was named president for life of the Academy of San Carlos.His work is preserved in many churches and convents in Mexico.It is also present in numerous public and private collections.Two of his images of the Virgin of Guadalupe are in the Vatican Museum.Another, made in 1756, for the temple of San Francisco Javier, is preserved in the National Museum of the Viceroyalty.The Museum of Art of Dallas, conserves a Santa Gertrudis La Magna by Miguel Cabrera and another representation of the Saint, also by Cabrera and dated in 1768, is part of the collection of the Museum José Luis Bello y Zetina of Puebla, Mexico.Likewise, we highlight an important series of the Caste paintings of 1763 that is conserved in the collection of the Museum of America in Madrid. They depict families, father, mother and child of the various castes and social strata, in everyday life situations. Finally, mention should also be made of the Pinacoteca de La Profesa or the Andrés Blaisten Collection in Mexico, as depositories of Cabrera's work.The Museum of America in Madrid is currently exhibiting a very important retrospective of the painter. Procedencia:- Antigua colección Pedro Vindel.Pedro Vindel fue un librero anticuario conquense, como informa la Real Academia de la Historia, “el que llegó a ser el primer librero anticuario español de su época”, con una de las colecciones más importantes de libros de horas. Tal como sigue la RAH, “Pedro Vindel, al estilo de los grandes libreros europeos, publicó sus catálogos desde 1895, y organizó varias subastas de libros, en locales por él alquilados, como la de 1913, cuyo catálogo hizo imprimir. También fue quien inició en España lo que él denominó la “bibliografía gráfica”, al incluir en sus catálogos […] reproducciones fotolitográficas de las portadas u otros elementos de los libros”.Para más información, recomendamos la lectura de “Pedro Vindel: Historia de una librería (1865-1921)”, de Pavl Cid Noé. Reference Bibliography:- Andres Blaisten Museum. (n.d.). https://museoblaisten.com/Artista/79/Miguel-Cabrera- Sánchez Mariana, Manuel. (s.f.). "Pedro Vindel Álvarez". https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez

Collection of Football related figures / collectibles featuring boxed Kick O Mania Manchester United Wayne Rooney, boxed Hasbro Heroes Of Treble Manchester United Dwight Yorke, boxed Homewin Tottenham Hotspur Gnome, FTChamps Real Madrid Beckham 23 & a quantity of Corinthian collectibles carded and uncarded, vg overall (2 boxes)

A collection of table soccer teams, comprising six by Santiago Table Soccer, comprising Stenhousemuir, AFC Wimbledon 2nd, Unterhaching, Getafe Home, Getafe Away and Getafe Third Kit, six by Total Soccer comprising Liverpool FC, Cadiz CF, AS Roma, Real Madrid, Valenica CF and Team Total Soccer, and four by Zeugo comprising 91 Doncaster, 157 Wolverhampton, 292 Sheffield United and 113 West Bromwich Albion, all boxed.

Un seau à rafraîchir napolitain provenant du service Herculanum, Real Fabbrica Ferdinandea, vers 1780-82A Naples, Real Fabbrica Ferdinandea cooler from the 'Servizio Ercolanese,' circa 1780-82Decorated with a continuous scene of classical figures after the Excavations and taken from the prints published in Le Antichità di Ercolano Esposte, set against a naturalistic landscape including a temple and ruin architecture, decorated with moulded rim of scrollwork alternated with vignettes of birds in two-tone gilding, the rim with moulded heads of caryatides, the rim with a title in red script: MUS.ERCOL.SERIE DEI BRONZI VASO DI CORNELLAE SCHELIDONI.SERIE DI PITTURE IL BASSARO O SABADIO, with its original ormolu mounts with three winged griffins, 20cm. high, (two cracks running through the side)Footnotes:ProvenanceCharles III, King of Spain (1716-1788)The Servizio Ercolanese is one of the most famous services produced by the Real Fabbrica Ferdinandea, right at the beginning of its existence. The cooler was listed in September 1782 by Domenico Venuti, director of the factory, in his description of the service given by the King of Naples and the Two Sicilies, Ferdinand IV to his father Charles III of Spain:'Rinfrescatoio piccolo n. 2 Fig. rap. la Sacra Pompa di Bacco'[Small cooler n. 2 rep. the sacred rite of Bacchus].Both principal painters of the service, Giacomo Milani and Antonio Cioffi, accompanied the service to Madrid in 1782, where it was presented to the Spanish king. The decoration of the service was based on the newly discovered Triclinium of the Villa Cicerone in Herculaneum (see Turin, 2007, p.63). Most of these sources were derived from the highly influential publications of the findings of the excavations by the Royal Court under the title 'Le Antichità di Ercolano Esposte,' as published between 1757-1798 by the Stamperia Realeor Royal Printing Press.In her landmark 1986 publication on the Real Fabbrica Ferdinandea, Angela Caròla-Perrotti argues that the service was intended by Venuti to show the continuation between the ancien régime of Charles III, and that of his son, Ferdinand IV (p. 327). For Venuti, there was a personal interest; from 1740 onwards his father, Marcello Venuti, had been director of the Archaeological projects responsible for the excavations and indeed publication of the many volumes of 'Le Antichità di Ercolano Esposte'. Domenico Venuti himself, besides being director of the Real Fabbrica, was appointed Director General of the Excavations of the Kingdom. The service would have been completed with a series of twelve busts modelled by Filippo Tagliolini, all in biscuit, again taken from famous sculptures from the collection of Antiquities, now kept in the Museo Archeologico in Naples.Pieces from this service come to the market only very rarely and few are kept in private collections. For an ice pail from the same service see Angela Caròla-Perrotti, Fascination of Fragility, 2010, p. 323. A soup-tureen from this service was sold at Christie's London, 7 July 1997, lot 286 and the companion soup-tureen on 13 March 1989, lot 44. A plate from the service was sold by Christie's London on 27 April 1995, lot 144, two ice pails were sold at Sotheby's New York, 23 October 2004, lot 6, and a biscuit bust from the service was sold at Sotheby's Milan, 19 December 2006, lot 341. Most recently three pieces, including a plate, from this service were sold at Sotheby's, The collection of Giovanni & Gabriella Barilla, 14 March 2012, lots 228, 233 and 234. Another rare plate from the service was sold in these Rooms, 17 June 2015, lot 37.For further information on this lot please visit Bonhams.com

Autographed DAVID JOHNSON 12 x 8 Photo : Col, depicting a superb image showing DAVID JOHNSON celebrating with the European Cup in front of photographers following Liverpool's 1-0 victory over Real Madrid in the 1981 Final, signed in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Benfica v Real Madrid 1962 European Cup Final 2nd May Olympic Stadium Amsterdam vintage programme. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Vintage Real Madrid Football pennant, commonly referred to as Real Madrid, is a Spanish professional football club based in Madrid, Spain. Water stained. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Autographed ALAN HUDSON 16 x 12 Edition : Colorized, depicting Chelsea's ALAN HUDSON holding aloft the European Cup Winners Cup during a lap of honour following a memorable victory over Real Madrid in the 1971 Final in Athens, signed in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

PlayStation 2 (PS2) Slim Console [Black] (PAL) with games [20] and DualShock 2 Controller [Black] Games include: Off Road, Red Faction [Platinum], Red Dead Revolver, Real Madrid Club Football, Nitrobike, Ninjabread Man, Rally Fusion, Radio Helicopter, RedCard, Red Ninja, Red Faction II, Miami Vice, Rampage: Total Destruction, Meet the Robinsons, Maxxed Out Racing, Master Rallye, Kung Fu Panda, Knockout Kings 2001, Knights of the Temple - Infernal Crusade and Knight Rider 2 - The Game Console is loose and comes with power supply

2008 - 2009 Real Madrid Salgado Match Issued Football Shirt; White long sleeve with Champions League badging to one sleeve and Champions League Cup 9 to other sleeve with refers to previous cup wins. Spain badge to breast only used in Champions League matches. Issued for match v Liverpool. Number 2 M Salgado to rear. Autograph blurred as been washed. Salgado did not make the squad for both matches.

Manchester Home European Football Programmes: From 56/57 to 94/95 stored in Manchester United hand made binders. Programmes are excellent and include 56/57 Anderlecht, Dortmund writing, Bilbao, Real Madrid, 57/58 Dukla, Red Star Shamrock and AC Milan. (59)

Manchester United 56/57 Home Football Programmes: Includes Anderlecht, Bilbao, Real Madrid sof, Everton FA Cup and we believe all 31 league matches in very good condition unless stated. (24)

Arsenal Football Ticket Collection: Tickets from the 1960s to the 2000s. Includes big match European and domestic tickets. Finals include 1970 European Fairs Cup with the majority being 70s. 1962 Real Madrid and 1954 Spartak home included. (80)

Real Madrid Cased Rare Centenary Football Book: Cine Amos De Leyenda 1902 - 2002 is a very heavy book in embossed white case which has handling marks. Book itself is excellent and has nearly 600 pages.

West Ham Football Memorabilia Box: Programmes including 1967 Real Madrid in Houston with slight damage, testimonials, European, cup finals plus books, Directors reports, 1975 FA Cup final record, programme binders, signed cup final programmes, Di Canio signed mouse mat, press reports and more. Instructions to sell. (2 boxes)

1971 European Cup Winners Cup Final Football Programme: Real Madrid v Chelsea played in Athens in very good condition with no team changes.

Signed Real Madrid Football Shirts: White unworn replica home shirts two with tags still attached. One has Ronaldo 7 to rear with his signature the others with a few unknown autographs. Came in to a valuation day without authenticity so signatures remain unverified. (3)

Christiano Ronaldo 2015 - 2016 Signed Real Madrid Football Shirt: White home shirt with Ronaldo 7 to rear. Signed in marker pen to front of the large sized shirt.

Collection of Ipswich Town European competitions home match programmes to include 1973/74 Real Madrid (UEFA), FC Twente (UEFA), Lazio (UEFA), Lokomotive Leipzig (UEFA), 1974/75 FC Twente (UEFA), 1975/76 Feyenoord (UEFA), FC Bruges (UEFA), 1976/77 FC Antwerp (friendly), 1977/78 Landskrona Bols (Sweden) (UEFA), Las Palmas (UEFA), 1978/79 AZ Alkmaar (ECWC), Barcelona (ECWC), SW Innsbruck (ECWC), 1979/80 Skeid Oslo (UEFA), Grasshoppers Zurich (UEFA), 1980/81 Bohemians Prague (UEFA), St Etienne (UEFA), FC Cologne (UEFA s/f), Widzew Lodz (UEFA), AZ Alkmaar (UEFA Cup final), 1981/82 Aberdeen (UEFA), 1982/83 Roma (UEFA); good. (22)

European Cup Anglo Italian, European league and European /South American cup 1968 Football programmes, to include Manchester v Estudiates 1968, Ajax v Panathinkos 1971, Ajax v Milan 1969, Ajax v Independiete 1972, Club Bruge v Real Madrid 1976, RSC Anderlehtois v Southampton 1977, Bayern v St Etienne 1976, Anglo Italian cup Swindon Town Futari Magazine 1982

Cristiano Ronaldo signed Real Madrid home replica football shirt in white, Ronaldo #7 to the reverse, finely presented and professionally framed, with COA to reverse, 65 x 87 cm approx

1960-70 English League Football programmes, a mixed lot of league and a few cup matches with noted teams of Watford v Shrewsbury 21st Jan 1961, Wrexham v Shrewsbury 23rd April 1961, Arsenal v Newcastle 27th Feb 1960, Manchester United v Leeds 31st Dec 1966 (worn copy), Exeter v Luton 9th Jan 1960, Bolton v Nottingham 13th Feb 1960, Newcastle v Wolves 9th Jan 1960, Crystal Palace v Real Madrid 1962, plus lots more in mixed condition - fair to good (#145)

Collection of Manchester Utd memorabilia to include reunion dinner menus, cards, 1968 Champions of Europe, 1978 Manchester United Centenary (v Real Madrid), Official history (with exclusive photographs), Daily Mirror 30 May 1968 (United champions), 1997 United financial report and accounts: United champions league match packs v Feyenoord 1997, v Deportivo La Coruna 2001, v Anderlecht 2000, v Porto 1996/97, v Giroudins Bordeaux 2000: 2003 United official magazine 'Farewell to David Beckham', 1966/67 Players official championship souvenir x 2, 1948 Sporting Mirror FAC final edition, 1948 Sport Cup final edition, a collection of red issues, plus various auction catalogues (around year 2000) with United content x 3 - tickets shown in image are reproductions (a lot, 1 box)

Football, John Aston signed 12x18 black and white photograph pictured as Manchester united celebrates with his team mate George Best scored the only goal in the 1968 European Cup semifinal 1st leg Vs Real Madrid. Aston won 17 England caps between 1948 and 1950, all at left back, and featured in the 1950 FIFA World Cup. He played in the 1948 FA Cup Final triumph over Blackpool at Wembley Stadium. He left the club in 1954 after scoring 30 goals in 284 appearances. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Manchester United Multi Signed 18 x 12 black and white Print titled 'Glory At The Bernabeu'.. Signatures from Bill Foulkes, John Ashton, Alex Stepney, David Sadler. Print shows the Man United line-up prior to their historic 3-3 draw with Real Madrid in the 1968 European Cup semi-final 2nd leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Phil Neal 16x12 signed colourised photo, Autographed Editions, Limited Edition. Photo Shows Neal celebrating the Victory over Real Madrid in the 1981 European Cup Final at the Parc Des Princes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Peter Bonetti Chelsea 16x12 Signed black and white Autographed Editions, Limited Edition photo. Photo shows Chelsea players (L to R) Alan Hudson, Peter Bonetti and John Boyle enjoy their victory over Real Madrid in the 1971 European Cup Winners Cup Final replay in Athens. Goals from John Dempsey and Peter Osgood defeated their Spanish opponents after the sides had drawn the final (1-1) two days previous. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Ron Harris signed 22x16 black and white 1971 European Cup Winners Cup Final Replay black and white print. Jubilant Chelsea Captain Ron Harris is carried on the shoulders of his team mates after their 2 1 extra time victory over Real Madrid. Limited edition 250 copies. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Manchester United 12x16 Multi signed Colourised squad photo, Autographed Editions, Limited Edition. Signatures from: Bill Foulkes, John Aston, Pat Crerand ,Nobby Stiles, Alex Stepney and David Sadler. Photo shows the Man United team line up prior to their historic 3-3 draw with Real Madrid in the 1968 European Cup Semi-Final 2nd Leg. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Alfredo Di Stefano signed 6x5 inch album page includes 4 black and white newspaper photos of the Real Madrid legend. Chubby Checker signature on reverse with 5 black and white newspaper pictures. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football programmes etc, Big match selection inc. Atletico Madrid v Tottenham ECWC Final 1963, Benfica v AC Milan EC Final 1963, Eintracht Frankfurt v Real Madrid EC final 1960, Borussia Dortmund v Liverpool ECWC Final 1966, TSV Munich v West Ham ECWC Final 1964FA Cup Final 1983, LC Finals 75, 76 & 80 a few England Internationals & others (gen. gd) (approx. 20 items)

Football programmes, a collection of 100+, 1960's, programmes inc. Accrington v Doncaster 60/1, Birmingham v Ujpesti Dozsa 60/1 ICFC, Arsenal v Huddersfield LC semi final 67/8, Man. Utd v Leicester 65/6 (postponed), Djurgardens v Real Madrid 60/1, York v Bradford PA 69/70, Peterborough v Bradford PA 69/70, Bournemouth v West Ham 61/2 Testimonial & much more (fair/vg)

Trade cards, Football, approx. 290 cards, mainly overseas issues, 190 featuring Real Madrid players and 100 Athletico Madrid players, many different issuers including Chocolat Amatiller, Heinerle, J Laporta, etc. some anonymous issues, etc, players noted include Kopa, Di Stefano, Puskas etc (mixed condition a number have back damage, many are gd)

JOSEPH KOSUTH (B. 1945)Clock (One and Five), [English-Spanish] clock and four mounted photographsOverall: 51 x 313.5cm (20 1/16 x 123 7/16in).Executed in 1965Footnotes:This work is accompanied by a certificate of authenticity signed by the artist.ProvenancePrivate collection, Santiago (acquired from the artist through Alain Tarica in New York in 1965).Acquired from the above by the present owner. ExhibitedBrussels, Palais des Beaux Arts, L'Art et le Temps: Regards sur la Quatrième Dimension, 21 November 1984 - 20 January 1985 (and later travelled to Geneva, Musée Rath, 16 February - 14 April 1985; Humblebaeck, Louisiana Museum of Modern Art, 27 April - 16 June 1985; Mannheim, Städtische Kunsthalle, 11 July - 1 September 1985; Vienna, Museum des 20. Jahrhunderts, 19 September - 17 November 1985; Lyon, Le Nouveau Musée, 7 December 1985 - 26 January 1986; London, Barbican Centre, 20 February - 27 April 1986) (another version exhibited).Eindhoven, Van Abbemuseum, Joseph Kosuth: Tekst/Kontekst, 10 June - 9 July 1978 (another version exhibited).Madrid, Centro de Arte Reina Sofia, Arte Minimal de la Colecciòn Panza, 24 March - 31 December 1988 (another version exhibited).Mallorca, The Pilar and Joan Miró Foundation, Joseph Kosuth L'Art les Idées. Una Visió de Trenta Anys 1965-1995, 12 March - 9 May 1995 (another version exhibited).Dublin, The Irish Museum of Modern Art (IMMA), Guests and Foreigners, Rules and Meanings. A New Installation, With a Survey: 1965-1997, 13 March - 4 June 1997 (another version exhibited).Paris, Centre Georges Pompidou, Les temps vite, 12 January - 17 April 2000 (another version exhibited).Washington, D.C., Hirshhorn Museum and Sculpture Garden, The Panza Collection, 23 October 2008 - 11 January 2009 (another version exhibited).Oslo, Museet for samtidskunst, Kunst 4. Verk fra samlingen 1950-2007, 12 May 2007 – 12 April 2009 (another version exhibited).Warth-Weiningen, Kunstmuseum Thurgau, Das Dasein Und die Welt, 19 January - 24 August 2014 (another version exhibited).LiteratureB. Schnackenburg & W. Bojescul, Kunst der sechziger Jahre in der Neuen Galerie Kassel, 38 Werkinterpretationen, Kassel, 1982 (another version illustrated p. 43).Another version of this series is held in the permanent collection of the Tate, London.Clock (One and Five) [English-Spanish] from 1965 belongs to a broader series of works in which Joseph Kosuth incorporates objects such as chairs, hammers, clocks and picture frames, along with their identical photographs and a single or multiple dictionary entries. Each word, object and language combination are unique and invites a comparative analysis of language's role in defining and understanding the world around us. The art historical importance of this series is emphasised by the fact that examples of it are housed in the permanent collections of Tate, London and MoMA, New York - amongst others.Kosuth's use of multiple languages in this series is not accidental. He was influenced by the Whorf-Sapir hypothesis, which suggests that the language people speak influences their thoughts, perceptions, and worldview. Language structures can shape how individuals categorise, interpret, and experience reality, highlighting the connection between language and cognition. By juxtaposing English with other languages, Kosuth seeks to demonstrate how meaning can shift between cultural and linguistic contexts. In the present work, the choice of a clock, a universal symbol of time, allows for a collectively recognised object to be examined through the lens of language and semiotics. The translation between English and in this case, Spanish brings forth subtle variations in meaning and understanding, emphasising how cultural and linguistic differences influence perception.By presenting the object, its image, and the words used to describe it, the artist creates a dialogue between these different forms of representation. Each exhibition copy – the 'artwork' that the viewer sees - is accompanied by a non-exhibited signed exhibition diagram which acts as a certificate and invites questions of ownership and value. Kosuth's meticulous instructions insist that the photograph must perfectly replicate the clock and its surroundings. Any deviation in lighting, reflections, or context would necessitate rephotographing the clock to maintain the faithful representation of the object. This emphasis on the replication of reality through photography challenges the viewer to question the distinctions between the real and its portrayal.The physical exhibition copy of Clock (One and Five) [English-Spanish] can be remade: in fact it should be re-made to suit its unique environment and so a copy of the work may have the same meaning, but not the same market value. Joseph Kosuth has long been considered one of the most important pioneers of conceptual art and the present work is a truly outstanding example from his revered practice, the first of its kind to be offered at auction in over three decades.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

FERNANDO BOTERO (1932-2023)Maternidad signed, stamped with the foundry mark and numbered 'Botero E-A 1/2' (on the back of the chair)bronze with brown patina47 x 19.5 x 32cm (18 1/2 x 7 11/16 x 12 5/8in).Conceived in 1955, this work is from an edition of 6, plus 2 artist's proofs.Footnotes:ProvenanceFoundation Veranneman, Belgium.Private collection, Madrid (acquired from the above in 2000).Thence by descent to the present owner. LiteratureJ.C. Lambert & B. Villegas (eds.), Botero Sculptures, Colombia, 1998 (illustrated p. 205 and n.p.)Renowned for his distinctive style of voluptuous and exaggerated forms, the Columbian artist Fernando Botero has left an indelible mark on the history of art. Acclaimed globally for his instantly recognisable paintings, Botero's venture into sculpture has further enriched his artistic repertoire over course of his career. Under the tutelage of Robert Longhi, a distinguished specialist on Italian Renaissance and Baroque art, Botero obtained a remarkable art historical knowledge of Western Classicism that permeates much of his oeuvre. The canon of art history, especially the European one served as a rich source of inspiration, yet he shifts classical art historical topics into the realm of the everyday and the trivial, infusing them with his own personal experiences and the essence of his native Colombia. Today, Fernando Botero is recognised as one of the most important Colombian modern artists and his works are held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the Museo Botero in Bogota. In 1958 and 1992, Botero also participated in the Venice Biennale and represented Colombia in the 5th São Paulo Biennial, Brazil. Inspired by the great classical masters, from Raphael, Peter Paul Rubens and Titian, to Giotto and Paolo Uccello, Fernando Botero's style is a modern interpretation of the ever-evolving thread of form. After moving to New York in 1990, he continued to develop his trademark style of bulbous and exaggerated figures and animals, drawing inspiration from Rubens' full-figured representations of female beauty. Often profoundly satirical, Botero asserts that his now iconic style - aptly termed 'Boterismo' - allowed him to explore mass and the sensuality of form, as well as to stress notable features in an almost caricature-like manner. 'Sculpture was a natural experience in my evolution because of the obvious sculptural element in my paintings,' Botero acknowledges. 'This was a return to simplicity, to growing indifference to details and to a more geometric awareness of shape.' (the artist quoted in: Botero: Aquarelles, Dessins, Sculptures, Basel: Galerie Beyeler, 1980).Botero first began experimenting with sculpture in 1972, eventually expanding his métier from wood and clay to bronze, the medium in which has best translated the pillowy volumes of his paintings into three dimensions. Since the early 1980s, his summer were dedicated to sculpture, working from a studio in Pietrasanta, a small town on the Tuscan coast that has attracted many famed artist-residents from Michelangelo to Isamu Noguchi and Henry Moore. Botero's sculptures are characterised by the same aesthetic principles that define his paintings – exaggerated volumes, harmonious proportions, and a playful approach to form. Transitioning from canvas to the three-dimensional, Botero has given his iconic subjects a tangible and interactive presence, encouraging viewers to engage on a more physical level. Whilst humour and irony are present in his work, the magnified proportions of Botero's figures can be interpreted as an endearing nod to the pleasure of the tactility of life and beauty explored through the female form.This smooth sensuality and the fertile lyricism of the curvaceous form is palpable in Maternidad. The medium highlights the monumentality of the sculpture and accentuates the enduring timeless quality and solidity of the work. Botero himself recognised the significance of his sculpture within his canon, and the sensorial potential it has on viewers. 'Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality. . . If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real— it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands.' (the artist quoted in: 'Botero: A Love Letter to Latin America', operagallery.com, 19 September 2023). Maternidad wonderfully captures the essence of motherhood; the plumpness of the bodies perhaps helps convey this sense of maternal abundance and the fertility associated with motherhood, while her gentle embrace and the placement of her hand on her chest suggestive of a sense of tenderness. Domestic life is a central motif in Botero's body of work, especially women's roles within it. Here, Botero portrays the quintessential woman as both mother and caregiver to her young child combined with the heavy weight of art historical and religious iconography and a sense of shared human experience.Botero's international recognition and ability to transcend geographical and cultural boundaries have boosted the visibility of Latin American artists on the global stage. His contributions to the world of art are substantial and his unwavering commitment to his artistic vision has earned him a notable place in the history of art. Botero's oeuvre serves as a bridge between traditional and contemporary art, developing a melange classical techniques and modern and innovative flair. By embracing diversity and celebrating the inherent charm in each of his subjects, he challenges conventional notions of beauty and representation and forces viewers to reconsider their preconceived notions and stereotypes.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Football pin badge collection includes 59, badges featuring Spanish teams and federations such as Real Madrid, Barcelona, Valencia, Sevilla, Real Betis, Real Sociedad, Athletic Bibao and others past and present. Housed in presentation folder. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

HIBERNIAN Seven programmes for the friendly matches played at Hibernian: v Torino 16/10/1961, Bolton 27/1/1962, Everton 10/3/1962, Real Madrid 7/10/1964, Nottingham Forest 6/8/1966, score written to cover, Newcastle 3/8/1968 and Gornik 8/12/1969. Most slightly creased. Generally good