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Collection of art related books, to include books relating to Van Gogh, Edward Seago, Renoir, The Macwhirter Sketch Book, British Landscape Painting - Nineteenth Century, etc

PIERRE BONNARD Fontenay-aux-Roses 1867 - 1947 Le Cannet bei Cannes: Portrait de Renoir - Jeune Femme (La Vie de Sainte Monique) - Le Parc Monceau. 3 Bll. Kaltnadelradierungen um 1916-37. Bouvet 84; aus B. 111 und B. 114. - Sämtlich mit dem Namenszug bzw. Monogramm in der Platte. Auf versch. Papieren. 17,5 x 12 bis 33,2 x 26 cm. Bl. 1 im Passepartoutausschnitt schwach gebräunt. Ränder gering wellig (Bl. 2). Bl. 3 etwas angestaubt und Ecken etwas berieben. Beiliegt: Soleil sur un Paysage. Farblithographie nach Bonnard. Mit dem Namenszug im Stein. Auf Marais-Vélin. 35,5 x 25 cm. Mit Heftspuren am linken Rand. [bg]

Renoir, Pierre-Auguste, 1841 in Limoges, Limousin; † 3. Dezember 1919 in Cagnes-sur-Mer, Côte d'Azur: 2 Radierungen: "Sur la Plage a Berneval"Kaltnadelradierung auf dickem Bütten, breiter Rand, lichtrandig, gebräunt, in d. Pl. sign. 13,5x9,2cm, Delteil 5, sowie Radierung auf Rives (Wasserzeichen MBM) von Edouard Manet: Bildniss Berthe Morissot, aus: Theodore Duret: Manet… 7,5x12cm, min. lichtrandig.

PIERRE-AUGUSTE RENOIR (1841-1919)Paysage du Midi signed 'Renoir.' (lower left)oil on canvas28.7 x 34.3cm (11 5/16 x 13 1/2in).Painted in 1917-1918Footnotes:This work will be included in the forthcoming Pierre-Auguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.ProvenanceGeorges Bernheim, Paris.Galerie Stiébel, Paris.Private collection, Germany.J.P. Schneider Jr, Frankfurt, no. 5545 (acquired from the above in 1984).Private collection, Europe (acquired from the above).Private collection, Germany (acquired from the above through J.P. Schneider Jr in 1993).Private collection, Germany (by descent from the above).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Matisse Renoir - A vintage costume jewellery enamel on copper brooch with a treble clef on an enamelled ground, stamped mark, together with an enamel on copper triangular brooch. (2)

ATTRIBUTED TO EMILE SIGNOL (FRENCH 1804-1892) PORTRAIT OF TWO CHILDREN, TRADITIONALLY IDENTIFIED AS MARIE LABBÉ (1845-1916) AND HER BROTHER Oil on canvas Signed and dated '1850' (lower left) 99 x 69cm (38¾ x 27 in.) While Emile Signol painted several portraits, including that of Dagobert I, King of Austrasia, Neustria and Burgundy, at the Musée National des Châteaux de Versailles, he primarily made his name as a history painter working in an austere, neoclassicist style. After studying under Antoine-Jean Gros, he first exhibited at the Paris Salon in 1824 and would win the prestigious Prix de Rome in 1830. He held a first seat position at the Académie des Beaux-Arts in Paris from 1860, where Pierre-Auguste Renoir would study under him only two years later. Signol was made Officer in the Legion of Honour in 1865. Condition Report: The canvas has been lined. Fine surface cracking across the image. The paint layer is stable. There is a diagonal surface scratch (approx. 10cm) to the lower right corner. Under UV light there are scattered areas of retouching to the edges and background. there is also retouching to both children's hair and forehead, The largest is a broad line approx. 5cm long. The work has been cleaned and re-varnished.Condition Report Disclaimer

▴ Marcel Dyf (French, 1899-1985) Figures on the beach, Normandy signed 'Dyf' l.r., oil on canvas 72 x 91.5cm Marcel Dyf was a French artist known for his delicate Impressionist landscapes. Born Marcel Dreyfus on October 7, 1899 in Paris, France, the painter spent his childhood in Normandy where he was exposed to new ideas in art-making and was captivated by the work of Pierre-Auguste Renoir. A move to Arles in 1922 solidified his commitment to being an artist, finding further inspiration from the style of Old Masters such as Rembrandt van Rijn and Johannes Vermeer. He travelled extensively to capture his natural scenes, but focused on three French regions in particular -Brittany, Ile de France, and Provence - for his plein air works. Dyf died on September 15, 1985 in Bois-d’Arcy at the age of 85. Condition ReportFramed: 97x 115cm Craquelure and light surface dirt. Stretcher marks visible to the top edge and a small dirty mark to the top left corner. Examined under UV light a small area fluoresces in the lower left corner which appears to be due to uneven application of the varnish, please see additional condition images.

Suzanne Valadon (1865-1938) was a notable French painter and artist who played a significant role in the Parisian art scene during the late 19th and early 20th centuries. Here are some key points about Suzanne Valadon:1. **Early Life**: Suzanne Valadon was born as Marie-Clémentine Valadon on September 23, 1865, in Bessines-sur-Gartempe, France. She grew up in a working-class family and had a modest upbringing.2. **Ballet Dancer to Artist**: Valadon initially pursued a career as a circus performer and later as a trapeze artist. However, due to an injury, she had to abandon her career in the circus. She then turned to modeling for artists, including Pierre-Auguste Renoir and Henri de Toulouse-Lautrec.3. **Transition to Painting**: While modeling for renowned artists, Valadon developed an interest in art herself. She began to paint and draw, initially creating self-portraits and scenes from her everyday life. Her natural talent and unique perspective quickly garnered attention.4. **The Bohemian Montmartre Scene**: Valadon became associated with the bohemian artistic community in Montmartre, Paris, during the late 19th century. She was friends with many famous artists of the time, including Edgar Degas, Henri de Toulouse-Lautrec, and Pierre-Auguste Renoir. Her close relationship with these artists influenced her work and provided her with valuable artistic insights.5. **Artistic Style**: Valadon's art was known for its bold and expressive style. She painted a wide range of subjects, including portraits, nudes, and still life. Her work often featured strong, confident women, and her own experiences as a woman in the arts played a role in shaping her artistic voice.6. **Achievements**: In 1894, Valadon became the first woman to exhibit in the Société Nationale des Beaux-Arts. Her career continued to flourish, and she gained recognition as an accomplished artist.7. **Maternity**: Valadon's paintings often depicted motherhood and the female form. One of her most famous works is "The Joy of Life," which portrays a mother and child in a warm, intimate moment.8. **Legacy**: Suzanne Valadon made a significant contribution to the art world, breaking gender barriers in a male-dominated field. Her work continues to be celebrated for its unique perspective, boldness, and its role in challenging traditional notions of female representation in art.Suzanne Valadon's journey from a circus performer and model to a respected artist is a testament to her talent, determination, and the transformative power of art in her life. Her work remains an important part of the legacy of women artists in the history of art.Measures 56.5 x 38.

Manner of Auguste Renoir, portrait of a female nude, oil on board, bearing signature, unframed

Dufy, Raoul (Le Havre 1877 - 1953 Forcalquier, Studium an der École nationale supérieure des beaux-arts de Paris, Maler des Fauvismus),"Hommage à Renoir", Farblithografie auf Papier, 26.5 x 22 cm (PA), unter Glas gerahmt

Pierre-Auguste Renoir (1841-1919)Sur la plage, à Berneval (Delteil 5; Stella 5)Etching with drypoint, circa 1892, on wove paper, with full margins, sheet 245 x 156mm (9 5/8 x 6 1/8in)

Pierre-Auguste Renoir (1841-1919)Femme Nue Assise (Delteil 42; Roger-Marx 17)Lithograph, 1904, from the edition of 1,000, published by Vollard, Paris, on wove paper, with full margins, sheet 255 x 180mm (10 x 7in)

Pierre-Auguste Renoir (1841-1919)Le Chapeau épinglé (La Fille de Berthe Morisot et sa cousine) (Delteil 5; Stella 5)Etching printed in bistre, circa 1894, third state, as included in La Vie artistique, on Japan paper, with margins, sheet 167 x 110mm (6 5/8 x 4 1/4in)

Collection of Art biography books in French published Skira 1950s to include Renoir, Rembrandt, Van Gogh, Cézanne, Degas, Chagall, Monet, Dürer, Manet, Goya etc, colour illustrated volumes in card slipcases and volume of Voltaire & Baudelaire (27)

Ausstellung von Meisterwerken deutscher und französischer Malerei des 19. Jahrhunderts. Veranstaltet vom Kunstverein für die Rheinlande und Westfalen. Januar/Februar 1930. 34 S. Mit zahlreichen Abbildungen. 21 x 13,5 cm. OBroschur. Düsseldorf 1930.Nahezu verlagsfrisches Exemplar des Kataloges, der u.a. Werke von Paula Modersohn-Becker, van Gogh, Renoir und Trübner enthält. Am Schluss eine Anzeige der Galerie Flechtheim.

Tetzen-Lunds, Chr. Samling af moderne fransk malerkunst. 5 S. Mit zahlreichen Abbildungen auf Tafeln. 33 x 24 cm. OHalbleinen. Kopenhagen 1934.Eines von 100 nummerierten Exemplaren des Kataloges der Sammlung Tetzen-Lunds' (1852-1936), die 107 Werke aller Größen der Zeit versammelte, von Cezanne über Picasso, Renoir, van Gogh und Derain bis zu Monet, Matisse und Modigliani. - Wohlerhalten. - Dabei: Hollstein & Puppel. Kunstauktion XL - Sammlung C. Brose Berlin. 111 S., 1 Bl. Mit XXX Tafeln. 28,5 x 21,5 cm. Halbleder d. Z. mit goldgepr. RSchild. Berlin 1928. - Versteigerungskatalog der legendären Sammlung, die auch einen großen Bestand an Werken von Karl Blechen umfasste (154 Losnummern).

Six Royal Worcester boxed figurines including 2 from World of Impressionist Renoir range Jeanne and Norbert (with certificates), Ladies of Literature Lorna (Doone) and Lydia, Summer Romance Amy and Day Dreams Memories. Tallest approx 22.5cm (6)

Inspired by 'Portrait of Irene Cahen d'Anvers' by Renoir. Artist signed lower right.Housed in a heavily gilded carved wood ornate frame. Frame size: 29"W x 33.5"H. Sight size: 19"W x 23"H. Includes certificate of authenticity from Young's Global Gallery on the back of the frame. Condition: Good

François Pompon, 1855 Saulieu – 1933 ParisSCHLAFENDER HAHN, 1927Höhe: 21,5 cm.Auf Plinthe signiert „POMPON“ und mit Gießereistempel „A. A. Hébrard“ versehen, auf 1927 datiert und „B5“ nummeriert.Bronze, braun patiniert. Auf einer naturalistisch geformten Plinthe steht ein schlafender Hahn in vereinfachten, zurückgenommenen Formen. Pompons Stil zeichnet sich durch die stark Reduktion der Körperformen, vornehmlich Tierfiguren, aus. Weiche, harmonische Übergänge waren ihm dabei wichtig und er verzichtete auf jegliche Ausformung von starken Kanten. Pompon lernte an der École des Beaux Arts und wurde von Bildhauern wie Pierre-Louis Rouillard und René de Saint-Marceaux beeinflusst. Nach der Entwicklung seines eigenen Stils leitete er drei Jahre lang die Werkstatt von Auguste Renoir. Seinen künstlerischen Durchbruch erlangte er mit seinem berühmtem Eisbären, den er im Art déco-Stil schuf. Exemplare hiervon stehen unter anderem im Metropolitan Museum of Art in New York und im Musée d’Orsay, Paris. (1370416) (19)François Pompon,1855 Saulieu – 1933 ParisSLEEPING COCKEREL, 1927Height: 21.5 cm.Signed “POMPON” and foundry mark “A. A. Hébrard”, dated 1927 and no. “B5” on plinth. Bronze; brown patina.

Auguste Renoir (1841-1919)-attributed, portrait of a half nude girl, in landscape, signed bottom right, described, oil on canvas, framed, 80 x 64 cm

Porzellanbrosche, Goebel. Ovale Fassung, darin Plakette aus Porzellan mit Motiv "Fleurs de printemps" von A. Renoir. Aus der "Artis Orbis"-Kollektion. Nadel aus messingfarbenem Metall. D. ca. 3,4 cm. Beigegeben: Originale Schmuckschatule.

Frédéric Bazille, the French painter born in 1841, stands as an intriguing figure in the Impressionist movement, leaving a lasting imprint on the world of art despite his untimely demise. Renowned for his dedication to capturing the ephemeral effects of light, color, and atmosphere, Bazille's art encapsulates the essence of Impressionism. His close friendships with fellow artists like Monet, Renoir, and Sisley not only enriched his artistic journey but also fostered a collaborative and innovative spirit within the movement. Bazille's unique approach often intertwined figures with natural landscapes, blurring the lines between portraiture and outdoor scenes. His versatility is evident in the diverse range of subjects he tackled, from intimate portraits to leisurely gatherings. Although his career was tragically cut short by his untimely death at just 28 years old during the Franco-Prussian War, Bazille's legacy continues to thrive through his contributions to the evolution of modern painting and his enduring influence on the Impressionist movement.Measures 40 x 16.

Pierre-Auguste Renoir was a prominent French artist and one of the leading figures of the Impressionist movement. He is celebrated for his vibrant and colorful paintings, which often depicted scenes of leisure, landscapes, and portraits. Renoir's work is renowned for its emphasis on light, texture, and capturing the fleeting moments of everyday life.Key facts about Pierre-Auguste Renoir:1. Early Life: Pierre-Auguste Renoir was born on February 25, 1841, in Limoges, France. He showed an early interest in art and began his artistic training as an apprentice in a porcelain factory.2. Paris and the Impressionists: Renoir moved to Paris in his early twenties to pursue an artistic career. There, he befriended other emerging artists such as Claude Monet, Frédéric Bazille, and Alfred Sisley, who later became known as the Impressionists.3. Impressionist Style: Renoir embraced the Impressionist style of painting, characterized by its focus on capturing the effects of light and atmosphere through loose brushwork and bold use of color.4. Social Scenes and Portraits: Renoir was renowned for his paintings of social scenes, depicting people enjoying leisure activities such as picnics, dances, and strolls in the park. He also painted numerous portraits, capturing the personality and character of his subjects.5. Love for Feminine Beauty: Renoir had a deep appreciation for feminine beauty, and many of his paintings featured women as his primary subjects. He particularly enjoyed painting his close friends and family members.6. Health Challenges: In his later years, Renoir suffered from arthritis, which severely affected his mobility. Despite this, he continued to paint, adapting his technique to accommodate his physical limitations.7. Later Works: As Renoir's style evolved, he began to incorporate a more classical approach to his art, inspired by artists like Raphael and Rubens.8. Cagnes-sur-Mer: In his final years, Renoir lived in Cagnes-sur-Mer, a town on the French Riviera, where he continued to paint and produced some of his most celebrated works.9. Legacy: Pierre-Auguste Renoir's art remains highly regarded and continues to be cherished worldwide. His work played a significant role in the development of modern art, and he left behind a lasting impact on the art world.Pierre-Auguste Renoir passed away on December 3, 1919, leaving behind a prolific body of work that reflects his passion for life, love of art, and dedication to capturing the beauty of the world around him. Today, his paintings are displayed in major museums and art galleries, and his legacy as an Impressionist master endures.Measures 20 x 24.Sold "after" Renoir.Unframed.

Pierre-Auguste Renoir (1841–1919) was a leading French Impressionist painter known for his vibrant and joyful depictions of everyday life, especially scenes involving people, landscapes, and social gatherings. He played a significant role in the Impressionist movement, which sought to capture the effects of light and color in a more spontaneous and observational manner.Renoir's style evolved over the course of his career. In his earlier works, he often depicted scenes of working-class life and leisure activities. His subjects included people at dance halls, cafés, and outdoor gatherings. Renoir's brushwork became looser and more painterly, and he employed a bright palette to capture the effects of natural light.Some of his most famous works include:1. "Luncheon of the Boating Party" (1881): This large-scale painting showcases a group of Renoir's friends enjoying lunch on a terrace overlooking the Seine River. The painting is notable for its lively atmosphere, rich colors, and intricate details.2. "Dance at Le Moulin de la Galette" (1876): This painting captures a scene at a popular dance garden in Montmartre, Paris. It's a prime example of Renoir's ability to convey movement, light, and a sense of joyful celebration.3. "Bal du moulin de la Galette" (1876): This work, often confused with the above painting due to similar titles, depicts a bustling scene of people enjoying a dance at the Moulin de la Galette.As a key figure in the Impressionist movement, Renoir embraced the idea of capturing fleeting moments and the play of light on surfaces. His art has had a profound influence on the course of modern art and continues to be celebrated for its lively spirit, visual appeal, and its contribution to the development of artistic techniques that emphasize light and color.Measures 24 x 36 (image), 44 x 32 (framed).Sold in the style of "Renoir".

Rivière (Georges) Renoir et Ses Amis, frontispiece and illustrations, contemporary boards in half faux morocco, original pictorial cover laid onto top board, spine sunned, 4to, Paris, H. Floury, 1921.

Pierre-Auguste Renoir (1841-1919), Roses-Fragment , c. 1917, huile sur toile, inscription Renoir, 19,3x24 cmAvis d'inclusion au catalogue raisonné digital en préparation par le Wildenstein Plattner Institute ref. no. prc37w, du 14 décembre 2022Provenance: Pierre-Auguste Renoir, Cagnes-sur-Mer Ambroise Vollard, Paris, consigné par l'artiste avant 1919 Succession de Sir Walter Flechter, C.B.E, Grande-Bretagne Vente Christie's, Londres, 20 mai 1960, p. 8, no. 23 (comme Un bouquet de roses ) Collection privée, Londres Collection privée, Suisse, 2001 (par succession de la collection précédente) 

Pierre-Auguste Renoir (French, 1841-1919)Le Chapeau Épinglé, 3e planche (Delteil 8) Etching and drypoint, circa 1894, on cream laid paper, an impression of the second (final) state, with wide margins, framedPlate 117 x 83mm (4 3/8 x 3 1/4in)Sheet 301 x 246mm (11 7/8 x 9 3/4in)For further information on this lot please visit Bonhams.com

Group of 12 etchings, watercolors, and drawings including several works by Stefano Della Bella. This groups includes:"Mongisgneur le Marquis a Chevel" depicting an equestrian portrait from "Methode et Invention Nouvelle de Dresser les Chevaux," 1737. Hand colored etching.Stefano Della Bella (Italian, 1610-1664). Etching titled "Two Cavaliers Dueling with Pistols on Horseback" from the series "Divers exercices de cavalerie," ca. 1645-46. Published by Israel Henriet (French, ca. 1590-1661).Silkscreen reproduction print of a French late 12th century painting in the Pierpont Morgan Library. Titled "Christ Appearing to Mary Magdalene (Noli Me Tangere)."After Stefano Della Bella (Italian, 1610-1664). Etching depicting plate 18 from "Various animals (Diversi animali)" depicting a camel viewed from behind with a pyramid.Watercolor on paper painting depicting the interior of a basilica or church.Stefano Della Bella (Italian, 1610-1664). Etching titled "The Colosseum" depicting two herds of animals being directed towards the Roman amphitheater from "Paysages et ruines de Rome," ca. 1646. Published by Francois Langlois (French, 1588-1647).Two watercolor on paper paintings depicting Italian landscapes.Drawing and watercolor painting depicting a group of individuals in a courtyard dancing.Stefano Della Bella (Italian, 1610-1664). Etching titled "Place Royale," depicting an equestrian statue in front of a royal palace, 1642.Pierre-Auguste Renoir (French, 1841-1919). Etching depicting a reclining nude woman.Graphite on paper portrait sketch depicting a well-dressed gentleman.(Sight) height ranges from: 3 in to 16 in; width ranges from: 2 1/2 in to 20 3/4 in. (Framed) height ranges from: 8 in to 24 3/4 in; width ranges from: 7 1/4 in to 28 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

CINEMA: Selection of signed pieces and cards by various film actors and actresses, a few film directors etc., including James Coco (scarce), Brenda Blethyn, Peggy Wood, Mackenzie Crook, William Gargan, Betty Compson, Eva Le Gallienne, Erich von Stroheim (ink signature in a return address panel, neatly clipped from an envelope), Jean Renoir etc. G to generally VG, 10

RENOIR PIERRE-AUGUSTE: (1841-1919) French Impressionist Artist. Exceptional hardcover 4.5 x 6.5 ledger book, 116 pages, containing 14 pages filled out in Renoir´s hand, recording the sales of his paintings, listing those in deposit, where they are, etc.. Written to the front cover `Tableaux´ ("Paintings"). The opening page bears a red pencil annotation, `Durand Ruel´, and the next 14 pages are dated from 1882 to 1885, recording various financial transactions. Several of these entries record amounts received from the sales of his works, and in several instances he writes names or descriptions of the works, such as  "Portrait de Mme. C dans un jardin", "Femme nue", "Jeune Kabyle", "Vues Venise", "Saltimbanque", "Naples et Alger", "jardin coquelicot", "Jardin Montmartre", "Samary (Pastel)", and many more. Few other pages with multiple payments records, painting prices, financial transactions, amounts received on account, dates, etc.. In two instances, in 1883, Renoir writes the name `Manet´ presumably referring to his friend and fellow Edouard Manet. These entries provide valuable insight into Renoir's life and work, and as such this ledger represents an important piece for Renoir research. Very small minor age wear, otherwise VG Paul Durand-Ruel (1831-1922) French Art Dealer. Probably the most important commercial advocate of impressionists, providing monetary support to his painters and solo-exhibitions.  He counted Degas, Monet, Manet and Renoir among his clients.

RENOIR PIERRE-AUGUSTE: (1841-1919) French Impressionist Artist. A fine and good association A.L.S., `Renoir´, two pages, written to the first and third page, small 8vo, Cagne, 8th January 1908, to Claude Monet, in French. Renoir writes to his long life friend Monet `Mon cher ami…´ ("My deaf friend…"), and first asks about his correspondent´s health `Tu me diras si tu as toujours mal à l´estomac, c´est une maladie qui rend triste, il faut vite guérir´ ("Tell me if you still have a stomach ache, it's a disease that makes you sad, you have to heal quickly") Renoir further refers to Vollard, their art collector supporter, stating `Vollard est ici, je le portraiterai´ ("Vollard is here, I will make a portrait of him") Further again Renoir thanks Monet and his daughters for the letters they often send him, and before concluding makes a sharp critic of a colleague´s exhibition, stating `Une pièce que je n´irai certainement pas voir c´est celle de Geoffroy à l´Odéon…´ ("A painting that I will certainly not go to see is the one of Geoffoy at the Odeon") To a post-scriptum Renoir referring to the new year 1908, states `Ce 8 me fait bien vieillir´ ("This 8 makes me feel older") VG Claude Monet (1840-1926) French Impressionist Painter.Ambroise Vollard (1866-1939) French art Dealer. One of the most important dealers of his time in French contemporary art. He supported many painters such as Cézanne, Renoir, Gauguin, etc… Jean Geoffroy (1853-1924) French Painter and Illustrator, best known for his scenes with children.

After Pierre-Auguste Renoir (French 1841-1919): 'Girls at the Piano', artagraph on canvas 76cm x 54cm

Manner of Pierre-Auguste Renoir, Lady Reclining, unsigned, etching, 16cm x 22.5cm.

An original, unfinished acrylic on canvas painting prop, featuring a young girl with auburn hair (based on a Renoir painting), made for the Clint Eastwood directed episode, "Vanessa In the Garden," from the classic Steven Spielberg created television series, Amazing Stories (Amblin Entertainment, 1985-1987).The edges of the painting were made to look damaged as a result of Harvey Keitel's character, artist Byron Sullivan, going into a drunken rage and trashing his studio while greiving the death of his wife. Sullivan later believes he can bring his wife back to life by painting her. The painting was executed by artist Jaroslav Gebr, the same artist who created the "Tony Montana" portrait painting used in the classic crime film, Sacrface (Universal Pictures, 1983).Accompanied by a copy of the COA from the Gebr Art Estate.15 x 18 inches

Eight Folio Society volumes: 'Bestiary - Being an English version of the Bodleian Library with facsimile miniatures' (1992); Blake's 'Songs of Innocence and of Experience', pocket edition (1992); Marvell 'Garden Poems', pocket edition (1993); 'The Pre-Raphaelites and Their World' (1995); 'Raphael - Of Gods and Men' (1992) (with slip cases); 'Renoir - Paintings, Drawings and Prints' (1965); 'Durer - Paintings, Drawings and Prints (1969); 'Goya - Paintings, Drawings and Prints' (1971) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Pierre-Auguste Renoir,  French 1841-1919,Femme au cep de vigne, 3e variante (from Douze lithographies originales de Pierre-Auguste Renoir), c.1904; lithograph on wove,  signed in the plate, printed by Auguste Clot, Paris, published by Ambroise Vollard, Paris, 1919,  sheet: 33 × 25 cm,  (framed) 

Jahrhundertwende Auguste Renoir (1841 Limoges - 1919 Cagnes-sur-Mer b.Nizza)Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. 1894. Radierung auf leicht gelblichem Bütten. 11,5 x 8,5 cm (31,5 x 25,5 cm). In der Platte signiert. Unter Glas gerahmt (geöffnet). - Leicht lichtgebräunt, punktueller winziger Braunfleck, oben rechts leichte Quetschfalte, insgesamt gut. Hervorragender Druck mit leicht eingeprägter Plattenkante, mit breitem Rand. Delteil 8 II. Etching on light yellowish laid paper. Signed in the plate. Framed unter glass (opened). - Slightly light-stained, isolated tiny brown stain, light pinch pleat on upper right, all in all good. Excellent impression with lightly impressed plate mark, with wide margin.

Jahrhundertwende Auguste Renoir (1841 Limoges - 1919 Cagnes-sur-Mer b.Nizza)Sur la plage, à Berneval. 1892. Radierung auf leicht gelblichem Bütten. 13,5 x 9,5 cm (31,5 x 25 cm). In der Platte signiert. Unter Glas gerahmt (geöffnet). - Leicht lichtgebräunt, punktueller winziger Braunfleck, insgesamt gut. Hervorragender Druck mit leicht eingeprägter Plattenkante, mit breitem Rand. Delteil 5 III. Etching on light yellowish laid paper. Signed in the plate. Framed unter glass (opened). - Slightly light-stained, isolated tiny brown stain, all in all good. Excellent impression with lightly impressed plate mark, with wide margin.

School of Pierre-Auguste Renoir - An early 20th century continental, likely Spanish, oil on canvas painting depicting a family of five sitting around a dinner table. Unsigned, presented in frame. Measures approx. 60cm x 51cm, 82cm x 71cm to include frame.

A large collection of mid-late 20th century stamps, including 1970s & 1980s GB Channel Islands definitive issue stamps, foreign issues for Canada, Swaziland, Egypt, as well as commemorative issues such as for the Royal Wedding of Prince Charles and Lady Diana Spencer, WWF, and United States of America definitives from the early 20th century. Four albums containing Jersey Channel Islands and five containing Guernsey. With such issues as Jersey Artists, Jersey Anniversaries, Lighthouses of the Bailiwick, Renoir Paintings, Guernsey Ferns and others. Also included are souvenir booklets for the Famous Windjammer's S.V. Polynesia, Gibraltar Royal Residences, Antigua Royal State Coaches and many Grenada issues.

Les Lithographies de Renoirpar Claude Roger-Marx, Monte-Carlo a André Sauret, Éditions du Livre 1951, limitierte Auflage, hier Nr. 1053/3000, Format 4°, 87 S, [2] Bl., zahlreiche ganzseitige, teils farbige Abbildungen der Werke Renoirs, Broschur mit Schutzumschlag, Schnittkanten gering fleckig, sonst minimale Alters- und Gebrauchsspuren.

AFTER PIERRE-AUGUSTE RENOIR (1841-1919) At the Teatre, oil on board, 50 x 35cm, together with 2 others (3) Condition Report:Available upon request

THREE 20TH CENTURY DECORATIVE OIL PAINTINGS, comprising a copy after Pierre Auguste Renoir 'Two Sisters on the Terrace' signed Edwerd bottom right, oil on board, approximate size 90cm x 60cm, together with a French townscape signed Burnett, oil on board, approximate size 60cm x 50cm and an indistinctly signed French townscape, oil on canvas, approximate size 50cm x 40cm

A SMALL ASSORTMENT OF JEWELLERY, to include a pair of non-pierced 'Renoir' drop earrings, a white metal fancy link chain, stamped 800, approximate gross weight 38.5 grams, a mother of pearl buckle, a white metal clover brooch, a white metal gem set brooch, a single cultured pearl, a rolled gold long guard style chain, a white and yellow metal medal, together with other small jewellery items (condition report: general moderate wear, overall condition good)

λ&nbspJOHN CYRIL HARRISON (BRITISH 1898-1985) MATURE AND IMMATURE RINGED PLOVERS Watercolour Signed (lower right) 18.5 x 30.5cm (7¼ x 12 in.)Provenance: By descent to The Hon. Mrs James Tennant Please Note: This lot was likely purchased by a family member of Oskar Reinhart and then passed down by descent Please note measurements do not include the frame unless otherwise stated. Oskar Reinhart was born in Winterthur, Switzerland in 1885. His father Theodor Reinhart (1849-1919) worked as a textile merchant running Volkart Brothers, which was founded by his wife's family, and facilitated the trade of cotton across the continent mainly from India. Theodor was an active art collector and devoted to supporting the careers of promising artists. By the age of 39 Oskar, inspired by his father, retired from the family firm to focus on building his already established art collection. Reinhart travelled across Europe visiting museums and private collectors devoting his time to art patronage. Reinhart purchased villa Am Römerholz in his hometown which was to become his own private gallery to house his collection as well as his private residence. In 1940 Reinhart donated the Austrian, German and Swiss works of art from his collection to the town of Winterthur which was housed from 1951 in the Museum Oskar Reinhart, now within the Kunst Museum including pieces by Caspar David Friedrich and Adolph Menzel. The rest of the collection was bequeathed to the Swiss Confederation including his home in 1958 and this opened to the public in 1970 and is still available to visit today. The original bequest included over five hundred paintings and several thousand drawings.Reinhart was particularly drawn to French Impressionists and he enjoyed mixing old masters with modern masters arranging displays in order of form and colour rather than period. It was the focus on colour and light used by the Impressionists that sparked Reinharts' interest. Reinhart was conscious of seeking talent and artists with potential in order to support and encourage their careers. The collection on display at Am Römerholz includes works by Pierre-Auguste Renoir, Vincent Van Gogh, Edouard Manet, Paul Cezanne and Alfred Sisley amongst a selection of old masters such as Pieter Brughel the Elder.   Condition Report: Unexamined out of glazed frame. Some very light spots of staining scattered throughout.  Please note Dreweatts is not liable for damage to frames.  Condition Report Disclaimer

Framed print The Umbrellas by Renoir, 76cm x 50cm.

THREE BOXES OF BOOKS ON ART, to include seven Beaverbrook Newspapers Limited publications with prints of the works of Modigliani, Bosch, Van Gogh, Rubens, El Greco, Renoir and the Impressionists, 'coffee table' type book titles including Ocean Art, Manet, Symbolism, A History of Art, Vesalius, other titles include the works of Dali, Canaletto, Michaelangelo, Rousseau and others

After Renoir coloured print and a further oil on canvas study of a Scotch Thistle

Renoir Etching "Reclining Nude" Image Size: 5.5 x 7.75 in. Sheet Size: 10 x 13 in. Unframed.

Beautifully framed lithography print on paper of "Two Sisters" (on the Terrace) based on the original oil painting by Impressionist artist Pierre-Auguste Renoir held at the Art Institute of Chicago. Housed behind glass in a solid gilded carved wood frame with linen matting. Frame size: 32"W x 38"H. Sight size: 19.75"W x 25.50"H. Artist: Pierre-Auguste RenoirIssued: c. 1970Country of Origin: FranceCondition: Age related wear.

Claude Monet, born on November 14, 1840, in Paris, France, was a renowned French painter and a key figure in the Impressionist movement. He is widely celebrated for his revolutionary approach to capturing the effects of light and color in his artwork. Monet's early artistic training took place in Le Havre, where he developed a passion for plein air (outdoor) painting. His interest in capturing the changing qualities of light and atmosphere led him to experiment with loose brushwork and the use of vibrant colors. Alongside fellow artists such as Pierre-Auguste Renoir, Édouard Manet, and Edgar Degas, Monet founded the Impressionist movement in the 1870s. The term "Impressionism" derived from Monet's famous painting "Impression, Sunrise," which showcased his distinctive style and approach to capturing fleeting moments and atmospheric conditions. Monet's subjects often included landscapes, seascapes, gardens, and natural scenes. He frequently depicted his own garden at Giverny, where he lived for many years. Monet's focus on capturing the ever-changing qualities of light and color led to series paintings, where he would depict the same subject at different times of the day or different seasons. His brushwork, characterized by loose and visible strokes, aimed to capture the essence and atmosphere of a scene rather than focusing on precise details. Monet's use of vibrant colors and his ability to depict the play of light on surfaces created a sense of movement and vitality in his paintings. Throughout his career, Monet's work evolved, and he continued to push the boundaries of his artistic style. His later series, such as the Water Lilies and Rouen Cathedral, showcased his mastery of capturing the nuances of light and the essence of his subjects. Claude Monet's impact on the art world cannot be overstated. His innovative techniques and dedication to capturing the ever-changing world around him laid the foundation for modern art movements. Today, his works are celebrated and admired for their beauty, vibrancy, and ability to evoke emotion. As one of the most influential artists in history, Monet's paintings continue to be exhibited in major art museums worldwide, attracting countless admirers who are captivated by his unique vision and artistic genius.Measures 7.02 x 10.01 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Claude Monet, born on November 14, 1840, in Paris, France, was a renowned French painter and a key figure in the Impressionist movement. He is widely celebrated for his revolutionary approach to capturing the effects of light and color in his artwork. Monet's early artistic training took place in Le Havre, where he developed a passion for plein air (outdoor) painting. His interest in capturing the changing qualities of light and atmosphere led him to experiment with loose brushwork and the use of vibrant colors. Alongside fellow artists such as Pierre-Auguste Renoir, Édouard Manet, and Edgar Degas, Monet founded the Impressionist movement in the 1870s. The term "Impressionism" derived from Monet's famous painting "Impression, Sunrise," which showcased his distinctive style and approach to capturing fleeting moments and atmospheric conditions. Monet's subjects often included landscapes, seascapes, gardens, and natural scenes. He frequently depicted his own garden at Giverny, where he lived for many years. Monet's focus on capturing the ever-changing qualities of light and color led to series paintings, where he would depict the same subject at different times of the day or different seasons. His brushwork, characterized by loose and visible strokes, aimed to capture the essence and atmosphere of a scene rather than focusing on precise details. Monet's use of vibrant colors and his ability to depict the play of light on surfaces created a sense of movement and vitality in his paintings. Throughout his career, Monet's work evolved, and he continued to push the boundaries of his artistic style. His later series, such as the Water Lilies and Rouen Cathedral, showcased his mastery of capturing the nuances of light and the essence of his subjects. Claude Monet's impact on the art world cannot be overstated. His innovative techniques and dedication to capturing the ever-changing world around him laid the foundation for modern art movements. Today, his works are celebrated and admired for their beauty, vibrancy, and ability to evoke emotion. As one of the most influential artists in history, Monet's paintings continue to be exhibited in major art museums worldwide, attracting countless admirers who are captivated by his unique vision and artistic genius.Measures 9.25 x 8.25 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Claude Monet, born on November 14, 1840, in Paris, France, was a renowned French painter and a key figure in the Impressionist movement. He is widely celebrated for his revolutionary approach to capturing the effects of light and color in his artwork. Monet's early artistic training took place in Le Havre, where he developed a passion for plein air (outdoor) painting. His interest in capturing the changing qualities of light and atmosphere led him to experiment with loose brushwork and the use of vibrant colors. Alongside fellow artists such as Pierre-Auguste Renoir, Édouard Manet, and Edgar Degas, Monet founded the Impressionist movement in the 1870s. The term "Impressionism" derived from Monet's famous painting "Impression, Sunrise," which showcased his distinctive style and approach to capturing fleeting moments and atmospheric conditions. Monet's subjects often included landscapes, seascapes, gardens, and natural scenes. He frequently depicted his own garden at Giverny, where he lived for many years. Monet's focus on capturing the ever-changing qualities of light and color led to series paintings, where he would depict the same subject at different times of the day or different seasons. His brushwork, characterized by loose and visible strokes, aimed to capture the essence and atmosphere of a scene rather than focusing on precise details. Monet's use of vibrant colors and his ability to depict the play of light on surfaces created a sense of movement and vitality in his paintings. Throughout his career, Monet's work evolved, and he continued to push the boundaries of his artistic style. His later series, such as the Water Lilies and Rouen Cathedral, showcased his mastery of capturing the nuances of light and the essence of his subjects. Claude Monet's impact on the art world cannot be overstated. His innovative techniques and dedication to capturing the ever-changing world around him laid the foundation for modern art movements. Today, his works are celebrated and admired for their beauty, vibrancy, and ability to evoke emotion. As one of the most influential artists in history, Monet's paintings continue to be exhibited in major art museums worldwide, attracting countless admirers who are captivated by his unique vision and artistic genius.Measures 7.76 x 10.02 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Paul Lucien Maze (French, 1887 - 1979) A vivid, post-impressionist still life of red flowers in a blue and white vase, soft pastel, signed and dated 1959, in pen lined card mount and gilt frame under glass, 41 cm x 38 cm overall [Maze was considered 'the last of the post-impressionists', familiar with artists such as Monet, Renoir, and Pissarro. He developed a close relationship with Winston Churchill after meeting him in the trenches, teaching him and visiting him at Chartwell.]

Book titled Rodin by G. Coquiot in an envelope type case with visible spine. Hardcover binding in paper and leather. Contains 50 photo-engraved plates of Rodin's statues and portraits for Renoir. Text written by Gustave Coquiot. Printed by Bernheim-Jeune, Éditeurs in Paris in 1915.

Guernsey 1974-Renoir Paintings-SG118-121 u/m set in sheets of (25). Cat value £30

Guernsey 1974-Renoir Paintings-SG118-121 u/m set in sheets of (25). Cat value £30

Guernsey 1974-Renoir Paintings-SG118-121 u/m set in sheets of (25)-cat value £30

After Claude Monet (1840-1926) French"The Hay Stack"Reproduction oil on canvas; together with a small group of reproduction oils after Degas, Renoir, Rousseau etc. (6)

Group of three prints including a work by Picasso, Renoir, and Lebadang:Pablo Picasso (Spanish, 1881-1973). Lithograph titled "The Cape" depicting a bull fight in loose black strokes. Dated June 3, 1961 in plate and further numbered III in Roman numerals in plate along the lower left.Pierre Auguste Renoir (French, 1841-1919). Etching titled "On the Beach" depicting two figures seated on the shore while others frolic in the water. Signed in plate along the lower right.Touty AKA Hoi Lebandang (Vietnamese/French, 1921-2015). Abstract lithograph in orange titled "The Yellow Sampan" depicting a figure confronting a large bird next to a river. Pencil signed "Touty" along the lower right; numbered 19/120 along the lower left.Sight; height ranges from 4 1/2 in to 10 in x width ranges from 5 in to 11 1/2 in. Framed; height ranges from 10 3/4 in to 14 1/2 in; width ranges from 11 1/4 in to 13 3/4 in.Condition: There are no visible tears, soiling, creases or losses to all three items. There is toning on all prints. No visible foxing to Renoir print and Picasso print. The Picasso print has a vertical area to the center and along the upper margin that shows a different color from the rest, possibly transmitted from the verso; please see the listing image. Along with it, there is horizontal line along the upper margin that shows different level of toning. The Renoir print has light undulation to the sheet. The Lebadang print has minor foxing along the lower center margin. There are visible signs of browning along margins. All three prints do not show a sign of restoration under UV light. All framed under plexiglass. Not inspected out of frame. Wear and losses to the frames.