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Lot 311

Ca. 2200-1800 BC.This has a roughly round flat face and a slightly convex back on which is mounted a stalk handle ending in a ring for suspension. The design of the face is a pattern of raised lines: a swastika in the middle with around it five crescents based on the edge with short straight strokes in the middle of each crescent. The rim is worn down and the suspension ring is also worn, but enough remains to give the design clearly. The metal is in good condition. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert. Size: L:26mm / W:25mm ; 12gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Lot 349

Ca. 800-500 BC.A bronze libation bowl of hemispherical body fashioned from a hammered bronze sheet. The interior is richly ornamented with incised ring-and-dot designs. Bowls of this kind were used for pouring libations to the gods and for drinking on more ordinary occasions.Size: L:35mm / W:90mm ; 45gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Lot 388

Ca. Late 13th - mid 14th Century AD. This artefact is an excellent example of Medieval sword. The blade is pointed almost to a needle-sharp tip, it is double edged and in the centre where you may have expected a fuller, is a raised medial rib. This would give the blade a diamond shaped section and make it an ideal weapon for thrusting, capable of piercing ring mail and possibly light plate armour. The artefact has a cross guard, tang and flat round pommel. The item has suffered from corrosion. We have surface pitting, and the edge is abraded and jagged. The overall presence of the sword though, is one of Gothic beauty the wear and tear enhancing its presence as an amazing six-hundred-year-old sword. The pommel on this delightful artefact is round and flat, such pommels have been categorised by Oakshott as type ‘G’. The simplistic pommel is reflected in the cross guard, which is thin, flat and curved downwards at each end. Such a cross guard is a type ‘7’. The item comes with an academic report written by Russel Scott; famous lecturer, reenactor and expert of Viking and medieval artefacts. His report also includes an X-ray fluorescence analysis suggesting the ancient origin of the object. Size: L:850mm / W:160mm ; 815g. Provenance: Property of a European collector. Formerly in the collection of Earl Mitchell, London 1990s. Size: L:850mm / W:160mm ; 815g Provenance: Private Leeds (UK) collection; acquired in the 1980s/90s.

Lot 39

Ca. 1570-1070 BC. A charming lapis lazuli amulet in the form of a hedgehog with an egg-shaped body with hatched details on its back, and a protruding snout with a finely defined face features set in a later gold ring of a round hollow hoop with a flat bezel. The ancient Egyptians considered the hedgehog as a symbol of a re-birth, due to their ability to hibernate underground for long periods when food is scarce and re-appear when food is abundant again. Size: D: 17.35mm / US: 7 / UK: O; 11g Provenance: Property of a London Art gallery; formerly a private UK collection since pre-2000.

Lot 397

Ca. 1000 AD.A silver finger ring featuring a square-shaped bezel connected to a thin round-section hoop. The bezel is decorated with a winged figure of an angel standing robed and nimbate and holding a staff.Size: D: 18.34mm / US: 8 1/4 / UK: Q; 3.45g. Provenance: Formerly in a collection of W. Victor Hruby, 1984.

Lot 40

New Kingdom, Ca. 1550-1070 BC.A gold swivel ring formulated into a wearable pendant, the ring with twisted wires connecting to the ball terminals, centered by an Egyptian, steatite scarab with incised iconography, portraying a stylised figure, likely to be Horus as a falcon, facing a crocodile and standing over a basket. The scarab is encircled by an oval frame of intricately-cut decoration. The ring band has been attached to a gold loop with a connective gold necklace. The ring is possibly of a later period. Necklace of a later period. For a similar example, see The Metropolitan Museum of Art, Accession Number: 35.3.46. Size: L:35mm / W:34mm ; 7.95g; Provenance: Private UK collection; From an old Oxford collection formed in the 1990s.

Lot 400

European, Ca. 1500-1700 AD.A solid bronze ring with a circular band, flared shoulders decorated, and an ellipsoidal bezel decorated with two birds facing each other above a heart with arrows. Excellent condition, wearable. For more information on Medieval rings, see Tait, H. (1986). Seven Thousand Years of Jewellery. British Museum Press, London; Ward. A. et al (1981). The Ring from Antiquity to the Twentieth Century. Thames and Hudson, London; Hinton, D. (1982). Medieval Jewellery. Shire Publications, Princes Risborough.Size: D: 17.97mm / US: 7 3/4 / UK: P 1/2; 6.8g.Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.

Lot 401

Ca. 1100-1300.A beautiful silver ring with a circular band embellished with linear decoration. The curved oval bezel is embellished with linear decoration on the border which encircles a central panel divided in three distinct areas: a central area embellished with a rhomboidal pattern, flanked by two panels with symmetrical linear and rhomboidal patterns. Excellent condition, wearable. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61–65.Size: D: 17.97mm / US: P 1/2 / UK: P 1/2; 2.5gProvenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.

Lot 406

Ca. 900-1100 AD.A superb heavy gold ring comprised of a twisted band with wrapped terminals. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand, also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. For a similar see The British Museum, Museum number 1851,0313.1.Size: D: 17.45mm / US: 7 1/4 / UK: O1/2; 10.09gProvenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.

Lot 407

European, Ca.1200-1300 AD.A silver ring comprising a thin circular band and an applied four-petal, flower-shaped bezel with blue niello inlay and granulated decoration radiating from the flower's pistil; excellent condition; wearable.Size: L:6 1/4mm / W:M 1/2mm ; 2.05g.Provenance: Property of an established London gallery; acquired from a private estate collection formed before 2000.

Lot 420

Ca. 200 AD.A fine silver ring with a circular band, flared shoulders, an octagonal gem set in a square bezel decorated with a left-facing, standing warrior wearing a crested helmet and holding a spear in his right hand. Good condition, and fully wearable. To find out more about Roman jewellery production, see Higgins, R. (1980). Greek and Roman jewellery. London: Methuen. For a ring with similar intaglio sold at Christie's, see https://www.christies.com/lot/lot-4889619.Size: D: 17.35mm / US: 7 / UK: O; 5.05g.Provenance: Private UK collection; From an old British collection formed in the 1980s.

Lot 421

Ca. 1200-1400 AD.A Viking-inspired bronze ring with a circular band, flared shoulders with linear decoration encased within a trapezoid. The circular bezel has a hatched border that encloses the central panel decorated with an eagle and ravens. For more information on Medieval rings, see Tait, H. (1986). Seven Thousand Years of Jewellery. British Museum Press, London; Ward. A. et al (1981). The Ring from Antiquity to the Twentieth Century. Thames and Hudson, London; Hinton, D. (1982). Medieval Jewellery. Shire Publications, Princes Risborough.Size: D: 20.3mm / US: 10 5/8 / UK: V; 12.7gProvenance: Private UK collection; From an old British collection formed in the 1980s.

Lot 422

European, Ca. 1300-1500 AD.A solid bronze ring with a circular band, flared shoulders, and an octagonal bezel decorated with two standing lions under a crown, facing each other (perhaps a heraldic crest). Excellent condition, wearable. For more information on Medieval rings, see Tait, H. (1986). Seven Thousand Years of Jewellery. British Museum Press, London; Ward. A. et al (1981). The Ring from Antiquity to the Twentieth Century. Thames and Hudson, London; Hinton, D. (1982). Medieval Jewellery. Shire Publications, Princes Risborough.Size: L:7 3/4mm / W:P 1/2mm ; 5.7g.Provenance: Private UK collection; From an old British collection formed in the 1980s.

Lot 431

Northern European, Ca. 1000-1200 AD.A silver finger ring comprising a flat-section hoop, slightly flaring at the shoulders, and a discoid bezel with claw setting and inset glass cabochon; fully wearable.Size: D: 17.35mm / US: 7 / UK: O; 5.6gProvenance: Private UK collection.

Lot 432

Viking Age, Ca. 900-1100 AD.A wearable silver ring with a round-section hoop and a lozenge-shaped bezel with two pairs of raised bosses and decorated with an S-scroll symbol encased by a hatched border.Size: D: 17.75mm / US: 7 1/2 / UK: P; 4.1gProvenance: Private UK collection.

Lot 433

Viking Age, Ca. 900-1100 AD.A beautifully decorated silver ring comprising a circular hoop, and a lozenge-shaped bezel featuring a claw pattern and linear incisions on the border, and coiled incisions at its center. Fully wearable.Size: D: 18.61mm / US: 8 5/8 / UK: R; 4.8gProvenance: Private UK collection.

Lot 444

Viking Age, Ca. 900-1100 AD.A wearable silver ring with a round-section hoop and a lozenge-shaped bezel with two pairs of raised bosses and decorated with S-scroll symbols encased by hatched border.Size: D: 18.19mm / US: 8 / UK: Q; 1.8gProvenance: Private UK collection.

Lot 445

Viking Age, Ca. 900-1100 AD.A beautifully decorated silver ring comprising a circular hoop, and a lozenge-shaped bezel featuring a claw pattern and linear incisions on the border, and coiled incisions at its center. Fully wearable.Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 3.7gProvenance: Private UK collection.

Lot 446

Viking Age, Ca. 900-1100 AD.A wearable silver ring with a round-section hoop and a lozenge-shaped bezel with two pairs of raised bosses, and decorated with incised symbols encased by a hatched border.Size: D: 18.19mm / US: 8 / UK: Q; 2gProvenance: Private UK collection.

Lot 447

Ca. 1100-1300 AD.A bronze finger ring with a round band, flared shoulders with ribbed decoration, and a circular bezel decorated with the star of Bethlehem. The star of Bethlehem, a recurrent decorating motif in Medieval jewellery, is a powerful symbol of Christian tradition. According to the Gospel of Matthew (2: 1– 2), three wise men from the East (the Magi) travelled to Jerusalem guided by the Bethlehem star to greet the King of the Jews, i.e. Jesus.Size: D: 18.34mm / US: 8 1/4 / UK: Q; 14.18gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 449

Ca. 1200-1400 AD.A bronze medieval ring with a circular band and a large circular bezel decorated with three lines of religious script.Size: D: 18.6mm / US: 8 5/8 / UK: R; 7g.Provenance: From an old British collection formed in the 1980s.

Lot 453

Viking inspired, Ca. 1200-1400 AD.A solid silver ring with an oval band and an applied diamond-shaped bezel decorated with an incised stylised blue-coloured warrior holding a spear in his left hand; good condition; wearable.Size: D: 16.1mm / US: 5 1/2 / UK: L; 2.8gProvenance: Private London collection, formed in the 1990s on the UK and European art market.

Lot 461

Ca. 100-300 AD.A beautifully formed round finger ring with a carinated, expanding shoulders supporting a stone intaglio engraved with a depiction of a standing figure of a god Hermes carrying a caduceus staff on his left shoulder. Size: D: 16.9mm / US: 6 1/2 / UK: N; 13.8gProvenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.

Lot 60

Ca. 100BC - 100AD.A gold ring in the form of a coiled snake with engraved scale detailing, a tail bent round into a loop and a head with large, stylised eyes. Below the head, there is an oval bezel cell with a garnet cabochon inset. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements.Size: D: 17.45mm / US: 7 1/4 / UK: O 1/2; 4.2g.Provenance: Private UK collection; From an old Oxford collection formed in the 1990s; Ex. Swiss private collection.

Lot 71

Ca. 200-300 AD.A gold finger ring of unusual design featuring a plain band and rounded bezel which is incorporating a large centre garnet and a smaller one to the side. A fine example of ancient Roman jewellery.Size: D: 17.35mm / US: 7 / UK: O; 6gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot 72

Ca. 250 - 400 AD.A glass cage-cup with a pale iridescent hemispherical body with rounded base, curved and outsplayed rim; wheelcut decoration in the form of a blue collar of projecting openwork flange of ovolo pattern; cage in blue glass covering body and base consisting a central circle surrounded by two concentric rings of meshes, heart-shaped in innermost ring; two rows of rings each with a cruciform motif concealing strut which attaches cage to side of bowl. Cf. Harden, D. Glass of the Caesars, London, 1987, p. 242 for the Constable Maxwell Cage-Cup. Possibly of a later period or heavily restored.Size: L:98.3mm / W:16.3mm ; 396.26gProvenance: Property of a private London collector, acquired pre 2000.

Lot 75

Ca. 100-300 AD.A finely engraved convex rock crystal intaglio with a portrait of a bearded man, engraved to the underside. The right-facing bust features short, curled hair, a receding hairline, deep-set eyes, an aquiline nose, and a full beard. The intaglio is set in a beaded frame of a later period gold ring of openwork design comprising a broad hoop with scrolled decoration tapering to the rear. This portrait may represent the one-time owner of this elegant piece, possibly a senator.Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 10.3gProvenance: Private London collection. formerly old English collection since the 1980s.

Lot 79

East Greek, probably North Ionian or the islands of Chios, Ca. Late 7th Century BC.An attractive pottery drinking bowl with opposing loop handles and a deep, bulbous body tapering to a low foot ring base. Exterior walls painted with linear and geometric decoration.Size: L:85mm / W:170mm ; 215gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; Ex. Hellios; Ex. Bonhams Ldn., 2002.

Lot 83

Ca. 500-400 BC.A black-glazed pottery mug with a globular, ribbed corpus swelling out from a low ring foot. The lip is finished with a flat, everted rim. The handle is arching from the lip to the shoulder. Deep shiny black glaze, covering the entire surface and the bottom of the vessel.Size: L:80mm / W:95mm ; 145gProvenance: Property of a London Art Gallery; acquired on the European Art Market; Ex. HW Collection, North Rhine-Westphalia, since before 1980.

Lot 92

Ca. 200 AD.A gold ring with a circular hoop and a bezel set with carnelian stone intaglio depicting an emperor, possibly Caracalla in his left profile. Caracalla ruled as emperor from 198 to 217 AD and enjoys a chequered reputation, portrayed by the ancient sources as a tyrant, and was killed by a disaffected soldier in 217. However, he also granted universal citizenship to all male subjects living under the Roman Empire, greatly expanding the legal rights of vast swathes of the population. For more information on Roman rings, see Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991.Size: D: 16.51mm / US: 6 / UK: M; 8.5gProvenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.

Lot 324

Set of six original vintage Soviet work productivity and safety propagada posters from the series on welding and metal work and a Komsomol newspaper. 1. Image of a welder, the caption reads - When you cut with gas, use a carriage. The use of a carriage ensures an even cut. Without a carriage, you will get an uneven cut. Horizontal. Good condition, tears, paper losses, staining, strip of tape along bottom edge. Country of issue: USSR, designer: Unknown, size (cm): 24x35, year of printing: 1930s; 2. Caster! Remember that if you fill it with cold cast iron, you will get defective goods. Pour hot iron on both sides at the same time. Horizontal. Good condition, small paper losses, tears, staining, pencil on right margin. Country of issue: USSR, designer: Unknown, size (cm): 24x36, year of printing: 1932; 3. Komsomol Cultural Youth in the Fight for Literacy Issue number 1 from September 1932 Leningrad, Smolny, 15 years of the Leningrad Red Banner Komsomol struggle for proletarian culture featuring various articles on literacy and culture and images of M.Kalinin All-Union Headman and representatives of the young republics of the USSR and Red Army school. Good condition, creasing, tears, browning, double sided. Country of issue: USSR, designer: Unknown, size (cm): 39x27, year of printing: 1932; 4. Do not fasten the boring ring with the jaws of the chuck! So do not fix, you will get defective good! Put it on the faceplate, press it with the bars on top! – featuring an image of grinding details. Horizontal. Good condition, staining, pencil on margin, trimmed edges. Country of issue: USSR, designer: M.Voskoboynikov, size (cm): 25x35, year of printing: 1932; 5. Locksmith! Keep your workspace in order! Cleanliness and order on the workbench increase your productivity. – featuring an image of a neat and messy locksmiths workspaces set over yellow background. Horizontal. Good condition, staining, pencil on margin, trimmed edges. Country of issue: USSR, designer: M.Voskoboynikov, size (cm): 25x36, year of printing: 1932; 6. When pouring the mould, do not raise the ladle high! Fight the defective products! This will help the construction of socialism. – featuring an illustration of a caster pouring iron set over black background. Good condition, staining, pencil on margin, trimmed edges. Country of issue: USSR, designer: Bogorad, size (cm): 24x36, year of printing: 1932.

Lot 41

Original vintage advertising poster for H. Samuel jewellery ‘Happiness’ Diamond Rings – The ring of her dreams, featuring an illustration of a lady in a pink blouse looking at a golden diamond ring set over yellow background. Harriet Samuel is a mass-market jewellery chain; it was founded in 1862 in Liverpool. Good condition, folds, creasing, staining. Country of issue: UK, designer: Unknown, size (cm): 102x63, year of printing: 1950s.

Lot 121

EMIL NOLDE (1867 Nolde/Schleswig - 1956 Seebüll) Kirche und Schiff, SonderburgFarblithographie auf glattem Velin. 1907/1915.49 x 33 cm (58,2 x 41,5 cm).Signiert "Emil Nolde". Auflage 37 num. Ex.Schiefler/Mosel/Urban L 21 II.Eine der seltenen Varianten in drei Farben, vom Künstler im Himmel mit zusätzlichem Grün gedruckt."... so entstanden im Frühjahr 1907 die ersten der insgesamt 31 Lithographien des Jahres. Es handelt sich dabei um Umdruck-Lithographien, das heißt Nolde übertrug eine Zeichnung, entweder in Tusche oder Kreide, auf den Lithostein. (...) 1913 wandte sich Nolde erneut der Lithographie zu. In der Flensburger Druckerei Westphalen entstanden 13 großformatige Farblithographien, die er unmittelbar mit dem Pinsel auf den Lithostein zeichnete. Das Umdruckverfahren lehnte er nun entschieden ab: 'Erst, wenn der Maler auf den Stein selbst schaffend arbeitet, erlebt er den Reiz der Technik und die weitgehendsten Möglichkeiten', urteilt er nun. (...) 1915 dann hatte Nolde, als ihm das Verfahren des Farbdrucks geläufig war, bestehende Lithographien farbig überdruckt." (Christian Ring, in: Emil Nolde, Graphik eines Malers, Kunsthandel Jörg Maaß Berlin, 2013).Zu diesen Arbeiten gehört auch unser Blatt, dessen schwarze Fassung aus Noldes kurzer Mitgliedsphase in der Künstlergruppe "Brücke" stammt.

Lot 541

GEORGE GROSZ (1892 - 1959, Berlin) Boxkampf Max SchmelingTuschpinsel, Rohrfeder, Feder und Bleistift auf glattem Velin. 1935.46,2 x 59,1 cm. Unten rechts dem Signaturstempel. Verso mit dem Stempel "George Grosz Nachlass" und der Nachlassnummer "4-64-5".Aktion vs. Reaktion: Der Betrachter muss den Kampf nicht sehen, um zu wissen, dass er gut ist. Folgt man nämlich den konzentrierten Blicken des exemplarisch eng am Ring zusammengerückten Publikums, kann man einen offenkundig spannenden Schlagabtausch in der oberen Blattmitte vermuten. Das bunte Grüppchen ist ausschließlich männlich und von herausragender physiognomischer Vielfalt. Zwischen hart gesottenen Kerlen, öligen Gaunern und bürstenschnittigen Normalos lungert ein sommersprossiger Bengel, der auffällig knopfäugig in die andere Richtung starrt. Für ihn hat sich der Besuch bereits gelohnt, er schlürft ein Eis und hält das - die Veranstaltung letztlich ausweisende - signierte Konterfei der Boxlegende Max Schmeling in seinen Händen.Grosz, der selber auch boxte und in seinem Berliner Atelier in der Nassauischen Straße regelmäßig von Alfred Flechtheim organisierte Kämpfe abhielt, kannte Schmeling persönlich, denn er hatte ihn 1926 porträtiert. In Amerika hatte der Künstler, der auch seine Söhne für den Sport begeistern konnte, bei Kämpfen seines Freundes VIP-Status.

Lot 1207

Dar Lighting - contemporary three ring pendant LightDimensions: Depth/Diameter: 60cm

Lot 1000

Collinson & Lock London - late 19th century walnut side cabinet, central upper display cabinet enclosed by two astragal glazed doors, ring turned supports, rectangular moulded top with dentil frieze over cupboard enclosed by geometric panelled doors and open shelves, plinth base, the cupboard door stamped "Collinson & Lock London' '7019'Dimensions: Height: 173cm  Length/Width: 140cm  Depth/Diameter: 42cm

Lot 1040

An 18th century chain driven 30-hr longcase clock in an oak case by James Pepper of Biggleswade c 1760, with a caddy top pediment and three (later) spun brass finials, blind fret to the front and square hood door with attached pilasters, slim trunk with a full length flat topped door on a rectangular plinth with applied skirting, 11� brass dial with chapter ring, Roman numerals, minute track and five minute Arabic's, matted dial centre with decorative engraving and urn pattern spandrels, square date aperture with engraved date ring behind, countwheel striking movement, striking the hours on a cast bell. With pendulum and weight.The Pepper family of Biggleswade were a prolific family of Bedfordshire clockmakers working from c1720-1889 Dimensions: Height: 225cm  Length/Width: 44cm  Depth/Diameter: 22cmCondition Report:Intermediate date wheel missing.

Lot 198

Ladies 9ct Gold Sapphire and white stone set cluster ring Size M 2.8g total weight

Lot 213

2 9ct Gold cased wristwatches, 9ct gold childs ring and assorted items

Lot 221

Collection of assorted Costume jewellery inc. Earrings Accurist wristwatch and a silver stone set ring

Lot 201

Ladies 750 marked Dress ring 7g total weight Size O

Lot 113

Complete with original fitted box, fob chain, MG key-ring and its papers. New old stock dating to the early 1980s. Complete with original fitted box, fob chain and MG key ring together with papers and bearing protective film to back. Subsiduary date aperture lower middle and mirror polished throughout with mineral crystal glass lense all before the fine Quartz movement. Leather strap and water resistant to 3 atm.Click here for more details and images

Lot 65

Gold emerald and diamond set ring together with a pair of gold earrings

Lot 68

18ct gold diamond cluster ring (missing a stone) - Approx size: P

Lot 70

Gold and diamond set ring duo - Approx size: P

Lot 30

18ct gold 3 stone diamond set ring - Approx size: J½

Lot 18

Gold blue topaz & diamond set ring - Approx size: N½

Lot 24

18ct gold diamond cluster set ring - Approx size: N

Lot 29

Gold tanzanite & diamond set ring - Approx size: N

Lot 14

18ct gold ruby & diamond set ring - Approx size: M

Lot 15

Gold tanzanite & diamond set ring - Approx size: O

Lot 25

White gold aquamarine & diamond set ring - Approx size: T

Lot 48

Gold sapphire & diamond set ring - Approx size: N

Lot 57

White gold diamond set cluster ring - Approx size: P

Lot 50

White gold diamond set ring - Approx size: I

Lot 46

Gold ruby & diamond set ring - Approx size: O

Lot 38

Gold 3 stone diamond ring - Approx size: J½

Lot 55

Gold amethyst & diamond set ring - Approx size: S

Lot 27

Gold opal & diamond set ring - Approx size: N

Lot 43

18ct gold diamond set cluster ring - Approx size: M

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