DULAC, EDMUND: TWO ILLUSTRATED VOLUMES comprising Guyot, Charles - 'La Toison D'Or' limited edition no. 1139 and Rosenthal, Leonard - 'Au Royame de la Perle', limited edition no. 410, both published by L'Edition d'Art, Paris, both in three-quarter brown leather binding (2)Provenance: A Dorset bibliophile.
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ROYAL CROWN DERBY; an Imari decorated porcelain paperweight modelled as a seated cat, with silver seal, height 13cm, 'Meadow Rabbit', with silver seal, height 7cm, an Imari decorated bird, with silver seal, height 5cm, Santa Claus, with silver seal, height 11cm, and a Versace for Rosenthal Medusa pattern porcelain Christmas tree bell, height 7cm (5).
Gebettänzerin (Rosenthal, um 1930)Entwurf Gustav Oppel 1927; Rosenthal Kunstabteilung; Modell-Nr. 961; polychrom bemalt; goldstaffiert; H: 20 cm; orientalisch gekleidete Tänzerin; auf Rundplinthe; nicht beschädigt; Lit.: Vgl. Niecol, Rosenthal, Kunst- und Zierporzellan 1897 - 1945, Bd 1, Wolnzach 2001, Abb. XXXII.
Rosenthal for Versace Medusa bottle stopper in lead crystal, featuring an intricately sculpted frosted Medusa head atop a clear glass base. This luxurious piece embodies the elegance of the Versace aesthetic and Rosenthal craftsmanship. Marked on the glass and measures 5.25"H. Includes the original box measuring 6"L x 3"W x 2"H.Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.
A silver dressing table tray, Walker and Hall, Sheffield, 1901, of rectangular form, embossed and centred with an oval panel, engraved with a monogram, 19.5 x 28cm, 8ozt, and a Victorian jewellery casket, by Rosenthal, Jacob & Co, London, 1901, embossed, with three inset George III and George IIII coins, velvet lined, 18.5cm wide9cm deep5cm high (2)Condition ReportBoth tarnished and worn. Bent edges and wear. Coins rubbed.
Paula Rego (1935-2022)UntitledEtching and aquatint on paperSigned, dated 64 and numbered 13/150(slight foxing, somes creases and bucklins)17,5x25 cm (image)29x44 cm (paper)T. G. Rosenthal, "Paula Rego: The Complete Graphic Work. New Updated and Expanded Edition", Thames & Hudson, 2012, p. 266 e 343.
TWO BOXES OF CERAMICS AND ORNAMENTS, to include a large pewter porringer, engraved for a Bupa presentation, a smaller pewter porringer made by The Quaich Co. Scotland Ltd. a small collection of David Winter cottages, a set of resin chess pieces, a set of Rosenthal miniature Studio Line teapots, a Minton 'Haddon Hall' pattern trinket pot, collector's plates, etc. (s.d/a.f) (2 boxes)
Rosenthal, Classic - Maria Weiß: Deckelschale, Leuchter, Vasen - 4 TeilePorzellan, aufglasur polychrom bemalt/bedruckt, unterglasurgrüne Manufakturmarke, Designersignatur, Design: 3 Teile Bjorn Wiinblad, 1 x Hans Drexsler Deckeldose "Goldfeuer". Höhen von 16 - 28,5 cm. 1 Objekt mit winzigem Chip am Oberrand, ig. guter Z1-2.
Rosenthal Selb Bavaria, Kunst Abteilung, Marke 1910-45 unterglasur Grün: Ägyptische Tänzerin, 1937Weißporzellan, Entwurf: Rudolf Marcuse (1878-c.1930/40), auf der Plinthe bezeichnet "Rudolf Marcuse", Höhe 25,7cm, am Boden unterglasurgrüne Manufakturmarke u. Modellnummer 757, Jahr 1937, winzige Fehlstelle an der rechten Hand, Z2-.
Boess, Berthold Ionische Tänzerin (Karlsruhe 1877-1957 Weimar) Für Rosenthal, Kunstabteilung Stammwerk Selb, Modellnummer K 201, Entwurf 1913, Ausformung um 1917. Porzellan mit farbiger Bemalung. Im Sockel unterglasurgrünes Firmensignet Kriegsmarke 1914/1917, Malersignatur F. Pötschke. H. 23 cm. - Kleiner Finger bestoßen.Porzellanfigur
Lützenburg, Dionysius von: Leben Antichristi. Oder ausführliche gründliche und historische Beschreibung von den zukünfftigen Dingen in der Welt. ... Anietzo von neuem übersehen, corrigirt und verbessert. Wien: Georg Lehmann, 1729. 17,9 x 11,2 cm. 7 Bll., 447 SS., 3 nn. S. Blindgepr. SchweinsLdr. mit Rs. und Messingschließen. Farbschnitt.(Etwas berieben und angestaubt. Geringe Altersspuren. Titelbl. mit montiertem Besitzvermerk.)Vgl. Rosenthal, Bibl. Magica et Pneumatica 2751 (Ausg. 1716). - Der Kapuzinermönch, auch unter dem Namen Dionysius von Luxemburg "studierte seit April 1672 Philosophie und Theologie im Ordensstudium zu Bingen und Mainz und war hier und in anderen wichtigeren Klöstern (Ehrenbreitstein, Trier) angesehener Prediger sowie Guardian in den Klöstern Worms (1690–91), Bensheim (1699–1702) und Cochem (seit Herbst 1702). Sein bis ins Ende des 18. Jahrhunderts oft aufgelegtes Erstlingswerk „Leben Antichristi“ (Frankfurt 1682) zählt zu den letzten Vertretern der mittelalterlichen Prophetie." (NDB III, 735).
Heidenreich, FritzSchnepfenhahn Rosenthal, Kunstabteilung Selb, M. 20. Jh. Balzender Vogel, auf unregelmäßiger Naturplinthe an einem Blatt pickend. Naturalistisch unterglasur bemalt. H. 17,8 / L. 32 cm (2 Federspitzen und Blatt rest., 2 Federn am Ansatz der Brandstützen ger. beschl.). Modelljahr 1942/43 (Modellnr. 1749). 2. Wahl. Grüne Stempelmarke. (61233)
Wandplatte mit Fischen Rosenthal, Bahnhof Selb, um 1930 Quadratisch mit passig eingezogenen Ecken. Der gering reliefierte Spiegel unterglasur bemalt mit zwei Schleierschwänzen zwischen Luftblasen und goldgehöhten Algen. Ornamental geätzte und vergoldete Rahmung. 27 cm² (Rückseitige Aufhängung rep.). Grüne Stempelmarke. (61233)
White (Patrick) Five Autograph and three Typed Letters and one Autograph Card all signed from the author to Barry Humphries, 16pp., 8vo, 20 Martin Road, Centennial Park, Sydney, 24 August 1970 - 7 October 1973, folds, housed along with 2 envelopes in folding chemise and morocco-backed drop-back box.*** An excellent series of letters from the Nobel Prize-winning author, giving his reactions to reviews of his works, his dislike, and campaigns against, the rapid urbanisation of Sydney, his life with Manoly Lascaris and his opinions on various Australian cultural figures. Letters by White are rare at auction.The letters cover the period during which White was writing The Eye of the Storm, the reactions to which White dissects in some detail, "In the Observer a jealous outpouring from another Cape novelist (whose work I admire) in which I think I can detect the hand of Clive James... I also had a blistering, but reasoned review from Tom Rosenthal in the TLS. He sent it to me himself, which I appreciated." Several cultural figures from Australia and elsewhere are discussed including the poet and critic Max Harris ("a vulgar little turd"), the agent and promotor Harry Miller, A.D. Hope, Peter O'Shaughnessy (acknowledged only in expletive) and Ingmar Bergmann. Throughout White is warm and supportive towards Humphries both in his personal life and career.The period also finds White involved in the campaign to preserve Centennial Park against encroaching development, a cause to which he attempts to recruit Humphries: "At the moment, however, the rally in the park seem to be without a rallying point, and it occurred to me that Edna and Norm might be just that, if you are willing", even asking him to contact John Betjeman and Spike Milligan to support the cause. The final letter is written a little after the opening of the Sydney Opera House and, despite several reservations ("One hears hair-raising tales of what goes on behind the scenes: lightening controls too hot to handle... lavatory bowls collapsing under leading actors, and actresses unable to force their costumes down the corridors. A possum appeared on stage at the dress rehearsal of War and Peace"), White suggests that he and Humphries attend at Christmas.
λ FREDERICK LESLIE KENNETT FIBP (1924-2012), A SET OF SIX BLACK AND WHITE GELATIN SILVER PRINTS 1950S Depicting details of the Parthenon Sculptures from the British Museum, each with studio stamp to the reverse, framed the images 40 x 50cm, the frames 52 x 63cm Born in Berlin in 1924, Frederick Leslie Cohen (later Kenett) came to England in 1939 and joined =the US Intelligence Corps where his lifelong interest in photography began. He was once described by the art historian T G Rosenthal, as 'unquestionably the greatest photographer of sculpting in the world'.
PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) THE NIGHT CROW (ROSENTHAL 110) - 1994 Etching and aquatint, A/P, aside from the edition of 20, signed and editioned in pencil to margin, published by Curwen Press, with their blindstamp the sheet 38.5cm x 29cm (15.25in x 11.5in), unframed Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner
PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) THE UPSIDE-DOWN WORLD - THE JUSTICE OF ANIMALS (ROSENTHAL 106) Screenprint, A/P, signed, editioned and dedicated ‘Dear Colette, Happy Christmas’ in pencil to margin, published by Antonio Inverno, with his blindstamp the sheet 35cm x 25cm (13.75in x 9.75in), unframed Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner
PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) WENDY'S SONG (ROSENTHAL 93) - 1992 Etching and aquatint, Proof, signed, editioned and inscribed 'Colette and James . . . A Very Happy Xmas. . . love' in pencil to margin the sheet 41cm x 35cm (16.25in x 13.75in) Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner
PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) GIRL WHO HAS BEEN SICK RESTING WITH HER FAVOURITE CUDDLY (ROSENTHAL 281) - 2000 Lithograph, A/P, aside from the edition of 200, signed, editioned and dedicated ‘For Colette with love’ in pencil to margin, printed by Omni Colour Presentations Ltd., published by Serpentine Gallery, London the sheet 32cm x 38cm (12.5in x 15in), unframed Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner
PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) FAIRY TALE IV (ROSENTHAL 255) Etching and aquatint, 23/35, signed, numbered and inscribed ‘Happy Christmas’ in pencil to margin the sheet 33cm x 28.3cm (13in x 11in), unframed Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner

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