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Lot 124
A Royal Worcester teacup and saucer, decorated with fruit, signed W.H. Austin, together with a further two teacups and saucers, decorated by E Townsend and H Everette and a coffee can and saucer signed Moseley and a small dish of shaped oblong form decorated with fruit. 11.8 cm, signed A Shuck (5) (see illustration). CONDITION REPORT: All pieces are free from any cracks or chips. The Shuck dish has slight rubbing to the gilt edge. The coffee can has crazing to the underside when viewed under magnification. The front apple has a small scratch and the rear apple a pinhead loss to the paint. The gilding is a little dirty to the interior but there is no significant rubbing. The accompanying saucer is in good order with only very minor scratching to the centre gilt section. There is no crazing. The large teacup and saucer are in generally good order with no crazing and no losses to the gilding. The centre gilding to the saucer is a little scratched. The Austin small cup has probably had repair and overpainting to the bottom section of the handle. There is no crazing. The saucer is in good order and the gilding to both pieces good. The cup and saucer is also in good order with no crazing and no significant losses to the gilding. There is no crazing.
Lot 122
A Royal Worcester blush ivory cream teacup and saucer, three cream jugs, three spill vases, various sizes, all with floral sprays and gilded decoration (7). CONDITION REPORT: All items in this lot are in good order and free from any cracks, chips, damage or restoration. The gilding to all pieces is generally fairly good with only minor rubbing. The tips of the handles on the tall vase are rubbed at the top. The handle of the large flat back jug has rubbing to the gilding. All other pieces have some rubbing but this is minor. The only crazing visible (and particularly under magnification) is to the tea cup and saucer.
Lot 121
A Royal Worcester squat vase with shaped rim, painted by James Stinton, signed, with a pheasant in woodland, shape number on base G957. 8.5 cm high (see illustration). CONDITION REPORT: The vase is in generally good condition with no chips, no damage, no repairs and no restoration. The gilding to the top rim is a little rubbed but other than this the condition is very good and there is no crazing.
Lot 268
‡ Stella R Crofts (1898-1964)Erect Giraffes (Giraffe Group),pottery figure, glazed in coloursincised Stella R Crofts, original paper label with title24cm. high ProvenanceClarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007 lot 283.LiteraturePaul Hughes, Stella's Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 68 for a comparable example illustrated. this model was used by Royal Worcester for a porcelain figure Giraffes.
Lot 46
A SET OF THREE ROYAL WORCESTER CABINET PLATES, 1929 and 1931, of shaped circular form, centrally painted in polychrome enamels by Richard Sebright with roundels of fruits on a mossy bank, all on an apple green ground with six pale pink cartouche to the rim and raised gilding, signed, puce mark, inscribed W8860, 9" diameter (Illustrated) (Est. plus 21% premium inc. VAT)Pears - good no damage or crazing. Peaches has a hairline running from rim to footrim and round to almost join another hairline from rim, also a crack across base running through the lower section of roundel (visible) and with a small circular flake just on edge of cherry (very visible), no crazing. Apples has a hairline running from rim through centre of roundel to opposite footrim, almost joining two hairlines on rim, a further three hairlines to rim, no crazing
Lot 47
A LATE VICTORIAN ROYAL WORCESTER NAUTILUS VASE surmounted by a lizard, raised upon a bronzed and gilded coral support on shell moulded domed base, impressed mark and printed puce William Whiteley retailer's mark, 9" high (Est. plus 21% premium inc. VAT)No chips, cracks or restoration, gilding worn
Lot 516
A Royal Worcester blush ivory twin handled vase, shape number 2192, puce maker's mark for 1904, 26cm high, with a Royal Worcester pot pourri, shape number 291, green mark for 1912, 11cm high (lacking cover), a large Royal Worcester blush ivory flat back ewer, shape number 1094, late 19th century, puce maker's mark, 18cm high (at fault), a smaller version of the same shape, puce maker's mark for 1913, a Doulton Burslem blush ivory ewer, 27.5cm high, and a Royal Crown Derby blush ivory ovoid stem vase, 15.5cm high (6)
Lot 503
A Royal Worcester part cabaret set, comprising a sucrier and cover, a milk jug and two saucers, decorated in blue with trailing foliage within a white jewelled border, impressed mark to saucers, 12cm diameter, a Royal Crown Derby imari cup and saucer decorated in pattern 2451, a Blore Derby florally decorated plate, 19.5cm diameter, and outside decorated Meissen oval dish, a Royal Worcester helmet shaped cream jug, and a boxed set of four Royal Crown Derby porcelain napkin rings (10)Condition reportThe cabaret set has very light rubbing to the gilt and overall crazing to one of the saucers.No signs of wear or faults with the Crown Derby cup and saucer.The Derby plate has general overall crazing with a minor chip to the underside rim, minor discolouration to one floral cartouche along with a small blemish, general light rubbing to the gilt detail and a 5cm 'scratch' through a gilt spray.Meissen dish very light wear only no visible cracks, repairs or faults.Cream jug has evidence of restoration to the foot along with further light wear.Napkin rings have foxing type speckling to the interior of each ring.
Lot 511
A Mason's Patent Ironstone large octagonal mug, early 19th century, decorated in the Chinoiserie style with applied lamprey handle, black printed mark, 12cm high, with a Royal Worcester porcelain elephant handled tureen, cover and stand, circa 1885, printed in brown in the Aesthetic manner, the stand 37cm wide, a smaller sauce tureen, 23cm wide, a Copeland wash jug, 32cm high, and matching large vase, 35cm high, each decorated in a rich claret ground with exotic birds (6) (at fault)
Lot 507
Two boxed limited edition Coalport figurines, comprising "With This Ring", numbered 45 of 7500, and "Perfect Moment", numbered 636 of 7500, each with certificate of authenticity; with an unboxed limited edition Royal Worcester figurine, "Amberley Ball", numbered 101 of 7500, a boxed Franklin Mint figurine, "To Have And To Hold", and two unboxed Franklin Mint figurines, "Sleeping Beauty" (at fault) and "Cinderella" (6) CONDITION REPORT:All pieces show minor surface wear and rubbing to the gilt highlights. "Sleeping Beauty" shows a loss to the back left leg of the chaise longue. "To Have And To Hold" shows some dirt on the bisque surface.
Lot 443
A Worcester porcelain ladle, late 18th century/early 19th century, decorated in a blue and gilt pattern similar to Royal Stripe Flute, unmarked, 17cm long CONDITION REPORT:The piece shows minor surface wear and minor rubbing to the gilt highlights, but no obvious chips, cracks, repairs or restoration.
Lot 2
Four Royal Worcester hand painted and gilded cabinet plates, three depicting scenes of Tynemouth Priory and one of Alnwick Castle, two signed by Harry Davis, puce marks dated 1907/1908, each diameter 22.5 cm. (4) CONDITION REPORT: One plate depicting two figures by the priory has a hairline crack running throuhg the main body, the remaining three plates appear to be undamaged.
Lot 184
A large Flight, Barr and Barr Worcester pot pourri vase, circa 1815-20Possibly painted by Thomas Baxter, with a pierced shoulder and gilt sphinx-like figurehead handles, bands of pearls applied around the body and neck rim, painted on both sides with a topographical panel, one depicting Tintern Abbey, Monmouthshire, the other with Malvern Church, Worcestershire, framed with raised paste gilding on a light grey-blue ground, floral panels beneath the handles, 31cm high, painted factory marks and titles of the views all in neat black scriptFootnotes:The painting style compares favourably with the Carisbroke Castle vase in the Museum of Royal Worcester, and other topographical pieces attributed to Thomas Baxter. The use of neat black script for the marks on this vase is also a well-known feature of much of Thomas Baxter's work for Flight, Barr and Barr.For further information on this lot please visit Bonhams.com
Lot 232
A very large Flight Worcester platter from the 'Hope Service', circa 1790From the service made for the Duke of Clarence, the centre painted by John Pennington in monochrome with a classical maiden, representing Hope resting upon a rock and gazing out to sea, a ship in full sail in the distance, an anchor lying in the foreground, a blue border enlivened with gilt arcaded panels, paterae and stars, 52.5cm wide, crown, Flight and crescent mark in blueFootnotes:Provenance: William Henry, Duke of ClarenceHaving reluctantly retired from naval duty in 1789, William Henry, Duke of Clarence, later King Willian IV, turned his attention to more domestic pursuits and commissioned an important royal dinner service. After battling off the competition of Chamberlain and Derby, who were invited to submit specimen plates, Flight's factory set to work. John Flight writes in his diary in January 1790......'We used our two best painters last week to make some very fine designs for the Duke of Clarence, we have already completed 3 plates and I have sent them to London. One is a gold arabesque design, another the figure of Hope, the other of Patience.'A few days later on 24th January John Flight added...'Apart from the two plates mentioned... we have made two others with figures, Peace and Plenty. H.R.H. Duke of Clarence has decided on the Hope design with the decoration that we put on the Peace plate, he has ordered a table service that will amount to more than £700 sterling. He has given us a year in which to complete it...'.On 13 April 1791, only a few months late, Flight advertised in the Worcester press that the service was available to view at the factory, giving the public the chance to admire it before being delivered to its royal owner.The Duke of Clarence service is discussed at length by John Sandon, Worcester Porcelain at Cheekwood (2008), pp.100-102.For further information on this lot please visit Bonhams.com
Lot 208
A Barr, Flight and Barr Worcester cabinet cup, circa 1805Of tapering shape with twin angular handles, finely painted with a gilt-edged panel of colourful feathers, reserved on an unusual olive-green ground, 9.3cm high, script BFB and F&B mark referring to Coventry St address and royal patronageFor further information on this lot please visit Bonhams.com
Lot 195
A Flight, Barr and Barr Worcester shell-painted inkstand and two covers, circa 1815-20Two fixed inkwells divided by the applied gilt entwined snake handle, two quill-holders to the rear, finely painted probably by John Barker with a panel of colourful shells, corals and seaweed including a sea urchin, reserved on a pale green ground below a gilt vine border, 15cm wide, full circular printed mark referencing royal patronage and Coventry St address (3)For further information on this lot please visit Bonhams.com
Lot 194
A Barr, Flight and Barr Worcester inkstand, two inkwells and a pounce pot, circa 1804-05Of serpentine form, the high, gilt handle formed of a bird's head issuing from leaves, the upper surface with three large reserves containing the inkwells and pounce pot and four smaller holes for quills, finely painted in sepia monochrome probably by Samuel Smith with a titled view of 'The Straits of Menai, from Anglesea [sic]', the blue ground with gilt vermiculé, 18cm wide, incised B marks, title and full script marks including Coventry St address and royal patronage (4)Footnotes:The construction of Thomas Telford's Menai bridge began in 1819 but plans to connect Anglesey to the mainland would have already been underway when this rather peaceful pastoral scene was painted. The recent Act of Union, passed in 1801, meant Parliament was keen to connect Dublin to the rest of the United Kingdom via Anglesey.For further information on this lot please visit Bonhams.com
Lot 193
Four Flight, Barr and Barr Worcester dessert plates, circa 1830Of circular lobed shape, the gadrooned rims gilt, painted with named topographical views in England and Wales, encircled by flying insects, each border of deep blue, yellow or pale blue edged in scrolled gilding, 22cm diam, impressed crowned FBB marks, titles in red script, circular printed marks referring to royal patronage and Coventry St address (4)Footnotes:The named views:View on the Isis, near Oxford (deep blue border)The Marina near Ryde, Isle of Wight (deep blue border)Llan Beris Church, N.Wales (yellow border)Wenlock Abbey, Shropshire (pale blue border)For further information on this lot please visit Bonhams.com
Lot 200
A Barr, Flight and Barr Worcester inkwell and a Flight and Barr vase, circa 1800-1805The inkwell of capstan shape, three pierced quill holes around a central well, the cylindrical spill vase with a neatly turned foot, both bat-printed in black with a scene of 'Cupid at War', commanding putti to fire cannon, the inkwell also with 'Cupid in Peace', drawn in a carriage holding cornucopia, with gold foliage and oak leaves between gilt line rims, inkwell 7cm high, incised B mark and script Barr, Flight and Barr mark referring to royal patronage, vase 10.8cm high, unmarked (2)Footnotes:Made a few short years apart, the porcelain body of the slightly later inkwell is creamier and somewhat warmer compared to the vase.For further information on this lot please visit Bonhams.com
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129631 item(s)/page