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Virgin and child in a cartouche surrounded by puttiinscribed 'PPR' (lower right on the cartouche)oil on panel20.5 x 15.5cmProvenance:Allan Gilmore, Portland Place, London,His Sale, Phillips, London, April 1842 - May 1843, lot 151, as Peter Paul RubensCondition report: Framed 33 x 28cmOil on a small wooden panel. The panel is formed from a single board with the woodgrain running horizontally. There are two splits which have formed across the panel running horizontally from the left hand side. The panel has been set into a small wooden tray with the edges covered (hidden by the frame) The back of the tray is visible at the reverse, made from oak with a vertical woodgrain which has developed severe cracks. The paint layer has a network of age cracks, some are slightly raised but all are stable. The varnish is semi-matte and clear. There are areas of overpaint across the painting which are reasonably well matched to the original.

 ENGLISH SILVER BUTTON HOOK WITH 19TH CENTURY SEWING SCISSORS An early 20th century, English silver button hook with charming terminal featuring Rubens Angels. Hallmarked too rubbed to date, 18grams including steel hook. 16cm long. Paired with, a pretty pair of 19th century steel sewing scissors modelled as a bird and beautifully cast with each feather visible. 11x5cm. Both in reasonable condition with some signs of age related wear.  

Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [poster]". Medium: Color offset lithograph. Date: Composed 1982. Dimensions: Overall size: 22 x 20 in. (559 x 508 mm).Lot Note(s): Signed by Warhol in black marker, lower right. Edition size unspecified, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Warhol had a joint exhibition with the German-born photographer Hans Namuth (1915-1990) at New York’s Castelli Gallery from January 9th to the 30th, 1982. Namuth specialized in portraits and is most famous for his photographs of Jackson Pollock creating his iconic drip paintings. This portrait of Warhol is part of Namuth’s project to photograph the artists represented by Castelli. It shows Warhol standing in front of Rubens’s painting ‘Reconciliation of the Queen and her Son’, which was part of his Marie de Medici Cycle. Rubens was famous for painting the celebrities of his day, providing them with an image to bolster their power. Warhol did the same with his pop portraits; indeed Robert Rosenblum described him as “an ideal court painter”. Rubens also employed a large studio of assistants which is paralleled in Warhol’s ‘Factory.’ An impression of this work is included in the collection of the National Galleries of Scotland, accession no. AR00437. Image copyright © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London; and image copyright © Estate of Hans Namuth. [29234-5-800]

Michel (J.F.M.) Histoire de la Vie de P.P. Rubens, Chevalier, & Seigneur de Steen,... 8vo Brussels (Chez. A.E. De Bel) 1771. First Edn., Engd. port. frontis, decorative heads, later hf. tan calf, gilt spine in panels, mor. label. B.P. Clean Copy. (1)

Continental school (19th century),Naive portrait of a young girl in the manner of Peter Paul Rubens,Oil on panel,Unsigned,15cm x 11cm,Gilt framed

Kupferstich, ¨Die Bekehrung Kaiser Konstantins¨ nach dem Gemälde von PETER PAUL RUBENS, Motivmaß ca. 35x39cm, gerahmt (47,5x54,5), teilweise stärker gebräunt, Rahmenglas gerissen

JEAN DAULLE (FRENCH, 1703-1763) AFTER RUBENS, PORTRAIT OF RUBENS' SONS, ALBERT & NIKOLAUS, engraving, circa 1752, 41cm x 23cm, framed and under glass Provenance: The William Mowat-Thomson Collection

JEAN DAULLE (FRENCH, 1703-1763) AFTER RUBENS, PORTRAIT OF RUBENS' SONS, ALBERT & NIKOLAUS, engraving, circa 1752, 40cm x 21.5cm, mounted, framed and under glass Provenance: The William Mowat-Thomson Collection

RUBENS (AFTER) HENRI IV DELIBERE SUR SON FUTUR MARIAGE Line engraving by Audran, 51cm x 44cm, also six other 18th Century engraved portraits of European personages, of sizes, all framed and glazed in Hogarth frames (7) Provenance: The William Mowat-Thomson Collection

RUBENS (AFTER) LA MAJORITE DU ROY LOUIS XIII Line engraving by Trouvain, 48cm x 33cm, also a group of other chiefly 18th Century engravings including Madonna and Child after Carracci; Renaldo and Alminda after Kauffman; a Tempest after Poussin; The Prodigal Son after Salvador Rosa and two others, of sizes, all framed (7) Provenance: The William Mowat-Thomson Collection

Manner of Rubens, Putti, oil on canvas, 65.5 x 48.5cm

A collection of assorted gentleman's wristwatches including a Seiko Bellmatic stainless steel wristwatch, the circular dial set with batons and subsidiary date aperture, diameter excluding winding crown 36mm, Smiths Shockproof example, Rubens Superdrive seventeen jewel stainless steel wristwatch, etc.Additional InformationNone of the watches are currently functioning. When wound, the Seiko watch works for a short time, then stops. Heavy wear, rusting, damage throughout.

PorzellanbildKPM Berlin, um 1900. Pressmarke, Zepter und K.P.M., Presszeichen 316 und G. Hochrechteckige Porzellantafel mit polychromer Malerei. Darstellung des Raubs der Töchter des Leukippos nach dem Gemälde von Peter Paul Rubens (1577–1640). 23,5x18,5 cm. Goldbronzierter Holzrahmen ergänzt. 36,5x32,5 cm.- Leichte Altersspuren. Minimal berieben.

VENETIAN SCHOOL, EARLY 20TH CENTURY (3)The Doge's Palacebears monogram (lower right)oil on canvas30 x 60.5cmtogether with; Follower of Rubens Santoro, A Venetian church; and Walled city(all unframed)(3)bears monogram (lower right)oil on canvas30 x 60.5cm(unframed)

AFTER PETER PAUL RUBENS (1577-1640) 19TH CENTURY CONTINENTAL SCHOOLPORTRAIT OF THE EMPEROR NEROOil on panel80 x 63cm (31¼ x 24¾ in.)Provenance: The Simon Neal Collection Condition Report: There are marks, scratches, cracks and abrasions consistent with age, handling, cleaning and use. Additionally clearly shows fairly pronounced distressed paint surface and paint loss. Shrinkage to boards. Surface is dirty from atmosphere and handling, UV will not penetrate beneath itPlease see additional images which form part of this condition reportCondition Report Disclaimer

Y AFTER PETER PAUL RUBENS (1577-1640), A CONTINENTAL PENWORK IVORY PLAQUE DEPICTING THE JUDGEMENT OF PARISPROBABLY FRENCH, LATE 18TH/EARLY 19TH CENTURY the plaque 11.5 x 16cmProvenance: The Simon Neal Collection

Full title: Flemish school, after Jan Brueghel II (1601-1678): Noli me tangere, oil on canvas, 17th C.Description: Work: 119,5 x 78 cm Frame: 125,3 x 83 cm Paintings with the 'Noli me tangere' theme, also known as 'Christ appearing to Mary Magdalene as a gardener', were very popular. According to Dr. K. Ertz, especially Jan Brueghel II needs to be honoured for this topic: 'Detaching himself from the meticulous and detailed brushwork of his earlier years, which he had adopted from his father, he finally introduced his own pictorial inventions. Although many inspirations for the son's paintings derived from his father's work, the painting suggests that it was Jan Brueghel the Younger himself who developed this compositional type on the basis of his father's achievements' (link). This representation (and the mirror image) was also spread through numerous prints: link (after Rubens) and link (after Rubens). An early 17th-C. painted version (surroundings of Rubens) is part of the Rijksmuseum Collection (link).

After Peter Paul Rubens, Dutch (1577 - 1640)ÿ A collection of 22 black and white Engravings after P.P. Rubens, by Duchange & others, c. 1710 and later, including the following titles: A. ÿÿÿÿÿÿÿÿÿ "Francois de Medicis, Grand Duc du Toscane, (No. 5)"; B. ÿÿÿÿÿÿÿÿÿ ÿ"Geanne d'Austriche Grande Duchesse de Toscane (No. 6),"; C.ÿÿ ÿÿÿÿÿÿÿ "La Destinee de la Reine, (No. 7); D. ÿÿÿÿÿÿÿÿÿ "Le Education de Reine, (No. 9)"; E. ÿÿÿÿÿÿÿÿÿ ÿ"Henri IV Delibere, sur son Future Manage, (No. 10)"; F.ÿÿ ÿÿÿÿÿÿÿ ÿ"La Maissance de La Reine, (No. 10)"; G. ÿÿÿÿÿÿÿÿÿ ÿ"Le Mariage de La Reine, (No. 11)"; H.ÿÿ ÿÿÿÿÿÿÿ ÿ"Le Debarge Unent, de la Reine au port de Marseille, (No. 12)"; I.ÿÿÿÿÿ ÿÿÿÿÿ ÿ"La Ville de Lion Va Audavant de la Reine," (No. 13); J.ÿÿÿÿ ÿÿÿÿÿÿ ÿ"L'Accochement de La Rine (No. 14)"; K.ÿÿÿ ÿÿÿÿÿÿ ÿ"Le Roi, Part La Querre D'Allemande (No. 15); L.ÿÿ ÿÿÿÿÿÿÿ ÿ"Le Voyage de La Reine au Port au Pont de Ce, (No.19)"; M. ÿÿÿÿÿÿÿÿ ÿ"L'Ecbange des dux Reine (No. 20)"; N. ÿÿÿÿÿÿÿÿ ÿ"La Feticite de La Regence, (No. 21)"; O. ÿÿÿÿÿÿÿÿ ÿ"La Majorite du Ro: Louis XIII, (No. 22)"; P. ÿÿÿÿÿÿÿÿÿ ÿ"Le Reine, S'Enfuit de La Ville du Blois (No. 23)"; Q. ÿÿÿÿÿÿÿÿ ÿ"La Reine Prend Le Parti de la Paix, (No. 24)"; R. ÿÿÿÿÿÿÿÿÿ ÿ"La Conclusion de La Paix, (No. 25)"; S. ÿÿÿÿÿÿÿÿÿ ÿ"La Paix Confurmee dans Le Ciel, (No. 26)"; T. ÿÿÿÿÿÿÿÿÿ ÿ"Les Tems decouvre La Verite, (No. 27); U.ÿ ÿÿÿÿÿÿÿ ÿ"Pierre Paul Rubes, (No. 31)"; V. ÿÿÿÿÿÿÿÿÿ ÿ"Marie de Medicis, Sous La Forme (No. title page) de Minerve deesve d'arts [Dedie Auroy]"; A similar set hangs at Brocklesby in Lincolnshire. Each approx. 28" x 17 1/2" (57cms x 44cms) and two other smaller in matching ebonised and gilt frames. (22) See also lot 231

After Rubens & Raphaelÿ A pair of oval Self Portraits each oil on board, "Grand Tour," in Florentine carved gilt wood frames, 8" x 6 1/4" (21cms x 16cms). (2) Provenance:ÿÿ Marlfield House, Clonmel, Co.Tipperary.

Three bronze medallions, one St Paul's Cathedral, one P. Paulus Rubens and a Frederick Schleiermacher 1768-1834, together with a Louis Marie De Cormenin example

LAURENCE GAHAGAN (1756-1817) Portrait Bust of Lord Nelson White statuary marble, 28cm high Signed Listed in Strickland as a sculptor, L. Geoghegan of Anglesea Street in Dublin was given a premium of four pounds by the Dublin Society in 1756 for “a piece of sculpture”. Strickland surmised that this was probably the marble statuette of Rubens, which at that time belonged to W.T. Kirkpatrick of Donacomper, Celbridge and which is signed ‘L. Geoghegan 1756’. He altered his name to Gahagan on reaching London. In 1777 he received a premium of thirty guineas from the Society of Arts for a cast of a figure and exhibited in the Royal Academy in 1798 busts of Admiral Sir Thomas Paisley and Sir Horatio Nelson. He continued to exhibit at the RA until 1817.Signed and dated MDCCCV (1805) verso

A B after Romney, Mrs Mary Robinson, oil on canvas under glass, signed AB after Romney, 40x30cm, after Rubens, Marchesa, a varnished print, 24x18cm.

8 1:43 Racing Cars. Hot Wheels: Ferrari F1 2000 No. 4. Driver Rubens Barrichelo. IXO: Lotus Elite No. 43. Le Mans 1960. Drivers Baillie & Parkes. Aston Martin DBR9 No.57 12 hour Sebring 2005. Drivers Brabham, Turner & Ortelli. Brumm: Lotus 25 No. 8 GP Italia 1963. Driver Jim Clark. Ferrari 156 No. 38 GP Monaco 1961. Driver Phil Hill. Ferrari 375 No. 12 Indianapolis 1952. Driver Alberto Ascari. Mercedes 300SLR No: 722 Mille Miglia 1955. Driver Stirling Moss. Atlas: Martini Lotus 79 No.2. All boxed, minor wear. Vehicles Mint. £40-60

A pair of spelter figures of renaissance artists Rembrandt and Rubens

Auguste Joseph CARRIER (1800-1875) 2 busts of Rembrandt and Rubens, made of silver and gold plated bronze. M691 (9 x 12,5 x 22 cm)

Six boxes containing a large selection of various art related volumes including Bryan's Dictionary of Painters and Engravers, five vols; The Sketches of Rubens; Street Art and the War on Terror, The Art of Illuminating and others, etc

'Waste Not Want Not' a Copeland Parian Ware charger, modelled in low relief with radiating foliage, two other plates, a Parian Ware bread bowl, a three spout cornucopia vase, a bust of Rubens and four other items, printed factory mark, 34cm. diam. (10) Provenance Peter Myers & David Coachworth Collection.

BOOKS: ART, ANTIQUE & COLLECTABLES, a collection of approximately 145 hardback titles in seven boxes featuring various Artists including Picasso, da Vinci, Rubens, Lowry, William Morris, the Impressionists, Pre-Raphaelites, Dutch Masters, Art Deco etc. Collections from various Galleries and Museums including The National and the Metropolitan Museum of Art and over 100 Museum and Gallery 'Guides'. There are also 23 editions of 'The World's Most Famous Pictures' a magazine publication from the 1920's

After Rubens, Shepherd Girl bearing Quintessa Art Collection label verso (38cm x 26cm)

Unidentifizierter Maler des 19. Jh., Kopie nach Rubens 'Früchtekranz', Puttoreigen einen Kranz tragend, Öl/Kupferblech, unsign., 18 x 24 cm, ger. 33 x 39 cm

Two framed prints of lions, drawings originally by Rubens, framed, mounted and glazed 61cm  x 61cm an 59cm x 68cm (2)

Unbekannter Meister, wohl 17. Jahrhundert. Es handelt sich bei vorliegender Darstellung um eine frühe Motiv - Variation des berühmten Triptychons der Kreuzaufrichtung von Peter Paul Rubens (Siegen 1577 - 1640 Antwerpen).Motiv: Die Kreuzigung Jesu: Vielfigurige Darstellung der Kreuzaufrichtung durch die römischen Schergen. Zu Pferde zwei römische Peiniger Christi, im Bildhintergrund Architektur. Im linken Bildfeld die trauernden Frauen, unter ihnen Jesu Mutter Maria mit Johannes und Maria Magdalena. Altmeistergemälde auf großformatiger Kupferplatte, ca. 45 x 57 cm, unbezeichnet/unsigniert, in altem Rahmen (berieben).

G Johns, Still Life of Carnations, watercolour, signed lower right; Rubens Gouthey, rocky landscape, watercolour, signed lower right; SH Thompson, Christchurch, watercolour, signed lower right, all framed, 37.5 cm x 22 cm (3)

Illustrated art history and art technique volumes:The Works of Hogarth with Sixty-Eight Illustrations (J. Dicks - 313 The Strand)3 Nouvelles Editions Francaises (Cezanne, Toulouse-Lautrec and Les Impressionistes)5 Medici Society folders (Turner, Van Gogh, Pieter de Hooch, Reynolds and Rubens)Edgar Degas - Ballet Dancers (Folio Society 1960)Understanding Watercolours (Antique Collectors' Club - 1985)The Technique of Watercolour Painting (Isaac Pitman & Sons - War Economy Standard)The Student's Book of Etching (Isaac Pitman & Sons 1938)Making a Lithograph (1936)Penquin Modern Painters (Paul Nash (1944) and Henry Moore (1944)Pitmen Painters - The Ashington Group (1993) 

After Rubens, 19th century, self portrait, oil on panel18 x 16cm

Attributed to Sir Godfrey Kneller (1646-1723) after Sir Peter Paul Rubens (Flemish 1577-1640) The Apotheosis of James I Oil on canvas 74.9 x 54.2cm; 29½ x 21¼in Provenance: Jack Gold, Richmond; Christie's, London, 29 July 1971, lot 54 (as Watteau after Rubens); From the collection of Edward Croft-Murray (1907-1980) Literature: J. Mathey, Antoine Watteau, Peintures Réapparues, (1959), p.36, pl.82; J. Mathey, 'The early paintings of Watteau', in The Art Quarterly (Spring 1956), p.22; F. J. B. Watson, 'Watteau, Peintre Inconnu', in The Burlington Magazine (March 1962), p.162 (reproduced) After the central compartment of Rubens' ceiling in the Main Banqueting Hall, Banqueting House, Whitehall. This work was previously considered to be by Antoine Watteau.

A SILVER INK WELL, of a plain polished oval shape, engraved to the cover 'Presented to Mt.U.Bona, as a token of esteem, Hotel Rubens 1921', hallmarked 'Asprey & Co Ltd', Birmingham 1945, length 20cm, with a weighted base (condition report: overall condition good, general light wear, missing glass interior)

After Hans HolbeinEdward VIengraving by R Daltonpublished by W Richardson31 x 21cmtogether with a reproduction print after Rubens, a print of a woman and children, a colour print of a North African scene, a print of a ruined temple at Nubia after David Roberts, and two unframed prints of nudes after Michelangelo and Rubens(7)

Colonial school, probably Mexico, 18th century. The meeting of David and Abigail. Oil on copper. Painting based on the work of Peter Paul Rubens that is kept in the National Gallery in Washington. 38 x 54 cm.

Rubens, Peter Paul - UmkreisSüdliche Landschaft mit antiken Ruinen und Hirten(Siegen 1577-1640 Antwerpen) Öl/Lwd., doubl. 90 x 135 cm. - Die fast identischeKomposition ist auf einem Stich von Schelte Adam Bolswert aus der Folge der "KleinenLandschaften" nach Rubens zu sehen. Auf vorliegendem Gemälde ist die Anzahl der Personenund Tiere stark erweitert.Altmeistergemälde, Flämischer Maler Rubens, Peter Paul - Circle ofSouthern landscape with ancient ruins and shepherds(Siegen 1577-1640 Antwerp) Oil on canvas, relined. 90 x 135 cm. - The almost identicalcomposition can be seen on an engraving by Schelte Adam Bolswert from the series of ''SmallLandscapes'' after Rubens. In the present painting, the number of people and animals hasbeen greatly expanded.

Rubens, Peter Paul - nachRubens' Tochter Clara Serena (sog. Ehrendame der Infantin Isabella)Lithographie. Blatt 34,7 x 28,2 cm.Altmeisterkopie Rubens, Peter Paul - afterRubens' daughter Clara Serena (so-called Lady of Honour of the Infanta Isabella).Lithograph. Sheet 34.7 x 28.2 cm.

Sammlung Künstlerbücher - - Blank Page. 5 Bde. (Nummer 1 u. 3-6.). Mit zahlr. mont. farb. OGraphiken, zum größten Teil mit Bleistift signiert. London, Ph. Dobree und A. Self, B4 Publishing, 1988-1991. Folio. OPp. (leicht bestoßen, ein Bd. etwas lichtrandig). Je eins von 150 num. Exemplaren. - "Blank Page will span three years (December 1988 to June 1991) as a biannual project... We will build up a portfolio of the writing and art of 110 different contributors from around the world over the three years" (Titelbl. v. Bd. 1). - Enthält neben den Textbeiträgen Drucke u.a. von (1), Teal Triggs, Douglas Allsop, Matthew Tyson, Francesca Lowery, Childe Roland, Volker Strater, Matteo Adinolfi, Marco Bettoni, Josephine Pryde, (3) Charles Bézie, Francisco Soto Mesa, John Carter, Gottfried Honegger, Yves Popet, Perry Roberts, Claude Pasquer, David Saunders, James Juszczyk, Elizabeth Willmott, Jaak Vuylsteke, Nico W. Pot, (4) Opy Zouni, David Rubello, Dóra Maurer, Ray Masters, John Goodyear, Clifford Singer, Tam Giles, Albert Rubens, Rita Jansen Heijtmeijer, Marian Bruce, Ian Tyson, Richard Bell, James Hugonin, (5) Mirella Bentivoglio, Ann No�l, Emmett Williams, Heinz Gappmayr, Elino Ruutsalo, Yves De Smet, Bernard Villers, Andrzej Partum, Jadwiga Przbylak & Janusz Bakowski, Arrigo Lora Totino, (6) Cesar Domela, Michel Seuphor, François Morellet, George Rickey, Marcel Baugniet, Anton Stankowski, Marcel Floris, Gottfried Honegger, Gudrun Piper, Aurelie Nemours, Anthony Hill, Max Mahlmann, Michael Kidner, Charles Biederman. With numerous mounted and col. original graphics, nearly all signed in pencil. - Each one of 150 numbered copies. - Original cardboards (slightly bumped, a volume somewhat lightstained).

NO RESERVE Rugs & Textiles.- Jacobsen (Charles W.) Oriental Rugs: a Complete Guide, Tokyo & Rutland, Vt., 1962 § Dilley (Arthur U.) Oriental Rugs and Carpets, second, revised edition, Philadelphia & New York, 1959 § Schlosser (Ignace) The Book of Rugs Oriental and European, New York, 1963 § Lanier (M.B.) English and Oriental Carpets at Williamsburg, Charlottesville, Va., 1975 § Dubon (D.) Tapestries from the Samuel H.Kress Collection: The History of Constantine the Great designed by Peter Paul Rubens and Pietro da Cortona, 1964 § Bolingbroke (Judith M.) Carolian Fabrics, Leigh-on-Sea, 1969, plates and illustrations, some colour, original cloth, all but the last with dust-jackets, slightly rubbed and frayed; and c.15 others on rugs, carpets and textiles, 4to & 8vo (c.20)

Sale Catalogue.- Gainsborough (Thomas).- Catalogue (A) of the Pictures and Drawings of the late Mr. Gainsborough... To be sold by private contract by Mr. Gainsborough Dupont, bound with 2 ff. of nineteenth century manuscript notes and 24 blank ff., light spotting, later half calf, upper cover detached, spine torn along length of upper joint, backstrip defective, extremities worn, 4to, by T. Rickaby, 1789.⁂ The catalogue includes over 140 drawings by Gainsborough himself, as well as numerous works from his private collection by earlier renowned artists such as Velazquez, Van Dyck, Rubens, Poussin and Ghisolfi. Rare; ESTC lists only four copies in the UK and one in the US.

Metal figurine of Rubens, height 44 cm, Deco style figurine of a lady and two dogs,

RUBENS SOUTHEY, WATERCOLOUR OF A DARTMOOR VIEW, ST MICHAEL'S CHURCH AND BRENT TOR, DARTMOOR. SIGNED WITH INITIALS AND WITH DETAILS TO REVERSE

RUBENS SOUTHEY (1881-1933). A pair of Dartmoor landscapes, watercolour: 13¾” x 20½”, each in glazed frame (17¾” x 24½” over-all); together with a late 19th century coastal landscape dated Aug. ’89, watercolour & gouache: 8¾” x 13”; & a large coloured print of a harbour scene: 14¾” x 20½” (both framed & glazed). (4).

GORDON STUART oil on canvas board - head and shoulders portrait of Bernice Rubens, Booker prize-winning Welsh novelist, signed, 26 x 28cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed

AFTER PETER PAUL RUBENSGARLAND OF FRUITOil on canvas85.5 x 129cm (33½ x 50¾ in.)This scene in this lot is after the 1615-17 painting by Rubens now in the collection of Alte Pinakothek, Munich.SALEROOM NOTICE: This lot is After Peter Paul Rubens, not Manner of Charles Augustus Henry Lutyens, as previously stated in the printed catalogue. Please refer to the fully updated cataloguing online. Condition Report: The canvas has been relined, visible at the left framed edge. The relining has caused some undulation to the canvas, mainly to the left hand side. The paint is wearing thin in some places and there are a few scattered spots of surface dirt throughout There are traces of an old varnish which has been removed. Ultraviolet light reveals evidence of scattered retouching and infilling throughout, notably to the background. Otherwise in fair restored condition.Condition Report Disclaimer

•NORMAN THELWELL (1923-2004) YOU ARE NOT GOING TO THE MEET IN THE HORSE BOX.. Signed, pen and black ink, black crayon and pencil 21 x 18.5cm.; with `I hate mice` by Thelwell, signed, pen and black ink, 11.5 x 15cm. (2) IIlustrated: (principal item) Norman Thelwell, Some Damn Fool's Signed The Rubens Again (London, 1987, preliminary sketch for page 54) Exhibited: London, Chris Beetles Ltd, September 1990 ++ Former item lightly stained (by an old backboard, perhaps); the latter good.

SELECTION OF RUBENS WARE BALUSTER VASE AND COVER, ART DECO JUG, AMBER GLASS BATH SALTS DECANTER AND OTHER GLASS

Rubens Floor Lamp Chrome The Rubens 1 Light Industrial Style Floor Lamp In Polished Chrome. An Authentic Resto Style Floor Light Featuring Circular Base And Tall Over Arching Stem In Bright Chrome. A Chrome Lamp Holder And Bare Lamp Bulb Complete The Vintage Style. W240 X D240 X H1600mm (5016087912827)

A collection of hardstone and paste cameos, intaglios and plaques, including a carnelian intaglio depicting Nike (possibly Roman 1st century AD), a chalcedony intaglio depicting an Eagle (possibly ancient), a coral cameo depicting an amorous scene (possibly ancient), a shell cameo of a woman in profile, two small shell cameos, a moss agate oval intaglio depicting the head of a warrior laureate, a collection of hardstone plaques, a collection of paste intaglio seals, a glass cameo of Rubens, the portrait taken from Joseph Hart's medal commemorating the statue erected in Antwerp, and a carved shield-form hardstone

Flemish School, 17th centurydepicting the 'Descent from the Cross' or 'Deposition of Christ', after Peter Paul Rubens, with same composition, oil on canvas, within a silver painted wooden Flemish frame, the back of the canvas with ' Rubens P. DD Y', 43 cm high x 32 cm wide

A 19th century Berlin KPM oval porcelain plaque, after Peter Paul Rubens, Jesus, St. John and Two Angels, with impressed KPM and sceptre mark, mounted in a gilt frame, 21.5cm by 26cm

Rubens, Peter Paul: (1577-1640) nach. Christus erscheint dem Heiligen Rochus. Anonymer Kupferstich, wohl 18. Jh. Plgr. 49,7 x 36, Blgr. 50,7 x 37,3 cm. Verso Joseph Hunin (1780-1851) zugeschrieben; allerdings weicht das Ex. im Rijksmuseum RP-P-1934-389 von unserem Ex. in Details ab, außerdem schließt unser Ex. ob. rechteckig ab, beim Ex. im Rijksmuseum ist die Platte oben abgerundet. - Leicht stockfl., Ecken tls. knickf., im unt. Rd. 2 unterl. Randeinrisse. D

Rubens, Peter Paul: (1577-1640) nach. Christus übergibt dem heiligen Petrus die Himmelsschlüssel. Kupferstich bei Martin van den Enden um 1650. 40,7 x 31,6, Blgr.50,8 x 38 cm. Mit den Namnesz. u. lat. Titel "Tibi dabo claves regni caelorum..." im unt. Plattenrd. - Ecken tls. etw. knickf., tls. etw. stockfl. Wohl späterer Abdruck. R

Rubens, Peter Paul: (1577-1640) nach. Betende Jungfrau Maria mit Lilie u. Puttenköpfen. Anonymer Kupferstich auf Bütten, 17. Jh. 36 x 27,8, Blgr. 39,2 x 28,5 cm. Mit dem Namenszug i.d. Platte. - Etw. angestaubt, leichte Gebrauchssp. R

After Sir Peter Paul Rubens, 18th CenturyAn Allegory of the Incarnation of Christ as Fulfilment of the Prophecies in the Old Covenant oil on canvas 60.1 x 48.3cm (23 11/16 x 19in).Footnotes:The present work is derived from Ruben's original sketch, now in the Barnes Foundation, Philadelphia.For further information on this lot please visit Bonhams.com

A rare silver 'Renaissance Painters' pattern table service by Walker & Hall, Sheffield 1934, mostly named for the artist verso, mostly engraved with E.M.S, comprising:Twelve table forks, the terminals possibly MichelangeloFifteen table spoons with Rubens Twelve dessert forks with Van Dyck Twelve dessert spoons with Albrecht Durer Ten fish forks with Van Dyck Nine fish knives with Holbein Nine cake forks with Van Dyck, Sheffield 1934 (8) and 1945 (1)Nine side knives with Murillo Six ice cream spoons with Velasquez Eleven tea spoons with Velasquez Four preserve forks with Van Dyck Nine fruit forks with cast handles and Karle Du JardinTwo sauce ladles with Rubens,7939g (255.25 oz)Together with the following knives with silver handles and stainless steel blades:Twelve table knives with Wouvemans Nine dessert knives with Karle Du JardinNine fruit knives with WoevemansCondition Report: Hallmarks are clearBlades are tight to the handlesSome wear to the facesMonograms are crispSome heavier scratches to some of the bladesLight scratches and wear commensurate with age and use Condition Report Disclaimer