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Five Ruskin Arts and Crafts glazed pottery cabochons, three others similar and a Wedgwood Jasper Ware panel.

A Ruskin Pottery Souffle bowl, footed form, covered in a plum glaze, with painted foliate band to rim, two Pilkington's Royal Lancastrian vases by Gladys Rogers, another Pilkington's vase and a small Royal Doulton Flambe vase unsigned 11cm. diam. (5)ProvenanceThe collection of Rosslyn Hill.

RUSKIN POTTERY HIGH-FIRED VASE, 1924 impressed RUSKIN ENGLAND 1924, flambé ox-blood and purple glaze, stoneware 27.5cm high (10 7/8in high) Kingham & Orme 3-6 December 2020, lot 1022 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1922 impressed RUSKIN MADE IN ENGLAND 1922, ox-blood glaze, stoneware 20.5cm high (8 1/16in high) Kingham & Orme, 3-6 December 2020, lot 1029 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1910 impressed RUKSIN POTTERY 1910, flambé sang de boeuf glaze, stoneware 24.5cm high (9 5/8in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY SIX GINGER JARS AND COVERS, 1913-1925 impressed RUSKIN ENGLAND and dates 1925, 1913, 1920, 1921, 1922 and 1922 respectively, lustre glazed stoneware (12) 21cm high (8 ¼in high) and smaller What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY FIVE VASES, EARLY 20TH CENTURY each with impressed factory marks, to include; a LARGE LUSTRE VASE, dated 1924, 25.3cm high (10in high); a SHOULDERED VASE, with floral decoration, dated 1906, 19.6cm high (7¾in high); a BLUE LUSTRE VASE, circa 1920, 15.7cm high (6¼in) high; a PINK LUSTRE VASE, dated 1922, 16cm high (6¼in high); a BALUSTER VASE, dated 1906, 14.5cm high (5¾in high), lustre-glazed stoneware (5) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY THREE VASES, CIRCA 1920 each stamped with manufacturer's marks, the taller green vase stamped 1922, glazed earthenware (3) 28cm high, 24cm high and 24cm high (11in high, 9 ½in high and 9 ½in high)  The taller green vase Ex-W. Howson Taylor Collection. What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED BALUSTER VASE, 1906 impressed RUSKIN POTTERY WEST SMETHWICK 1906, lavender glaze, stoneware 18cm high (7 1/16in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY THREE VASES, CIRCA 1920 each with impressed marker's marks, to include; a YELLOW TWIN HANDLED VASE, 25cm high (9 ¾in high) ; a WHITE TWIN HANDLED VASE, dated 1927, 25.5cm high (10in high); a BULBOUS CRYSTALLINE GLAZED VASE, 20.4cm high  (8in high), stoneware (3) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1916 impressed RUKSIN ENGLAND 1916, ox-blood and lavender glaze, stoneware 20.3cm high (8in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY VASE, 1932 impressed RUSKIN ENGLAND 1932, crystalline glaze, stoneware 14cm high (5 ½in high) William Howson Taylor Collection; Ferneyhough Collection, no. 464Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, no. 68Birmingham Museum and Art Gallery no.116Richard Dennis Collection, Kinghams, 21 June 2021, lot 21 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1906 printed RUKSIN POTTERY WEST (..obscured) 1906, streaked flambé glaze, with speckling, stoneware 18cm high (7 1/16in high) Anthony Cross Collection, Kinghams, 2021, lot 47 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1933 impressed RUSKIN ENGLAND 1933, flambé ox-blood glaze with green speckling, stoneware 21cm high (8 ¼in high) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY BOWL AND ASSOCIATED STAND, 1920s bowl impressed RUSKIN ENGLAND 1924, stand impressed RUSKIN ENGLAND, flambé glaze, stoneware(2) bowl 11cm high, 21.8cm diameter (4 3/8in high, 8 5/8in diameter)stand 6cm high, 15.2cm diameter (2 3/8in high, 6in diameter) What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED TWIN-HANDLED VASE, 1933 impressed RUSKIN ENGLAND 1933, flambé ox-blood and lavender glaze with green speckling, stoneware 23.5cm high (9 ¼in high) Woolley & Wallis, 3 December 2014, lot 169 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1920s impressed RUSKIN ENGLAND, flambé and grey glaze, stoneware 20cm high (7 7/8in high) Anthony Cross Collection, Kinghams, 11 June 2021, lot 49 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1906 impressed RUSKIN POTTERY WEST SMETHWICK 1906, grey, deep purple and blue streaked glaze, stoneware 18.5cm high (7 ¼in high) Richard Dennis Collection, Kinghams, 2021, lot 28 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH FIRED VASE, 1933 impressed RUSKIN ENGLAND 1933, ox-blood glaze, with green speckling, stoneware 10.5cm high (4 1/8in high)  Richard Dennis Collection, Kinghams, 17 April 2021, lot 23 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

RUSKIN POTTERY HIGH-FIRED VASE, 1924 impressed RUSKIN ENGLAND 1924, flambé glaze, stoneware 22cm high (8 5/8in high) Kinghams, 5 December 2020, lot 1026 What distinguishes Ruskin Pottery even today is the glazes – crystalline, lustre and sang de boeuf (or high-fired flambé). The latter was created using copper and iron oxides. Founded by Edward R. Taylor in 1898, the studio pottery was then continued by his son William Howson Taylor (1876-1935).  It was located in Smethwick in Staffordshire. Historically it can be viewed as part of a revival of interest in ceramics in Europe inspired by Chinese glazes and oriental forms.  Potters sought to create new glaze effects.  From about 1903 William Howson Taylor developed a range of glazes in particular flambé and for the next thirty years he continued to experiment.  The works he conceived can be compared to those of Chapelet, Delaherche and Dalypayrat in France.  As no one glaze can be repeated each piece produced in the pottery can be regarded as unique.At its peak the pottery had twenty employees, five lustre kilns and one high-firing kiln.  In 1933 the pottery closed. 

Birmingham silver pill box and two brooches. Silver and moss agate Celtic design brooch and Ruskin pottery and pewter brooch.

A RUSKIN CRYSTALLINE POTTERY VASE BY WILLIAM HOWSON-TAYLOR, dated 1930, H 30 cm

Ruskin Pottery - Two small crystalline bowls, circa 1930, each of circular form, each with cream over speckled blue, impressed marks, maximum diameter 6cm. (2)

Ruskin Pottery - A crystalline vase, circa 1932, of compressed baluster form, ochre blue and opal streaked glaze, height 7.5cm.

Ruskin Pottery - An original Howson Taylor calling card, handwritten script 'compliments of' over printed text 'Mr W Howson Taylor, Springbank, Tuckenhay, Nr Totnes, S. Devon', width 7.5cm.

Ruskin Pottery - A High Fired lily vase, circa 1926, of tapered sleeve form and everted rim, sang de boufe glaze with mottled turquoise and lavender, impressed marks to base, height 24cm.

Ruskin Pottery - A collection of roundels and plaques, including heart shaped examples, two with impressed marks, maximum diameter 7.5cm. (6)

Ruskin Pottery - A High Fired vase and stand, circa 1925, slender shouldered sleeve form with everted rim, Sang De Boeuf and lavender curtained glazed with green oxide speckles, impressed marks to base, height 59cm, the stand, of stepped circular form, modelled in the Chinese style, with penwork band, and geometric borders, on four feet, overall height 67cm.

Ruskin Pottery - A high fired vase, circa 1926, of swollen sleeve form with a shallow everted rim, decorated with a mottled and graduated Sang de Beouf glaze with copper oxide and faint lavender bloom over white ground, impressed marks and date code, height 37cm.

Ruskin Pottery - A kingfisher blue silver brooch mounted roundel, impressed marks, hallmarks for Albert Carter, Birmingham 1918, diameter 3cm, together with assorted roundels and plaques, including High Fired examples. (8)

Ruskin Pottery - A collection of sleeve links/buttons, of square and lozenge form, in blue and green hues, maximum length 1cm. (qty)

Ruskin Pottery - A miniature Souffle ginger jar and cover circa 1920, ovoid form with short collar and domed cover, mottled duck egg blue and pale lavender, impressed mark, height 3.5cm.

Ruskin Pottery - Three Ruskin Pottery trade postcards illustrating Crystalline Glazes, one with handwritten note to reverse 'Retail - What would you like. I had better not send that as your fittings are different, say if not so', possibly referring to the illustration of the lamp to reverse. (3)

Ruskin Pottery - A miniature Crystalline vase, circa 1930, of elongated ovoid form, draining cream over mottled blue, height 4.5cm, and another, of gourd form cream over grey and sea-green crystals, height 4.5cm. (2)

Ruskin Pottery - A miniature High Fired vase, circa 1920, of ovoid form with tapered neck, lavender and sang de boeuf flambe with green oxide spots, impressed mark, height 4cm.

Ruskin Pottery - A collection of sleeve links, buttons and plaques, including single lozenge form cuff link, some with impressed marks, maximum height 2.5cm. (17)

Ruskin Pottery - Five carded sleeve links, lozenge form, blue /green crystalline glaze, printed 'Ruskin Sleeve Links. England', width 2.5cm.

Ruskin Pottery - A crystalline jardiniere, circa 1930, of cylindrical form on three bracket feet, the body with meandering band of flowering daisies, green to ochre and blue ground, impressed marks to base, height 19.5cm.

Ruskin Pottery - A High Fired jar and cover, circa 1915, of shouldered sleeve form and domed cover, curtained turquoise hare's fur glaze over lilac and white, the cover with speckled lilac over white with pooled crystalline turquoise band, impressed marks and date to base, height 14.5cm.

Ruskin Pottery - A High Fired elephant's foot vase circa 1923, of cylinder form with swollen base, dove grey draining to sang de boeuf, impressed marks and date, height 8.5cm.

Ruskin Pottery - A Pair of High Fired cufflinks, of oval form, lavender and sang de boeuf flambe, with linked chain, length 2cm. (2)

Ruskin Pottery - A High Fired jar, of compressed ovoid form, purple over sang de boeuf glaze, the associated planished silver cover with green crystalline cabochon finial, by A E Jones, Birmingham 1909, overall height 7cm.

Ruskin Pottery - A collection of plaques, pendant and a large floral tube lined button, blue glazed, impressed monogram, diameter 6cm. (8)

Ruskin Pottery - Two Crystalline vases, circa 1932, each of ovoid form with everted rim, blue draining to mottled ochre, the other with pale celadon over pale lemon and blue grey crystalline foot band, impressed marks to base, tallest 8cm. (2)

Ruskin Pottery - A collection of roundels and plaques, including oval plaque, ochre over lilac, impressed mark to reverse, marks, maximum width 10.5cm. (6)

Ruskin Pottery - A Souffle vase circa 1923, of shouldered form, curtained turquoise blue over pale blue iridescent glaze, impressed marks to base, height 30cm.

Ruskin Pottery - A collection of sleeve links/buttons, of circular form, including a flambe glazed pair, diameter 1.5cm, the others in tonal, blue, green and brown. (qty)

Ruskin Pottery - A collection of roundels and plaques, including souffle glazed examples, some printed and impressed marks, maximum width 10.5cm.

Ruskin Pottery - A High Fired vase circa 1922, of shouldered form, speckled dusty pink draining to sang de boeuf, impressed marks and date, height 10cm.

Ruskin Pottery - Three miniature crystalline vases, circa 1930, including two of gourd form, one with mottled orange glaze, the other with pale blue over graded lemon ground, together with an elongated ovoid vase, mottled grey blue over cream glaze, tallest 4cm. (3)

Silver and costume jewellery, including a butterfly wing brooch, micromosaic brooch, Ruskin pottery button, earrings, etc. (a quantity)

An Edward VII Silver Napkin-Ring, by A. E. Jones, Birmingham, 1908, circular and applied with three foliage ornaments centring a Ruskin pottery cabochon, 48mm diameter, 32mm high, gross weight 1oz 1dwt, 33grProvenance: The Lion Collection.Marked near rim. The marks are clear. There is some overall surface scratching and wear, consistent with age and use.

A George V Gun-Metal, Silver and Pottery Set Napkin-Ring, The Pottery by Ruskin, Circa 1920, in the Arts and Crafts style, oval, set with a circular blue pottery panel within silver foliage scrolls, 48mm wide, 36mm highProvenance: The Lion Collection.

Ruskin Pottery, a Crystalline glazed three handled vase, circa 1930, conical ovoid form, with three strap handles, ochre cream over blue banding with splashed crystals to the shoulder, impressed marks, 23cm high

Ruskin Pottery, a High Fired vase, circa 1903, waisted baluster form, speckled and streaky green oxide over lavender sang de boeuf, impressed marks, 20cm high

Ruskin Pottery, three Souffle glazed jardineires, 1907 and 1925, blue and streaky green glazes, impressed marks (3)

Ruskin Pottery, a Kingfisher lustre vase, circa 1920, spherical bulbous form with elongated neck, impressed marks, 17cm high

Ruskin Pottery, a Crystalline scent bottle, 1927, ovoid form with screw fitting square coronet type lid, banded blue and grey, impressed marks, 15cm high

Ruskin Pottery, a Souffle glazed vase, 1905, small Lily form, mottled blue, impressed marks, 14.5cm high

William Hoswon Taylor, Ruskin Pottery, an early High Fired bowl, circa 1900, squat ovoid form with cylindrical neck, purple sang de boeuf with a band of turquoise hares fur, impressed Taylor and Old marks, 20cm diameter