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A Vincennes porcelain bleu-lapis ground cup and saucer (gobelet à la reine et soucoupe), the porcelain circa 1752-53, blue interlaced L marks to both, incised c to cup and f to saucer, the blue ground contemporary, the bird and gilt decoration later, the cup reserved with a shaped panel with a vignette of two birds by shrubs within an elaborate gilt cartouche, the ground with gilt marbling, the centre of the saucer similarly decorated with birds enclosed by a blue-ground border with similar marbling, gilt dentil borders, the cup 7.8cm diameter, 7.5cm high; the saucer 15cm diameter (2)Footnotes: Note: For a gobelet à la reine with a similar marbled bleu lapis ground in the Belvedere Collection, see Joanna Gwilt, Vincennes and Early Sèvres Porcelain, London, 2014, p. 164.Condition Report: There is a glazed firing crack to the base of the handle terminal, which probably explains why the decoration of this piece was not completed by the factory at the time (the blue ground appears to date to this period, but the other decoration looks later). There is some ‘sanding’ to the footrim of the cup, suggestive of later decoration. Please see additional images for reference here: https://we.tl/t-VjKg1WlTmk 

A gilt-metal-mounted Sèvres porcelain jewelled oviform teapot and cover, the soft-paste porcelain 18th century, the decoration 19th century, gilt spurious Sèvres interlaced L mark and spurious gilder’s mark 2000 for Henri-François Vincent, applied with fine jewelled decoration, the centre of the pot with a foliate Vitruvian scroll band and further narrow bands of husks and foliate ornament above and below, the cover with a similar Vitruvian scroll band below a gilt fruit finial, the handle with a clasp mount, 11cm high   Footnotes: Note: Before scholars re-evaluated decoration of this type, a Sèvres white teapot of similar form with related jewelled decoration of later date was sold in the Elizabeth Parke Firestone Collection sale at Christie’s, New York, on the 21-22nd March 1991, lot 286, as having 18th century decoration.  After the emergence of new information, the same teapot was subsequently sold by Christie’s, New York, on 18 November 1999, lot 224.  For a discussion of this decoration see Aileen Dawson, French Porcelain, A Catalogue of the Collection of the British Museum, London, 1994, pp. 168-169.Condition Report: There is some slight chipping to the tip of the spout.  In addition there are some minute losses to the applied enamels – these are extremely minor and only visible / noticeable under scrutiny.  Otherwise, overall, this teapot is bright and fresh in appearance.

A Sèvres porcelain soup plate from the Royal Hunting Service made for King Louis Philippe, 1838, printed blue crowned LP cypher mark, iron-red Château Fontainebleau mark, gilt w and gilt y marks, the border printed with animals and birds among scrolling foliage divided by panels with trophies and LP cyphers, the centre with a gilt medallion, 24.1 cm diameter  Footnotes: Note: This soup plate is from the Hunting Service made for the château at Fontainebleau. The king ordered the service in 1836, and this soup plate must have been part of the first delivery to the château, made in 1839. Further deliveries took place in the 1840s. An 1847 soup plate is in the Metropolitan Museum of Art, New York (accession no. 37.175.1). Condition Report: This plate appears to be in good condition. A couple of scratches are visible to the white ground of the well, as well as some heavier dirt stains to the underside. Please find additional images for reference here: https://we.tl/t-ONrhLYeFUn 

A Sèvres porcelain ‘fond Taillandier’ cup and saucer, c.1795, manganese Sevres marks to both, '….' marks probably for Mlle Baudouin, musical note marks for Cornailles, the cup incised 42, the saucer 46, the ground of each piece reserved with a panel painted with pink roses within a broad gilt-band cartouche, the cup 7.9cm diameter, the saucer 13.1cm diameter (2) Footnotes: Note: Antoine-Toussaint Cornailles was a painter of flowers and a gilder at Sèvres from 1755 to 1800.  A four-dot mark was used by Pierre-Théodore Buteux, who was a gilder and painter of blue edgings, but he stopped being active at Sèvres in 1780, so this piece was presumably decorated by Marie-Félicité Baudouin, a painter of flowers and patterns at Sèvres from 1786 to 1800, who is thought to have used a similar mark, see David Peters, Sèvres Plates and Services of the 18th Century, Little Berkhamsted, 2005, Vol. I, p. 19.   Condition Report: There is some slight wear to gilt rim of the cup.  The slight pitting to the glaze on the underside of the saucer dates from the time of manufacture. Please see additional images for reference here: https://we.tl/t-E7Czi9Fi28 

A group of Sèvres and Sèvres style porcelain, 18th-19th centuries, comprising: two Sèvres porcelain later decorated blue-ground cups and a Sèvres porcelain later decorated blue-ground saucer, the porcelain 18th century, interlaced L marks, incised numerals to cups, the cups reserved with panels of landscape vignettes with sheep, a ram, and a basket of flowers, within elaborate gilt cartouches, the interior of one with an elaborate gilt border, the interior of the other with a similar vignette, the saucer similarly decorated, the cups 8.3cm diameter; the saucer 13.1cm diameter; together with a Sèvres porcelain later decorated bleu céleste pointillé-ground teacup and a saucer, the porcelain saucer 18th century, the cup Sèvres style and 19th century, the cup with blue spurious interlaced L mark enclosing date letter P for 1768 and spurious painter’s K mark for Charles-Nicolas Dodin, the saucer with spurious interlaced L mark enclosing date letter cc for 1780 and painter's mark for Guillaume Noël, the ground of the cup reserved with a white band centred by a garland, widening at the front to an oval panel enclosing a putto, the centre of the saucer with a dove and a quiver, within concentric garlands and bleu celeste bands with pointille ornament, against the bleu céleste pointillé ground with laurel garlands, the cup 8.4cm diameter; the saucer 12.2cm diameter; and a pair of gilt-metal-mounted Sèvres style porcelain blue-ground small oviform vases, 19th century, spurious interlaced L marks enclosing fleur de lys and SEVRES marks, the mounts on the necks with pendant garlands, on gilt-metal Louis XVI-style stepped feet, 10.1cm high overall (7)  Footnotes: Note: The bleu céleste pointillé-ground teacup and saucer is made in the style of the 1770 service purchased by the comtesse du Barry (Madame du Barry’, the last mistress of King Louis XV of France), for use at the Château Louveciennes, the château given to her by the king in 1769, or the very similar service made for Sir Penistone Lamb, later Lord Melbourne and later (1781) Viscount Melbourne of Kilmore.  For a discussion of these almost identical 18th century services, see David Peters, Sèvres Plates and Services of the 18th Century, Little Berkhamsted, 2005, Vol. II, no. 70-5, pp. 435-436, and 71-2, pp. 447-448.  A bottle-cooler from the du Barry service was sold in the Augustus Collection sale at Christie’s, New York, on 7th October 2022, lot 48. Condition Report: Overall, the condition of these three pieces appears to be good, with the exception that there are some areas of slight wear to the gilt rim of one cup (the one with the gilt border on the interior).  The same cup has a firing fault to the handle which dates from the time of manufacture.  A slight blue mark to the interior also dates from the time of manufacture, and these faults probably explain why the decoration of the cup was not completed by the factory at the time, and it was decorated at a later date elsewhere.  Similarly, there is a slight blue smudge to the interior of the other cup and a blue mark on the handle – both faults which date to the time of manufacture. Please see additional images for reference here: https://we.tl/t-VuCG5tSkMS 

A Herend porcelain 'Cornflower Blue Garland' (PBG) part dinner and coffee service, second half 20th century, blue printed marks, gilt-heightened, comprising: eleven dinner plates, thirteen soup plates, twelve cake plates, eighteen dessert bowls, three oval dishes, two sauce boats, two leaf-shaped dishes, three pin dishes, two oblong dishes, a milk jug, a sugar bowl and cover with flower finial, and twelve coffee cups with associated saucers (lot) Footnotes: Note: The pattern of cornflowers found on this service is inspired by a widely copied Sèvres design for a comprehensive dinner and dessert service purchased by Queen Marie-Antoinette of France in 1782, possibly a principal service of a lesser royal château. Apparently, cornflowers were Marie-Antoinette's favourite flower. A dinner plate from this service was sold at Christie's, British and Continental Ceramics, 14 July 2006, lot 68. For a discussion of the Marie-Antoinette service see David Peters, Sevres Plates and Services of the 18th Century (Little Berkhamsted, 2005), Vol. III, pps. 645-646. Condition Report: This service is smart and presents well, but is in need of a good clean, several pieces are quite dirty and greasy. Generally the decoration is bright and colourful, however the dinner plates have some wear to the flowers in the well, and also light scratches to the porcelain, as expected from use. Some pieces have condition issues, detailed as follows: one leaf-shaped dish has a loss to the tip and rim, one dessert bowl has a chip to the rim, one cake plate has a repaired crack through the middle, one soup bowl has a chip to the underside rim. Please see additional images for reference here: https://we.tl/t-mHwaC23tvt 

A Sèvres style porcelain plate (‘assiette unie’) of Madame du Barry type, the porcelain possibly 18th century, the decoration 19th century, the blue marks of interlaced L mark enclosing date letter T for 1772 and painter's mark for Jean-Jacque Pierre Le Jeune (possibly spurious), the centre decorated with a gilt D and floral B monogram (probably spurious), the border with three baskets of flowers divided by three oval cartouches with putti in clouds flanked by garlands, against a dark-blue ground within a gilt dentil border, 24.4cm wideFootnotes: Note: This plate is made in the style of a service commissioned by King Louis XV of France for his last mistress, the comtesse du Barry, in the same year as a service was made for the Queen of Naples which was almost identical except for the central initials CL. It seems that production of the du Barry service was discontinued, with only a very small number of pieces completed, and the remaining pieces were put in storage and subsequently decorated at various stages. This plate belongs to a group of pieces which have entirely 19th century decoration. For a discussion of this unfinished service, see David Peters, Sèvres Plates and Services of the 18th Century, Little Berkhamsted, 2005, Vol. II, no. 73-8 (the entry for the Queen of Naples service), pp. 497-498. Various known pieces, including a group of 19th century pieces, are listed on p. 498.Condition Report: There are some areas of wear to the gilt dentil border at the rim.  

A pair of Sèvres porcelain cabinet plates, 19th century, the centres painted with ribbon tied flower filled baskets, the broad borders with pink roses with lattice blue and gilt borders 24cm diameter One of the plates has an area of discoluration to the rim

A pair of Chelsea porcelain bough pots and covers, circa 1765, of bombe form, painted in the manner of Richard Askew, decorated in Sèvres style, the turquoise ground reserved with four oval panels painted with riverside town scenes, acanthus moulded handles and feet, gilt anchor mark 24cm wideLiterature: See John Twitchett, Derby Porcelain, pl. 58 for a similar pairSmall chip to one foot. Two cracks which go across the handles, one is probably factory and it doesn't appear that the have been off. Surface chip to one of the feet. One with flight black pitting to the blue ground. Usual slight wear to gilding.

A Derby two-handled vase and cover, circa 1775, in Sèvres style, the turquoise ground body moulded with laurel swags and reserved with two oval panels, one with cherubs, the opposing side with flowers 33.5cm high Generally good condition, usual slight wear to gilding and light scratching to the enamel. Two surface chips to the corner of one of the handles. One very tiny surface chip to the gilding at the base of one of the handles. 

A pair of baluster-shaped porcelain vases, France, Sèvres, 19th century. Polychrome mirrored representation of Roman chariots, h 33.5 cm, to. 2x (1x crack).

Außergewöhnlicher Sécretaire-à-AbattantParis, zugeschrieben Adam Weisweiler wohl unter der Direktion von Martin-Eloi Lignereux, um 1800121 x 86 x 35 cmAmaranth, Zitronenholz, feuervergoldete Bronze, Sèvres-Porzellanplaketten. Die rechteckige, weiß und grau geäderte Marmorplatte mit umlaufender Galerie über einer aufklappbaren Front mit floral bemalter Sèvres-Porzellanplakette und grünem und teils vergoldetem Ledereinsatz, das Innenleben mit vier Schüben und offenen Fächern, flankiert von vergoldeten Karyathiden, über einem geheimen Friesschub, mit vergoldtem, floralen Bronzedekor verziert, auf achteckigen, sich verjüngenden Beinen, die durch einen durchbrochenen gearbeiteten und geschwungenen Steg verbunden sind. Die Porzellanplatten später bemalt, möglicherweise um 1830, winzige Kratzer im Marmor, leichte Gebrauchsspuren, Ledereinlage wahrscheinlich später.Auktion Piasa, Paris, 16. Dezember 2009, lot 299Auktion Sotheby's Paris, Mme. Djahanguir Riahi - Les œuvres que j’ai aimées, 6. Juli 2017, Lot 105Die Verwendung von teuren Sèvres-Porzellanplatten an französischen Möbeln kann mit der wachsenden Bedeutung der Rolle der marchands-merciers im 18. Jahrhundert gesehen werden. Diese von Diderot als "Händler von allem, Hersteller von nichts" bezeichneten Unternehmer, die zugleich Designer und Dekorateure waren, fungierten als Bindeglied zwischen wohlhabenden Kunden und den besten Ebenisten. Sie waren für die Dekoration der schönsten Pariser Wohnhäuser aber auch dem internationalen Adel verantwortlich, bestimmten die Mode und wurden selbst zu den größten Kunden der Porzellanmanufakturen wie der von Sèvres, indem sie Porzellanplatten in Möbel integrierten. Thomas-Joachim Hebert, Simon Poirier und Dominique Daguerre gehörten zu den bekanntesten Marchands-Merciers. Daguerre war es, der Weisweiler am meisten in Anspruch nahm und ihn mit der Anfertigung von Möbeln mit Porzellanplaketten beauftragte, wie z. B. ein vergleichbares Modell wie dieses Kabinett im Palast von Pawlowsk.

antique flask in green opaline glass and gilded metal with Sèvres porcelain medallions || Antieke flacon in groen opaline glas en gedoreerd metaal en versierd met medaillon in Sèvres porselein - hoogte : 13,5 cm

A Late 19th Century French Louis XV-Style Tulipwood, Rosewood, Kingwood and Gilt-Metal-Mounted Table à Ecrire, decorated overall with trompe l'oeil marquetry, the superstructure with a pierced brass gallery above cupboard doors with blue Sèvres-style oval porcelain mounts and an oak-lined frieze drawer with leather-covered sliding writing surface, oval porcelain floral plaques to the drawer and sides, on slender cabriole legs with gilt-metal foliate mounts and sabots, 66cm by 42cm by 94cmGenerally good, apart from the top which has a shrinkage split - as photographed. Small faults around the drawer front with small section of veneer missing. Superstructure parquetry section slightly dry and lifting very slightly, if being critical. Desk with some variations in colour, lower section and verso very slightly faded compared to the front.

Royal Crown Derby Imari Dinner Plate, Tea Cup and Saucer, together with a Royal Worcester blush ground twin handled vase, a pot pourri with cover, shape number 2295, 26cm high, and a Sèvres style porcelain and gilt metal vase, signed De Lys (one tray)

Fußschale, Sèvres. Halbkugelig, auf abgesetztem, runden Stand. Außenwandung mit grau-blauem Fond. Reiche Goldmalerei mit Blattranken und breitem Ornamentfries, polierte Goldränder. Gebrauchsspuren. Grüne Stempelmarke Manufacture royale et impériale de Sèvres, mit Dat. (18)61 unter der Glasur; die rote Dekormarke über der Glasur aus dem Jahr 1867. H. 10,5, D. 28,5 cm.

Jugendstil-Vase, Sèvres. Porzellan. Reliefierte Weinrankenmalerei mit Goldkonturen. Boden in Gold bez. "MB d'après Wennerberg" - Entwurf von Gustav Wennerberg bis 1914 in Paris. Stempelmarken Sèvres, mit Jahreszahl 1912. H. 25 cm.

Tiefer Teller, Sevres, Frankreich, Marke 1847, Stempel des Chateau d'Eu, bestellt von König Louis-Philippe für dieses Schloß 1836, danach wurden gestaffelt weitere Bestellungen aufgegeben, das für das Château d'Eu bestimmte Service für die Königstafel zeichnet sich, wie seine für Fontainebleau, Neuilly oder Trianon entworfenen Pendants, durch einen handgemalten Blumendekor aus, der von den besten Künstlern der Manufaktur Sèvres stammt, die Goldornamente zeichnen sich durch hohe Regelmäßigkeit aus, die Blumenreserven auf der Fahne sind auf hellgrünem Fond, Ø 23,5 cm

Paar Leuchter Nodus aus Porzellan mit Blumen-Weichmalerei (Sèvres?), wohl Frankreich Ende 19. Jh., Vergoldung stark ber., H. 16 cm

Deckenlampe im Sèvres-Stil, wohl Frankreich 20. Jh., Mittelkonsole aus polychrom bemaltem und goldstaffierten Porzellan mit ornamentierter Montierung. 5 gebogte Leuchterarme mit Kerzenfassungen, H. 65/D. 50 cm

Schenkkrug, Karaffe, Frankreich, 2. H. 20. Jh., Sèvres, quadratischer Stand, Korpus mit sich erweiternder Wandung, seitl. angesetzter Ohrenhenkel, klares Glas, Stand kobaltblaues Glas, Ätzstempelsign., H. 14,5 cm

Pair of gilt bronze figures of infants on round pedestal with painted porcelain in Sèvres style, French, 19th cnKoppel vergulde bronzen figuren van kindjes op ronde sokkel met beschilderd porselein in Sèvresstijl, Frans, 19e eeuwH 33 cm

Teller, "Galantes Paar", Limoges, 20. Jh., im Sèvres-Stil, polychromer Spiegel bezeichnet E. Furlaud, kobaltblaue Fahne mit rocailliertem Goldrelief, ø 22 cm

Late 19th century inlaid walnut and porcelain mounted credenza, the breakfront top over inlaid frieze and central door, centred by an oval Sèvres-style porcelain plaque within cast surround, enclosing a shelved interior, between cast gilt metal terms, flanked by two plush-lined glazed quadrant cabinets on plinth base with bun feet, 154cm x 38cm x 106cm high

Late 19th century porcelain and gilt mounted ebonised pier cabinet, rectangular top over inverted breakfront frieze centred on oval Sèvres-style porcelain plaque painted with Watteauesque scene flanked by floral plaques, over glazed door enclosing velvet lined shelved interior flanked by conforming porcelain quadrants, gilt metal terms and vertical conforming porcelain panels, on plinth base with shaped apron, 89cm x 36cm x 113cm high

Seltenes Kobaltfond-Teeservice. Sèvres. Grüne Marken und Rundmarke 1902/05. Kobaltfond mit feiner, ornamentaler Goldmalerei/-dekor. 5 kg. 27 Teile. Gedrückt gebauchte Teekanne (H 12,5 cm), Milchkännchen, Zuckerdose, 12 Tassen und 12 Untertassen. Schauseitig das ligierte Monogramm "ME". Minimale Bestoßung an der Schneppe. Aufrufzeit 14. | Juni 2024 | voraussichtlich 17:29 Uhr (CET)Rare cobalt fond tea service. Sèvres. Green marks and round mark 1902/05. Cobalt fond with fine, ornamental gold painting/decor. 5 kg. 27 pieces. A domed teapot (h 12.5 cm), milk jug, sugar bowl, 12 cups and 12 saucers. On the front the ligated monogram "ME". Minimal wear to the rim. Call time 14 | June 2024 | probably 17:29 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Art-déco-Vase mit Floraldekor. Sèvres. Anthrazitgraue Marke, Jahresbuchstabe h (1935). Bezeichnet. Formentwurf: 1926 von Jacques-Emile Ruhlmann (1879-1933); Dekorentwurf: von Yves Terrien. Unterglasurbemalung, Goldstaffage. H 39 cm. Hohe, ovoide Vase mit zylindrischem Hals. Über einem rosa-grauen Karomuster stilisierte Floralmalerei mit blühenden Opuntien und blauen Blumen. Hals und Schulter restauriert. Aufrufzeit 14. | Juni 2024 | voraussichtlich 18:41 Uhr (CET)Art deco vase with floral decoration. Sèvres. Anthracite gray mark, year letter h (1935). Marked. Shape design: 1926 by Jacques-Emile Ruhlmann (1879-1933); decoration design: by Yves Terrien. Painted underglaze, gold decoration. H 39 cm. Tall, ovoid vase with cylindrical neck. Over a pink-grey checked pattern, stylized floral painting with blooming opuntias and blue flowers. Neck and shoulder restored. Call time 14 | June 2024 | probably 18:41 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Empire-Teller mit Blumenmalerei. Sèvres. Schriftmarke, 1804-1814. Polychrom bemalt, goldstaffiert. Ø 23,5 cm. Glatter Teller mit Blumenmalerei auf der Fahne und in einem Spiegelmedaillon, im Spiegel blau-schwarzes Fondband in Marmoroptik. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:40 Uhr (CET)Empire plate with flower painting. Sèvres. Written mark, 1804-1814. Polychrome painted, gilt. Ø 23.5 cm. Smooth plate with floral painting on the rim and in a mirror medallion, blue-black marble-look base band in the mirror. Call time 14 | June 2024 | probably 10:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Gruppe "L'amour chirugien". Imitierte Bindenschildmarke, 2. H. 19. Jh./Anfang 20. Jh. Nach einem Modell der Porzellanmanufaktur Sèvres. Auf einer Recamiere liegende Venus, sich dem Aderlass durch Amor hingebend, zu ihrer Linken ein Amorknabe, den Teller für das tropfende Blut haltend. Minimale Bestoßungen am Sockelrand, linke Hand, linkes Bein der Venus sowie rechte Hand und linker Arm des Amor restauriert, Sockelrand und Kissen partiell restauriert. Aufrufzeit 14. | Juni 2024 | voraussichtlich 14:27 Uhr (CET)Group "L'amour chirugien". Imitated bandage mark, 2nd half 19th century/early 20th century After a model from the Sèvres porcelain manufactory. Venus reclining on a recamier, indulging in bloodletting by Cupid, on her left a Cupid boy, holding the plate for the dripping blood. Minimal wear to the edge of the plinth, left hand, left leg of Venus and right hand and left arm of Cupid restored, partial restoration to the edge of the plinth and cushion. Call time 14 | June 2024 | probably 14:27 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Prunkteller mit Groteskendekor. Sèvres. Republikmarke 1846, rote Marke Chateau de Fontainebleau und blaue Marke Louis Philippe 1846. Polychromes Dekor, Goldstaffage. Ø 24,5 cm. Auf der Fahne ein leuchtend farbiges Groteskendekor mit Wildtieren, Hunden, Symbolmedaillons und dem Monogramm "LP" (= Louis Philippe), im Spiegel eine goldene Rosette. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:39 Uhr (CET)Plate with grotesque decoration. Sèvres. Republic mark 1846, red mark Chateau de Fontainebleau and blue mark Louis Philippe 1846. Polychrome decoration, gold staffage. Ø 24.5 cm. On the flag a brightly colored grotesque decoration with wild animals, dogs, symbolic medallions and the monogram "LP" (= Louis Philippe), in the mirror a golden rosette. Call time 14 | June 2024 | presumably 10:39 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Prunkteller mit Puttenmalerei. Sèvres. Louis-Philippe-Marke 1840, rote Marke Chateau des Tuileries und blaue Marke 1844. Polychrom bemalt, goldstaffiert, Monogramm als Dekor. Ø 25 cm. Im Spiegel das von Putten flankierte goldene Monogramm LP (= Louis Philippe), auf der kobaltblauen, floral goldgravierten Fahne drei Ovalkartuschen mit einem Blumenbukett. Minimaler Goldabrieb am Rand. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:40 Uhr (CET)Pompous plate with putti painting. Sèvres. Louis-Philippe mark 1840, red mark Chateau des Tuileries and blue mark 1844. Polychrome painted, gilt, monogram as decoration. Ø 25 cm. In the mirror the gold monogram LP (= Louis Philippe) flanked by putti, on the cobalt blue, florally gold-engraved rim three oval cartouches with a bouquet of flowers. Minimal gold abrasion to the rim. Call time 14 | June 2024 | probably 10:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tasse mit UT"Nach dem Bade", Sèvres um 1800. Zylindr. Tasse m. Ohrenhenkel, UT m. steiler Fahne. Beide Teile m. großflächig kobaltblauem Fond m. reichen Goldranken, Tasse schauseitig m. rd. Reserve m. farbiger Szene einer Dame am Fluß, sich abtrocknend, gerahmt v. radiertem Goldband. Henkel weiß m. Golddekor, Lippe m. angepitztem Goldrand. Jew. am Boden m. Doppel-L-Marke m. eingeschriebenem "a", darunter Malersign. "LG" (jew. blau aufglas.), Ritznr. UT m. starkem Ascheflug, Gold stark berieben. UT D 13,8 cmAkt, Boucher, Doppel-L-Marke, Frankreich, Frau, Golddekor, kobaltblau

Ein Paar Deckeltassen mit Löffeln auf Presentoir - wohl Louis Lourioux, Foecy, Frankreich, Anfang 20. Jh., Porzellan, grüner Gitternetz-Fond, goldgerandete Reserven mit polychromer Blumenmalerei, Goldstaffage, wohl für Senf oder Marmelade, am Boden jeweils mit Sèvres-Marke, Henkeltablett zusätzlich bezeichnet "Modèle et décoration exclusive à la main", 1x Deckel unterseitig restauriert, Tablett L.xB. ca. 26,5 x 13 cm

Sèvres, Büste Napoléons als Erster KonsulDatiert 1894 bzw. 1896. Nach dem Modell von Simon Louis Boizot (1743–1809). Büste aus Biscuit-Porzellan mit blindgeprägter Marke "SEVRES" und Bezeichnung "VC-96-12". Teilvergoldeter Sockel aus kobaltblau glasiertem Porzellan. Im Stand grüne Fabrikmarke "S.94" und rote Marke der Vergolderwerkstatt "DORE A SEVRES 96". H 25,5 cm.- Minimale Altersspuren und Brandrisse (Büste).

Vase, blauer Fond, schauseitig goldgerahmte Reserve mit einer fein farbig gemalten Darstellung nach einer Gemäldevorlage, goldradierte Blüten, Goldränderung, H 33, min.ber., Sèvres, 1866

A Collection of 19th Century and Later English Porcelain etc, including Derby, Minton's, Sunderland Lustre, Ridgeway, Sèvres style plate etc. (two trays)Derby - sucrier cover lacking, one handle missing, chips to feet. tea cup very short crack to rim.Minton's - waste bowl with two large cracks. breakfast cup with a crack. star cracks to both saucers.Sunderland Lustre - both saucer dishes badly chipped. cream jug crack to base. two saucers badly cracked. four cups badly cracked. general wear and staining throughout.Ridgeway - teapot with loss to spout, signs of an old staple repair, two large rim cracks, handle reattched with signs of an old staple repair. sucrier lacking coverSèvres - light gilt rubbing.Black basalt bowl - good condition.Royal Worcester miniature mug - good condition. Chinese tea bowl - slight fritting.Monochrome printed bowl - stained star crack to the base.Bat printed bowl - general wear.

Paul Millet (1879 - 1950) Pair of vases in Sèvres porcelain with gilded bronze mount. 37 x 13 x 13 cm.

A scalloped sweet plate, Chinese export porcelain, polychrome and gilt decoration «Tobacco Leaf with oriental figure», back of the flap with blue and sepia decoration "Flowers", Qianlong period (1736-1795), hairline, minor faults on the edge glaze, wear on decoration. Notes: vd. DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, p. 115., Dim. - 16 cm

A scalloped plate, Chinese export porcelain, polychrome and gilt decoration «Tobacco Leaf with pheasants and mouse», back of the flap with blue and sepia decoration "Flowers", Qianlong period (1736-1795), small chip on edge, small chip on bevel, wear on decoration. Notes: vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 278; and DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 102-104., Dim. - 23,6 cm

A pair of scalloped plates, Chinese export porcelain, polychrome and gilt decoration «Tobacco Leaf with pheasants»,Qianlong period (1736-1795), hairlines on the edges, chips, faults on the edge glaze, wear on polychrome. Notes: vd. DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 102-105., Dim. - 23,5 cm

An oval salt cellar, Chinese export porcelain, polychrome and gilt decoration «Pseudo Tea Leaf», Qianlong period (1736-1795), wear on decoration. Notes: vd. DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 206-209., Dim. - 3,5 x 8 x 6 cm

A Sèvres Cristal oval clear glass bowl, 1970s, surmounted at each end by a frosted glass bird, length 30cm, a similar smaller example with one bird, length 18cm, and a pair of Sèvres Cristal candlesticks, height 20.5cm, each piece with acid etched mark to base.

CLAIRE BERTRAND-EISENSCHITZ* (Sèvres 1890 - 1969 Cachan)Blumenstrauß in großer VaseÖl/Karton, 54 x 38 cmsigniert Bertrandverso Etikett: Claire Bertrand 1890-1996, "Bouquet au grand vase"SCHÄTZPREIS °€ 600 - 1200STARTPREIS °€ 600Die französische expressionistische Malerin Claire Bertrand-Eisenschitz war die Frau des österreichisch-französischen Malers Willy Eisenschitz, Mutter der Malerin Eveline Marc (Évelyn Marc, Evely Marc) und des Fotografen David Eisenschitz und Großmutter der Malerin und Bildhauerin Délie Duparc (Estelle Delvolvé). Ihr Vater war der Geologe Marcel Bertrand, ihre Mutter die Pianistin and Mathilde Mascart. Claire Bertrand war die Enkelin des Mathematikers Joseph Bertrand. Bertrand studierte in Paris an der Académie Julien und an der Académie de la Grande Chaumière, in der Klasse von René Ménard und Lucien Simon. Dort lernte sie Willy Eisenschitz kennen, den sie 1913 heiratete. Eisenschitz wurde für die Dauer des Ersten Weltkrieges interniert. Sie folgte ihm freiwillig ins Internierungslager. Dort kamen David und Evelyne zur Welt. 1921 und 1922 stellte sie in der Société nationale des Beaux-arts aus und 1922 bis 1938 im Salon d’automne. Weitere Ausstellungen: Salon des artistes indépendants, (1922 à 1930), Salon d'automne, de 1922 à 1938, Billiet (1927 und 1937), Salon des Tuileries (1928 bis 1943), Les vingt-deux, groupe féminin (Édith Auerbach, Claire Bertrand, Chériane, Rolande Dechorain, Adrienne Jouclard; Galerie Bonaparte, Paris, 1937), Une famille de peintres (Galerie Allard, mit Willy Eisenschitz und Evelyn Marc).Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer von 13%, bei Fotografien 20% hinzu. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

A pair of jardinieresBlue glaze Sèvres style porcelain of gilt and polychrome cartouches decoration to one side. On the opposing sides a courting and a putti composition respectively.Gilt bronze mountsFrance, 19th century38x54x24 cm

A Napoleon III low cupboardRosewood and jacaranda veneeredGilt bronze mountsTwo doors featuring porcelain medallions, probably by the Sèvres factoryMarble topStamped "P. PIONNEZ DE ME"France, 19th century(signs of wear)101x106x40 cm

PART DINNER SERVICE, Sèvres, comprising thirty three dinner plates, twenty one gilt edge plates, twelve soup bowls, a cake stand, lidded sauce boat and three serving gondolas, all with gilt letter 'M' monogram. (Qty)

Kleine Ziervase in der Art von Sèvres. Frankreich. Um 1800. Porzellan, vergoldete Bronzemontierung. Gesamthöhe: 18 cm. Doppel-L-Marke in der Art von Sèvres. Am oberen Rand rep. Floraler Goldreliefdekor auf Türkisfond -

Sèvres Tête-à-Tête im Koffer6-tlg., Sèvres, 1804-1814, Ausführung wohl später, in einem lederbezogenen Koffer, Porzellan, weiß, kobaltblauer Fond, polychrom bemalt, gold staffiert, in den Kartuschen Schlachtenszenen aus dem Leben Napoleons, signiert L. Chevillard, bestehend aus 1 Tablett, L 46 cm, 1 Kaffeekanne, H 16 cm, 2 Tassen, 1 Milchkännchen, H 9,5 cm und 1 Zuckerdeckeldose, H 12 cm, Stempelmarke in rot, Zustand B/C, die 2 Unterteller absent und Sahnekännchen an der Tülle bestoßen, partiell GoldabriebSèvres tête-à-tête in case6-piece, Sèvres, 1804-1814, probably later, in a leather-covered case, porcelain, white, cobalt blue background, polychrome painted, gold painted, in the cartouches are battle scenes from the life of Napoleon, signed L. Chevillard, consisting of 1 tray, l 46 cm, 1 coffeepot, h 16 cm, 2 cups, 1 creamer, h 9,5 cm and 1 sugar cover box, h 12 cm, stamp mark in red, condition B/C, the 2 saucers absent and creamer bumped at the spout, partial gold abrasion

Sèvres-Stil Mokkaservice16-tlg., im Sèvres-Stil, Ende 19. Jh., Porzellan, weiß, monochromer türkisblauer Fond, polchrome Bemalung und Goldstaffage, jeweils mit zentralem Medaillon mit einer Bordüre aus vergoldetem Blattwerk, das das gekrönte Louis-Philippe-Monogramm zeigt, umgeben von gebundenen Lorbeerkränzen und flankiert von geflügelten Putten, die Blumen halten, 6 Tassen und 6 Untertassen, 1 Kaffee/Mokkakanne, H 20 cm, 1 kleiner Krug, H 14,5 cm, 2 gefußte Anbietschalen, H 6,5 cm, Ø 21,5 cm, blaue Louis-Philippe-Marke 1844 und rote Chateau des Tuileries Marke, Nummerierungen in Aufglasurgrün, partiell Ritznummern, Zustand B/CSèvres style mocha service16-piece, in the Sèvres style, late 19th century, Porcelain, white, monochrome turquoise-blue ground, polychrome painting and gold staffage, each with a central medallion with a border of gilded foliage depicting the crowned Louis-Philippe monogram, surrounded by bound laurel wreaths and flanked by winged putti holding flowers, holding flowers, 6 cups and 6 saucers, 1 coffee/mocha pot, h 20 cm, 1 small jug, h 14.5 cm, 2 footed serving bowls, h 6.5 cm, Ø 21.5 cm, blue Louis Philippe mark 1844 and red Chateau des Tuileries mark, numbered in onglaze green, partially incised numbers, condition B/C

A French ormolu mounted Sèvres mantel clock, late 19th Century, of Louis XVI style, having 8 day striking movement by Japy Freres, the case of arched architectural form surmounted by a painted urn on shaped base, inset with painted porcelain panels depicting a cherub amongst sprays of flowers raised on a shaped giltwood plinth, 41cm tall. The clock winds, sets and is ticking although we cannot guarantee its fully operational .Additional pictures added to the listing    

Frankreich Schwanentassewohl Edmé Samson Paris oder Gustav Ad. Stulz Straßburg, um 1900, aufglasurblaue Sèvres-Imitationsmarke mit Buchstabe A bzw. S, ovale Form, Tasse als plastischer Schwan in Biskuitporzellan mit umlaufend reliefiertem Federkleid, Schwanenhals als Henkel und fast kompletter, teils polierter Vergoldung, dazugehörige Untertasse mit Ornamentfries und glasiertem Boden, guter altersgemäßer Zustand, H komplett 12 cm.

Four boxes of miscellaneous china to include a box of Royal commemorative mugs and a large collection of plates, bowls and a gold and cream tea service, together with two Dresden floral decorated vases and covers and a pair of Sèvres style butterfly decorated hexagonal vases together with a 19th Century set of steel fire irons comprising shovel, tongs and poker together with a spare poker and fork and a late Victorian oak cased barometer thermometer inscribed “Chadburn & Son Lord St Liverpool” (glass cracked)

SÈVRES; a hand painted ceramic vase of baluster form painted with oval teardrop panels depicting a maiden in landscape and floral detail, height 23cm, and a further pedestal vase with gilt metal mount with Sèvres pseudo markings (2).

Victorian ebonised, thuya wood and gilt metal mounted credenza, with central cupboard door, inset with Sèvres style porcelain plaque, with flanking glazed doors, all between projecting columns, on bun feet, 183cm wide x 40cm deep x 108cm high

A Sèvres Style Porcelain and Gilt Metal Mounted Ewer, early 20th century, blue ground, with tooled gilding and enamelled with two panels depicting putti at various persuits41cm highSome general wear. No repair.

A Pair of Gilt-Metal-Mounted Sèvres-Style Porcelain Vases and Covers, 19th century, of urn shape with leaf-sheathed finial, ram mask and ring handles and stiff leaf borders, painted with 18th century lovers in landscape and with flowersprays within jewelled gilt panels on a bleu ciel ground, on fluted circular socles and stiff leaf cast bases, both covers with inscriptions to inside and bearing dates 183430cm high, on giltwood standsNo chips, cracks or repair to the porcelain. Gilding and mounts in good condition. Mounts slightly loose. Some very minor loss to the jewelling on the cartouches.

SOLITAIRE MIT RANKENDEKORATIONEN UND TIEFBLAUEM FOND. Frankreich. Datierung: 19.Jh. Meister/Entwerfer: In der Art von Sèvres. Technik: Porzellan, kobaltblauer Fond, farbig staffiert. Beschreibung: Bestehend aus Kännchen, gefußter Kuchenplatte, Zuckerdose, Milchkännchen, Tasse und Untertasse. Maße: Höhe des Kännchens 10,5, ø der Platte 22,5cm. Marke: Marke in der Art von Sèvres. Voraussichtliche Versandkosten für dieses Los: Deutschland: 52,00 Euro inkl. 8,30 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 140,00 Euro inkl. 22,35 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Frankreich Porzellan Solitaire

cassa in metallo dorato di gusto neo rococo', sormontata da un'urna e decorata con placche in porcellana policroma azzurre e blu nei modi di Sèvres, nella base, piccole placche raffiguranti un giovane amorino e una ghirlada fiorita. Quadrante in smalto bianco con numeri romani, lancette a fiore in acciaio brunito, movimento a pendolo con scappamento ad ancora, sospensione a filo di seta, suoneria ore e mezze su campana; Alt.33 cm, larg. 24 cm, prof. 11 cm. AN ORMOLU MANTEL CLOCK AND PAINTED PORCELAIN PLAQUES, FRANCE, CIRCA 1880

CREDENZA, Victorian ebonised, gilt metal inlaid and mounted with Sèvres style plaques, panel door and bowed glazed doors, 154cm X 42cm D x 105cm H.

Sèvres, an exceptionally large vase with a hand-painted decor, France, 19th century.'Lapis Lazuli' glazed ceramics, mounted with gilt bronze. On the inside marked with red mark: Decoré à Sèvres, 67' for 1867. Romantic decor signed S. Baldisseroni, 1867.  Condition report: - Missing the upper bronze ring on the backside. - The vase is Probably missing the lid. Otherwise in excellent condition.Dimensions: (L:37 x W:52 x H:76 cm)