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Assorted Ceramic and Glass, including 18th century Sèvres saucer, Quimper pig, gilt metal mounted table casket, various advertising pieces, including Worthington, early 19th century glass including finger bowls, small funnels, etc (two trays)

A pair of French Empire style gilt bronze mounted blue ground Sèvres style vases and covers, 19th C.H 45 cm

A rare set of twelve reticulated polychrome porcelain plates, Sèvres, Château des Tuileries mark, France, 19th C.Dia.: 23,3 cm

A French three-piece gilt bronze mounted Sèvres style clock garniture, 19th C.H 58 cm (the candlesticks)H 55,5 cm (the clock) The work marked 'H. Luppens', inscribed with the number '910' and with the 'Medaille de bronze' mark. 

Sèvres porcelain centrepiece in Bleu Royale, mounted in mercury-gilt bronze. The highly elegant piece is decorated with hand-painted bucolic scenes and floral motifs in rich colours. The gilt details and delicate workmanship make this centrepiece a luxurious piece, perfect for highlighting any high-quality decorative porcelain collection. It remains in its original condition, with no signs of wear.

Pair of five-arm candelabras made of finely worked gilded bronze, combined with Sèvres "Bleu Royale" coloured porcelain. The design stands out for its elegant composition, with ornaments that enhance the delicacy of the piece. The contrast between the gilded materials and the blue porcelain provides a distinguished and refined visual effect. These candelabras are representative of the decorative style of the 19th century, with a classic and majestic air.

Sèvres: Pair of large bronze mounted and raised gilded vases on pivoting pedestal in Sèvres porcelain with a representation of the paintings by Jean-Honoré Fragonard "La Fontaine d'amour" and "Le Serment d'amour". Marked. Late 19th century. | Height: 96 cm.Bronze base: 24 x 24 cm.

European porcelain: Limoges in the manner of Sèvres. Round coffee table in gilded bronze with a double porcelain plateau signed M. Lebret. Circa 1950. | Height: 60 cm.Diameter: 45.5 cm.

European porcelain, Sèvres, Château de fontainebleau. A large ornamental dish signed E. Grisard. Marked with the blue interlaced L's, 19th century. | Diameter: 51 cm.Height: 3 cm. | Condition: Good original condition.

European porcelain in the manner of Sèvres, a set of 6 large porcelain plaques in a bronze LXVI style frame, 6 smaller ones without frames attached. Circa 1900. | Wooden Frame: 105 x 65 cm.Largest bronze frame: 26 x 17 cm.Small plaques: 7 x 4.5 cm. | Condition: Good condition.

A Sèvres coffee can and saucer (gobelet litron et soucoupe), of the second size, the porcelain 1775, the decoration 19th century, painted with flowers in on-glaze polychrome enamels, the saucer 14cm diam, painted underglaze blue interlaced Ls, x date code and gilder’s monogram BD for Baudouin Good condition, some surface wear and spitting

A Chamberlain’s Worcester flared cylindrical cabinet cup, c 1810, painted with a cowrie shell, a mussel and seaweed, in a gilt canted square reserve, apricot ground with seaweed gilding, loop handle, 7cm h, inscribed in red Chamberlain’s Worcester, a Chamberlain's Worcester circular box, c 1800, the cover painted with Sappho, 5cm diam, inscribed in gilt Sappho and Chamberlain's Worcester, and a later gilt metal-mounted porcelain box and cover, c 1900, painted with roses, 5cm w, traces of pseudo-Sèvres mark, (3) The Chamberlain's seashell cracked, but stable. Sappho cover edge restored. Otherwise each of the three pieces in generally good condition, with some surface wear to decoration and gilding.

Set of Sèvres platestogether with three shaped dishes and two oval form dishes, each piece white ground, painted with various flowers and scrolling admiral blue and gold detailing, most pieces marked to the base (19) With firing imperfections. With cracks. With signs of wear consistent with age and use. Some pieces with crazing. Some pieces with staining/discolouration. One piece with large chip.

A Sèvres blue and green-ground part déjeuner, c.1759, blue interlaced Ls, some pieces with date letter F for 1759 and painter’s mark for André-Vincent Vielliard père, each piece reserved with gilt-scroll-edged cartouches painted with scenes of children in landscape, the bleu lapis ground embellished with circles of gilt dots and green-ground gilt-scroll-edged panels, comprising: a tray (plateau tiroir à jour), a cup and saucer (gobelet Bouillard et soucoupe), a milk jug and cover (pot à lait Herbert), and a two-handled sugar bowl and cover (pot à sucre Bouret), the déjeuner with a glazed display case with fitted standsProvenance: North Mymms Park, Hertfordshire.Footnotes: Note: A blue and green ground déjeuner, similarly painted with figures by Vielliard père, is illustrated and discussed by Rosalind Savill, The Wallace Collection Catalogue of Sèvres Porcelain, London, 1988, cat. no. 401-6, pp. 617-621, where the author mentions that the children on the Wallace Collection service derive from various paintings and drawings by François Boucher.Condition Report: Overall this very fine déjeuner presents very well and is not tired-looking from wear and use, but there are a few small condition issues, which are listed in detail below: tray: One of the husks on the raised gallery border has been broken out, restuck and retouched to disguise it.  This repair is very discreet and not obvious to the naked eye (the affected husk is on the top side, the third from the left).  The restuck husk appears to be original (it is very difficult to be sure if there are minute filled areas along the break).  There is some very slight wear to the edge of the rim in places (this is very minor).  On the underside there is a minute firing fault loss adjacent to the edge (at 7 o’clock) which dates from the time of manufacture (and is extremely minor). Milk-jug: There is some slight wear to the gilding on the rim and handle.  There is some restored chipping to the rim of the cover - when the cover is viewed from above, with the pointed part (that covers the spout) at 6 o’clock, the repaired rim areas are between 9.30 and 11 o’clock and between 3 and 7 o’clock.  The finial is also lacking. Two-handled cup: There is some wear to the gilt dentil rim on the interior side of the rim (the part of the dentil rim which is on the exterior is unaffected).  There are some minute areas of wear to the gilt dentil rim of the saucer (this is very minor), and some small areas of the gilt cartouches with wear (these are minor). Sugar-bowl: There is some wear to the gilt dentil rim on the interior side of the rim (the part of the dentil rim which is on the exterior is unaffected).  On the cover the finial is lacking, and there is some minute wear to the edge of the gilt rim (this is very minor).Images for reference are available to download here: https://we.tl/t-9tk5PZqgVu 

After Etienne Maurice Falconet, French, 1716-1791, after François Boucher, a French bronze group of the drunken Silenus, second half 18th century, depicted in Bacchic revelry, with three nymphs and two putti playing with grapes, the naturalistic base with two upturned urns and a basket, 20cm high, 27cm wide, 22cm deepProvenance: The George Farrow Collection.Footnotes: Note: The current composition of the drunken Silenus was also made in biscuit porcelain at the Sèvres factory and the first copy delivered to Louis XV in 1759.  The original terracotta is in the Musée de Céramique-Sèvres.  Falconet based the model on an engraving by François Boucher.

A pair of gilt-bronze mounted Sèvres style porcelain pedestals, late 19th century, of tapering rectangular form with verde antico marble plateaux, the central sections painted with 18th century hunting scenes with finely dressed figures on horseback with hounds in landscapes, each signed H. Desprez, the waisted blue-ground capitals and socles gilt with hunting trophies within scrolling foliage borders, each mounted with scrolling foliage, on rectangular verde antico marble plinth bases centred by masks of Hercules wearing the head and pelt of the Nemean lion, 117cm high overall, the marble tops 35.8 x 35.8cm (2)Footnotes: Note: a similar pair of Sèvres style porcelain and vert maurin marble pedestals sold at Christie's New York, 16 April 2015, lot 10 ($30,000). 

A gilt-bronze mounted Sèvres-style porcelain dish, late 19th / early 20th century, the dish with pseudo-Sèvres interlaced Ls mark, the centre painted with a wooded river landscape scene with a couple in a punt and a punter, the blue-ground border reserved with panels of flowers within elaborate gilt borders, the dish mounted with two foliate-scroll handles, the rim mount adorned with flowers and scrolling foliage, on four foliate feet and pendant swags, 17cm high, 42cm wide overall Condition Report: With the exception of the wear to the gilding (where the gilt design is worn away in places), this lot appears to be in good condition. 

A pair of large gilt-bronze mounted Sèvres-style blue-ground oviform vases and covers, late 19th century, the covers with pseudo-Sèvres interlaced Ls mark, the central bodies painted with 18th century scenes of finely dressed figures in park landscapes, dancing, playing games and at discussion, the reverses with chateaux, divided by satyr-headed handles , the blue-ground waisted necks, domed covers and socle feet with gilded foliate motifs and urns with flowers, on square plinth bases, each vase and cover 99cm high overall (2)Condition Report: These impressive vases and covers appear to be in overall good condition, with few signs of damage to the porcelain. The gilt-bronze mounts have some small spots of verdigris. One vase is somewhat loose on the socle base and needs to be handled carefully. Images for reference are available to download here: https://we.tl/t-YWtinbIU1E   

A pair of large gilt-bronze-mounted Sèvres style porcelain vases and covers, late 19th / early 20th century, pseudo-Sèvres interlaced Ls mark to covers, of cobalt blue ground, each of baluster form with long tapering bodies, the covers with pineapple finials and gilt laurel band, with waisted necks enriched with gilding, the bodies with elaborate scrolling handles surmounted with nymph heads and leafy branches, each body painted with a continuous scene of French aristocrats at leisure with chateaux to the reverse, signed Lucot, with socle and square base with four paw feet, each vase and cover 135cm high (2) Footnotes: Note: A pair of similar Sèvres style vases and covers with decoration signed Lucot sold at Christie's New York, 18 April 2013, lot 77 ($75,000). Condition Report: These large and impressive vases have some condition issues, including cracks to the porcelain, extensive crazing, and some evidence of restorative glaze revealed under UV light. The gilt-bronze mounts appear to be in good overall condition, with a couple of minor spots of verdigris. Images for reference, including of the vases disassembled, are available to download here: https://we.tl/t-5JJvAbTdrT  

A FRENCH PORCELAIN PART DESSERT SERVICE IN SÈVRES STYLE, 19TH CENTURYpainted with floral sprays and with gilt borders with interlaced blue marks initialled 'LF' comprising; a pair of comports, a pair of lozenge shaped dishes and six plates (10)23.8cm (max)ProvenanceThe contents of The Grange, Wendover.

A scalloped plate, Chinese export porcelain, polychrome and gilt decoration «Tobacco Leaf with pheasants and mouse", back of the flap with blue and sepia decoration "Flowers", Qianlong period (1736-1795), small chips, wear on decoration. Notes: vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 278; and DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 102-104., Dim. - 22,8 cm

A small tureen with an oval stand, Chinese export porcelain, «Pseudo Tea Leaf» polychrome and gilt decoration, handles and cover finial en relief, Qianlong period (1736-1795), wear on polychrome. Notes: vd. DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 206-209., Dim. - (terrina) 14 x 21 x 12 cm; (travessa) 19 x 14 cm

two antique pieces of marked Sèvres porcelain with a bowl with gilded bronze mounting and a dishLot (2) gemerkt Sèvres-porselein met een antieke coupe met een montuur in gedoreerde brons en met een schaal in met beschilderingen, getekend Guillou ( diameter : 24,7 cm) en een schaal met een verliefd koppeltje (diameter : 28,2 cm)

pair of antique vases in gilded bronze and Sèvres porcelain with painted scenesPaar antieke vazen in gedoreerde brons en Sèvres-porselein met beschilderingen telkens met een koppeltje - hoogte : 25 cm

antique 3pc garniture in Sèvres porcelain with a centerpiece with paintings, signed Delys, and a pair of vases, signed RayalAntiek driedelig kaststel in Sèvres-porselein met een coupe (breedte : 34 cm) met beschildering, getekend Delys, en een paar gedekselde vazen met beschilderingen, getekend Rayal (hoogte : 27 cm)

antique lidded box in "Sèvres Château des Tuileries" marked porcelain with fine paintings, signed LefèvreGedekselde doos in porselein, gemerkt "Sèvres Château des Tuileries", met fijne beschilderingen getekend Lefèvre - 8,5 x 18,5 x 14,5 cm

three antique plates in Sèvres porcelain, of which two are markedLot van drie antieke borden in Sèvres-porselein, waarvan er twee gemerkt zijn, met fijne beschilderingen - diameters van 22 tot 23,5 cm

antique vase in bronze and Sèvres marked porcelain with paintings, signed E. FrogerAntieke gedekselde vaas in brons en gemerkt Sèvres-porselein met een beschildering getekend E. Froger - hoogte : 41 cm

SÈVRES Tasse mit Untertasse, um 1850. Tasse und Untertasse aus Weißporzellan mit kobaltblauem Fond, umlaufend sowie im Tassenboden und am Lippenrand mit reichhaltiger Goldornamentik, roséfarbener Innenrand der Tasse mit weiß gehöhten Punkten. Blaue "SÈVRES"-Marke mit grüner Stempelung "S. 48". D Untertasse 14, 5 cm/ D Tasse 10 cm. Vergoldung tlw. berieben, Alters- und Gebrauchsspuren.| SÈVRES cup with saucer, around 1850. Cup and saucer made of white porcelain with a cobalt blue background, with rich gold ornamentation all around as well as in the base of the cup and on the edge of the lip, rose-colored inner edge of the cup with white highlighted dots. Blue "SÈVRES" stamp with green stamp "S. 48". D saucer 14.5 cm/ D cup 10 cm. Gilding partly rubbed, signs of age and wear.

FRANKREICH Deckeltasse im Sèvres-Stil, 19. Jh. türkisfarbener Fond, aufwendige Vergoldung, goldfarbene Pinselmarke auf Tasse und Untertasse, Tasse am Rand besch. und geklebt, Brandpunkte im inneren, D 7 cm, Unterteller 12, 5 cm, Vergoldung partiell berieben.| FRANCE Lidded cup in the Sèvres style, 19th century. Turquoise background, elaborate gilding, gold-colored brush mark on cup and saucer, cup dam. and glued, fire spots inside, diameter 7 cm, saucer 12.5 cm, gilding partially rubbed.

SÈVRES; an early 20th century cobalt blue teapot and cover with gilded detail, height 12cm.Condition Report: The cover and teapot has been extensively restored, the who piece has been sprayed.

Konvolut von acht PorzellanteilenHöhe der Vasen: zwischen 10 und 41 cm. Höhe der Deckeldose: 5 cm. Breite: 13 cm. Tiefe: 7 cm.Unterschiedliche Manufakturen: Sechs mal Meissen mit unterglasurblauer Schwertermarke, Deckeldose: Sèvres, Hohe Henkelvase mit Deckel: Dresden.19./ 20. Jahrhundert.Eine Vase indisch purpur, die anderen mit Vergoldung und überwiegend Streublumenmalerei. (14101039) (18))

Bedeutende Pendule mit Allegorie auf Freundschaft und Liebe, welche die Zeit aufhalten89 x 62 x 21 cm.Datiert „1809“.Frankreich, 1809.Gehäuse Bronze ziseliert und vergoldet. Auf vier Füßen ruhende, rechteckige Basis mit Blattwerkfries und symmetrischem, antikisierendem Reliefdekor und zentralem Masqueron. Darauf Chronos die Weltkugel mit der Zeit schulternd, in seiner Hand eine Sense. Chronos wird auf elegante Weise zu seiner linken von der allegorischen Figur der Freundschaft und zu seiner rechten von der allegorischen Figur der Liebe in Gestalt des Amor mit seinem attributivem Beiwerk Köcher und Bogen, am Fortschreiten gehindert.Zifferblatt: In versilberten Messing mit römischen Stunden und Stabindizes für Minuten in Schwarzlot.Funktion: Ein Pendel und ein Aufzugsschlüssel vorhanden, Werkabdeckelung hinten durch Drehmechanismus. Aufzugslöchlein außerhalb des Zifferringes. Schlossscheibenschlagwerk auf Glocke zur vollen und zur halben Stunde.Gemäß der Auskunft des Einlieferers wurde die Uhr komplett zerlegt und das Uhrwerk revidiert, verso auf Rückplatine mit entsprechendem Datum aus 2024 versehen.Literatur:Vgl. Ausst.Kat. Leningrad 1984, Nr. 37. Vgl. Hans Ottomeyer und Peter Pröschel, Vergoldete Bronzen, Die Bronzearbeiten des Spätbarock und Klassizismus, Band 1, München 1986, S. 345, Nr. 5.5.12. Dort Vorzeichnung Pierre-Philipe Thomires von 1813, bezeichnet: Leteme emporte les heures, lamour et lamitié, cherchent á le fixer“, verwahrt im Historischen Museum Frankfurt als Vorlage zur Einrichtung der Würzburger Residenz angefertigte Skizze (vgl. 5.2.11 im gleichen Buch).Anmerkung:Thomire stammte aus einer Familie von Ciseleuren und arbeitete zunächst mit dem berühmten Bronzier Pierre Gouthière (1732/45-1813/14) und dem Ciseleurdoreur du roi Jean-Louis Prieur (gest. ca. 1785-1790) zusammen, bevor er 1776 seine eigene Werkstatt eröffnete. Thomire, der für seine fein ziselierten Goldbronze Objekte berühmt war, die in großer Zahl vom königlichen Haushalt in Auftrag gegeben wurden, arbeitete häufig mit Marchands Merciers wie Simon-Philippe Poirier und dessen Nachfolger Dominique Daguerre zusammen und lieferte regelmäßig Passepartouts an berühmte Ebenisten wie Adam Weisweiler (Maître 1778) und Guillaume Beneman (Maître 1785). Nach dem Tod von Jean-Claude Duplessis, dem künstlerischen Leiter der Porzellanmanufaktur von Sèvres, im Jahr 1783 übernahm Thomire die Rolle des Bronzierers und Designers der Manufaktur. Thomire war einer der wenigen Künstler, der die Revolution überlebten und erhielt weiterhin wichtige Aufträge von ausländischen Königshöfen wie Spanien und Russland. Im Jahr 1804 gründete er ein neues Unternehmen unter dem Namen Thomire, Duterme et Cie. und wurde 1809 von Napoleon zum „Ciseleur de l‘Empereur“ ernannt. Im Jahr 1811 arbeitet er mit dem Silberschmied Odiot an der Ausführung der berühmten Wiege für den Königvon Rom zusammen.Vgl. Wordsdale, 1978, S. 40, hier wird eine solche Uhr – vielleicht mit der hier angebotenen ident – in einer Rechnung von 1812 erwähnt, die eine Lieferung Thomires für die Residenz Napoleons in Florenz beschreibt und mit 3600 francs veranschlagt.Weiter wohl spätere Uhren dieser Art sind in der Eremitage in St. Petersburg (Ausst.Kat. Ledningrad 1984, Nr. 37) und im Österrischiem Museum für angewandte Kunst zu finden, haben jedoch einen Marmorsockel in Rouge Royal mit applizierten Bronzen. (1410451) (13)Important pendulum clock with Allegory of Friendship and Love, stopping Time89 x 62 x 21 cm.Dated “1809”.France, 1809.Literature: cf. Exhibition catalogue Leningrad 1984, no. 37.cf. Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, Die Bronzearbeiten des Spätbarock und Klassizismus, vol. 1, Munich 1986, p. 345, no. 5.5.12. Notes:There is a preliminary drawing by Pierre-Philippe Thomire from 1813, inscribed: “Leteme emporte les heures, l‘amour et l‘amitié, cherchent á le fixer”, held at the Historisches Museum Frankfurt as a template for the furnishing of the Würzburg Residence (cf. 5.2.11 in the same book). cf. Wordsdale, 1978, p. 40, here such a clock – perhaps identical with the one on offer for sale in this lot – is mentioned in an invoice from 1812, which describes a delivery by Thomire to Napoleon‘s residence in Florence and estimates it at 3600 francs.

Bracquemond, Felix: (1833 Paris - Sèvres 1914). Portrait Charles Meyron. Radierung auf Bütten, 1835. Aus: Gazette des Beaux-Arts. Plgr. 19,5 x 14,5 cm. Blgr. 26,6 x 17,5 cm. Mit Adresse oben li., Monogr. u. Dat. sowie unten re. "Imp. A.Salmon" i.d.Pl. Stempel " EHA" (nicht bei Lugt). Verso 2 Klebestreifen. - Kräftiger Druck, Ränder tls. gebräunt u. oben leicht fl., ansonsten guter Zustand. R

JARDINIEREParis um 1900 Ovale Porzellanschale mit farbig gemalten Blumenranken und Streublumen. Mit vergoldeter Bronzemontur. Sèvres-Marke. 7x14,5x10cm.

Sèvres-style biscuit glazed model of a seated child writing, interlaced 'L' mark to back and indistinctly signed, 30cm high

19th century Sèvres Louis Philippe bowl, decorated in gilt, stamped marks to base, 14cm diameter

German porcelain custard cup and cover, and a Sèvres-style custard cup and cover, both painted with flowers

Pair of French candlesticks Napoleon III in Sèvres style with hand-painted romantic decor and gilt rams' heads, 19th centuryKoppel Franse kandelaars Napoleon III in Sèvresstijl met handbeschilderd romantisch decor en vergulde ramskoppen, 19de eeuwH 50 cm

Pair of white porcelain and cobalt-coloured Sèvres-style vases, probably early 20th century, handles shaped like lion's heads and decorated with landscapes with gilding and an accompanying milieu de table in the same style, markedPaar wit porseleinen en kobaltgekleurde vazen in Sèvres-stijl, waarschijnlijk vroeg 20ste eeuw, handvaten in de vorm van leeuwenkoppen en gedecoreerd met landschappen met verguldsels en een bijhorende milieu de table in dezelfde stijl, gemerktH 24.5 - 40 cm

Pair of cobalt blue Sèvres vases with hand-painted decoration of romantic scenes and landscapes signed A Bost and bronze mounts, markedKoppel kobaltblauwe Sèvres vazen met handbeschilderd decor van romantisch scènes en landschappen getekend A Bost en bronzen monturen, gemerktH 57.5 cm

Lot miscellaneous, Sèvres pill box, nacré box, flaçons with silver lid, tea strainer and drip holder and green Art Deco ashtray with engraved female figureLot varia, Sèvres pillendoos, doosje met nacré, flaçons met zilveren deksel, theezeef en druppelhouder en groene Art Deco asbak met gegraveerde vrouwenfiguur

Potpourrivasen im Sèvres-Stil um 1900, bauchiger Korpus auf eingezogenem Fuß, eingezogener Hals mit durchbrochen gearbeitetem Deckel, seitliche Handhaben in Form von Widderköpfen, auf türkisgrünem Fond polychrome Blumenmalerei in Goldkartuschen, reich vergoldete Reliefdekore, am Boden Manufakturmarke im Sèvres-Stil, H 24cm

Deckeldose (Paul Milet Sèvres 1870-1950), runde Form, blauer Fond m. Bronzemontur, mittigPorzellanplakette m. Damenportrait, am Unterboden Markenstempel, H. ca. 7,5 cm, Dm. ca. 12,5 cm. Altersgem. Zustand.

Kleine Urnenvase auf Bronzefuß wohl Thüringen, um 1900 Chamoisfarbener Fond. Auf der Schauseite goldgerahmtes Medaillon, darin in Schwarzlot gemalte Darstellung zweier Amoretten mit Pfeil und Herz, sign.: Pisar. Flächenfüllender Dekor in Gold, Grün, Purpur und Gold aus feldernden Blattfriesen, Fruchtschalen und Ranken. Goldränderungen. H. 16,3 cm. Sèvres-imitierende Marke. (60406)

Zwei Tabletts wohl Thüringen Geschweifte Rechteckform. Bunt gemalte Blumensträuße und Schmetterlinge. Goldstaffiertes Rocaillerelief. Je 46×37,5 cm. Nach einem Meissen-Modell. Sèvres-imitierende Marke. (57999)

Paar Cachepots, Sèvres. Weichporzellan. Becherform mit Muschelhandhaben und abgesetztem, runden Stand. Bunte Blumenmalerei, blaue und goldene Staffage (teils berieben). Innenwandungen mit stärkeren Gebrauchsspuren, 1x Lippenrand min. best. Vincennes-Marken mit unterschiedlichen Jahres- und Malerzeichen, Sèvres, Ende 18. Jh. H. 12 cm.

Große, prunkvolle Schmuckschatulle im Stil von Sèvres. Porzellankorpus mit grünem Teilfond, Schauseitig mit bunt gemalter Watteau-Szene, gravierten Silberauflagen in Form von Rocaillen, Ranken und Blumen, Deckelknauf in Form eines vollplastischen Puttos. Kratzer an Seite. Gravierte Silbermontage mit Pariser Mz. "LC" und Minervakopf für 950/000 Silber, an Schanier teils ausgebrochen. Innen mit Samt ausgeschlagen. Boden mit Sèvres imitierender Marke, Frankreich, 19. Jh. 23x 25x 18 cm.

A Chelsea bough pot and cover, circa 1765, of bombe form, decorated in Sèvres style, the turquoise ground reserved with two oval panels painted with flowers, acanthus moulded handles and feet19cm wideThe cover with pitting and discolouration. Small surface chip to the rim and a small chip and niggle to the underside rim. One of the feet with slight discolouration. One of the handles with a crack which is probably a factory fault. Pitting to the turquoise glaze.

A Chelsea bough pot and cover, circa 1765, of bombe form, painted in the manner of Richard Askew, decorated in Sèvres style, the turquoise ground reserved with four oval panels painted with riverside town scenes, acanthus moulded handles and feet, gilt anchor mark 24cm widerestoration to all four feetrestoration to insert and two further cracks visiblerubbing to the gilded edges

A Sèvres shallow foliate decorated dish, late 19th century,the blue celeste ground with figural reserve panels embellished with gilt metal mounts,30cm diameterCondition ReportArea of rubbing to blue groundminor surface scratches and rubbing

A Sèvres cup (gobelet a Boizot), painted with a frieze of arabesques between geometric and foliate bands, together with a saucer painted with four wreaths of differing flowers/foliage, the cup with traces of gilt mark, the saucer with blue mark and date letter O for 1767There are remnants of the gilt mark to the cup, overall both the cup and saucer are in good order

A pair of Sèvres biscuit figures of Cupid and Phsyche on cobalt blue ground stands, late 19th Century, iron red 'Dore a Sevres' marks for (18)75, green S.68 and S.73 oval marks, after a model by Etienne Maurice Falconet, 31.5cm highCupid - chip to left index finger, large chip to tip of his wing, some chipping to the footrim of the base, some very slight wear to gilding, there is a concentric firing crack to the underside of the base. The companion figure, with chip to tip of bow, slight chipping to the tip of the feet of base at front.

SÈVRES; a set of seven fluted cabinet cups and saucers, each with blue printed circular mark to base with various incised marks and gilt applied letters 'A.38', diameter of saucers 14cm, the cups varying slightly in height approx 7cm.Condition Report: One of the cups has a small rim chip and also a small foot rim chip, light rubbing to the gilding to the cups, further rubbing to the gilding of the saucers, a couple of the saucers have some blue spot staining.

SÈVRES; a 19th century outside decorated reticulated porcelain cabinet cup and saucer, the cup with faux bamboo handle, internal and external border of floral sprays and sprigs with pierced double walled body, with similarly decorated saucer, both pieces with scratched through 'S.52' green printed marks, various incised marks and gilt mark 'Lahoche & Pannier Escalier de Cristal Palais Royal', diameter of saucer 12.75cm, also a Sèvres outside decorated cabinet cup (2).Condition Report: The reticulated cup and saucer are both in good condition, the cabinet cup has a very small rim chip showing both to the exterior and interior but this is only approx 2 x 1mm, otherwise good.

A Sèvres Porcelain Coffee Can, the porcelain probably 18th century, the decoration later, painted with an exotic bird in landscape in a gilt cartouche on a bleu ciel ground, bears painter's mark in blue7cm highA Sèvres Porcelain Empire-Style Cabinet Cup, painted with exotic birds in branches below a geometric and butterfly border, printed mark in blueTwo Paris Porcelain Cabinet Cups, decorated with NapoleonA Vienna-Style Coffee Can, decorated with classical figures (5)Coffee can - od condition, no damage or repair.Cabinet cup - large chip to the rim, another foot chip.Napoleon cup - large V-shaped section re stuck.Beaker - good condition.Vienna - hair crack.

A Sèvres Porcelain Cup, circa 1770, of ogee form and with entwined handle, pink ground, with raised gilding and painted with coloureful exotic birds, painted mark and mark for gilder Pierre-Théodore Buteux 6cm high A Paris Porcelain Potpourri Vase, square section form, with pierced cover and paw feet, painted with a panel of flowers on a gilded claret ground 13.5cm high A Vienna Style Jug and Cover, with coloured grounds, raised gilding and painted with a named classical scene "Kidnapping Europe", underglaze shield mark 13.5cm (3) Cup - crazed, some wearPotpourri - repair to the cover, general wearJug - some gilt wear

A Matched Set of Ten Sèvres Porcelain Dinner Plates, various dates, painted with scattered flower sprigs and sprays within moulded feilles de choux panels picked out in blue and gilt, various marks24.5cm diameterOne with a large rim chip, heavy gilt loss and the enamels of a noted paler tone. Another, two large rim chips, one with a small associated crackAnother, four chips and a rim crack.Another with a very large flat rim chip.Another with seven rim chips.Another with three sizable rim chips.Another with three rim chips.Three with no notable chips / cracks. All with general wear and surface scratches.

A Pair of Louis Philippe Gilt-Bronze and Sèvres Porcelain Candelabra, circa 1845, the foliate branches on sockets with detachable nozzles issuing from square section orange tubs (Caisses A Fleurs Carrees), painted with cherubs amongst clouds, exotic birds in branches and flowersprays on a bleu ciel ground and leaf-cast square plinths, bear painted marks in blue 56cm highProvenance: The Robert von Hirsch Collection, Sotheby Parke Bernet, New York, 1978, lot 529, illustrated in the catalogue Porcelain one with a V-shaped section re stuck to the rim, light wear to gilding. The other with a vertical crack to three out of four sides. Metal in good order with some wear and tarnishing.

A Gilt-Metal-Mounted Sèvres-Style Porcelain Lamp Base, late 19th/early 20th century, of baluster form, painted with cherubs in a continuous landscape within beaded and gilt borders on a bleu ciel ground, fitted for electricity30cm high