Jean Jacques FEUCHERE (1807-1852) "Amazone domptant un cheval" Sculpture in bronze with brown patina, signed. Signed J Feuchere 1843 on the base. - Weight: 27.29 kg - Shipping unavailable - Region: France - Sizes: H 500MM X L 470MM SUR SOCLE / H 450MM X L 480MM - At first glance: good condition
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Dominique ALONZO (XIX-XX) A pupil of the sculptor Alexandre Falguiere, "Jeune asiatique" A chryselephantine sculpture in gilt bronze and ivory, black marble base, 1919. Signed on the piece. A CITES certificate will be provided. - Weight: 5.91 kg - Shipping unavailable - Region: France - Sizes: H 390MM X L 230MM SUR SOSLE - At first glance: good condition
Demetre CHIPARUS (1886-1947) "The High Priestess", circa 1920/30. Chryselephantine sculpture, bronze, ivory, onyx base Similar model reproduced in "Chiparus, Master of Art Deco", Alberto Shayo, Acc Art Books, 2016, Page 186, Plate 115. A CITES certificate will be provided. (Demetre Chiparus (1886-1947) was born in Dorohoi, Romania. In 1909, he left for Italy where he studied with Raffaello Romanelli. In 1912, he moved to Paris to perfect his art at the Ecole des Beaux-Arts under the guidance of Antonin Mercie and Jean Boucher. Chiparus is best known for his bronze and ivory sculptures, known as chryselephantines, depicting exotic dancers, mounted on pedestals of ribboned onyx or portor marble. Chiparus exhibited at the Salon in 1914, where he was awarded an honourable medal. He opened his own studio after the war and exhibited regularly at the salons. Most of his works were produced between 1914 and 1933. In the 1920s, Demetre Chiparus drew inspiration for his sculptures from excavations in Egypt, particularly the discovery of Tutankhamen's tomb. His work was also inspired by Russian ballets and French theatre.) - Weight: 5.35 kg - Shipping unavailable - Region: Roumanie - Sizes: H 500MM X L 210MM SUR SOCLE - At first glance: good condition
Armand Pierre Louis QUENARD (1865-1925) "Melpomene" A chryselephantine sculpture in bronze with a golden patina shaded with brown and ivory, signed, circa 1900. A CITES certificate will be provided. - Weight: 4.78 kg - Shipping unavailable - Region: France - Sizes: H 360MM X L 150MM - At first glance: good condition
Paul PHILIPPE (1870-1930) "Russian Dancer" Gilt bronze and ivory chryselephantine sculpture, onyx base, circa 1920. Signed on the base. A CITES certificate will be provided. - Weight: 890 g - Shipping unavailable - Region: France - Sizes: H 290MM X L 150MM SUR SOCLE / H 225MM X L 150MM - At first glance: good condition
Georges MORIN (1874-1950) "Femme au cerceau" A chryselephantine sculpture in bronze and ivory, onyx base, circa 1920. Signed on the terrace. A CITES certificate will be provided. - Weight: 600 g - Shipping unavailable - Region: France - Sizes: H 180MM X L 115MM SUR SOCLE - At first glance: good condition
A Chinese textile fragment decorated on the green ground with pomegranates and insects, framed and glazed, overall dimensions about 42 x 41cm; together with a circular textile fragment with a floral design, about 30cm diameter; and three other textiles [5]Provenance: From a Private UK Collection of Chinese textiles.The Pomegranate here is significant since the Chinese character ZI represents both the seed of the fruit, and the sons in a family. The design represents this rebus which occurs in other genres also [see for instance the agate sculpture of pomegranates in The Metropolitan Museum/02.18.887].
Adam Neate - A 3D Bas relief sculpture painting. Circa 2021.6/15Back panel - Yves Klein blue flocked mounted acrylicFace - Resin mould containing Irridescent filingsTorso - Bio-filament and acrylic paint. Red acrylic with spray fade hand finishing carried out by the artist. Signed and numbered by the artist. Tray framed by Fluorescent Smogg with certificate of authenticity.61.5cm x 43.5cm with frame.
Wolfgang Amadeus Mozart (1756-1791) – Bust, large biscuit porcelain sculpture, in elegant clothes, on glazed white porcelain stand with gild decorations, marked on the underside with Vienna Imperial porcelain manufactury sign (Bindenschild) and dated 1836 and the letter A, on the back of the bust monogrammed L.S., 43 cm high
A large Italian 'Grand Tour' sculpture of the 'Rape of the Sabine Women', patinated bronze, late 19th C.H 140 cm The Rape of the Sabine Women also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in the legendary history of Rome in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of painters and sculptors, particularly since the Renaissance (link).
Jan Portielje (1829-1908): The jewel case, oil on canvas, ca. 1890Work: 109 x 83 cm Frame: 132,5 x 106,5 cm Provenance: - The reverse with numerous labels. -Christie's, New York, 19th Century European Paintings - Drawings - Watercolors and Sculpture, 12 February 1998, lot 20. Ref.: - I. Bruynooghe, 'Het oeuvre van/The works of Portielje Jan - Gerard - Edward', Roeselare, 2001, pp. 62-64 (full page image on p. 63).
A Louis XV trumeau mirror with an 'Allegory of sculpture' by or in the manner of Carle Van Loo (1705-1765), dated 1741231 x 127 cm The assumed prime version of the 'Allegory of Sculpture' by Charles Vanloo is part of the Fine Arts Museum of San Francisco (Mildred Anna Williams Collection, 1950.10). The date of the work is determined 1752-1753 (link).The work offered here may be an earlier version, which was first conceived as a salon decoration.
Edgar Degas (1834-1917, after): The little fourteen-year-old dancer, green and brown patinated bronze on a wooden base, 20th C.H 100 - 93,5 cm (with and without base) The little fourteen-year-old dancer is a sculpture begun ca. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem (link).Degas's sketches of Marie indicate his intense concentration on her form. The artist frequented the Opera, making endless studies of dancers in motion and at rest. In the bronze, his model has adopted a classic ballet stance, with her right leg advanced and turned. Yet there is a deliberate awkwardness to the pose —  in the uncompromising way that the arms jut down behind and the head tilts back; moreover, the features of this precocious adolescent are far from pretty. Unorthodox yet riveting, Degas's Little Fourteen-Year-Old Dancer became an instant icon in the history of sculpture.The original is nowadays part of the collection of the Met Museum, accession number: 29.100.370 (link). The work here offeredis a lost wax casting by O.E.Z. in California, with a limited edition of 24 ex. A certificate is added to this lot.
Unique hand-blown designs in each fish sculpture presented. Small yellow and orange striped Murano styled fish 3.5"L, clear fish with center swirled coloration5"L, signed by artist, multicolored dichroic glass fish 7"L, clear angel fish with gilt tipped fins 6"L and large clear with orange stripes 9"L. Dimensions of the largest item: 9.5"L x 1.75"W x 7.25"H. Issued: 20th centuryDimensions: see descriptionCondition: Age related wear.

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