COLLECTION OF ART REFERENCE BOOKS ON ASIAN WORKS OF ART 中國藝術參考書籍（共四十六本）含玉器、雜項、考古等研究、重要館藏及展覽圖錄等著作 including art reference books for jade, works or art, archaeology, musuem and exhibition catalogues, in total 46 publications.12th Annual New York Arts of Pacific Asia Show, New York, 2004Asian Art Museum: Selected articles from Orientations, Hong Kong: Orientations Magazine Ltd., 1999Bonhams: Fine Asian Art, London: Bonhams, 2005Chinese Buddhist Sculpture: from the collection of C.R. Moss O.B.E. and other properties (catalogue), Oriental Arts, 2000Chinese Jade Animals, Hong Kong: Urban Council of Hong Kong, 1997Chinese Jade: Selected articles from Orientations 1983-1996, Hong Kong: Orientations Magazine Ltd., 1997Christie's: Fine Chinese Ceramics and Works of Art Including Export Art, 2008Denwood, Philip (ed.), The Arts of the Eurasian Steppelands: a Colloquy held 27-29 June 1977 (Colloquies on Art & Archaeology in Asia No.7), London: School of Oriental and African Studies, 1977Fong, Wen and Watt, James C.Y., Possessing the Past: Treasures from the National Palace Museum, Taipei, New York: The Metropolitan Museum of Art, 1996Forsyth, Angus and McElney, Brian, Jades from China, Bath: The Museum of East Asian Art, 1994Hansford, S. Howard, Chinese Carved Jades, London: Faber and Faber Limited, 1968Howard, David S., A Tale of Three Cities: Canton, Shanghai & Hong Kong, London: Sotheby's, 1997Juliano, Annette L., Lerner, Judith A., Alram, Michael, Monks and Merchants: Silk Road Treasures from Northwest China, New York: Harry N. Abrams, 2001Kerr, Rose, Chinese Art and Design: The T.T. Tsui Gallery of Chinese Art, London: Victoria and Albert Museum, 1991Knapston Rasti catalogue Nov 05Knapston Rasti catalogue Nov 07Leiper, Susan, Precious Cargo: Scots and the China Trade, Edinburgh: National Museums of Scotland, 1997Lin, James C.S. (ed.), The Search for Immortality: Tomb Treasures of Han China, New Haven: Yale University Press, 2012Lu, Wenbao, Jades of the Liangzhu Culture, Hong Kong: The Chinese University of Hong Kong Art, 1998Michaelson, Carol, Gilded Dragons: Buried Treasures from China's Golden Ages, London: The British Museum, 1999Ming, Yu, Chinese Jade, Cambridge: Cambridge University Press, 2011Morgan, Michell (ed.), The Museum of East Asian Art Journal Volume V, Bath: The Museum of East Asian Art, 1999Morgan, Michelle, 100 Treasures: The Museum of East Asian Art, Bath: The Museum of East Asian Art, 2000National Museums of Scotland, Ming: The Golden Empire, Edinburgh: National Museums of Scotland, 2014Oriental Art Vol 44 No. 2 (1998)Oriental Art Vol 45 No. 1 (1999)Peterson, Harold (ed.), Chinese Jades: Archaic and Modern from the Minneapolis Institute of Arts, Rutland: Charles E. Tuttle Company, 1977Pirazzoli-t'Serstevens, Michele, The Han Dynasty, New York: Rizzoli International Publications, 1982Portal, Jane and Duan, Qingbo (ed.) The First Emperor: China's Terracotta Army, London: The British Museum, 2007Rawson, Jessica (ed.), Treasures from Shanghai: Ancient Chinese Bronzes and Jades, London: The British Museum, 2009Rawson, Jessica, Chinese Jade from the Neolithic to the Qing, London: The British Museum, 2002Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London: The British Museum, 1984Schafer, Edward H., The Golden Peaches of Samarkand: A Study of Tang Exotics, Berkeley: The University of California Press, 1985Scott, Rosemary E., Chinese Jades (Colloquies on Art & Archaeology in Asia No.18), London: School of Oriental and African Studies, 1997Shanghai Museum Chinese Painting Gallery, Shanghai: Shanghai MuseumSickman, Laurence and Soper, Alexander, The Art and Architecture of China, New Haven: Yale University Press, 1992So, Jenny F. and Bunker, Emma C., Traders and Raiders on China's Northern Frontier, Washington: Smithsonian Institution, 1995The International Asian Art Fair, 2004Watson, William, The Arts of China to AD 900, New Haven: Yale University Press, 1995Watson, William, The Genius of China: An exhibition of archaeological finds of the People's Republic of China, London: Times Newspapers Ltd., 1973Watt, James C.Y. (et al.), China: Dawn of a Golden Age, 200-750 AD, New York: The Metropolitan Museum of Art, 2004Whitfield, Roderick (ed.), The Problem of Meaning in Early Chinese Ritual Bronzes (Colloquies on Art & Archaeology in Asia No.15), London: School of Oriental and African Studies, 1993Wilson, Ming, Chinese Jades (Victoria & Albert Museum Far Eastern Series), London: V&A Publications, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Cultures and Civilizations Reconsidered (Vol 1), New Haven: Yale University Press, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Major Archaeological Discoveries in Twentieth Century China (Vol 2), New Haven: Yale University Press, 2004Zhang, Hongxing, The Qianlong Emperor: Treasures from the Forbidden City, Edinburgh: National Museums of Scotland, 2002 Provenance:Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years. Note: Please note this lot will be offered with no reserve. 本拍品不設底價
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Edward Allington, 4 Aquarelle mit Ausstellungskatalog von 1993Edward Thomas Allington, 1951 Troutbeck Bridge, Westmorland - 2017 London, Bildhauer, Plastiker, New British Sculpture Movement der 1980er Jahre, Prof. an d. Slade School of Fine Art, London. Hier: 4 Aquarelle mit Tusche, 2 x mit Künstlermonogrammstempel, je 27 x 38 cm, o. Rahmen, dazu Ausstellungskatalog Bonner KV, Städtische Galerie Göppingen, Cornerhouse Manchester, Icon Gallery Birmingham 1993
Ottmar Mohring, Künstlernachlass mit 13 Arbeiten, 3 Grußkarten und 3 Kataloge, 1959-1984Ottmar Mohring, 1935 - Stuttgart - 2015, deutsch- amerikanischer Bildhauer und Maler, hier: abstrakte Kompositionen, Akte u.a., 13 Arbeiten auf Papier, 2 Pastellzeichnungen, sign. u. dat. (19)61, verso bez. "Flüchtlinge" u. "blauer Akt", 4 Mischtechniken, sign. u. dat. (19)59, 1979, 1982 u. 1984, 1x bez. "Study to war & peace", 1 Aktzeichnung, sign. u. dat. (19)66, 6 Radierungen, "Study for Sculpture", Artist proof, sign. u. dat. (19)73, Angler, sign., dat. 1967 u. num. 1/10, "Vogelmotiv Studie", sign. u. dat. 1998, "Stilleben", sign. u. dat. 19(66), Mann und Frau, sign., dat. (19)66 u. num. 2/30, abstrakte Komposition, Artist proof, sign. u. dat. (19)71, größtes Blattmaß 66,5 x 91,5 cm, dazu drei Grußkarten, 2x vom Künstler gestaltet sowie drei Kataloge.Mohring absolvierte eine Steinmetzlehre in Stuttgart-Bad Cannstatt, ließ er sich vom Steinbildhauer Gustav Wallkamp unterrichten, studierte später an der Akademie der Bildenden Künste, Stuttgart bei Karl Hils. Lange lebte und arbeitete er in den USA.
Georg Karl Pfahler, Konkrete Komposition, signierte Farbserigraphie um 1970Georg Karl Pfahler, 1926 Emetzheim, Weißenburg/Bayern - 2002, Konkrete Komposition, Farbserigraphie, 65 x 65 cm, verso signiert und nummeriert 36/80, vier sehr kleine Flecken im violetten Bereich, o. RahmenPfahler zählt zu den bedeutenden deutschen Künstlern der "Konkreten Kunst". Mit seinen am Anfang der 60er Jahre entstandenen Bildern erlangte er den internationalen Durchbruch in Ausstellungen wie 'Signale' 1965 in Basel, 'Formen der Farbe' 1967 in Amsterdam, Stuttgart und Bern oder 'Painting and Sculpture from Europe' 1968 in New York.
Hubert Robert zugeschr., Vielfiguriges römisches Architektur-Capriccio, wohl mit dem Porto Ripetta, aquarellierte Zeichnung um 1760Hubert Robert, 1733 - Paris - 1808, französischer Maler, zugeschr., hier: Römische Ideal-Architektur, wohl mit dem Tiber-Flusshafen "Porto di Ripetta". Im Vordergrund zwei Frauen an einem Brunnen, drei Männer und eine Frau im Gespräch sowie ein Ruderboot, das entladen wird. Rechts auf einer Treppe eine elegante Frau, die den Entladevorgang beobachtet. Im Hintergrund verankerte Segelboote. Meisterhafte, detailreiche Zeichnung, partiell dezent blau aquarelliert, 33 x 46 cm, Papier etwas angeschmutzt und leicht fleckig.Zum Künstler: Hubert Robert wurde 1753 an der Académie royale de peinture et de sculpture angenommen, wo er auf den Landschafts- und Marinemaler Claude Joseph Vernet traf. 1754 ging er mit Étienne-François de Choiseul, der dort französischer Botschafter war, nach Rom. Nur durch den Umstand, dass Nicolas Robert im Dienst des Marquis von Stainville stand, war es möglich, dass Robert an der Académie de France à Rome einen Platz bekam. Er wurde dort am 26. November 1754 im Palazzo Mancini aufgenommen, in dem die Akademie zu jener Zeit untergebracht war. In Rom verbrachte er insgesamt elf Jahre und begegnete dort vielen Künstlern wie Giovanni Paolo Pannini und Giovanni Battista Piranesi, die einen großen Einfluss auf ihn hatten. Am 17. April 1760 unternahm er gemeinsam mit Jean-Honoré Fragonard und Jean-Claude Richard de Saint-Non eine Reise nach Neapel. Im Oktober 1763 endete seine Zeit in der Akademie, er blieb jedoch noch bis zum 24. Juli 1765 in Rom, wo er unter anderem gemeinsam mit Etienne Lavallée Poussin (1733-1793) einen Saal mit Ruinendarstellungen dekorierte. Nach seiner Rückkehr nach Paris im Spätsommer 1765 wurde er am 26. Juli 1766 Mitglied der Académie royale de peinture et de sculpture. In Paris arbeitete er mit François Boucher zusammen.
John Davies, Männerkopf, Harz bemaltJohn Davies, 1946 Chesire, britischer Bildhauer und Maler, hier: Männlicher Kopf mit markanter Gesichtslineatur, Harz bemalt, 23 x 12 cm, montiert auf grau lackierten Holzsockel, Gesamt- H 30 cm, am Boden sign.u.dat. 1987, Von 1963 - 1967 studierte John Davies Malerei an den Colleges of Art in Hull und Manchester und gewann nach zwei Jahren an der Slade School of Fine Art ein Bildhauerstipendium am Gloucester College of Art. 1970 gewann er den Sainsbury Award. Die Tate Gallery besitzt Davies‘ Werk „The Tate’s Young Man“ von 1969-70. Seine ersten Skulpturen wurden 1972 in der Whitechapel Art Gallery gezeigt und erregten wegen ihres verstörenden Realismus Aufmerksamkeit. ("British artist John Davies was born in 1946. A leading figurative sculptor of his generation, he is represented in major public collections around the world. Throughout his career, John Davies has focused on the human head and figure, using a variety of different media. Of his early figures, often cast from life and clothed, he has said, ‘I wanted to make a figure, not like a piece of sculpture, more like a person… I wanted my sculpture to be more like life in the street" )
A RARE GILT-BRONZE FIGURE OF A LUOHANYuan DynastyThe adept finely cast seated with his right leg raised to his left knee, clad in long flowing robes revealing his chest and bare right shoulder, his right arm raised holding a sphere, the shaved head with arched brows and serene expression, the reverse with two tabs, wood stand. 10.3cm (4in) high. (2).Footnotes:元 銅鎏金羅漢坐像Provenance: Spink and Son Ltd., London (label)A French private collection來源：倫敦古董商Spink and Son Ltd.（標籤）法國私人收藏Luohan, also known as Arhats or 'Destroyers of the Passions', vary in numbers between 16 and 108 and were depicted in Chinese art from the Tang dynasty onwards. The group of sixteen Arhats was first mentioned in the Indian 'Mahayanavataraka' scriptures, which were translated into Chinese in 437, whilst the full transcript of the sixteen names was given by the pilgrim monk Xuan Zang in in 653, with the additional two that were probably adopted towards the end of the 10th century.There are very few surviving examples of gilt-bronze figures of luohan dating to early times, thus making the present figure rare. Compare with a related albeit much larger gilt-bronze figure of a luohan, Yuan dynasty, illustrated in Chinesische Kunst in Tschechoslowakischen Museen, Prague, 1954, no.115. See also another gilt-bronze figure of a monk, 11th/12th century AD., illustrated in D.Patry Leidy and D.Strahan, Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in the Metropolitan Museum of Art, New Haven, 2010, no.25.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
A RARE LARGE PAINTING OF THE SUMMER PALACELate Qing DynastyGouache on silk, depicting a bird's eye view of the Yihe Yuan or Summer Palace, the perspective taken looking to the West showing Kunming Lake with the Island of the Dragon King and the Seventeen-Arch Bridge on the left, the right hand side depicting the Longevity Hill with the Palace complex dominated by the octagonal Tower of Buddhist Incense, the foreground with the well-known massive bronze sculpture of an ox, the middle background with the Jade Spring Hill with the seven-tiered pagoda and further buildings, before the Western Hills, mounted and framed. 163cm (64in) wide x 82cm (32 1/4in) high. Footnotes:清晚期 頤和園風景 設色絹本This historical landscape painting depicts the Garden of Nurtured Harmony, better known as the Summer Palace (Yihe yuan 頤和園), located on the north-west outskirts of Beijing. In 1749, the Qianlong Emperor commissioned the construction of these Imperial gardens on the hill and in 1752 he gave it the name 'Longevity Hill' in celebration of his mother's 60th birthday. The Summer Palace was completed in 1750 when it was known as the Garden of Clear Ripples (Qingyi yuan). Kunming Lake was created by extending an existing body of water that mimicked the famous West Lake of Hangzhou.In 1860, the Summer Palace was extensively damaged by British and French. The Palace was later restored in 1888 by the Dowager Empress Cixi, and it could be that paintings such as the present lot were made to commemorate the restoration. A similar large painting depicting the Summer Palace, dated circa 1890, is in the Vancouver Museum and was illustrated by B.Twill, The Manchu Era (1644-1912): Arts of China's Last Imperial Dynasty, Victoria, 2004, pp.24-25.Compare with a similar painting of the Summer Palace, circa 1890, which was sold at Bonhams London, 11 November 2010, lot 207.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
ITO SEIU (1882-1961)Scene from a Kabuki Play Showa era (1926-1989)Kakejiku (hanging scroll), ink and colours on silk in striped silk mounts with prominent jikusaki (scroll ends) made from frost-marked kanchiku bamboo, depicting the merchant Echigo Shinsuke cutting down the geisha Miyokichi at the Edo (Tokyo) Fukagawa Hachiman Festival in a scene from a kabuki play (see below), signed and sealed at lower right Seiu; with wood tomobako storage box inscribed Hachiman matsuri yomiya no nigiwai Seiu ga (Mayhem on the Eve of the Hachiman Festival, Painted by Seiu). Overall: 178cm x 61cm (70 1/8in x 24in); image: 140.7cm x 50.8cm (55 3/8in x 19 15/16in) (2).Footnotes:In a climactic scene from the kabuki play named on the storage box for this scroll (see above), the merchant Echigo Shinsuke slays the beautiful Miyokichi, whom he had previously rescued from drowning in the Sumida River during the collapse of the Eitai Bridge from the weight of people crossing to attend the Fukagawa Hachiman Festival (a historical event that took place in 1807). Shinsuke pawned his goods to raise the funds needed to buy out Miyokichi's contract as a geisha but when she rejected him he went on a killing spree, eventually cutting her down. Shortly afterwards, he discovered that she was in fact his sister. The play premiered in 1860 and was frequently depicted in woodblock prints that provided Seiu with some of the imagery seen in this dramatic visual retelling of the tale, although the murder had previously been shown as being perpetrated on a boat rather than in the precincts of the Hachiman Shrine.Ito Seiu was born in the Asakusa district of Tokyo and received a varied artistic education in metalwork, ivory carving, painting and later sculpture. He started his career as a newspaper illustrator but is best known as the 'father of bondage painting', for which he used as a model Sahara Kise (later his second wife); he also painted violent and ghostly scenes from the Edo period. He fell foul of government censors during the 1930s and much of his work was destroyed during the Tokyo air raids of spring 1945; his surviving paintings are rare.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Vinyl - Over 100 mainly 1960s & 1970s rock & pop 7" singles & EPs to include Elvis Presley (including EP), The Beatles (inc EP), Fleetwood Mac, The Animals, Little Richard, Danny & The Juniors, Love Sculpture, The Teddy Bears, The Rolling Stones, The Troggs, The Four Tops, Beach Boys, Keith West, Queen and many more. At least Vg overall
A modern fibreglass reindeer sculpture. Approximate dimensions 200x230x50cm.Generally good but worn condition, knock to right ear, spiderweb crack to hind quarters, one small split to side, some cracks to antlers. Appears to have been stored outside. Has been painted but this has been weathered.
TWO SCOTTISH STONEWARE KITCHEN BARRELS, EARLY 20TH CENTURY both inscribed sugar, along with a Winslow pottery sculpturethe tallest 25cm highQty: 3Sculpture appears not to have any damage. The large sugar barrel has large crack, visible on images. Smaller barrel appears to be in a good condition.
† STEPHEN BROADBENT (British, born 1961); a bronze sculpture 'Spiral Dancers', of abstract form, mounted on a tapered base, signed and numbered 7/8, dated 1991, height of sculpture 33.5cm, overall height 46.5cm.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgThe taller 'dancer' is slightly loose on the base, otherwise appears ok.Base also appears to be bronze.
Zelda Norte 'Indian Landscape' artwork, Zelda had collections in Murray Edward college, Cambridge Zelda is very well known in art circles. She studied with Picasso I believe, and is regarded as a pioneer in sculpture by women and I suspect by Jews, hence her inclusion in the New Hall (now Murray Edwards) collection. 63x83cm pencil signed and numbered in margin
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67499 item(s)/page