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Click here to subscribeWinter Olympics Robin Cousins signed Sculpture in Ice or Snow Christmas 2003 Benham FDC Triple PM Christmas 4.11.03 Cold Blow Narbeth. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
James Jean (Taiwanese 1979-), 'Slingshot (Aurum)', 2020, limited edition bronze sculpture, coated with several powders including gold, silver, copper, and pearl, then finished with platinum leaf and bronze paint, signed and numbered from an edition of 50 to the underside of the sculpture, published by Avant Arte; 17cm x 16cm x 17cm17cm x 16cm x 17cmIn very good conditionNo cracks or deep scratches to the sculptureStored inside its original box and packaging No apparent issuesIn very good condition
Roby Dwi Antono (Indonesian 1990-), 'Luh & Ruh', 2021, two poly-resin sculptures, signed and numbered from an edition of 150, accompanied by their laser etched wooden boxes; sculpture: 29 x 22 x 22 cm, wood box 38 x 24 x 32 cm (each)sculpture: 29 x 22 x 22 cm, wood box 38 x 24 x 32 cm (each)In very good condition No visible knocks, chips or cracks to either of the sculptures Stored inside their original packagine, no apparent issues.
Ai Weiwei (Chinese 1957-), 'Pequi Tree Miniature', 2021, limited edition tin sculpture, 1/100 scale to the 32 meter cast iron original, signed and numbered from an edition of 250 to the underside of the base; 32 x 12cm32 x 12 cmIn very good condition No knocks, chips or cracks to the sculpture Stored inside its original packaging, no apparent issues.
Schoony (British 1974-), 'Boy Soldier 1/2 Scale', 2017, limited edition black Boy Soldier sculpture, signed, dated and inscribed AP to the underside of the base; 54cm tallARR 54cm tall In very good condition No knocks, chips or cracks to the sculpture Some minor marks to the figure verso and to the base, visible upon close inspection.
Yayoi Kusama (Japanese 1929-), ‘Red Pumpkin Naoshima', 2019, painted cast resin sculpture, stamped with the Artists name and Naoshima under, published by Benesse Holdings, Japan, with original presentation box; 8.9 x 14 x 14cm8.9 x 14 x 14cmIn very good conditionNo knocks, chips or cracks to the sculpture Minor mark to the underside of the sculpture, visible upon close inspectionThis work has been stored inside its original presentation box.
David Shrigley (British 1968-), 'Stink', 2023, limited edition ceramic multiple, signed and numbered from an edition of 75 to the accompanying Certificate of Authenticity, accompanied by the original wooden box; produced by DDT Store; 16.5 x 12 x 12cmARR 16.5 x 12 x 12cm In very good condition No knocks or cracks to the ceramic sculpture A minor chip at the rim of the bottle, invisible when top is placed inside Packaged in its original, wooden box with foam protection No apparent issues.
D*Face (British 1978-), 'Winston Churchill Deadhead', 2007, marble bust with brass wings and hand finishing, signed to the underside of the base, from an edition of 10; sculpture: 32cm tallARR sculpture: 32cm tall In very good condition No knocks, chips or cracks to the sculpture No apparent issues.
After Sirio Tofanari (Italian, 1886-1969). Large cast bronze panther sculpture. Depicting the snarling big cat sitting and looking downwards. Incised signature along the base. Brown and verdigris patination throughout.Sirio Tofanari was born into a family of sculptors and artists. He attended the Florence Academy of Art from 1902-1907. At the age of 18 he fell in love and eloped to Paris before moving to London. While there he devoted himself to the study of animals, visiting the zoo and Natural History Museum often. Throughout the first two decades of the 20th century he exhibited his work around Europe including the 1909 Venice Biennale.Sadly, his home, studio, and its contents in Milan were destroyed during an Allied bombing raid in 1942 during World War II. He spent much of the remainder of his life creating reliefs of religious scenes, but animals remained ever in his focus.Height: 24 in x width: 14 1/2 in x depth: 24 1/2 in.Condition: There are no major dents, breaks, losses, or restorations. Wear and weathering throughout and signs of exposure to the elements. Verdigris patination throughout. Some accretions along the lower areas of the sculpture. Some dirt/dust collected in the recessed areas of the work. Dirt/dust collected along the underside and interior of the work.
Curtis Jere, United States. Vintage metal hanging wall sculpture depicting five modernist trees. Signed C. Jere on along a plaque affixed to the verso.Height: 32 in x width: 60 in x depth: 6 in.Condition: The item is in overall good condition with no losses, major bends, breaks, or restorations. Some minor bends to some branches. Some tarnishing to the metal. Dirt/dust collected in the recessed areas of the work.
Judy Onofrio (American, b. 1939). Large mixed media hanging wall sculpture. Depicting uneven forms in dark browns and blacks with interspersed bursts of colors.Height: 71 in x width: 21 in x depth: 14 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Bill Mack (American, b. 1949). Bonded sand relief sculpture titled "Beethoven" depicting a portrait of the composer. Signed and numbered 118/130 along the lower left. Further incised "The gracious mouth by which music spoke" along the lower right. Published by Maresa Publishers.Unframed; height: 41 1/4 in x width: 31 1/4 in. Framed; height: 51 1/4 in x width: 40 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Rod Massey (American, b. 1949). Oil on panel painting titled "Between Houses, Spring" depicting two white homes, 2000. Likely depicting houses in Minneapolis, St. Paul, or one of the Twin Cities' suburbs. Signed, dated, and titled along the frame along the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota collection.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Unframed; height: 10 in x width: 12 1/4 in. Framed; height: 15 in x width: 17 1/4 in.Condition: The colors are bold and bright and the surface is stable. There are no cracks, losses, or restorations when inspected under UV light. Some soiling (paint) along the verso, likely original to the artistic process. Light wear to the frame.
Lyle Sopel (Canadian, b. 1951). Large nephrite jade carved sculpture depicting a North American bald eagle in flight. The eagle is highly polished while the plinth it soars over is textured. Incised signature and numbered C687 along the base.Height: 18 in x width: 7 in x depth: 10 in.Condition: No major chips, cracks, losses, or restorations. Due to the uneven nature of the base, it is impossible to note if there are any unintentional chips. There is some slight roughness to the tips of the eagle's feathers, possibly original to the artistic process. Very light wear throughout.
CHROMA aka Rick Wolfryd (American, b. 1953) in collaboration with Marisol (Huichol, 20th/21st c). Color beaded vinyl sculpture titled "Resting in Place," from CHROMA's "Alterations" series, depicting a figure beaded along half of the figure's body in the Huichol style. Signed by Wolfryd and Marisol, titled, annotated .0010 T.P. along the underside.Height: 9 in x width: 12 3/4 in x depth: 6 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Le Pho (Vietnamese, 1907-2001). Oil on canvas painting titled "Fleurs" depicting a still life of a white vase overflowing with brightly blooming flowers. Signed along the lower right. With a label from Wally Findlay Galleries along the verso.Provenance: Wally Findlay Galleries, September 2, 1977; Private Minnesota Collection.Lot Essay:Le Pho was born in Vietnam in 1907. As a child, he was constantly finding opportunities to make art. As the son of the Viceroy of Tonkin, he had the opportunity to study art at the newly established Ecole des Beaux-Arts in Hanoi under Victor Tardieu (1870-1937), a well-respected French painter. In 1931, he traveled to France with Tardieu, where he studied at the Ecole des Beaux-Arts in Paris on a scholarship. He then traveled to Italy to do research, also visiting the Netherlands and Belgium in his tour of Europe.After returning to Vietnam, Le Pho became a professor at the Ecole des Beaux-Arts in Hanoi. During his professorship, he decided to continue his education by making trips to China to study and make art. While in China, he studied traditional Chinese sculpture, visited museums, and even had the opportunity to paint the Emperor and Empress.In 1937, he was sent to Paris to work on the Indochina Pavilion at the International Exposition of Art and Technology in Modern Life. He stayed in France after the Exposition, where he found great success as an artist. His first solo exhibition was in 1938, and soon after, his work began getting international exposure. His works were widely distributed, particularly in the United States because of an exclusive contract he signed in 1964 with Wally Findlay Galleries, an American company.Despite his expatriate status, Le Pho kept close ties to his homeland. He was active in the Vietnamese community in Paris, and worked with Vietnamese dignitaries and intellectuals to advocate for better treatment of the colonized Vietnamese people. His ties to his homeland are also evident in his subject matter. His paintings featured women and flowers, which he depicted in ways influenced by Vietnamese traditions and aesthetics.Sight; height: 19 in x width: 23 1/2 in. Framed; height: 28 in x width: 31 in.Condition: The colors are bold and bright. There are no creases, rips, or restorations. Along the darkest green areas of the bouquet there is craquelure and some cupping. There a few small losses to the paint layer, exposing the white canvas underneath. This is localized only to the darkest areas of green leaves. Some light wear along the extreme edges of the painting where the canvas and rabbet meet. Clean verso. Light wear to the frame with some small losses to the gilt plaster along the extreme edges; visible in the lot listing.
Leslie J. Bruning (American, 20th/21st c). Geometric cast bronze sculpture on a wooden base. Incised signature and dated 1973 along the underside of the wooden base.Provenance: Distinguished Corporate Collection, Minnesota.Height: 22 in x width: 24 1/2 x depth: 3 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Attributed to William & Bruce Friedle (American, 20th c). Large Brutalist brass sunburst wall sculpture, ca. 1960s. The sculpture features three layers of radiating rods from a central point. Similar to many Curtis Jere pieces.Diameter: 42 in.Condition: The item is in overall good condition with no notable losses, bends, breaks, or restorations. Some light tarnishing/wear throughout consistent with age and display.
Mark Peiser (American, b. 1938). Cast, cut, and polished glass titled "Ariel Path" from the "InnerSpace Series," 1988. Pyramidal sculpture with an ascending staircase through the interior. Signed and numbered illegibly along the base.Height: 8 in x width: 8 in x depth: 2 3/4 in.Condition: There are no major breaks, chips, cracks, losses, or restorations. There are several scratches along the underside. There are three round areas of residual adhesive along the underside where three small, round, rubber feet were once affixed.
Rod Massey (American, b. 1949). Oil on panel painting titled "Blue House Behind Trees" depicting a bright blue home and a line of trees, 2006. Likely depicting a home in Minneapolis, St. Paul, or one of the Twin Cities' suburbs. The leafless trees and green grass give the impression of late fall or early spring. Signed, titled, and dated on a card affixed to the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota Collection.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Unframed; height: 49 in x width: 38 in. Framed; height: 50 1/4 in x width: 39 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Ernest Trova (American, 1927-2009). Welded steel sculpture titled "Obvious Exaggeration" depicting a standing male figure with a large phallus resting on a table, 1983. Signed in pen along one leg.Provenance: Distinguished Corporate Collection, Minnesota.Height: 16 1/2 in x width: 13 x depth: 6 in.Condition: There are no obvious bends, breaks, or losses. There is oxidation and patination throughout. Some wear along the underside. Some tape affixed along the underside of the table.
Toland Sand (American, 20th-21st c). Cut and polished crystal glass sculpture titled "Dichroic Revelation." With lovely refracted rainbow details. Signed and numbered 71898 along the base.To view additional images and videos of this lot, please follow this link:https://www.dropbox.com/sh/lk6586xoxipkpwo/AAD50f-0vxfXTma8J1nASB7na?dl=0Height: 12 1/2 in x width: 4 in x depth: 4 in.Condition: No scratches, cracks, losses, or restorations. There are four small, round rubber tabs affixed to the underside.
Lyle Sopel (Canadian, b. 1951). Sculptural composition depicting a jade frog sitting atop a jade mushroom amid a crystal quartz structure. Two further jade mushrooms embellish the scene. Signed and numbered G230 along the base.Height: 9 1/2 in x width: 12 in x depth: 5 in.Condition: No major breaks or losses to the jade figures. All pieces are firmly attached. Due to the nature of the natural quartz formation it is impossible to tell if there are losses to the crystals since the sculpture was created. There are natural lines, small losses, and irregularities throughout. Some dust collected in the recessed areas throughout.
Vu Cao Dam (Vietnamese/French, 1908-2000). Color lithograph on paper titled "Saint-Paul-de-Vence" depicting the hilltop commune in Southeastern France, 1971. Pencil signed and dated along the lower right; numbered 103/150 along the lower left.Lot Essay:Born in Hanoi in 1908 to a well-to-do family, Vu Cao Dam displayed an early interest in the arts. His father, a well-educated Catholic, brought him up in a home surrounded by traditional Chinese calligraphy and a wide range of cultural influences. In 1926, he began his formal artistic education at the painter Victor Tardieu’s École des Beaux-Arts de l'Indochine, now the Vietnam University of Fine Arts. Tardieu and his instructors taught academic European painting to his students as well as decoration, architecture, anatomy, and sculpture. It was at sculpture that young Vu Cao Dam most excelled, and he joined the newly minted sculpture program at the École des Beaux-Arts, where he created several bronze busts that won him early acclaim.In 1931, following his graduation from the École des Beaux-Arts de l'Indochine, Vu Cao Dam received a scholarship to continue his art education in Paris. He began his Parisian studies at the Cité Internationale Universitaire de Paris. During his first year there, Vu Cao Dam received the prestigious honor of an invitation to display his works in the Exposition Coloniale Internationale. He then continued his studies at the École du Louvre, where he was able to view the works of the great European academic masters he had been trained to emulate. However, he was most compelled by more recent works of the impressionists and post-impressionists, as well as great sculptors such as Auguste Rodin and Alberto Giacometti.Vu Cao Dam’s career took off following the completion of his education. He and fellow Vietnamese expatriate Le Pho, a dear friend with whom he had studied in Hanoi, found success and popularity on the Paris art scene. Vu Cao Dam began sculpting what would become his most famous subject matter: elegant Vietnamese ladies. He continued to paint as well as sculpting, often painting on silk, a form of painting taught at the École des Beaux-Arts de l'Indochine. He also began to put down personal roots in France, marrying and having two children.When World War II broke out, Paris became a dangerous place to live and work; Vu Cao Dam sent his family to the countryside to escape the Nazi-occupied city. However, he stayed in Paris, frantically creating art out of any material available under strict rationing, and bicycling the 100-km distance to see his family whenever he could. During this time, he executed several of what are now seen as his finest works out of terracotta, demonstrating his resourcefulness and commitment to his art.In 1949, plagued by ill health, Vu Cao Dam moved to the south of France with his family, to a villa named Les Heures Claires. The bright, airy atmosphere of southern France had a large impact on his painting, as did the work of his new neighbor, Marc Chagall. His works take on a sunny, pastel air at this point. Throughout the 1950s and into the early 1960s, Vu Cao Dam gained international success, exhibiting throughout France, particularly in Nice, as well as in Sweden, Belgium, and the UK. In the early 1960s, Vu Cao Dam signed an exclusive contract with Wally Findlay Galleries in the United States. This brought his work notoriety in the United States, and there are many fine examples of his work in the United States that originate from this partnership. Vu Cao Dam remained in France for the rest of his life, continuing to create art until his death in 2000.Sight; height: 20 1/2 in x width: 26 1/2 in. Framed; height: 30 1/2 in x width: 36 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
CHROMA aka Rick Wolfryd (American, b. 1953), in collaboration with Elisa de la Cruz (Mexican (Huichol), 20th/21st c). Color beaded vinyl sculpture titled "I'm All Ears," depicting the Pokemon Pikachu beaded in the Huichol style from CHROMA's "Alterations" series. Signed, dated 2022, and annotated .0007 T.P along the underside. With a certificate of authenticity signed by the artist.Height: 10 in x width: 8 in x depth: 6 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Paul Granlund (American, 1925-2003). One bronze sculpture titled "Orbit II" depicting a nude girl and boy with outstretched bodies; each figure grasping the other's feet in a circular formation, 1984. Signed and numbered 9/10 along the base. The sculpture is executed with Granlund’s signature uneven, almost bark-like, finish, giving an organic sense to the work. The graceful forms are interrupted by the angles of the figures’ joints, and the figures’ heads are turned as if to gaze at one another, strengthening the connection through space. With a certificate of authenticity from C.G. Rein Galleries.Provenance: C.G. Rein Galleries, Minnesota; The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Height: 31 in x width: 24 in x depth: 12 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Rod Massey (American, b. 1949). Oil on panel painting titled "East Diamond Lake Road, Winter" depicting the home at 209 E. Diamond Lake Road in Minneapolis, MN, 2002. The snow-filled landscape with the pale, cloudy sky is iconic of Minnesota's long winters. Signed, dated, and titled along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Height: 17 in x width: 13 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
David James Gilhooly III (American, 1943-2013). Large and heavy ceramic sculpture depicting a whirlwind of frogs stacked atop each other with large, blue feet extending upwards from the top. Known as a pioneer of the Funk art movement, he also was easily recognized for the recurring frog motif that continued in his art for much of his career. Initially explored in his series "FrogWorld," which reimagined major historical and biblical events with frogs taking the place of humans, the frog motif carried on, as is evident in the present work.Height: 29 x diameter: 21 in. Weight: 123 lbs.Condition: There are no obvious breaks, chips, losses, or restorations. There are some accretions throughout. There are a couple of cracks along the base that appear to be original to firing. The artwork is signed and dated illegibly (in the 1980s). Due to the size and nature of the material the underside has not been inspected. Some dirt and dust collected in the recessed areas of the work.
RODIN AUGUSTE: (1840-1917) French sculptor. A fine signed and inscribed sepia 7 x 9.5 photograph (the print on light paper) by Rodin, the image depicting a profile view of his marble sculpture entitled L'Homme et sa Pensee. Photograph by Daniel Freuler of Paris and bearing his (slightly indistinct) credit stamp to the verso. Signed by Rodin in fountain pen ink to a light area at the base of the image, 'A mon jeune ami…….Rodin'. An attractive signed image. Very slightly irregularly trimmed to the right edge and with two very small, minor tears to the left edge, about VG
MOORE HENRY: (1898-1986) English Sculptor and Artist. Signed 3.5 x 6 photograph by Moore, the image depicting him in a semi-profile head and shoulders pose. Signed in black ink with his name alone to the lower white border. Together with a bold black ink signature ('Henry Moore') and date, 14th November 1973, in his hand to the verso of a colour picture postcard of Moore's sculpture Lincoln Center Reclining Figure in New York. Some light foxing to the postcard, G to VG, 2
CARTER HOWARD: (1874-1939) English archaeologist and Egyptologist who discovered the Tomb of Tutankhamun in 1923. A.L.S., with his initials HC, one page, 8vo, Prince's Gate Court, London, 4th July 1931, to the Secretary of the National Art Collections Fund. Carter writes, in part, 'Would you be so kind as to give to bearer, my chauffeur, the two pieces of Egyptian sculpture', and identifying both, one being the 'head of Ramesses the Great'. Rare. One very small, minor tear and rust stain to the upper edge, otherwise VG Carter acted as a part-time dealer in Egyptian antiquities for both collectors and museums and the source of a number of items in his personal collection is shrouded in controversy. Over a dozen pieces he owned were identified after Carter's death as having been taken by the Egyptologist from Tutankhamun's tomb without authorisation.
A modern bronze sculpture of entwined figures "Two Souls", by Jennine Parker, limited edition No'd. 215/295, on a black marble base, overall height 42 cm CONDITION REPORTS Has a couple of rough marks on his shoulder and elbow area. Otherwise in need of a clean. General wear and tear conducive with age and use. A couple of small nicks to the base including one corner there is a larger chip - see images for more details
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