We found 67500 price guide item(s) matching your search

Heavy cast metal bronze scout figure sculpture- raised on a wooden plinth and having a presentation plaque. "Presented to W. Butterworth" [38cm high]

Antique Chinese Bronze/ brass sculpture of a seated buddha. Made into a table lamp. [24cm high- with base and light fitting]

Heavy solid Bronze panther head sculpture. [9.5cm high]

Cold painted Bronze poodle sculpture. [7x9.5x3cm]

A Large and heavy hand carved wooden African sculpture of a hippo. [Back leg has crack- see images]

Crate of collectables; African hand carved wooden elephant sculpture, Stone ware butter pot for W.R. Hood of Leven, Port Dunda's Glasgow and other odds.

Bronze monkey and tree stump sculpture candle holder. [13cm high]

Peter Blake (British 1932-): 'H' and 'E' Postcards from 'An Alphabet' series, signed; together with two posters 'Peter Blake - Sculpture and Other Matters' and 'Under Milk Wood', and a 'Books are my Bag' tote bag (5)

Two boxes of collectables to include two Leonardo Collection teapots, a Bart Simpson tankard and socks, a green coloured onyx chess set and board (31cm x 31cm), a selection of nautical collectables, resin sculpture of an eagle, resin sculpture of a bear, sculpture of an embracing couple and a ladies Casio wrist watch.

An Indian white marble sculpture of Shiva, the three headed deity seated cross legged.   H 15cms.

An antique Japanese bronze sculpture of a bamboo basket filled with mud and secured by three stakes on a watery base, silver inset two character signature.   W 16.5cm

A terracotta half profile of a girl's head, the sculpture raised on a wooden cube. H 46cms

An antique scagliola marble pedestal  sculpture display column with rotating upper platform.

An opaque glass sculpture, a brass bell and various decorative drinking glass etc.

A terracotta sculpture of a nude female seated inscribed A W '83. H 27cms

* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE GOALKEEPER, 1973 bronzed plasterExhibited:Edinburgh, Benno Schotz Retrospective, Touring Exhibition, 1971, no. 144. Edinburh, Royal Scottish Academy, Annual Exhibition, 1973, no. 61. A smaller bronze version of this sculpture was exhibited: Glasgow, Royal Glasgow Institute of Fine Arts, Annual Exhibition, 1968, no. 54. Glasgow, Royal Glasgow Institute of Fine Arts, Annual Exhibition, 1985, no. 20.Note:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997. 59cm high including wooden plinth

* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE PRINCE OF GOALKEEPERS (JOHN THOMSON OF CELTIC F.C.),, CIRCA 1968 bronzed resinA bronze of this sculpture is in the collection of Celtic F.C.Note on both Schotz and Thomson:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997.John Thomson, The Prince of Goalkeepers, is one of the most important figures in the history of Celtic Football Club.Having signed for the team in 1926 at the age of 17, his natural athleticism and brave spirit ensured he would become a mainstay between the sticks. He helped the team to two Scottish Cups and three Glasgow Cups. He would also represent the national side and national select XI four times apiece.Thomson's name will forever be associated with the tragedy that befell him during an Old Firm clash on the 5th September 1931. The match was played at Ibrox in front of 80,000 fans. Early in the 2nd half, Thomson collided with Rangers player Sam English, whilst both going for the ball. Most people assumed the goalkeeper badly injured as he was stretchered off, Chic Geatons taking his place in goal.Upon being transported to the Victoria Infirmary, Thomson would soon be pronounced dead. The death of a young goalkeeper in his prime shocked the footballing world. Beyond that, the tragic loss of a young man's life, only 22 years of age and recently engaged, still stands as amongst the most profound moments in sporting history.40,000 people attended the funeral in his home town of Cardenden, including thousands who travelled from Glasgow, many walking the 55 miles to the Fife village. 101cm wide

* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE PRINCE OF GOALKEEPERS (JOHN THOMSON OF CELTIC F.C.),, CIRCA 1968 bronzed plasterA bronze of this sculpture is in the collection of Celtic F.C.Note on both Schotz and Thomson:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997.John Thomson, The Prince of Goalkeepers, is one of the most important figures in the history of Celtic Football Club.Having signed for the team in 1926 at the age of 17, his natural athleticism and brave spirit ensured he would become a mainstay between the sticks. He helped the team to two Scottish Cups and three Glasgow Cups. He would also represent the national side and national select XI four times apiece.Thomson's name will forever be associated with the tragedy that befell him during an Old Firm clash on the 5th September 1931. The match was played at Ibrox in front of 80,000 fans. Early in the 2nd half, Thomson collided with Rangers player Sam English, whilst both going for the ball. Most people assumed the goalkeeper badly injured as he was stretchered off, Chic Geatons taking his place in goal.Upon being transported to the Victoria Infirmary, Thomson would soon be pronounced dead. The death of a young goalkeeper in his prime shocked the footballing world. Beyond that, the tragic loss of a young man's life, only 22 years of age and recently engaged, still stands as amongst the most profound moments in sporting history.40,000 people attended the funeral in his home town of Cardenden, including thousands who travelled from Glasgow, many walking the 55 miles to the Fife village. 51cm wide

Epstein (Jacob). Let There Be Sculpture, London: Michael Joseph, 1940, frontispiece, black and white illustrations throughout, original publisher's vellum gilt, some staining at foot of covers, original glassine dust jacket (worn with loss of portion of spine), slipcase (some spotting and wear), 8voQTY: (1)NOTE:Signed limited edition, number 45 of 100 copies.

Beardsley (Aubrey, illustrator). Morte Darthur. The Birth Life and Acts of King Arthur of his Noble Knights of the Round Table their Marvellous Enquests and Adventures the Achieving of the San Greal. And in the End Le Morte Darthur with the Dolourous Death and Departing out of the World of them all, by Sir Thomas Mallory, 2nd edition, London: Dent & Sons, 1909, plates and illustrations, light spotting to frontispiece, endpapers renewed, top edge gilt, original green cloth gilt, joints splitting, small chips to spine ends, some light edge wear, 4to, (one of 1500 copies), together with Shepard (Ernest, illustrator). Cheddar Gorge. A Book of English Cheeses, edited by John Squire, London: Collins, 1937, illustrations, top edge gilt, original yellow buckram gilt, slight fading to spine, 4to, (limited edition, 128/200 copies), signed by editor and artist, plus Brangwyn (Frank). The Way of the Cross, with a Commentary by Gilbert Keith Chesterton, London: Hodder and Stoughton, [1935], 14 mounted plates, top edge gilt, original vellum gilt, slight discolouration, 4to, limited signed edition 000/250, plus others including The Ship's Bell, by Stanley Anderson, Van-Lear Black, Baltimore, 1927, limited signed edition 78/100, The New Leader Book, edited by H. N. Brailsford, 1926, Henry Moore. An exhibition of sculpture from 1950-1960, Whitechapel Art Gallery, signed to front cover by the artist, and Graphis. International Journal for Graphic and Applied Art, 1950s, inscribed by Ronald SearleQTY: (10)

Jennine Parker (b.1971): bronze sculpture ''Two Souls'' Limited Edition 6/295, box and certificate, 42cm high Estimate: £100-200Small chips to plinth, bronze free from damage no notable scratches or wear

A Cold Painted Metal Sculpture of a Leaping Deer, raised on onyx plinth, together with a painted spelter figural oil lamp base (2)

Felix Pascal Fevola (1882-1953): A Bronze Sculpture of a Seated Man, smoking a pipe, on rockwork base, signed Fevola, 14cm high

Tom Greenshields (1915-1994): A Cold Cast Bronze Resin Sculpture "Merry", limited edition 125/500, signed, 38cm high, together with a David Selby model of a pig (2)Both pieces in good condition.

A Contemporary Bronze Sculpture of a Wren, on a pedestal formed as stylized leaves, monogramed PP, together with a carved marble sculpture of a seal and two studio pottery sculptures (4)

Three chryselephantine children figuresBronze Art Deco sculpture of ivory faces Marble standSigned France, 20th centuryHeight: 22 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10977C

An ArlequinBronze sculpture of ivory head and handsSigned "L. Raphael"France, 20th century (missing part of a finger)Height: 37 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10972C 

Children and dogBiscuit porcelain sculpture Reliefs and gilt bronze stanSigned and marked TRIADE(minor losses)36x16x16 cm 

A Chryselephantine female dancer figureArt Deco bronze sculpture Ivory feet, arms, head and rose Alabaster stand France, 20th century (foot, arm and hand broken and glued, minor loss to finger)Height: 37 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10976C

A chryselephantine reclining female figureBronze and ivory sculpture with two gold rings Unmarked Hardstone stand France, 19th / 20th century (missing part of smaller ring)9x18,5x13 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10974C

Art Deco bronze sculptureIvory feet and bodyVarious marbles standFrance, 20th centuryHeight: 27,5 cm (sculpture) Height: 44,5 cm (total)*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10968C 

A crucified Jansenist ChristPart polychrome ivory sculpture Mounted onto crowned frame coated in embroidered silk featuring central monstrance surrounded by foliage motifs Europe, 18th century (minor loss to loincloth)62x42 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10957C 

A chryselephantine "Vieille femme" figureBronze sculpture of ivory face and hands Signed and numbered 4036 France, 19th / 20th century (missing a finger tip)Height: 15,5 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10975C

A chryselephantine dancer with hoop figureGilt bronze Art Deco sculpture of ivory arms, legs and head Hardstone stand Signed France, 20th century (broken and glued arm, minor loss to a finger and dented hoop)17,8x11 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10964C

A headHispano-Philippine ivory sculpture 17th century (fault)Height: 10,5 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10959C

A female nudeArt Deco marble and jadeite sculpture Europe, 20th century (one finger missing, one finger broken and glued, minor faults)29x44x14 cm

"Leaving the Opera", chryselephantine figureArt Deco patinated bronze sculpture Ivory head and hand Marble stand Signed to stand and marked "bronze" France, 20th centuryHeight: 22,3 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10969C

A Crucified ChristIndo-Portuguese ivory sculpture evidencing remains of polychrome decoration and gildingBrazilian mahogany cross featuring the Madonna and ivory "INRI" labelSilver finials 18th century25,5x18 cm (Christ) Height: 53 cm (total)*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10949C 

Clear glass seated sculpture set on rectangle base. Issued: 20th centuryDimensions: 7.5"L x 3"W x 6.5"HManufacturer: New MartinsvilleCountry of Origin: United StatesCondition: Age related wear.

Hand crafted with twisted copper wire creating tree with branches and flowers. Sculpture is set on natural rust colored coral. Issued: 20th centuryDimensions: 14"L x 5.5"W x 10.5"HCondition: Age related wear.

Sculpture in silvered and polychrome bronze, with a marble base and green onyx base. Signed "Riedl". Measurements: 28 x 10 cm.

EDWARD FOLKARD. BRITISH 1911-2005. Terracotta sculpture of a seated woman with child on wood base. 13½" high.

CONTEMPORARY BIRD SCULPTURE, possibly by Pit Ken, fixed to a marble plynth39.5cm high

JAMES (JIM) LAIRD, SCOTTISH, PATIENCE a sculpture in glazed terracotta, modelled in the form of a seated female with feet and hands joined, with exhibition label to underside38cm high

JENEPHER WENDY ROSS (SCOTTISH b. 1937), STUDY OF A ROBIN mixed media sculpture20cm tall

GAETANO CHERUBINI, SCULPTURE OF A MAN carved stone, monogrammed and dated 91 to verso41cm long

A metal sculpture of the Spirit of Ecstasy, on a marble plinth base, 37cmH

A large 20th century bronze sculpture of a woman and child playing a lute, on plinth base, 49cmH

An early 20th century bronze sculpture in the form of a crane standing atop a tortoise holding a snake in its talons, on a square marble plinth, 21.5cm high overall

A framed print of a 19th century sculpture of Homer by Harry Bates, 22.5x56cm

KENNEDY MUSEKIWA (1962). A large and impressive stone sculpture depicting a family group, Generational Blessings' signed verso, H 140 cm, W 154 cm. NB: This item is approximately 1200kg and will require a forklift to move.

A bronze figurative sculpture of a seated woman talking on the phone mounted on a circular black marble base, 21cm high

James Martin (British, 1924-2006), Trojan Duck, wooden sculpture, 51cm high, 43cm wide. Note: Artist Resale Rights apply

Suzie Marsh (British, Contemporary), "James" Lying Bear Cub', Bronze Resin sculpture of a reclining bear, 27cm long, 13.5cm high

Peter Thursby (British, 1930-2011), Learning Section II, for Sculpture Sec No.218/71/10, signed and dated 1971 l.r., titled verso, watercolour, pencil and charcoal, 56 by 48cm, framed. Note: Artist Resale Rights apply

Karl Wilhelm Diefenbach (German, 1851-1913), four period print reproductions after the 34, 1m by 2m painted panel silhouette frieze 'Per Asphera Ad Astra' (Through Hardship to the Stars), cavorting children depicted playing music, processing with a banner, chasing a family of deer and crossing a tightrope with animals, facsimile monogram l.r., 40 by 79cm (4)Note: Social Reformer and Artist associated with Symbolism, Diefenbach is regarded as the 'forefather of alternative movements', a key figure in Lebensreform (life-reform), the Freikörperkultur (naturism) and the peace movement. For further information, consult Antonia Tafuri & Roberta De Martino's 'K. W. Diefenbach from Silhouette to Sculpture'.

Karl Wilhelm Diefenbach (German, 1851-1913), four period print reproductions after the 34, 1m by 2m painted panel silhouette frieze 'Per Asphera Ad Astra' (Through Hardship to the Stars), cavorting children depicted playing music, performing acrobatics, chasing a goat with a horn and crossing a balance beam with animals, facsimile monogram l.r., 40 by 79cm (4)Note: Social Reformer and Artist associated with Symbolism, Diefenbach is regarded as the 'forefather of alternative movements', a key figure in Lebensreform (life-reform), the Freikörperkultur (naturism) and the peace movement. For further information, consult Antonia Tafuri & Roberta De Martino's 'K. W. Diefenbach from Silhouette to Sculpture'.

James Martin (British, 1924-2006), Shark, wooden sculpture, 33cm high, 80cm wide. Note: Artist Resale Rights apply

A fine Victorian album of largely Italian Grand Tour photographs, dated 1875, including views of Pompei and Herculaneum, the Bay of Naples, lava flows from Vesuvius, Sorrento, Classical ruins and sculpture, the Vatican, Pozzuuoli amphitheatre, Florence, La Madeleine, Paris, most approx 20 cm x 25 cm

A large Austin sculpture of two elephants tethered to a tree, the tree having a shallow basin supporting a large ribbed urn with palm tree decoration, inscribed Zamia Linden, height 52 cm