BRUCHON, ÉMILE (französischer Bildhauer, tätig um 1880 bis 1910), Skulptur / sculpture: "Allegorie der Seenotrettung", mehrfarbig bronzierter Zinkguss, auf dem Naturstand vertieft signiert "Bruchon". Auf von Wellen umspültem Felspostament mit Seetang in bewegter Pose stehender männlicher Akt mit Tuchdraperie, einen Rettungsring werfend. H. 66,5 cm (Patina partiell berieben, von der linken Hand gehaltenes und ursprünglich mit dem Rettungsring verbundenes Seil fehlt; sichtbare Nähte unterhalb des Knies).
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HOULET (französischer Bildhauer des 19. Jh.), Skulptur / sculpture: "Allegorie der Lyrik", Bronze - Gelbguss, vertieft signiert "Houlet". Sinnende, sitzende junge Frau in antikisierender Kleidung, eine Schriftrolle haltend; revers am Hocker weitere Schriftrollen und ein Lorbeerkranz. H. 27,5 x L. 30 x B. 13,5 cm.
nach POMPON, FRANCOIS (Saulieu 1855-1933 Paris) Skulptur / sculpture: "Pigeon au nid" / "Taube im Nest", Bronze, hellbraun patiniert und montiert auf grünem Marmorpostament; seitlich vertieft signiert "Pompon". Brütender Vogel in reduzierten, stilisierten Formen. Charakteristische Arbeit des französischen Animaliers / Tierbildhauers, der zunächst als Bildhauer für Auguste Rodin und Camille Claudel tätig war. H. 6,7 x L. 11,2 x B. 10 cm.
MAIER, LOTHAR (Maler und Bildhauer, geb. 1950 in Melle, lebt und arbeitet in Osnabrück), Skulptur / sculpture: "Ikarus", Bronze gegossen, grün patiniert und teils vergoldet; auf würfelförmigem Marmorpostament mit montierter Bronzeplakette, darauf monogrammiert "LH", signiert "Lothar Maier" und mit Exemplarnummer 'EA'. Stilisierte stehende männliche Figur in gelängten Proportionen mit seitlich angelegten Armen, Schulterstück, Kopfbedeckung in der Art eines hochgeschobenen Visiers sowie abnehmbaren und durchbrochen gearbeiteten Flügeln. H. 52 cm. Werke im öffentlichen Raum, z . B. die Skulptur "Lebensfreude" von 2004 am Anfang der Fußgängerzone in der Mühlenstraße in Osnabrück.
Cham (wohl französischer Bildhauer des 19./20. Jh.), Art déco Chyselephantine - Skulptur / sculpture: "Junge Frau mit Windhunden", auf dem Marmorstand vertieft signiert "Cham", um 1920 / 1930. Auf schwarzem schmalrechteckigem Marmorpostament in leicht stilisierter Ausarbeitung schreitende junge Frau in langem, fließendem Gewand, zwei Windhunde / Barsois spazieren führend. Goldfarben und grün patinierter Zinkspritzguss und montierter Kopf und Hände aus Masse in Elfenbein- bzw. Horn-Anmutung. H. 42,5 x. B. 62 x T. 19 cm (Patina partiell gering berieben; Marmorstand leicht beschürft und bestoßen).
Mahmoud Mokhtar (Egypt, 1891-1934)On the Banks of the Nile bronze sculpturesigned 'M. Moukhtar' on the base, cast posthumously in 1979 by Giovanni and Angelo Nicci, Fondatori Artistici, Roma, accompanied by an invoice from the foundry, executed in October 1979Height: 40cmFootnotes:Provenance:Acquired by the late Saleh Abdoun, Director of the Egyptian Academy of Fine Arts, 1979-1983 from Giovanni and Angelo Nicci, Fondatori Artistici, Roma in October 1979Note:The work is accompanied by a copy of the original foundry invoice'Mokhtar was a devoted son of Egyptian female villagers, whom he idolized in his works as a graceful symbol of Egypt. Mokhtar is the genuine product of Egypt, he came from its countryside, he formed the conscience of a whole nation, so he has been etched in the national memory as our pioneering sculptor'- Mohsen ShaalanPoignant, enigmatic and graceful, 'On the Banks of the Nile' is the archetypal synthesis of Mokhtar's representations of the noble Egyptian rural peasant or fellahaMokhtar's empathetic and stylized representations of Egyptian daily life, pronounced so touchingly in the present work, would later be regarded as the supreme expression of Egyptian artistic heritage in the twentieth century.Tender and ennobling in its portrayal of the dignified Egyptian fellaha (or peasant woman), the sculpture is evidence of an artist who captured the true spirit of the age in his penetrative renderings of the Egyptians and their everyday plight.Mahmoud Mokhtar is considered a pioneer of modern Egyptian art, yet he also occupies a prominent place in the history of the modern Egyptian nation. Self-styled as the first Egyptian sculptor in over two millennia, Mahmoud Mokhtar deftly blended Pharaonic imagery with a modern European sculptural aesthetic to create quintessentially nationalist Egyptian artwork. ​​This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Omar El-Nagdi (Egypt, 1931-2019)Nuit d'été mixed media on canvas, framedsigned 'Omar El Nagdi' and dated '22.8.1991', executed in 1991186 x 186cm (73 1/4 x 73 1/4in).Footnotes:Provenance:Property from the private collection of H.E Ambassador Francine HenrichExhibited:Omar El-Nagdi, Al Ahram Gallery, Cairo, 1992Omar El-Nagdi, Retrospective, Institut Du Monde Arab, 1995Omar El Nagdi was born in Cairo in 1931 and studied at the Faculty of Fine Arts of Helwan University. Nagdi continued his training in Russia and Italy, eventually graduating from the Academy of Venice in 1967. A prodigious pioneer in Egyptian art history, In the 1960s, Nagdi exhibited in Europe alongside the Western masters Claude Monet, Pablo Picasso and Salvador Dal. His works were soon after acquired by leading institutions around the world. An active member of Cairo's art community and of the Liberal Artists' group headed by Taha Hussein, Nagdi was an extraordinary painter and who equally excelled as a film director and music composer. A multi-disciplinary artist, Nagdi worked with sculpture, oil, watercolour and mosaics. Inspired by the diverse cultures that he encountered in rural Egypt, he fused in his works the Pharaonic and Islamic iconography with Cairo's urban culture idioms and Western aesthetics. His works visually enigmatic and captivating and inspired by folk art and traditions are reflections on everyday life in Egypt. His paintings are sufficient proof of his exceptional gifts for symbolic design and the splendid use of colour. Through his expressive textures, colours and symbolic elements, his works offer a communication that is deeply felt.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Mohamed Melehi (Moroccan, 1936-2020)Yellow Flame Between Black and Brown oil on canvas, framed executed circa 2007120 x 110cm (47 1/4 x 43 5/16in).Footnotes:Provenance:Property from a private collection, LondonAcquired directly from the artist by the present ownerBonhams is delighted to present this magnificent painting by the leading Moroccan modernist Mohammed Melehi. Melehi studied at the École des Beaux-Arts in Tetouan, Morocco before going to study abroad at the Ecole superieure des Beaux-Arts Isabel de Hungria in Seville; the École supérieure des Beaux-Arts San Fernando in Madrid; the Academie des Beaux-Arts and the Istituto Statale d'Arte in Italy and the Ecole nationale des Beaux-Arts in Paris. In 1964, Melehi returned to Morocco and became a professor of painting, sculpture and photography at the Ecole des Beaux-Arts of Casablanca from 1964 up until 1969 which was directed by Farid Belkahia. Melehi, Belkhahia and Chebaa formed the Casablanca group with an exhibition in Rabat in 1966. In addition to new modernist style in their personal work was also known for a pedagogy that focused on rooting modernism in local visual culture.Since the 1960s his body of work has been based around the recurrent motif of waves; the canvases are consistently hard-edged and optic abstractions. His lines are clean, the colours are clearly delineated and the brushstrokes and movements of his paintbrush are not visible. The waves themselves are often reconfigured, turned vertically to become flames, or cutting across the canvas on angle. The waves in his oeuvre have been linked to the waves on the beaches of Melehi's hometown Asilah. He has stayed consistent but reconfiguring similar elements in his research into colour and form, while continually varying small details, orientation, and the colour combinations, as well as adding other abstract shapes or symbols. He has re-worked his waves in other mediums, such as a sculpture in Mexico in 1968 for the International Meeting of Sculptors, in posters and murals or integrated into architectural projects.For further information on this lot please visit Bonhams.com
Chaouki Choukini (Lebanon, born 1947)High Columns wooden sculpturesigned 'Choukini', executed in 2015, this work is unique60 x 27cm (23 5/8 x 10 5/8in).Footnotes:Provenance:Property from a private collection, Paris'This Lebanese artist arrived in France directly from his village in South Lebanon. At the time, he carved strange, imaginary and soberly baroque constructions in wood. The formal evidence, on the borderline with fantasy, imposed itself: these sculptures simultaneously appear as irrational monuments, checkerboards for games of chance, figures that are interlocked and involved with a sort of big metaphysical game.Since then, Choukini has divested himself to the advantage of curves and surface planes. He uses the material as a keyboard and extracts from it powerful and delicate formal compositions on which are displayed a figural suggestion, almost at the second degree. The word 'keyboard' is even more so appropriate here as it also translates the sought after and achieved effect, that of music, which is simple and pure similar to a melody, yet sometimes more complex and almost like an orchestra. The mute music present in Choukini's sculptures is a challenge to the absurd canon that fatally shoots here and there to kill, without succeeding, Lebanon's soul and body, which stands like a strong and tender mountain, just like the sculptures and sculptor I have here mentioned.After forty years of career as a sculptor, Chaouki Choukini has always remained true to himself. This man who came from Lebanon, a country of rocks and sun, always pays close attention to the sincerity of objects and shapes, sometimes giving priority to the music of the material, other times to objective representation. This ingenious balance makes each and every one of Choukini's creations quake with emotion. Choukini's sculpture reveals the poetic, yet often so tragic, strangeness of our condition.'- Salah StetieFor further information on this lot please visit Bonhams.com
Chaouki Choukini (Lebanon, born 1947)Desert Gate wooden sculpturesigned 'Choukini', executed in 1996, this work is uniqueHeight: 68cmFootnotes:Provenance: Property from a private collection, Paris'When I was younger, I used to go to my grandfather's house during school holidays in a village called Choukine in the south of Lebanon, where I would contemplate mountains, trees, valleys, wells — unlike the views of Beirut. This led me to develop my love of nature, which influences my work. My expression of a landscape is not an exact representation of nature — I'm turning it into something metaphysical, imaginary and with an element of mystique.'- Chaouki Choukini'This Lebanese artist arrived in France directly from his village in South Lebanon. At the time, he carved strange, imaginary and soberly baroque constructions in wood. The formal evidence, on the borderline with fantasy, imposed itself: these sculptures simultaneously appear as irrational monuments, checkerboards for games of chance, figures that are interlocked and involved with a sort of big metaphysical game. Since then, Choukini has divested himself to the advantage of curves and surface planes. He uses the material as a keyboard and extracts from it powerful and delicate formal compositions on which are displayed a figural suggestion, almost at the second degree. The word 'keyboard' is even more so appropriate here as it also translates the sought after and achieved effect, that of music, which is simple and pure similar to a melody, yet sometimes more complex and almost like an orchestra. The mute music present in Choukini's sculptures is a challenge to the absurd canon that fatally shoots here and there to kill, without succeeding, Lebanon's soul and body, which stands like a strong and tender mountain, just like the sculptures and sculptor I have here mentioned.After forty years of career as a sculptor, Chaouki Choukini has always remained true to himself. This man who came from Lebanon, a country of rocks and sun, always pays close attention to the sincerity of objects and shapes, sometimes giving priority to the music of the material, other times to objective representation. This ingenious balance makes each and every one of Choukini's creations quake with emotion. Choukini's sculpture reveals the poetic, yet often so tragic, strangeness of our condition.'- Salah StetieFor further information on this lot please visit Bonhams.com
Serie van 3 beschilderde kunststoffen sculptuur van hangende apen in geel, rood en zwart, zgn. 'Rainbow Monkey's, vervaardigd door Mascha Rutten l.100 cm. Series of 3 painted plastic sculpture of hanging monkeys in yellow, red and black, 'The Rainbow Monkey's, made by Mascha Rutten l.100 cm.
RADIUS, MARINA (1954), ges. achterzijde, buste van vrouw met hoofddeksel, brons, h. 43 cm. incl. sokkel, hierbij een penning van dezelfde kunstenaar met opschrift: Divina Femina, en afbeelding van hetzelfde vrouwenhoofd Radius, Marina, signed, bronze sculpture of woman's head with cap, h. 43 cm., and a bronze coin

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