John Button Beach Hut 2 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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John Button Beach Hut 1 Acrylic and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Lowestoft, Suffolk, John grew up on England's east coast. He studied Architecture in Brighton and worked for many years with exhibition design, interiors and illustration. After moving to Sweden with his young family, John began painting and exhibiting more actively. More recently he's expanded his gallery representation beyond Sweden to throughout the U.K and to the U.S.A. In his paintings, he explores landscape and seascape through its patterns and textures, attempting to trigger a memory or a sense of place and ignoring conventional rules of perspective along the way. In his still-life studies, John tries to tease something extraordinary out of his everyday surroundings. Inspiration for John lies all around, from an un-cleared breakfast table to an upturned boat on a shingle beach or the childhood memory of a family walk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do
TWO CHINESE FAMILLE JAUNE GINGER JARS, 19TH CENTURY one decorated with a continious scene of warriors, some on horseback, the lid depicting a warrior holding a mythical creature faced shield, the other ginger jar with a continious land/seascape scene, decorated in the European taste15cm high (including lid)Qty: 2Cover with landscape has hairline, otherwise general wear including some rubbing to enamels, glaze inclusions, firing cracks and imperfections, additional images available
Constantinos Volanakis (Greek, 1837-1907)La prise du matin signé en grec (en bas à gauche)huile sur panneau21.5 x 45cm (8 7/16 x 17 11/16in).signed in Greek (lower left)oil on boardFootnotes:ProvenancePrivate collection, Athens.Bonhams London, The Greek Sale, 1 April 2003, lot 20.Acquired from the above sale and thence by descent to the present owner.Volanakis was one of the first artists who went against the powerful tradition of historicism promoting a fresh and innocent approach to nature. The 1869 International exhibition featuring works by French landscape painters of the Barbizon school, as well as seascape painters of the Hague school highlighted Volanakis' natural inclination and a common quest shared by many German artists.A profound love of the sea acquires a poetic quality in Volanakis' work. The small, unknown ports which lack human presence, the 'dialogue' between the boats and the sea and the hues that transform everything, concern Volanakis more than the impressionistic dissolution of colour.The organized composition is lightened by the fine details of the boats, the man that is partly behind the sail and the interplay of the two red spots in the foreground. The artist takes pleasure in the variety of the tones of the sea and the rocks, formed by a source of light resting outside of the painting, and the way the illusion of distance prevents us from clearly discerning any other vessels. The calm, serene seas with the vast horizons, so treasured by the artist after his encounter with Flemish seascapes, are a truthful statement of his art.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Conrad Hans Selmyhr, Norwegian 1877-1944- Seascape with a boat on choppy waters, by a cliff-face; oil on canvas, signed 'Conrad Selmyhr' (lower right), 61.4 x 80.5 cm. (unframed). Provenance: Private Collection, UK. Note: The present work is characteristic of Selmyhr's output, depicting a boat off the coastline of (what is almost certainly) his native Norway. Selmyhr has suggested the apparent flimsiness of the vessel as it is thrown about on turbulent seas, in contrast to the gargantuan rocks which withstand the battering of the waves. Indeed, the dark, vertiginous cliffs, set against the stormy clouds beyond, create a palpable sense of foreboding and emphasise the danger of the seas.
Circle of Otto Reiniger, German 1863-1909- Seascape at sunset; oil on canvas, indistinctly signed (lower left), 48.5 x 74 cm. Provenance: Private Collection, UK. Note: The present work recalls the landscapes and seascapes of Otto Reiniger, a German landscape painter who worked in the Impressionist style. The stylistic similarities are particularly evident in the artist's bold application of visible horizontal brushstrokes in the sky, and his confident, impressionistic use of white paint to evoke the spray of the waves beneath.
An 18th century Dutch silver tobacco boxLeendert A Beekhuis, Amsterdam, 1746 Of oblong form with moulded borders, engraved with two figures gesturing towards a seascape with merchant ships, the base similarly engraved with figures looking out to a seascape, the front side and reverse engraved with inscriptions, basket weave and ship engraving to the angles, the hinged inside cover opening to reveal an engraved monogram AVV amongst fronds, 13cm wide, 6.5cm deep, 3cm high (5in wide, 2 1/1in deep, 1 in high), weight 6.08 troy oz, weight 188.8gms.Footnotes:The engravings:Noijt Zee Of Ambagtsman Is meer Welkom In huijsAls dat hij brengt zijn Vrou Wat Veel sesthalven thuijsWat Word de Tesseler Van Schip en Kaag bevarenGestadig heen en Weer Vander Amstelaaren Om In het Oost en West te Winnen Munt en kruijsDie Godt tot Sturman heeft komt Wis behouden thuijsThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A seascape with boats in the background, oil on board, initialled lower right 'JB'; together with various other canvases and paintings to include a "Gucci" lion, oil on board; and various abstract canvasesthe seascape 44cm x 44cm; the "Gucci" lion 18cm x 23cmQty: qtyThe seascape in generally good condition with some scuffing around the frame and slip. The "Gucci" lion with notable denting to the frame at the bottom, and minor surface dirt to the paint layer. The remainder with minor scuffing.
![Oil on board depicting a tower seascape within a moulded frame, signed [unreadable] dated 1863.[Frame 23x43cm]](https://cdn.globalauctionplatform.com/70fcd7fb-a797-4b74-aba4-b0b600a8fc48/bab15f58-7b54-4376-b761-b0b800bf882e/468x382.jpg)
Felix Augustin Milius (French, 1843-1894) after Willem van de Velde the Younger (Dutch, 1633-1707). Etching on laid paper after the van de Velde painting titled "Marine" depicting ship-filled seascape, 1883. Signed in plate by Milius along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. No tears, creases, losses, or restorations. Some wear to the deckled edges. The number "88" is written in pencil along the upper right. "Marine Van de Velde" is written in pencil along the verso in the upper left. Not framed.
Graphic USA, Edition Plus, Baden-Baden. Complete set of eight serigraph prints, 1967-68. Each numbered 99/100, pencil signed, and dated. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Including:Allan D'Arcangelo (American, 1930-1998). Serigraph depicting two red and yellow striped lines crossing on a blue background with two small trees.Robert Indiana (American, 1928-2018). Serigraph titled "German Love" depicting the artist's iconic "Love" symbol in the national colors of Germany.Mario Yrisarry (American, b. 1933). Serigraph titled "Stern 1967" depicting a series of black lines in a grid-like pattern.Marvin Israel (American, 1924-1984). Serigraph titled "Handiwork" depicting a face with a hand and a grid of red dots.Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout.Richard Lindner (German/American, 1901-1978). Serigraph titled "1+1=2" depicting two brightly dressed figures.Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death.Tom Wesselmann (American, 1931-2004). Serigraph titled "Seascape (Tit)" depicting a nude breast in front of an ocean.(Folio) Height: 31 in x width: 25 in. (Sheet, each) height: 29 1/2 in x width: 23 1/2 in. />Condition: The portfolio is in overall good condition. There are no rips, losses, or restorations. A few of the prints have very light surface marks. The "Love" print has a slight smudge to the graphite signature. Some of the prints have extremely light wear along the extreme edges, possibly from minimal handling. The front sheet containing all the artist's names has a few small marks to the surface in the upper half. Some very light wear to the cloth-bound portfolio.
Harold Newton (American, 1934-1994). Oil on board seascape painting depicting waves crashing on the shore with a low sun. Incised signature "H, Newton" along the lower right corner. Newton was a founding member of the Florida Highwaymen, a group of fellow African American landscape artists. He was often inspired by the coastline of Florida and the present work is an excellent example of this.Sight; height: 23 1/2 in x width: 47 1/2 in. Framed; height: 26 in x width: 50 in. />Condition: The colors are bold and bright. The surface is stable. No signs of restoration under UV light. There is light craquelure throughout. There are numerous accretions throughout including: a network of minute black spots along the center of the painting, a few yellow spots along the upper right, accretions visible under UV light along the lower edge. There are vertical streaks consistent with moisture exposure throughout the work. There are small holes/areas of loss along the extreme edges of the work, visible in the listing photos. There are light scratches to the paint layer throughout, some measuring approx.4 inches in length. Along the verso there is evidence of further moisture exposure including a tideline along the lower left (lower right of the recto) that is not readily apparent along the recto. There is a slight undulation to the board consistent with the area of water exposure. Numerous paint accretions along the verso, possibly original to the artistic production. The paper backing shows further evidence of water exposure in the form of vertical streaks. The paper backing of the frame has been cut along three edges to allow for inspection.
Oil on canvas landscape painting by an unknown Chinese artist, ca. 1840. Titled "China Trade: View of the Praya Grande at Macao" depicting a seascape of a shoreline with sailboats.Provenance: Burrichter-Kierlin Collection; Quester Gallery, ConnecticutSight; height: 11 1/2 in x width: 21 1/2 in. Framed; height: 16 1/2 in x width: 26 1/2 in. />Condition: There are signs of inpainting throughout. The cracks from craquelure have been inpainted, most heavily in the sky. Some surface marks; there are two diagonal white scuffs along the upper left quadrant of the painting. The painting has been relined. Wear to the frame consistent with age.
Artist Unknown (20th Century), oil on canvas, A choppy seascape with seagulls, displayed in an ornate gilt wood frame, 50cm x 60cm, & 60cm x 70cm overallCondition report - There are cracks in the paint scattered throughout the artwork. This is most noticeable in the sky. There are several spots of discolouration on the left hand side of the painting. Otherwise, there appear to be no more issues to report.
Musikautomat mit bewegter Hafenszene, um 1890Darstellung eines dreimastigen Schiffes in stürmischer See, einer Windmühle mit sich drehenden Flügeln und eines Hauses auf einer Klippe, auf schwarz lackiertem ovalem Holzsockel mit Federwerkmotor (Schnuraufzug), Mechanik und einem Walzenspielwerk, bemalte Glaskuppel und Reste des Melodienblatts, Gesamthöhe 39 cm, funktionstüchtig, aber Zugschnur gerissen, Seidenpapier stark beschädigt. Start Price: EUR 200 Zustand: (3/-)Musical Seascape Automaton, c. 1890Depicting a three-masted ship on stormy sea, windmill with turning sails and house on cliff, with pull-string musical movement, ebonised oval base, painted glass dome and remains of tune-sheet, 15 ½ in. (39 cm), working but pull-string broken off, tissue-paper sea damaged. Start Price: EUR 200 Condition: (3/-)
FOUR FUCHI-GASHIRA (MATCHING HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryThe first two shakudo nanako, the first chiselled in relief and with gold and silver details depicting dragons, signed Taizan Tomoyuki (Haynes 10238) with a kao; with a fitted wood storage box affixed with a descriptive label; the second chiselled in relief and with gold, silver, shibuichi, and copper depicting sparrows perched on the handle of a dipper, signed Iwamoto Soei (Munenaga, Haynes 08874) with a kao; the third iron, chiselled in relief and with gold detail depicting a seascape with chidori (plovers), plants, a mountain, and waves, the silver plate signed Chinryushi Masabumi (Haynes 03835) with a kao; with a fitted wood storage box inscribed with the work's title and the artist's name; the fourth shakudo ishimeji, chiselled and inlaid in relief of gold and silver with snow-laden pines and birds of prey, signed on the shibuichi plate Biyo no ju Onishima Akio (Onishima Akio of Owari Province, Haynes 00058); the second and fourth each with a fitted wood storage box inscribed on the reverse of the lid with an attestation dated 1967 and signed Zaiya (a name used by Torigoe Kazutaro). (12).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
SUGIMOTO, HIROSHI1948 TokioTitel: Day Seascape, English Channel, Weston Cliff (für Parkett 46). Datierung: 1994. Technik: Gelatinesilberabzug. In Passepartout montiert. In HolzschachtelMaße: 4 x 5,5 x 8 x 14cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/35. Zustand:Minimale linienförmige Druckstelle unterhalb der Darstellung mittig (im Streiflicht sichtbar). Ansonsten befindet sich das Werk in einem sehr guten Zustand.Mit Parkett-Magazin."'Maybe I am already half dead.' - Hiroshi Sugimoto. I am almost inclined to take Hiroshi Sugimoto at his word. Since 1976 he has been elaborating on three basic themes - dioramas, movie theatres, and seascapes - and almost every picture shares the same quiet morbidity, as if all his prints had been developed in embalming fluid." Ralph Rugoff, Parkett Nr. 46, 1996.Artikel zu Werk und Künstler aus Parkett Edition Nr. 46. Hiroshi Sugimoto Japan Fotografie Asiatische Kunst Nachkriegskunst 1990er Meer Fotografie GelatinesilberabzugErläuterungen zum Katalog
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