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Click here to subscribeA mid Victorian ivory ground Kashmir polychrome printed shawl, fringed, 170cm square CONDITION REPORT:The shawl shows areas of moth damage, surface wear, dirt spots (possibly foxing) and the odd pulled thread. The fringe shows the odd tangle but does not appear to be tightly knotted at any point. Some of the tassels are frayed at the ends.
20th century, to include an Indian printed shawl with blue motifs, an Indian cream house cloth with woven black border, two Indian cream shawls with woven floral motifs and a Bhutanese scarf with bold bue and white stripes leading to a multi-coloured striped edge with woven silk accents,house cloth 165 x 350cmscarf 280 x 50cm (5)Provenance: The Hildegard Heygate Textiles Collection.Condition ReportMoth damage and holes.
Vintage fashion - A collection of 19th century onwards clothing & accessories to include a Victorian black silk, lace & beaded dress, Victorian black shawl, christening gown, evening clutch bags, leather gloves, animal fur, paper parasol, vintage high-heeled shoes, shoe trees, manicure set, etc
Victorian and Later Staffordshire Pottery Figures, including a marriage group, pastille burners, and various animal models (one shelf)Provenance: Dutton Manor, Lancashire Elderly lady in blue shawl with pink skirt and bonnet - head broken off and restored, further over spray repair to the dress, chips to the base. Other figures in the lot not reported
A mixed lot comprising a vintage brown snakeskin handbag with mirror and purse, 2 vintage compacts, a gold sequin purse, black evening gloves, an early 20th Century tortoiseshell dressing table box with lid A/F, an early 20th Century black crotchet evening bag, a boxed set of 1920's French metal curling tongs a 1920's gold metallic embroidered headband, a cream partial silk crinoline shawl with tassels A/F (various stains-see photos), a powder brush in the form of a bullet and a vintage Max Factor gold tone mascara wand and case
A mid 19th Century Victorian wool gazar crinoline shawl A/F having a wide border in crimson and blue with botehs and floral images to the main body on a cream background with fringe 8 feet x 6.25 feet (various holes) and an early to mid 20th Century Indian fringed shawl having a printed paisley design 62" x 62". Location:
A quantity of 5 vintage furs and faux fur outer garments comprising a French rose pink dyed rabbit fur jacket with peach satin lining 38" chest x 30" long, a 1970's black faux fur coat 40" chest x 42" long having a shawl collar, an Astraka blonde faux fur coat 42" chest x 32" long, a Taube chestnut brown dyed rabbit fur jacket 38" chest x 25" long and a Glen Models Ltd black faux mink fur jacket 42" chest x 26" long. Location:Rail
Hand decorated modeled as a flower selling woman wearing a tan print shawl, holding a box of violets and yellow flowers. Hand painted Charles Vyse Chelsea marked to underside. Artist: Charles VyseIssued: 1925Dimensions: 5.5"L x 4.5"W x 10.5"HManufacturer: Charles VyseCountry of Origin: EnglandCondition: Age related wear. Restored.
Beautiful, rare figure depicting a lady in a lavender gown and shawl, carrying a book. Handwritten HN number and title. Royal Doulton factory label. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1938-1949Dimensions: 4"L x 3.25"W x 8"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Modeled as a street vender selling balloons, wearing a multicolored strip dress with blue shawl. Marked Charles Vyse Chelsea 1920 to bottom. Issued: 1921Dimensions: 5.25"L x 3.25"W x 8.75"HManufacturer: Charles Vyse PotteryCountry of Origin: EnglandCondition: Age related wear. Minor hairline crack on purple balloon.
An outstanding rare, early edition character modeled as an elderly lady wearing a dark green gown, a cream apron and a patterned green and orange shawl. She is offering lavender and tulips for sale. Handwritten title and HN number. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1932-1949Dimensions: 5.75"L x 3.25"W x 6.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
TWO SHIWAN KILN SEATED FIGURES OF ARHAT, ONE SIGNED PAN YU SHUChina, late Qing dynasty.Carved seated in dhyanasana wearing a shawl and long robes, one covered with brown glaze and another with celadon glaze.H. 16cm; 13cm Provenance: Collection of Professor Sean Mackey (1917-1997)出處：前香港大學教授肖恩·麥基(1917-1997)私人收藏。Professor Sean Mackey, a civil engineering graduate from UCD, began his career in the early 1950s as a Professor of Civil Engineering at UNESCO's institute in Kharagpur, India. Later, he assumed the Chair of Civil Engineering at Hong Kong University, where he not only transformed the department but also served as the Dean. Sean's engineering expertise led him to establish a consulting practice in Hong Kong, where he played a pivotal role in major projects, including the airport.During his 21-year association with Hong Kong University, Sean developed an interest in Chinese art, initiating his collection. He frequently spent time in Hollywood Road, the renowned antique region in Hong Kong.肖恩·麦基教授是爱尔兰大学都柏林分校的土木工程专业毕业生。在20世纪50年代初，他成为联合国教科文组织在印度卡拉格普尔的研究所的土木工程教授。后来，肖恩在香港大学担任土木工程主席，改革了该系并担任院长。肖恩在工程领域的专业知识使他创建了一个在香港的咨询公司，在其中他在包括机场在内的重要项目中发挥了关键作用。在与香港大学的21年合作中，肖恩对中国艺术产生了浓厚兴趣，并开始了自己的收藏。他经常在业余时间流连于香港著名的古董街荷里活道。Note: Pan Yushu, born during the Guangxu era, initially learned the art of making cloth dolls at his father's shop in Foshan. He later became an apprentice to the celebrated ceramic artist Chen Weiyan in Shiwan. Under Chen's guidance, he honed his skills in both culture and ceramic art, specializing in figure sculpting. Pan Yushu's innovative talent quickly made him a renowned figure in the field.Invited to Jingdezhen, a famous porcelain hub in Jiangxi, Pan Yushu continued to learn from his mentor, Chen Juanyan, and sculpted the 'Guandi statue,' earning wide recognition. He made a living by selling his clay models, which he referred to as 'original works.' In his later years, he established 'Pan Yushu Antiques,' his family workshop.Pan Yushu's prime coincided with the challenging days of the War of Resistance against Japanese Aggression, a time of immense suffering for the Chinese people. Tragically, he succumbed to hunger. Nonetheless, his short life left an indelible mark on the history of Shiwan ceramic art.
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