E. Mary Shelley (British, Fl. 1920s) A group of four etchings to include 'Doorway of Lamb Building, Temple' signed to the margin within the plate E Mary Shelley; and three further architectural views and street scenes signed by EM Shelley and dated 1922 to the margin, largest 37 x 22 and smaller (4)
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SHELLEY, PERCY BYSSHE: 'THE SENSITIVE PLANT' illustrated by Charles Robinson, published by Heinemann, card bound, Bunyan, John - The Pilgrim's Progress, illustrated by Cruikshank, 1903; and ten other illustrated volumes; together with two Edmund Dulac reprint volumes (14)Provenance: A Dorset bibliophile.
Vinyl - 5 US pressing Northern Soul / Funk 7” singles to include: The Del-Larks Featuring Tyrone Ashley – Job Opening (Queen City Records - 100, US 1974 pressing) VG (price sticker on side A. label), Ike & Tina Turner – Can't Chance A Break Up (Sue Records - 45-139, original US 1st pressing) EX- (writing on labels), Edward Hamilton – Call Me / I'm Gonna Love You (Carrie Records - C 009, US 2nd pressing) VG (writing on labels), Maceo & The Macks – Cross The Track (We Better Go Back) (People Records - PE 647, original US 1st Shelley Product Pressing) EX- (writing on labels), Tony & Tyrone – Please Operator / Apple Of My Eye (Atlantic Records - 45-2458, original US pressing) EX- (writing on labels).
Shelley Melody bone china part teaset, including teapot, 12cm, milk jug, sugar bowl, two cups and saucers.Condition report:Teapot; lid is in good condition, body is good too, a small amount of paint loss to the tip of the spoutJug; good conditionBowl; good conditionCup 1; good conditionCup 2; good conditionSaucer 1; fair condition, a couple of scratches to the print near the centreSaucer 2; good conditionThere is no crazing or fading to any item.
A three-piece Shelley fine bone china tea set in the Lily of the Valley pattern. The set includes a teacup, saucer, and tea plate, each featuring Lily of the Valley floral motifs with green trim. The teacup has a scalloped rim and a green handle. Each piece is marked on the underside with the Shelley backstamp, model number 13822. Cup: 2.5"H. Saucer: 5.75"W x 0.75"H. Plate: 8"W x 0.5"H.Issued: 1938 - 1966Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
THE YELLOW BOOK, An illustrated quarterly. Vols 1, 2, 4, 5, 8 & 11, 1894-96. Yellow cloth boards printed in black; SHAKESPEARE, William, Twelfth Night, 4to, Hodder & Stoughton [1908]. With 40 tipped-in colour plates by W Heath Robinson. Green cloth gilt; SHELLEY, Percy Bysshe, The Sensitive Plant, 4to. William Heinemann, c.1911, with 17 (of 18) tipped-in colour plates by Charles Robinson; BASILE, Giambattista, Stories from the Pentamerone, 4to, Macmillan, 1911, with 32 colour plates by Warwick Goble. Limp reversed calf. With other illustrated books (12) (box)
Shelley Art Deco bone china part tea service, printed green marks, reg no 781613, decorated with pale blue graduating stripe design, comprising a milk jug, slop bowl, five teacups, saucers and side plates Condition ReportGood overall condition. Small chip to rim of one cup. General wear and tear.
Shelley Mabel Lucie Attwell designed elf milk-jug from a 'Boo Boo' tea-set, 1920s, printed black factory marks, printed red registration no. 724421 and Mabel Lucie Attwell at side, the elf modelled standing wearing a green hat and outfit, with his raised left hand forming the handle, 15.5cm high
A pair of Shelley Regent shape teacups, saucers and tea plates, pattern number W076, Reg.No. 781613; a Shelly teacup, saucer and sugar bowl; a set of Shelley Wildflower pattern dessert plates, tea plates and saucers; a Royal Albert Kentish Rockery pattern two tier cake stand snd sandwich plate; Royal Albert Enchantment pattern tea plates and saucers; qty
Collection of early 20th century crested china porcelain figures. Makers including Tuscan China, Gemma, Shelley, Carlton, Arcadian, Jones, W. H. Goss, and more. Figures including animals, buildings, shoes, human figures, clown, and more. Makers marks to the underside of each piece. Largest measuring approx. 15.5cm tall.
Collection of early 20th century City of Bristol crested china porcelain figures. Comprised of lidded pots, matchstick holder, volleyball figure, Clifton Suspension Bridge figure, pepper shaker, swan figure, and more. Makers including Shelley, Gemma, Wagstaff & Brunt, Shancock & Sons, and more.
Collection of early 20th century crested china figures, including makers such as Arcadian, Shelley, Swan China, Wilton China, McKenna and Willow Art. Featuring crested cat figures, cat barometer, demon luck cat, trinket tray, shoe figure and more. Most with makers marks to the underside. Largest measuring approx. 14cm x 8.5cm.
A Shelley Pottery Vase, of ribbed ovoid form decorated in the "Harmony Orange" colourway, printed mark, pattern number 8823/A, 19.5cm high, another Shelley vase with bands of green and brown, impressed No 986 and a similar Shelley flower bowl with outcurved rim. (3).Some small marks/ chips to paint on all, no chips or cracks.
Shelley (Percy Bysshe) Miscellaneous Poems, pirated edition, cut signature of Shelley tipped-in, corrections inserted by hand, scattered spotting, browned, later endpapers, contemporary red calf, ?recased, rubbed, bumping to corners and extremities, 12mo, William Benbow, 1826. *** A rare pirated edition, drawing mainly from Miscellaneous and Posthumous Poems, published by Benbow in the same year.
Shelley (Mary).- Milner (H[enry] M.) Frankenstein; or, The Man and the Monster! A Peculiar Romantic Melo-Dramatic Pantomimic Spectacle, in Two Acts. Founded principally on Mrs. Shelley's singular Work, engraved frontispiece of 'Mr. O. Smith as the Monster in Frankenstein', wood-engraved diagram at end showing 'Disposition of the Characters when the Curtain falls', frontispiece with some foxing and offsetting on to title, occasional spotting, lightly browned, disbound, large 12mo, Printed and published by J. Duncombe, 19 Little Queen Street, [1826]. *** The first pictorial representation of 'The Monster' in print. It is preceded only by the first two editions of Shelley's work, and appears five years before her third edition.

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