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â–² Peter Doig (b.1959) 'Cyril’s Bay'giclée print in colours with silkscreen varnish, signed and dated '08' in pencil l.r., and numbered '478/500', published by the Tate Gallery, Londonsheet 51 x 39cmCondition ReportFramed: 63 x 50.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
ANISH KAPOOR (Né en 1954) Out of the Dark, 2023.Sérigraphie 24 couleurs sur papier Satin Somerset 410g/m2 . Signée et numérotée sur 332 exemplaires.38,6 x 66,4 cm .24 Silkscreen in colour on 410 g/m² Somerset Tub Silk Satin paper, with matt varnish and smoothed edges, signed and numbered on 332 exemplaries.
Beryl Cook (British, 1926-2008) Four silkscreens, to include: [a] Tango Busking, 1997, silkscreen, edition 64/395, signed and numbered in pencil [b] A Bathroom, 1986, silkscreen, edition 294/300, signed, titled and numbered in pencil [c] Manipulators, 1986, silkscreen, edition 271/300, signed and numbered in pencil [d] Dining Out, 1995, silkscreen, edition XVIX/C, signed and numbered in roman numerals in pencil Provenance: Purchased from Galerie Koestler, Munich, on December 1st, 1999. Property of a nobleman
Norval Morrisseau "Copper Thunderbird" (Bingwi Neyaashi Anishinaabek, 1932-2007). Silkscreen print on paper titled "The Visionary," 1979. Pencil signed along the lower right; titled along the lower left; numbered 38/62 along the lower center. With a label from The Raven Gallery affixed to the verso.Sight; height: 41 in x width: 28 in. Framed; height: 50 1/2 in x width: 36 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Undulation to the sheet throughout. Housed under a non-acidic mat. Framed under plexiglass; some wear to the plexi including scuffs to the lower right and some light accretions. Light wear to the frame. Not inspected out of frame.
Edna Andrade (American, 1917-2008). Silkscreen on layers of glass and mirror, 1973. Etched into the lower right corner "For Steve Lavino, From Edna, 12/24/73." Depicting an Op-art composition of waves of black, white, and red lines.Lot Essay:Edna Andrade was an American abstract artist and a pioneering figure in the Op Art movement. Born in Portsmouth, Virginia, she studied at the Barnes Foundation, the University of Pennsylvania, and the Pennsylvania Academy of Fine Arts, where she was influenced by the Bauhaus movement and German modernism. She spent most of her life in Philadelphia, where she taught for three decades at the University of the Arts. Andrade's early career included working on propaganda materials during World War II and creating public artworks for institutions like the Free Library of Philadelphia. Her early artistic output consisted of watercolor collages and abstracted landscapes before she transitioned to geometric abstraction in the 1950s.As a key figure in Op Art, Andrade’s work explored perception through geometric precision, symmetry, and color contrasts. Her paintings, such as Motion 4-64 and Turbo I, create optical illusions that engage the viewer’s visual experience. Influenced by artists like Paul Klee and Piet Mondrian, as well as disciplines like mathematics and philosophy, Andrade’s work was highly structured yet visually dynamic. Though she received significant recognition later in life, including awards for teaching and artistic achievement, her contributions were somewhat overlooked during her lifetime by the dominant New York art scene. Her legacy continues through retrospectives and scholarships, such as the Edna Andrade Emerging Artist Award, which supports female artists in their careers.Height: 12 3/4 in x width: 11 1/4 in x depth: 1 1/4 in.Condition: There are no breaks, losses, or repairs. The back panel is slightly loose in the frame. Light wear to the frame. Some dust gathered throughout.
The Connor Brothers (b.1968) - I Can Resist Everything Exept Temptation, hand-painted vintage paperback with silkscreen, 1/2 artist's proof aside from the edition of 2, 16 x 10.5cmCreases to upper right corner and to spine.Bottom right corner slightly frayed, probably pre-dates the work.Presents well overall.
§ The Connor Brothers (b.1968) - I Tried To Drown My Sorrows But The Bastards Learned How To Swim (2015), giclée with silkscreen on wove, artist's proof, signed, dated and inscribed 'AP' in pencil to the margin, visible sheet 118.5 x 74cmThe sheet is flat.No tears, holes or creases.A couple of small specks of card beneath the frame.Presents very well overall.
†SIR TERRY FROST RA (BRITISH 1915-2003) COLOUR AROUND BLACK Hand-coloured silkscreen on paper, signed in pencil lower right, dated (19)96, signed and inscribed verso, 28 x 28cm (11 x 11") Exhibited: Expo McGeary Gallery (Brussels), 1996 (as inscribed verso) Condition Report:Good condition
Bob Dylan (b.1941)Brooklyn Heights, from The Beaten Path, The Silkscreen Collection (2017) (large format)Screenprint in colours, 2017, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on vellum white paper, with full margins, sheet 1270 x 977mm (50 x 38 1/2in)
Javier Calleja (Spanish 1971-), 'Once In My Life (Diptych)', 2023, two Hybrid UV flatbed pigment prints with red silkscreen details, varnishes, and embossment on 410gsm Somerset Tub Sized Radiant White paper, numbered from editions of 980 & 970 in pencil, published by Avant Arte; sheets: 53.5 x 55cm (framed)ARR sheets: 53.5 x 55cm (framed) Both works are in very good condition No tears or creases to either of the sheet Three areas of extremely minor edge wear to 'Once', only visible under very close inspection Extremely minor wear to the upper right-hand corner of 'In My Life' Both works have been float-mounted leaving all corners and edges of the sheets visible Framed to a good standard in black framed These works have not been examined out of the frames
Connor Brothers (British Duo), 'Romeo & Juliet', 2023, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 8 Studio Proofs in pencil; sheet: 75 x 50cmARR sheet: 75 x 50cm In Very Good Condition No knocks, tears, or creases to the sheet This work has been stored flat and never been framed In Very Good Condition
KYNE (Japanese 1988-), 'Untitled (Orange)', 2024, silkscreen in colours on kakita 300gsm paper, signed, dated and numbered from an edition of 30; 61.5 x 50cm inc frame61.5 x 50cm inc frameIn good condition No visible knocks, tears or creasing to the sheet There are some very small sections of grazing to the sheet, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
James McQueen (British 1977-), 'I Had Fun Once It Was Awful', 2022, mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper, signed and numbered from an edition of 95 in pencil; sheet: 101.5 x 67.5cm; 112.5 x 78.5cm inc frameARR sheet: 101.5 x 67.5cm; 112.5 x 78.5cm inc frame
James McQueen (British 1977-), 'You Snooze You Lose', 2022, mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper, signed and numbered from an edition of 15 APs in pencil, aside from the main edition of 195; sheet: 101.5 x 67.5cm (framed)ARR sheet: 101.5 x 67.5cm (framed)
Connor Brothers (British Duo), 'A Load Of Fuss (Green)', 2018, giclee print with silkscreen varnish, signed and numbered from an edition of 50, sheet; 120 x 75 cmARR sheet; 120 x 75 cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.
José Parlá (American 1973-), 'One Eighty Fourth Street', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; sheet: 137.5 x 73cm (Framed)sheet: 137.5 x 73cm (Framed)In very good condition No visible knocks, tears or creases to the sheet This work has been framed in a white frame with a white mount This work has not been examined outside of the frame.
Mickalene Thomas (American 1971-), 'Red Couch and Landscape', 2024, UV pigment print on Somerset Tub Sized Radiant White 410 gsm paper with 2 silkscreen metallic shimmer and glitter layers, 2 satin and gloss detail layers and a matte varnish silkscreen seal, signed, dated and numbered from an edition of 379 in pencil, published by Avant Arte; sheet: 59.3 x 38cmsheet: 59.3 x 38cmIn good condition No knocks or tears to the sheet Minor crease to the lower right hand corner of the sheet and very minor imperfection upper right, visible upon close inspection This work has been stored flat and has not been framed.

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6230 item(s)/page