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Konkrete Kunst - - Josef Albers. (1888 Bottrop - 1976 New Haven). o.T.(aus: Formulation: Articulation). 1972. Farbserigraphie auf leichtem chamoisfarbenem und gefaltetem Mohawk Superfine Bristol Karton. 29,8 x 30 cm (38,2 x 50,8 cm, gefaltet). Verso typographisch bezeichnet mit Copyrightvermerk und weiteren Werksangaben. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Im weißen Rand mit minimalen Griffspuren und sehr vereinzelt mit winzig kleinen Braunfleckchen, diese wenig auffällig und das Motiv nicht betreffend. Leuchtender, satt-purdriger Abzug. Danilowitz, Appendix C. - Eines von 1000 Exemplaren, die im Kollophon nummeriert sind. - Aus dem Portfolio "Formulation: Articulation", welches 127 Serigraphien der ikonischsten Arbeiten als Serigraphien von Josef Albers enthält. - Hg. von Ives and Sewell Sillman, New Haven und Harry N. Abrams, Inc., New York 1972. - Druck bei Sirocco Screenprinters, New Haven. - One of 1000 copies numbered in the collophon. - From the portfolio "Formulation: Articulation", which contains 127 silkscreens in total of the most iconic works as serigraphs by Josef Albers. - Edited by Ives and Sewell Sillman, New Haven and Harry N. Abrams, Inc., New York 1972 - Printed by Sirocco Screenprinters, New Haven. Colour silkscreen on light buff and folded Mohawk Superfine Bristol board. Verso typographically inscribed with copyright notice and further details of the work. Spot motifs on backing and framed under glass. - With very few tiny brown spots and some slight traces of use in the white margin, these not very noticeable and not affecting the subject. Brilliant, rich and purplish print.

Konkrete Kunst - - Günter Fruhtrunk. (1923 - 1982 München). Grau Schwarz Gelb (Gelb Grau Schwarz). 1969. Farbserigraphie auf leichtem Karton. 70,2 x 49,9 cm (73 x 52,8 cm). Verso signiert, zweifach nummeriert und zusätzlich von fremder Hand mit Inventarnummer bezeichnet. - Partiell mit kleinen Braunfleckchen. Kanten vereinzelt bestoßen bzw. knickspurig im weißen Rand, das Motiv nicht betroffen. Eines von 200 Exemplaren. - Hrsg. von der Kestner-Gesellschaft, Hannover. - Kirchhoff, 42. - Sehr farbstarker Abzug. Colour silkscreen on light board. Signed on verso, numbered twice and additionally inscribed with inventory number by another hand. - Partially with small brown spots. Edges sporadically bumped and creased in the white margin, the motif not affected. - One of 200 copies. - Edited by Kestner-Gesellschaft, Hannover. - Colourful print.

Konkrete Kunst - - Richard Paul Lohse. (1902 - 1988 Zürich). Serielle Ordnung in vier vertikalen Reihen. 1982. Farbserigraphie auf Fabriano. 64 x 63,5 cm (68 x 68 cm). Signiert und nummeriert. - Punktuell auf Unterlage montiert und unter Glas gerahmt. - Guter Zustand. Farbstarke Arbeit. Lohse, 112. - Eines von 120 Exemplaren. Colour silkscreen on fabriano. Signed and numbered. - Spot mounted on backing and framed under glass. - Good condition. Strongly coloured work. - One of 120 copies.

Konzeptkunst - - Bernar Venet. (1941 Chateau-Arnoux-Saint-Auban - lebt in Frankreich). Ligne indéterminée. 2003. Serigraphie auf Aluminium. Signiert, datiert und nummeriert. 27 x 27,8 cm (35,5 x 27,8 cm). Auf Sockel aus Cortenstahl fest montiert. - Vereinzelt etwas berieben und mit wenigen leichten Kratzern. Insgesamt wohlerhalten. Eines von 100 Exemplaren. Silkscreen on aluminium. Signed, dated and numbered. Firmly mounted on a corten steel base. - Somewhat rubbed in places and with a few light scratches. Overall in good condition. - One of 100 copies.

Amerikanische Moderne - - Louise Nevelson. (1900 Kiev - 1988 New York). o.T. 1973. Serigraphie auf schwarzem Vélin. 86,5 x 51 cm (106,8 x 76 cm). Signiert, datiert und numemriert. - Mit einem Randeinriss, dieser fachmännisch restauriert. Mit leichten Anschmutzungen, diese das Motiv nicht betreffend. Insgesamt in gutem Zustand. Pudriger, satter Abzug. Eines von nur 18 Exemplaren. Silkscreen on black vélin. Signed, dated and numbered. - With one marginal tear, this has been professionally restored. With slight soiling, not affecting the subject. At all in good condition. Powdery, rich print. - One of only 18 copies.

Amerikanische Moderne - - Robert Rauschenberg. (1925 Port Arthur/Texas - 2008 Captiva Island/Florida). Rauschenberg works (Ausstellungsplakat). 1991. Farboffsetlithographie und Serigraphie auf kräftigem Papier. 135 cm x 118 cm (135 cm x 118 cm). Signiert. - Unter Glas gerahmt (ungeöffnet). - Papier teils wenig wellig bzw. etwas bestoßen. Gundel, 42. - Anlässlich der gleichnamigen Ausstellung ind er Galerie Jamileh Weber, Zürich 1991 als Plakat erschienen. - Beigegeben: Ders., Roci Berlin. Farboffsetlithographie auf Papier. 96,5 x 62,5 cm (96,5 x 62,5 cm). Unter Glas gerahmt (ungeöffnet). Ausstellungsplakat. Colour offset and Silkscreen on strong paper. Signed. - Framed under glass (unopened). - Paper partly a little wavy. - Published as a poster on the occasion of the exhibition of the same name at the Jamileh Weber Gallery, Zurich in 1991. - Added: Idem, colour offsetlithograph on paper. Framed under glass (unopened). Exhibition poster.

Nouveau Réalisme - - Arman (Armand Pierre Fernandez). (1928 Nizza - 2005 New York City). o.T. 1973. Farbserigraphie auf grauem Karton. 65 x 50 cm (65 x 50 cm). Signiert und nummeriert in Graphit. - Zarte kaum sichtbare Knickspuren an zwei Ecken. Sehr sauberes Blatt in glänzenden Farben. Eines von 125 Exemplaren. - Aus dem Portfolio "Suite for Violin". Colour silkscreen on grey cardboard. Signed and numbered in graphite. - Delicate barely visible crease marks at two corners. Very clean sheet in glossy colours. - One of 125 copies. - From the portfolio "Suite for Violin".

Pop Art - - Robert Indiana. (1928 New Castle, Indiana (USA) - 2018 Vinalhaven, Maine (USA)). Highball in the Redball Manifest. 1996. Farbserigraphie auf Papier. 42 x 35,5 cm (48,3 x 40,6 cm). Signiert und nummeriert. - In gutem Zustand. Volle, satte Farben. Eines von 395 Exemplaren. - Aus dem Portfolio "The American Dream". Colour silkscreen on paper. Signed and numbered. - In good condition. With saturated colours.- One of 395 copies. - From the portfolio "The American Dream".

Pop Art - - Allen Jones. (1937 Southampton). French cooking. 1973. Farbserigraphie auf Papier. 60,2 × 79,5 cm ( 60,2 × 79,5 cm ). Signiert, datiert und bezeichnet "h.c.". Unter Glas gerahmt (ungeöffnet). - Mit 1 horizontalen Randeinriss, dieser das Motiv nicht betreffend. Insgesamt in gutem Zustand. Lloyd, 66. - Exemplar hors de commerce abseits der herkömmlichen Auflage. - Aus dem Portfolio "Homma à Picasso". - Hg.v. Propyläen Verlag, Berlin und Pantheon Press, Rom. - Druck bei Kelpra Studios, London. Colour silkscreen on paper. Signed, dated and inscribed "h.c.". Framed under glass (unopened). - With 1 horizontal marginal tear, not affecting the subject, otherwise in good condition. - Hors de commerce off the edition. - From the portfolio "Hommage à Picasso". - Print by Kelpra Studios, London.

Pop Art - - Julian Opie. (1958 London). Woman taking off man's shirt 5. 2003. Farbserigraphie auf glattem leichtem Karton. 87,5 x 52 cm (100 x 60 cm). Am unteren Rand mit typographischem Text. - Guter Zustand. Erschienen für K21 Kunstammlung Nordrhein-Westfalen, Düsseldorf. Colour silkscreen on smooth light cardboard. Lower margin with typographic text. - Good condition.

Pop Art - - Larry Rivers. (1923 Bronx/New York - 2002 New York). Early chaplin. 1991. Farbserigraphie auf chamoisfarbenem Bütten. 94 x 74 cm (94 x 74 cm). Signiert, datiert und nummeriert. - Kräftiger Abzug. Eines von 150 Exemplaren. - Druck by Styria Studio (mit dem Blindstempel). Colour silkscreen on buff handmade paper. Signed, dated and numbered. - Strong print. - One of 150 copies.

Pop Art - - Larry Rivers. (1923 Bronx/New York - 2002 New York). House of cards blue. 1990. Farbserigraphie auf chamoisfarbenem Bütten. 74 x 77 cm (74 x 77 cm). Signiert, datiert und nummeriert. - Wenige, leichte Griffspuren sonst wohlerhalten. Eines von 150 Exemplaren. Colour silkscreen on buff handmade paper. Signed, dated and numbered. - Few, light traces of handling, otherwise in good condition. - One of 150 copies.

Pop Art - - Andy Warhol. (1928 Pittsburgh - 1987 New York). Paloma Picasso. 1975. Farbserigraphie auf chamoisfarbenem Bütten. 104,1 x 71 cm (104,1 x 71 cm). Verso signiert sowie bezeichnet "h.c.". - Insgesamt etwas berieben. Ecken mit leichten Knickspuren, dort teils mit wenig Farbabrieb. Vereinzelt mit kleinen und schwachen Braunfleckchen, diese wenig auffällig. Die Farben pudrig-saturiert. Schellmann, II.121. - Exemplar hors de commerce abseits der herkömmlichen Auflage. - Hg. v. Propyläen-Verlag Berlin und Panthéon Presse, Rom für für das Portfolio "America's Hommage à Picasso". - Druck bei Alexander Heinrici, New York. Colour silkscreen on buff handmade paper. Signed and inscribed "h.c." on verso. - Somewhat rubbed overall. Corners with slight crease marks, there partly with little paint abrasion. Isolated with small and faint brown spots, these not very noticeable. The colours are powdery-saturated. - Copy hors de commerce off the conventional edition. - Pub. by Propyläen-Verlag Berlin and Panthéon Presse, Rome for the portfolio "America's Hommage à Picasso". - Printed by Alexander Heinrici, New York.

Zeitgenössische Kunst - - Olafur Eliasson. (1967 Kopenhagen - lebt u. arbeitet inBerlin). Life. 2021. Serigraphie in Leuchtfarbe auf 300 g Daunendruck Papier. 84 x 60 cm (89 × 64 cm). Mit Zertifikat, dort signiert, nummeriert und mit weiteren Werksangaben. Unter Plexiglas hochwertig im Walnussholzrahmen. - Mit zwei kleinen Löchlein an den Kanten des Blattes als Spur der Rahmung, diese das Motiv nicht betreffen und in der Rahmung nicht sichtbar. Sehr guter Zustand. Die Farben floureszierend und im Dunkeln leuchtend. Eines von 365 Exemplaren, die Olafur Eliasson nach Erstellunsgdatum nummerierte. Die vorliegende Arbeit trägt die Nummer # 10.08.2021. - Anlässlich der gleichnamigen Ausstellung in der Fondation Beyeler vom Museum herausgegeben. Die Ausstellung fand vom 01.01.2021-31.12.2021 statt. - Druck bei Arni Siebdruck, Basel. - Mit "Life" erschuf Olafur Eliasson 2021 eine immersive Ausstellung, in der das Leben in seinen Facetten als ultimativer Erfahrungsraum dargestellt wird und Kultur untrennbar mit Natur in Verbindung steht. Life bedeutet die Öffnung nach Außen, für die Eliasson jegliche Grenzen verschwinden ließ: Er hat etliche Fenster des Museums entfernt, um einen großen Raum anstelle von Museums- und Außenraum zu schaffen. Zudem war "Life" ganztägig geöffnet und dadurch die Erfahrung bei Tag und Nacht machbar. Für die Wirkung bei Nacht färbte Eliasson das Wasser des Seerosenteiches mit fluoreszierenden Farben, die bei Nacht leuchteten und einen fließenden Übergang von Tag zu Nacht bedeutet. Im Austausch und ohne Grenzen zwischen Licht und Dunkelheit, der Natur und den Museumsräumen, der Institution, des Künstlers und der Besucher vereinigen sich alle zu einem unmittelbaren Miteinander. Koexistenz bedeutet Leben, Life war dabei Eliassons Ansatz, die Welt durch die ultimative Öffnung für alle Spezies lebenswert zu machen. Silkscreen in luminous colour on 300 g down print paper. With certificate, signed and numbered there. High-quality walnut frame under Plexiglas. - With two small holes at the edges of the sheet as a trace of the framing, these do not affect the subject and are not visible in the framing. Very good condition. The colours fluorescent and glowing in the dark. - One of 365 copies numbered by Olafur Eliasson according to the date of creation. This work is no. # 10.08.2021. - Published by the museum on the occasion of the exhibition of the same name at the Fondation Beyeler, Basel 2021.

Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Burst. 2021. Serigraphie überarbeitet mit Quink Tinte, Bleiche und Säure auf Keaykolour original China. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit Atelierspuren. Der Abzug farbstark und sauber. Eines von 647 Exemplaren. - Aus der Edition underdogs. - Mit beigegebenem Zertifikat der Authentizität. Silkscreen reworked with Quink ink, bleach and acid on Keaykolour original China. Signed and numbered. - Verso with lighter traces of studio work in a few places. The print with strong colours and clean. - One of 300 copies. - From the "underdogs edition". - With a certificate of authenticity.

Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Caustic. 2017. Serigraphie überarbeitet mit mit Quink Tinte und Säure auf Keaykolour original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Eckten teils etwas bestoßen. Verso partiell mit sehr wenigen Atelierspuren. Insgesamt in gutem Zustand. Eines von 150 Exemplaren. Silkscreen reworked with Quink ink and acid on Keaykolour Original China White. Signed and numbered. - Corners partly a little bit bumped. With very few traces of studio on verso. Overall in good condition. - One of 150 copies.

Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Oxymoron. 2020. Serigraphie überarbeitet mit Säure, Chlor und Quink Tinte auf Keaykolour original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit wenigen Atelierspuren. Insgesamt in wohlerhaltenem Zustand. Eines von 300 Exemplaren. - Aus der Edition underdogss. - Vhils wurde in Lissabon geboren und wuchs in der Industrievorstadt Seixal auf. Seit 2004 gehört zu den wichtigen Protagonisten der Lissabonner Visual Street Performance Szene. Seine Beiträge auf dem von Banksy kuratiertem Cans-Festival in London 2008 sorgten für Aufsehen. Seither gilt Vhils als einer der bekanntesten europäischen Streetart-Künstler. Silkscreen reworked with Quink ink, bleach and acid on Keaykolour original China. Signed and numbered. - Verso with lighter traces of studio work. The print with strong colours and clean. - One of 300 copies. - From the "underdogs edition".

Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Taciturn. 2018. Serigraphie überarbeitet mit Säure, Chlor und Quink Tinte auf Keaykolour Original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit wenigen Atelierspuren und Spuren der vorherigen Montierung. Insgesamt in wohlerhaltenem Zustand. Eines von 115 Exemplaren. - Vhils wurde in Lissabon geboren und wuchs in der Industrievorstadt Seixal auf. Seit 2004 gehört zu den wichtigen Protagonisten der Lissabonner Visual Street Performance Szene. Seine Beiträge auf dem von Banksy kuratiertem Cans-Festival in London 2008 sorgten für Aufsehen. Seither gilt Vhils als einer der bekanntesten europäischen Streetart-Künstler. Silkscreen reworked with acid, chlorine and Quink ink on Keaykolour Original China White. Signed and numbered. - Verso with a few studio marks and traces of previous mounting. Overall in a well preserved condition. - One of 115 copies.

ZERO - - Heinz Mack. (1931 Lollar - lebt in Mönchengladbach). Sahara project: station 6 - the machine park. 1972. Farbserigraphie mit einer Halbkugel aus Glas. Ca. 80,5 x 100 cm (80,5 x 100 cm). Im original Objektrahmen (ungeöffnet). - Gläserne Halbkugel lose und noch vorhanden. Die Klebstelle sichtbar, am unteren Blattrand minimale Spuren von der Farbe des Rahmens. Insgesamt schön erhalten. Mack, 209. - Eines von 130 Exemplaren. - Hg. v. Junior Galerie, Düsseldorf, 1972-75 (verso mit dem Galerieetikett). - Druck und Umsetzung bei Hofhauspresse. Colour silkscreen with a glass hemisphere. In the original object frame (unopened). - Glass hemisphere loose and still present. The glue spot visible, minimal traces of the frame's paint at the lower margin. Overall beautifully preserved. - One of 130 copies. -

ZERO - - Heinz Mack. (1931 Lollar - lebt in Mönchengladbach). Zyrrus-Wolken. 1972. Farbserigraphie auf Fließpapier. 87 x 66 cm (100 x 69,5 cm). Signiert und nummeriert. Unter Glas gerahmt (ungeöffnet). - Sehr vereinzelt mit winzig kleinen Braunfleckchen, diese im Gesamteindruck kaum merklich. Insgesamt wohlerhalten. Die Arbeit von tiefer Leuchtkraft und Farbwirkung. Fulda-Kahn, 91. - Eines von 100 Exemplaren. - Hg. und Druck von Hans Möller, Hubbelrath. Colour silkscreen on flow paper. Signed and numbered. Framed under glass (unopened). - Very worn with tiny brown spots, hardly noticeable in the overall impression. At all in good condition. The work of deep luminosity and colour effect. - One of 100 copies. - Pub. and printed byHans Möller, Hubbelrath.

ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Heseler Silver. 1971. Serigraphie auf Karton. 89,5 x 69 cm (89,5 x 69 cm). Signiert und datiert. - In wohlerhaltenem Zustand. Silkscreen on cardboard. Signed and dated. - In good condition.

Amerikanische Moderne - Minimalismus - - Robert Mangold. (1937 North Tonawanda, N.Y.). A square within two triangles. 1977. Farbserigraphie auf starkem, chamoisfarbenem Papier. 29 x 45 cm (42 x 59,5 cm). Signiert und nummeriert. - Minimal griffspurig. Insgesamt im sauberen, guten Zustand. Eines von 100 Exemplaren. Colour silkscreen on paper. Signed and numbered. - Very sporadically with delicate, small brown spots, these very inconspicuous and not affecting the subject. At all in a clean, good condition. - One of 100 copies.

Bernd Berner (1930 Bergedorf - 2002 Stuttgart)o.T. (Komposition). 1966. Farbserigraphie auf starkem Papier. 25 x 21 cm (27 x 21 cm). Signiert, datiert und nummeriert. - Teils mit zarten Anstoßungen an Kanten, sonst wohlerhalten. Eines von 100 Exemplaren. - Farbsatt-pulvriger Abzug. Colour silkscreen on strong paper. Signed, dated and numbered. - Partly with delicate bumps at edges, overall in good condition. - One of 100 copies. - Colourful and saturated print.

Geometrische Abstraktion Francois Morellet (1926 - 2016 Cholet)o.T. Serigraphie auf glattem Papier. 36 x 25 cm (36 x 25 cm). Signiert und nummeriert. Punktuell auf Unterlage montiert, dort verso mit typographischem Text. - Guter Zustand. Eines von 165 Exemplaren. Silkscreen on smooth paper. Signed and numbered. Spot mounted on backing, there typographic text on verso. - Good condition. - One of 165 copies.

Konkrete Kunst Imi Knoebel (d.i. Wolf Knöbel) (1940 Dessau - lebt in Düsseldorf)Hommage à Grace Kelly. 1991. Farbserigraphie auf chamoisfarbenem Fabriano (Mit dem Wasserzeichen). 50 x 34 cm (99,5 x 69,5 cm). - Sauberer, farbsatter Abzug. Colour silkscreen on chamois-coloured fabriano (with the watermark). - Clean, richly coloured print.

Konkrete Kunst Heinz Kreutz (1923 Frankfurt - 2016 Prenzberg)Geometrische Komposition. 1972. Farbsiebdruck auf Velin. 18,5 x 18,5 cm (38 x 32 cm). Signiert, datiert und nummeriert in Graphit. Verso in einer anderen Handschrift bezeichnet. Zarte Beschmutzung im gelben Bildteil. Insgesamt sauberer Druck. Eines von 100 Exemplaren. Colour silkscreen on vélin. Signed, dated and numbered in graphite. Inscribed on verso in another handwriting. Delicate soiling in the yellow part of the image. At all a clean impression. - One of 100 copies.

Konkrete Kunst Aurélie Nemours (1910 Paris - 2005 ebd.)Espace bleu. 1959. Farbserigraphie auf Karton. 31,5 x 25 cm (31,5 x 25 cm). Signiert. - Kleine Anschmutzungen im blauen Teil. Verso ein schwarzer Fingerabdruck. Schöner Siebdruck mit klaren Kanten innerhalb des Motivs und kräftigen Farben. Aurélie Nemours studierte bei dem kubistischen Maler André Lhote und beim ebenfalls kubistischen und konstruktivistischem Maler und Graphiker Fernand Léger in Paris. Sie ist bekannt für ihre geometrisch-abstrakten Werke. Colour serigraph on cardboard. Signed. - Small smudges in the blue part. Verso a black fingerprint. Beautiful silkscreen with clear edges within the motif and strong colours.

Konrekte Kunst David Saunders (1945 New York)o.T. (Geometrische Komposition). 1989. Farbserigraphie auf chamoisfarbenem Papier. 29,6 x 20,6 cm (37,6 x 26 cm). Signiert, datiert und nummeriert. Punktuell auf Unterlage montiert. - Partiell mit minimalen Bereibungen. Samtig-pulvriger Abzug. Eines von 150 Exemplaren. Colour silkscreen on buff paper. Signed, dated and numbered. Spot mounted on backing. - Partially with minimal traces of rubbing. Velvety-powdery print. - One of 150 copies.

Otto Mühl (1925 Grodnau im Burgenland - lebt in Wien)o.T. 1984. Farbserigraphie auf chamoisfarbenem, starkem Papier. 60 x 43,5 cm (70 x 49,5 cm). Monogrammiert und datiert in Graphit. - Guter Zustand. Colour silkscreen on buff, strong paper. Monogrammed and dated in graphite. - Very good condition.

Piero Dorazio. (1929 Rom - 2005 Perugia). o.T. 1989. Farbserigraphie auf cremefarbenem Bütten. 119 x 79,5 cm (99,5 x 138,5 cm). Signiert, datiert und nummeriert. - Partiell mit schwachen Stockflecken im weißen Rand und verso. An Kanten vereinzelt mit Sporflecken, diese wenig sichtbar. Farbsatter Abzug. Eines von 100 Exemplaren. Colour silkscreen on cream. light cardboard. Signed, dated and numbered. - Partially with weak foxing in the white margin and verso. Some spotting at the edges, not very visible. Saturated print. - One of 100 copies.

Piero Dorazio. (1929 Rom - 2005 Perugia). o.T. 1989. Farbserigraphie auf cremefarbenem. leichten Karton. 79,5 x 119 cm (99,5 x 138,5 cm). Signiert, datiert und nummeriert. - Partiell mit schwachen Stockflecken im weißen Rand und verso. An Kanten vereinzelt mit Sporflecken, diese wenig auffällig. Verso etwas lagerspurig. Die Serigraphie sehr satt und pulvrig. Eines von 100 Exemplaren. Colour silkscreen on cream. light cardboard. Signed, dated and numbered. - Partially with weak foxing in the white margin and verso. Some spotting at the edges, but not very noticeable. Verso a little bit worn due to storage. The serigraphy very rich and powdery. - One of 100 copies.

JENNIFER HANNAFORD: Silkscreen print entitled "Southwold Harbour in Winter", No. 11/25, pencil signed and titled lower left, 36cm x 52cm

Charming Baker (b.1964)"The Wrong Brave Face" (2016)Signed, inscribed, stamped and numbered 3/16, archival inkjet with silkscreen overlay and copper leaf, 76.5cm by 62.5cm

[Situationists] SPUR buch Munich, Spur, 1962. Orig. cloth cover with silkscreen in colour, 28.5 x 29 cm. The volume includes all 6 issues of the group’s journal, a not-previously-released seventh issue, and the four most important manifestos. Contains 4 colour lithographs by H.P. Zimmer, H. Prem, H. Sturm and Asger Jorn and over 28 b/w lithographs by various members of Spur. Good copy in bright colours, moderate staining on the front cloth cover and slight abrasions on the spine.SPUR functioned as the German section of the Situationniste Internationale. They split by a disagreement on the role art should play in a revolutionary avant-garde organization like the SI. Meanwhile Gruppe Spur had been under the scrutiny of the German government and got in legal trouble. In the first trial of artists in Germany since the Third Reich, issue 6 of the group’s journal was seized by the police and its authors prosecuted for 'blasphemy' and 'pornography'.

[Women Artists] Françoise Janicot Signed silkscreen on off-white paper, 34.5 x 26.5 cm, untitled and undated. Made in an edition of 50, this copy numbered 10/50. Janicot (1929 - 2017) was a French painter, photographer, performance artists, sound poet, and feminist artist. In the late 1960s she photographed several of her contemporaries including Julien Blaine, John Cage, Charlotte Moorman, Jean-Jacques Lebel and others.In the 1970s she collaborated on several projects with her husband, the sound activist Bernard Heidsick, as well as with John Giorno and Guy Schraenen. Recurring themes in her work are Hide and Seek and 'Enconnages', wrappings covering and uncovering the body. This silkscreen seems to play with this element. Slight crease on lower left corner, very tiny spot not affecting the image, generally a very fine copy.

[Women Artists] Marina Abramovic, Untitled, 1991 Colour silkscreen, 80 x 60 cm. Signed in pencil 'Marina Abramovic '91' on the lower right.Numbered edition of 250 copies, this one is numbered 163. Mint copy.

[Fluxus] Joseph Beuys, 3 signed books (1) Lotta Poetica 46, March 1975. Special issue on Joseph Beuys. Cover designed by Beuys, signed in pencil by the artist on front. Edited by Paul de Vree and Eugenio Miccini, Brescia. Softcover, 25 x 20.5 cm, 24 pp. Contains b/w photo documentation of Beuys's 1974 performance 'Three Pots Action in the Poor House' by Caroline Tisdall. Text in Italian. Moderate toning on cover, else very good. Scarce.(2) Herman Hendrik ter Balkt, Joseph Beuys. Arnhem, Stichting Ravensberg Pers, 1978. Softcover, 70 pp. with mounted silkscreen on frontcover. Poems by Ter Balkt, ills. with 14 tipped-in colour silkscreens by Beuys (1 signed) and 1 original b/w photo. Edition of 300 copies, signed by the author and by Beuys, hand-numbered 215. Front wrapper slightly discoloured to edges, otherwise a fine copy. (3) Joseph Beuys: Vrouwen. Nijmegen, Nijmeegs museum Commanderie van Sint Jan, 1981. Edited by Hans van der Grinten. Softcover catalogue, 83 pp. Boldly signed by Beuys with an added drawing of a hat, all in pencil on first page. Fine copy. (total 3)

[s and 1970s] Carlos Cruz-Diez, Transchromies London and Paris, Edition Signals, 1965. Complete set of five kinetic prints in sleeves which create special effects when moved, silkscreen on paper and acetate sheets, 33 x 33 cm. In original folder with an introduction by the artist in French, Spanish, English and German, 10 pp. No. 25 of 250 signed copies.Signed 'C.D.' on copyright page, and stamped No.025. Published on the occasion of the exhibition 'A Decade of Physichromies' by Carlos Cruz-Diez (b. 1923) at Signals Gallery, London, 1965. Slight soilage and sunning to folder and paper, plates fine.

[s and 1970s] Willem de Kooning, Marc Chagall and others Multiple in an edition of 250 published on the occasion of the 300th anniversary of the Royal Academy of Art in the Hague, 1982. Three board boxes, each 12.5 x 18 x 3.5 cm, numbered A - 194, B - 914, C - 194, containing: 3 title leaves and 9 prints in various techniques by various artists, all sheets approx. 15 x 10 cm, all signed and numbered.Comprising: Marc Chagall (1887-1985) silkscreen; Willem de Kooning (1904-1997) lithograph; Pat Andrea (1942-) etching; Herbert Bayer (1900-1985) silkscreen; Kees van Bohemen (1928-1985) collaged silkscreen, Bob Bonies (1937-) silkscreen printed in blue and red on board; Herman Gordijn, (1932-2017) woodcut; W. Nobbe (1941-2005) lithograph; Richard Rogers (1933-2021) silkscreen. A rarely seen complete set in mint condition, all works protected by tissue paper.

[s and up] Bad Boys, Amsterdam 1986 (1) Two flyers designed by Keith Haring announcing the release of his 1986 silkscreen edition by publishing house Bébert, Rotterdam. Xeroxed posters, each 42 x 30 cm, one copy printed on pink paper (slight creases), one on green paper (mint).(2) Soyo Productions presenteert: The Warhol Link, Piero Heliczer, 1989. Poster, 59 x 42 cm, printed black on pale blue offset. Announces a multi-media event held at the Amsterdam clubs Roxy and Zaal 100, featuring poetry, prose, film and theatre. Films by Warhol and Heliczer. Participants included Richard Hell, Simon Vinkenoog et al. Good copy, unfolded. (total 2)

[s and up] Andy Warhol, signed SAS passenger bag Grey plastic travel bag, 41 x 25 cm, printed with blue logo and golden wings of Scandinavian Airlines. Signed on the top by Andy Warhol, 79. Also features a drawing of an airplane by the artist, 10 x 10 cm. The bag itself dates from the mid 1960s. In 1968 Warhol had a major exhibition at the Moderna Museet in Stockholm, for which he made a silkscreen edition featuring a SAS passengers ticket. Regular age wear on the bag, the signature has very light fading at the bottom part, but generally the drawing and signature are in good condition.

[s and up] General Idea, Nine Lives Hamburg, Edition Helga Maria Klosterfelde, 1992. Ship flag, silkscreen print on fabric, 100 x 150 cm, in costum made box. Edition of 500, 60 signed and numbered, 440 numbered. This copy is numbered 168/500 on the back of the box. Each skull on the flag refers to one member of General Idea. Fine copy.General Idea (Toronto, 1967-1994) was an artists' collective made up of Felix Partz, Jorge Zontal and AA Bronson, striving to critique popular and media culture by way of humour, parody, and irony. From 1987 onwards their work addressed the AIDS crisis, both Partz and Zontal died of AIDS in 1994.

[s and up] Richard Prince and Glenn O'Brien, Human Nature (Dub Version with signed print) Los Angeles, Greybull Press, 2001. Collaborative artists' book with texts by O'Brien and drawings by Prince. Hardcover, blue cloth-covered boards with letterpress, 24.5 x 18 cm, 112 pp. Housed in an illustrated cardboard slipcase.This is the special limited edition of 250 casebound copies which includes a loose inlaid silkscreen print signed by Richard Prince. The book is signed by Glenn O'Brien on the title-page. As new.

[Small Press and Concrete Poetry] Broadsides from Wild Hawthorne Press Three prints from the series of broadsides published by the prolific Scottish concrete poet Ian Hamilton-Finlay at Wild Hawthorn Press, Dunsyre. Contains: (1) Franz Mon, Epitaph für Konrad Bayer, 1964. Concrete poem typeset in Futura, printed in yellow and dark blue ink on cream stock, 43 x 57 cm. Fine copy. (2) Ferdinand Kriwet, Poem/Print, 1964. Red and black silkscreen featuring a concrete poem with overlapping text, 43 x 57 cm. Slight toning and wrinkles on the right side outer margin, 3 cm piece of paper torn off the top left corner not affecting the image. (3) Ian Hamilton Finlay, Summer Sales, 1967. Screenprint in blue and brown made by IHF in collaboration with Jim Nicholson, 44 x 58 cm. Crisp copy, some wrinkling on the right side bottom margin, not affecting the image. (total 3)

[Small Press and Concrete Poetry] John Furnival, (1) Green Vowel Star Undated (1966). Silkscreen print, green on white paper, 30.5 x 27.8 cm, signed and titled in black marker in lower left margin. Small soiling spot on lower right margin. (2) John Furnival, Europa. Undated (1966). Offset printed black on white paper, 58.7 x 23.5 cm, signed and titled in black marker in lower left corner. Fine copies. (total 2)

[Small Press and Concrete Poetry] Albrecht D. Flug/fluxBLATTzeitung No.18, Das neue programm der CDU/CSU Stuttgart, Reflection Press, 1971. Stapled booklet, 21 x 15 cm, beige wrapperprinted in black, 68 pp. Contains a persiflage on the political programme of the Christian Democrats, featuring mineographed text, erotic drawings and a postcard by Albrecht D. as well as original clippings from pornographic magazines. Loosely inserted is a silkscreen print by John Furnival, 59 x 42 cm, published by Reflection press, folded to fit the booklet. Book and poster in very good condition. Reflection Press was an artists' printing output by Dietrich Albrecht/ albrecht d. (1944-2013) in Stuttgart, Germany. From 1968 to 1988 it produced 48 issues of its core magazine flug/flux BLATTzeitung (loosely translated a flyer-newspaper). All publications were handmade in a small edition using quick and cheap printing methods. Flug/flux BLATTzeitung promoted Albrecht’s activist view on the German artworld and was set up as an artists assembling magazine, featuring contributions by Vostell, Friedman, Higgins, Hausmann, Vautier, Pezold and many others.

[Small Press and Concrete Poetry] Code Amsterdam based art magazine with a fresh presentation of upcoming artists in the 80s. Edited by Waling Boers, Martin van Vreden and Dirk van Weelden. Ten issues were published between 1983 and 1989, in a limited edition between 250 to 450 copies, each (except for No.10) housing an original signed silkscreen. This is a complete set with 4 silkscreens by Peer Veneman (No.2), Martin van Vreden (No.3), Rob Scholte (No.4), and Ton van Summeren (No.8). Name of former owner on first page in 3 copies (not obtrusive), the set is overall in fine condition. (total 10)

[Small Press and Concrete Poetry] Le Dernier Cri (The Latest Scream/Trend) Ten striking limited edition artists' books by the French publisher, drawing upon underground comics and outsider art. Featured are raw comix offset printed in full colour with silkscreen printed covers. The size of all books (except for the first 2 listed) is 22 x 15.5 cm. Includes: (1) Quentin Faucompré, L'oraison des orifices, 2003. 22 x 22 cm, ed. 200. Drawings with lots of genitals in weird places. (2) Miniput stumcad, 2003. 29.5 x 22 cm, ed. 500. (3) Pascal Doury, Kinky copy, Vida Loco, 2000. (4) Gerardo Monsirais, Pinche Pedo, 2003. ed 150. (5) Mike Diana, Go to Hell, 2003. ed 500. (6) Cyber Punk Metal War, 1998. (7) Machina Mundana: Esoteric Art of Marcel Ruijters, 2003. (8) Laurent Impeduglia, Outsider Cycle, 2004. ed 450. (9) Caroline Sury, Caroline et ses Amis, 2000. ed 500. (10) Remi, Cassos, 2001. ed 750. All books in fine state. (total 10)

[Prints and Posters] Lawrence Weiner, projects for Gallery 360’, Tokyo Comprises: (1) Lawrence Weiner, Caught between ships passing in the night, 1999. Colour silkscreen on cotton, 11.5 x 13.5 cm, with text printed in English and Japanese, monogrammed LW and numbered 134. Limited edition of 900 numbered copies.(2) Lawrence Weiner, Here & Now & Now & Then, Gallery 360’, Tokyo, 1996. Poster, 44.7 x 39.9 cm. (3) Two invitation cards for Weiner shows at Gallery 360’. (total 4)

[Prints and Posters] Joseph Kosuth, Consciousness of self is in itself and for itself when and because it is in itself. Ghent, Imschoot, 1991. Silkscreen in yellow and blue printed on thick black paper, 60 x 100 cm. Announcement poster designed by Kosuth for an exhibition on artists' books curated by Imschoot and Peter van Beveren/The Archives.Very good copy. Joseph Kosuth (1945-), one of the pioneers of Conceptual and installation art, has initiated language-based works and appropriation strategies since the 1960s.

[Prints and Posters] Keith Haring, August 1st 1991 Designed by Haring in 1989 for the ‘700e Anniversaire de la Confederation Helvétique’.Silkscreen printed by Albin Uldry, Bern, 100 x 70 cm. Tiny tear on margin, small crease on lower left side, else a crisp copy.

[Ephemera] Max Hetzler, Paul Maenz, Portikus Mixed German lot, contains (1) 9 items by Hetzler including a pricelist for Neugrafik 1984; a 1984 stocklist of 8 pp.; invitation cards for Günther Förg, Büttner, Herold, Oehlen, Mucha et all in 1983 and 1984. (2) Silkscreen printed A4 sheet featuring a drawing and text for Mimmi Paladino's show at Paul Maenz in Cologne, 1980.(3) Two large posters by Portikus Frankfurt, 62 x 80 cm, 1989. One features Katharina Fritsch (plus invitation card), the other On Kawara and a groupshow. (4) Poster for the group show 'Front' at Galerie Rolf Ricke in Cologne, 1981, 84 x 32 cm. (5) Xeroxed sheet with a photographic group portrait of Stefan Szczeny with Dokoupil, Dahn and Schulze. (total 15)

STAR TREK: ENTERPRISE - Logic ModuleA logic module from the sci-fi drama series Star Trek: Enterprise. These computer memory modules are predecessors to the data discs seen in the original series and were used throughout the series by the NX-01 and her crew. This module consists of a translucent green acrylic square with silkscreen-printed microchip-like details in the interior. It is affixed on one end with an opaque white rectangular accent with a red, black and white decal identifying it as a logic module. It exhibits minor scuffing on the square.Dimensions: 3.25" x 3" x 0.5" (8.25 cm x 7.75 cm x 1.25 cm) Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

AFTER GEOFFREY KEY (born 1941); ten silkscreen prints from the Daydreams series, pub. B & P Screen Prints Ltd, sheet size 61.5 x 41.5cm.Additional InformationEach with minor folds and creases to the corners especially, the old white mark and scuff.

AFTER GEOFFREY KEY (born 1941); a boxed set of twenty silkscreen prints from the Daydreams series, pub. B & P Screen Prints Ltd, sheet size 61.5 x 41.5cm.Additional InformationThe box is af with rips, tears, stains and marks, a couple of the prints with staining to the borders and edges, creases, fold and turning to the corners.

DRAN (French, born in 1979) Tintin à Paris, 2018 Mixed media on silkscreen background, on paper numbered lower left, signed on the bottom right Edition of 50 copies 45 × 32 cm

DRAN (French, born in 1979) Pluie de couleurs Painting on silkscreen background, on paper numbered lower left, signed lower right Edition of 99 copies 42 × 30 cm

IAN HAMILTON FINLAY CBE (SCOTTISH 1925-2006) Eastview, miniature poem, paper and metal pins, 33+ parts, title inscribed to box in ink; Earthship, concertina silkscreen poem on card, stapled, signed (IHF), Wild Hawthorn Press, approx. 185cm (extended); Le circus, poster poem 1964, Wild Hawthorn Press, 44 x 56cm; Victor Vasarely, poster with laminated top layer (detached), Wild Hawthorn Press, together with another framed with laminated layer, 53 x 40cm (5) Condition Report:Available upon request

ALASDAIR GRAY (SCOTTISH 1934-2019) INSIDE THE BOX OF BONE  Silkscreen, signed lower left, numbered (20/60), 59 x 29cm (23.25 x 11.5") Condition Report:Available upon request

Natvar Bhavsar (Indian/American, b. 1934). Silkscreen in colors on paper titled "Cornered Yellow." Pencil signed, dated 1968, and numbered 20/20 along the lower center.Sight; height: 21 1/4 in x width: 21 1/4 in. Framed; height: 30 in x width: 29 1/2 in.