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Lot 141

A mixed lot to include 19th century encrusted porcelain pin dish/bud vase in the form of strawberries on a leaf, silver plated coffee pot, Royal Worcester tureen; German stein; Wade figurine etc

Lot 61

A Victorian Aesthetic movement silver bangle, hallmarked for John Price Hunt, Birmingham 1883; together with a further engraved silver bangle, gross weight 66g (2)

Lot 240

A Heathfield & Co. 'Galileo' silver glass table lamp, with shade, height to top of fitting 36cm rrp. £499

Lot 378

A silver bookmark in the form of an owl, hallmarked for Dix Jewellery, London 1993, 9g; together with a Coutts notepad

Lot 34

A substantial European 1920s Art Deco silver tank ring set with a central synthetic ruby and paste, size 10, rubbed marks to shank, 10.4g

Lot 119

A cased set of Australian Rodd silver plated teaspoons designed as a Koala, lizard and Kookaburra on a tree

Lot 82

A quantity of silver coins to include one rupee India 1910, Switzerland 5 francs 1940, George III shilling 1816, India two annas 1876, etc (approx. 100g)

Lot 566

An 18th century and later silver table, shaped top, raised on tapering legs with pad feet, 76x51x66cmH

Lot 103

A cased set of 12 Dutch silver coffee spoons, with flower terminals, one af, retailed by G. Schoorl

Lot 113

A cased set of James Walker Ltd fish knives and forks with sterling silver collars, together with a further cased set of fish knives and forks, pair of Barker Ellis plated gravy boats, silver napkin ring etc

Lot 311

A mixed box of items to include silver plated teapot, claret jug, pewter tankard, copper items, an Etruscan vases jug, Swiza clock with hand painted floral decoration, etc

Lot 382

A mixed lot of metal items to include copper kettles, silver plate, white painted basket etc

Lot 72

A 1902 Royal Mint silver coronation medal, in original packet

Lot 100

Three silver items: lidded mustard with blue glass liner; small pap boat; and an egg shaped pepper, gross weight 176g (3)

Lot 115

A stained oak canteen of various plated and stainless steel cutlery, together with two silver teaspoons

Lot 62

A mixed lot of jewellery to include niello, nephrite pendant, Georgian chased gilt metal and agate brooch, silver and marcasite lizard brooch, silver rings, Amita Japan Sterling silver enamel bamboo pattern pendant etc

Lot 101

A small quantity of silver teaspoons, mainly Georgian, together with a cased set of silver butter knives, the weighable silver 4.1ozt

Lot 68

A boxed silver mounted sapphire pendant, on chain; together with further silver and other jewellery

Lot 120

A quantity of silver plated items to include a heavy pitcher; champagne bucket; galleried tray; entre dishes etc

Lot 108

A cased set of six silver handled butter knives, hallmarked for Sheffield, JB, 1924; with one other

Lot 373

A Hawthorne Village Bachmann Silver Moon Express train set comprising locomotive, tenders, carriages, etc, together with a quantity of track and other accessories, together with two train DVD boxsets

Lot 48

A small lot of jewellery to include a continental silver filigree butterfly brooch with enamel detail, 5.9cmW

Lot 35

A silver Albertina chain with puffy heart tassel and T bar, 22cmL unclasped; together with a further Albertina chain/bracelet (2)

Lot 286

An engraved copper salver 'presented to Quarter Master Sergt George Kettles as a token of esteem from his sincere friends Sergeants of the 1st Battalion 60th Royal Rifles', with silver plated foliate rim, 30cmD

Lot 60

A quantity of amber and amber type jewellery, to include silver rings, stud earrings silver heart shaped pendant etc

Lot 87

A Swiss 935 silver cased fob watch by Fattorini & Sons, the enamel dial with blue Roman numerals and scrolling gilt detail, the inside bearing label for T.W Davison Watch & Clock Maker 6 Peel Street, Barnsley, with two watch keys

Lot 99

A George V silver capstan inkwell, the base 10.7cm diameter, with mismatched glass liner, Chester 1911

Lot 125

Wedgwood Martha Stewart 'Lily of the Valley' silver, soup dishes and dinner plates

Lot 387

Five Hornby OO gauge locomotives and tenders comprising Duchess of Atholl, Duchess of Montrose, Bristol Castle with running instructions booklet, Mallard, and Silver Fox (re-worked EDL11 BR Silver King) (5)

Lot 19

A silver filigree bracelet, 28g; together with a late 19th/early 20th century white metal Scottish agate dirk brooch, 6cmL, rolled gold tie clip etc

Lot 102

Five chased and reppousse silver picture frames, the largest 23x18.5cm externally, together with a further small silver oval frame, 11x8.5cm

Lot 118

A quantity of silver plated flatware, napkin rings, souvenir spoons etc

Lot 71

Three silver Maria Theresa thaler coins, each drilled, gross weight 82g

Lot 106

Two sets of silver sugar tongs, together with a sugar sifter, gross weight 61.7g

Lot 10

A 9ct gold crucifix, approx. 0.6g; together with silver gilt hoop earrings

Lot 104

A smart pair of silver Art Deco teaspoons, hallmarked for Birmingham, Docker & Burn, 1925, gross weight 15.9g

Lot 69

Four silver chains, gross weight 31.7g

Lot 70

A quantity of costume jewellery to include silver jasperware brooch; beaded necklaces; costume brooches etc

Lot 121

One silver topped dressing table jar together with one jar top; a plated snuffer and two brass cocks

Lot 388

Five Hornby OO gauge locomotives and tenders comprising Llantilio Castle, Sir Nigel Gresley, Duchess of Atholl, Duchess of Montrose, and Silver King (5)

Lot 254

A mixed lot to include brass plaque 'From Lord's Cricket Ground M.C.C', Picquot ware milk jug and sugar bowl, French opera glasses in patterned leather case, Meneses Spain silver plated dish etc

Lot 42

A jewellery box containing costume jewellery to include Czech filigree; gilt metal mounted shell cameo brooch; Michaela Frey style necklace; Sphinx; Agatha; Murano glass beads; silver ring inlaid with mother of pearl etc

Lot 122

A silver plated canteen of cutlery by Wariss, Sheffield

Lot 49

A silver charm bracelet with a variety of charms including enamel St.Christopher, spinning charm, key, Pisces etc, gross weight 20g

Lot 107

A quantity of silver teaspoons, one Norwegian green enamel spoon, coffee bean terminal spoons etc, gross weight approx. 152g

Lot 28

A pair of European gold and silver paste cluster earrings (one missing post), 1.5cmD, together with a single yellow metal earring set with a rose cut garnet; and a pair of hollow yellow metal stud earrings, 1.3cmD, gross weight 1g

Lot 68A

Jessamine KENDALL neé Leach (1920-2014) Tubular silver and lapis beads with African trade beads Silver, stamped, length 66cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from Devon Guild, 1997.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 66

Jessamine KENDALL neé Leach (1920-2014) Lapis and ancient Carnelian necklace Silver, stamped, length 44.5cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 65

Jessamine KENDALL neé Leach (1920-2014) Incised Lapis and Glass necklace Silver, stamped, length 50cm. Together with a second Lapis, Carnelian and silver necklace, stamped, length 45cm. (2)Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website The first, purchased from New Ashgate, 1996. The second, purchased from Devon Guild, 1996.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 64

Jessamine KENDALL neé Leach (1920-2014) Lapis, Carnelian and Crystal necklace Silver, stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 68

Jessamine KENDALL neé Leach (1920-2014) Glass and silver bead necklace Stamped, length 43cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2005.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 67

Jessamine KENDALL neé Leach (1920-2014) Brass, silver and African trade bead necklace Stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2001.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 96

A QUANTITY OF GEM SET SILVER JEWELLERY To include peach quartz and goshenite pendant and earrings, dendritic quartz pendant, rutile quartz pendant, various earrings and a cubic zirconia suite. Total weight approx 63.4 grams

Lot 146

CONTINENTAL SILVER PLATED SALT In the form of an Amorini pushing an embossed barrow with parcel gilt interior. Not hallmarked. Weight 95.9 grams.

Lot 128

VARIOUS SILVER ITEMS & MEDALLIONS To include; a model of Dhow boat on stand, miniature Arabic coffee pot, enamel Masonic & Leytonstone Football League medallions, St Christopher, Latin cross and Asian model. Total weight 210.9 grams.

Lot 136

VARIOUS SILVER MOUNTED PICTURE FRAMES To include; one 17.5 x 12cm with heavily embossed frame, hallmarked Birmingham 1996, a similar smaller frame 6.3 x 5.0cm hallmarked Britannia London 1988, and two other smaller frames. Total weight 310.9 grams.

Lot 140

ART DECO SILVER COFFEE POT Standing 19.0cm tall, of baluster form with classical handle and flat base. Hallmarked Birmingham 1931. Makers mark M & J for Marson & Jones. Weight 428.6 grams.

Lot 114

OMEGA LADYMATIC WRISTWATCH 22.1mm round, stainless steel case, champagne coloured dial, silver batons and sweep, currently working, back stamped Seamaster, Omega monogrammed crown, sold as seen. Weight 14.7 grams.

Lot 129

PAIR OF SOLID SILVER TRAYS & SPOON Lozenge shaped trays, 16.8cm long x 10.8cm wide, hallmarked Birmingham 1959. Plus a Victorian fiddle pattern teaspoon, with gilded bowl, hallmarked London 1842. Total weight 249.2 grams

Lot 143

VICTORIAN SILVER SAUCE BOAT 16.0cm long, standing 9.0cm tall on pony feet. Hallmarked Birmingham 1856. Makers mark S B & S Ltd. For S. Blanckensee & Son Ltd. Weight 104.3 grams.

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