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A 19th century oak and metal bound silver chest, the interior fitted for cutlery with removable tray. Features inset maker's plate for Robert Duncombe, Silversmith, Cheapside, and brass plaque to front named E.Y. Western esq. 75x57x52cm. Good condition. Interior not original. Lock has been changed. Various use and age related marks and scratches.
A special effects flying saucer spaceship miniature, created by L.B. "Bill" Abbott for Robert Wise's classic Cold War-era science fiction film The Day the Earth Stood Still (20th Century Fox, 1951), in which the mysterious alien "Klaatu" (Michael Rennie) and his imposing robot bodyguard "Gort" (Lock Martin) visit Earth to caution the governments of the world against their development of atomic power for the purpose of conflict and war. Mounted on a stand for display purposes.The large miniature is composed of fiberglass that has been painted silver with a small triangular opening cut along one side of the dome.The 1/24 scale minature was conceived by art directors Lyle Wheeler and Addison Hehr and created by L.B. Abbott, Ray Kellogg and Emil Kosa.The model was one of the first that was used with an optical matte process to simulate flight.Award-winning miniature and visual effects master Greg Jein, rescued the model from the 20th Century Fox lot when sold by the studio, and then preserved and exhibited the model until 2003. Prior to the original sale, it was on display at Disney-MGM Studios in Orlando Florida by the American Film Institute.The model can be seen during the iconic landing of the craft on a baseball field in Washington, D.C., one of the first times that an optical matte process was used to depict a miniature in flight on screen. The UFO appears as an oval of light initially, but its outline and shape can be seen more clearly when it glides over the Washington Monument. Legendary cameraman/cinematographer L.B. Abbott became an expert in the creation of special effects c. 1950s. He won Academy Special Achievement Awards for his work on Doctor Dolittle (20th Century Fox, 1968), Tora! Tora! Tora! (20th Century Fox, 1971), The Poseidon Adventure (20th Century Fox, 1972), and Logan's Run (United Artists, 1976). The Day the Earth Stood Still was his first film and his name does not appear in the original credits. Includes a DVD of the film.58 x 82 x 70 inches (overall, on stand)PROVENANCE Lot 39, "Hollywood Auction 14," Profiles in History, April 26, 2003.
A collection of six silver tone buttons with portraits of Elizabeth Taylor, owned by Taylor. The buttons are housed in a Tender Buttons box. Tender Buttons was a curated button shop in New York City that was in business from 1964 to 2019.2.5 x 1 x 1.5 inchesPROVENANCE From the Collection of Jorjett Strumme, Elizabeth Taylor's personal assistant and friend
A military helmet as seen worn by several men in uniform in an ensemble sequence of the pre-code romantic musical The Cat and the Fiddle (Metro-Goldwyn-Mayer, 1934) starring Ramon Novarro and Jeanette MacDonald. The painted fiberglass helmet has a black faux-fur plume with a green pom pom affixed to the front, a leather neckstrap, and a silver-tone emblem of an eagle clutching a snake. A handwritten label affixed to the inside reads "Michael Althoff."The film recounts the love story of two composers as their careers ascend, with her writing and singing a popular love song and him working on an operetta. Links to images are available upon request.
A black and white photograph of actor James Dean playing bongo drums in a field of cows and pigs that was signed, numbered, and gifted to Dennis Hopper by its photographer Dennis Stock. The photograph is signed and numbered 70 in ink in the lower right. The photograph is in a silver-tone metal frame.Stock took the photograph of Dean in February 1955 at the farm on which he was raised by his uncle and aunt in Fairmount, Indiana. Stock was on assignment by Life magazine to chronicle Dean on his rise to fame in an article that would be titled "Moody New Star." Hopper costarred in two films with Dean, Rebel Without a Cause (Warner Brothers, 1955) and Giant (Warner Brothers, 1955), and looked up to the actor, who died tragically in an automobile accident in 1955, as a role model throughout the rest of his life.Behind the photograph in the frame is a plastic sleeve containing a small black and white photo of an unidentified man, possibly a relative of Hopper's, next to a prayer card printed with the Saint Francis prayer for peace.15 x 13 x .5 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
An original three-piece costume ensemble for the film Mad Max: The Road Warrior (Warner Brothers, 1981). These pieces are not seen in the film, but are most likely prototypes for the film's costume design.Components of the costume include a distressed leather jacket, leather-studded-spiked-arm-cuff, and a pair of lace-up leather boots. The feature piece to this outfit is the distressed leather jacket, originally dark brown, the leather was dyed/painted black for the film, the jacket has a center zip closure with an "IDEAL" logo pull, a fold-over-collar, two welted pockets below the waist on the right and left side of the jacket. There is top-stitching and diagonal lapped seams, typically seen on leather motorcycle jackets. There is an inverted vent at the center back, as well as a western yoke on the mantle/shoulders of the jacket. The left sleeve was cut off to distress the jacket for the look of the film, and the right shoulder has a plastic shoulder guard with foam padding underneath that was painted black, this design feature is also distressed with a hole at the front of the shoulder cover, scratches, marks, and indentations throughout; there is also an assortment of pyramid studs and spikes on the shoulder cover's border. The jacket is lined but the stitching securing the lining came undone, likely by distressing the garment for production. The leather boots are a dark brown that lace up to the upper calf, at the back of the boot going up the shaft are spikes on both sides of the center seam, the pair of boots is missing a total of 9 spike embellishments. There is moderate wear and creasing to the vamps, as well as the soles. The forearm leather cuff has three buckles to fasten the accessory and is almost completely embellished with silver spikes and studs.Mel Gibson reprises his role as Max Rockatansky in this sequel film, he is traveling the apocalyptic outback where he reluctantly aids “Pappagallo” and his tribe against “The Humungus” and his violent marauders.Norma Moriceau designed the costumes for the second and third installments of the Mad Max films. Before becoming a costume designer Moriceau, a native Australian, moved to London, England, and worked as a photographer and stylist. She most notably collaborated with English designer Vivienne Westwood and Westwood's partner Malcom McLaren. Moriceau also styled and worked with The Sex Pistols, utilizing the punk aesthetic, which defined the later part of the seventies. Moriceau took the punk-style-fundamentals and applied them to the Mad Max films she worked on, she used biker wear, bondage, fetish wear, and sports equipment to create a dystopian look that still inspires looks and outfits today in terms of cosplay with fans wanting to mirror the designs in the films. Jenny Beavan, who worked as the costume designer on Mad Max: Fury Road (Warner Bros., 2015), won an Academy Award in 2015. The costumes in the film paid homage to Moriceau and her work in the 1981 and 1984 films.This lot comes with a DVD box set of the original three films, as well as a note acknowledging these pieces came from the costume designer Norma Moriceau’s archive.
A collection of novelty collectible items owned by Dennis Hopper. Included are a silver-tone metal Nomad auto emblem, a Mr. Ugly PEZ dispenser, a pair of kazoos, a spinning top, a plastic case filled with three brass darts, a can with a label that reads "Genuine San Francisco Fog," and a lapel pin that reads "Hi. I'm an effete, impudent intellectual snob."PROVENANCE Property from the Life and Career of Dennis Hopper
A vintage three-piece outfit owned by Michelle Phillips of The Mamas & the Papas, from the collection of Dennis Hopper.The outfit includes a cream, textured cotton sleeveless top with a paneled skirt portion with side slits, a front zipper, and belt/drawstring loops, no size or label present; a matching halter top with silver-tone medallion buttons and a back zipper, no size or label present; and a pair of matching high-waisted hot shorts, with a back zipper, no size or label present. Hopper and Phillips met in 1971 on the set of Hopper's film The Last Movie (Universal Pictures, 1971), and married soon after— a union that lasted for only eight days. PROVENANCE Property from the Life and Career of Dennis Hopper
A pair of movie posters belonging to Dennis Hopper: the Buck Jones cowboy film Silver Spurs (Universal Pictures, 1936) and the Cuban drama Lucia (ICAIC, 1968). The Silver Spurs poster has been stapled to a wooden board (with "do not drop / glass / works of art" stamped on the back) and the colorful Lucia poster is attached to cardboard. The pair of posters demonstrate the stylistic range of Hopper's influences.According to Jane Wilkie in a brief profile from a 1957 issue of Modern Screen magazine, cowboy actors were important to Hopper during his childhood. She writes: "Fifteen years ago this summer, the body of a famous movie cowboy [Buck Jones] was transported from California to the East, and as the train sped past the shimmering Kansas plains the actor received a final unknown tribute from a very small boy. Standing in his grandfather's wheat field, no taller than the young grain itself, the tow-headed youngster waved frantically as the train passed, and kept waving until long after the thin black line was out of sight."28 x 19 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper
A battle sword prop as seen used by Mark Wahlberg as "Cade Yeager" in Transformers: Age of Extinction (Paramount Pictures, 2014).The prop weapon is made of cast resin, painted silver and bronze, engraved with "alien runes" throughout, and features a pincer-style silhouette with a barrel in the center. Attached is a rope shoulder strap.Transformers: Age of Extinction, the fourth film in the series, follows Optimus Prime and the Autobots as they seek help from a rural mechanic and his family after losing public favor and being targeted by a bounty hunter. This gun was seen in the final battle of the film. Includes a DVD of the film.
A jumpsuit costume ensemble as seen worn by the stunt double of Jet Li as "Gabe Law" in the Sci-Fi thriller The One (Revolution Studios, 2001). The ensemble features a black cotton-blend utility jumpsuit, with "R" handwritten in silver marker on the interior, no size or label present; and a gray cotton-blend, long sleeve ribbed shirt with a v-neck "STUNT [illegible]" handwritten in black ink on the interior trim, no size or label present. In the film, Li, as L.A.S.D. Deputy Sheriff Gabe Law, wears a jumpsuit ensemble while fighting (M.V.A.) agent Yulaw at an industrial plant.
An original 1998 Don Post Studios display statue commemorating the character "C-3PO" as portrayed by Anthony Daniels in Star Wars: Episode IV - A New Hope (Lucasfilm Ltd., 1977). This full-scale model is composed of a gold-tone and silver-tone fiberglass material with various wiring elements throughout. This life-size figure features reflective gold-tone surfaces throughout the majority of the character's body, while the right leg is silver-tone. The character C-3P0 was first introduced in A New Hope as the lovable Protocol droid who is often seen alongside the Astromech droid R2-D2. This figure was created just one year prior to the highly-anticipated release of Star Wars: Episode I - The Phantom Menace (Lucasfilm Ltd, 1999), where we would be reintroduced to C-3PO and his young creator Anakin Skywalker (Jake Lloyd). A Don Post plaque at the base of the figure reads, "C-3PO/ Limited Edition Prop Replica/ 074/ as seen used in The/ Star Wars/ Trilogy." Figure: 74 x 33 x 29 inches; Crate: 90 x 48 x 48 inchesPROVENANCE Lot 441, "Entertainment Memorabilia Live Auction 2017," Prop Store, September 26, 2003.
An original 1998 Don Post Studios display statue commemorating the character "R2-D2" as portrayed and operated by Kenny Baker in Star Wars: Episode IV - A New Hope (Lucasfilm Ltd., 1977). This full-scale model is composed of a blue, white, and silver-tone fiberglass material with some metal component pieces. Near the character's feet, various rubber hose elements are present. This life-size figure features an illuminating processor state indicator, holographic projector, and radar eye. Hand-painted grime and dirt elements are present throughout the figure. The base that the character rests on is composed of a wooden particle board material. The character R2-D2 was first introduced in A New Hope as the lovable astromech droid who is often seen alongside the protocol droid C-3PO. This figure was created just one year prior to the highly-anticipated release of Star Wars: Episode I - The Phantom Menace (Lucasfilm Ltd, 1999), where we would be reintroduced to many beloved characters from the original Star Wars trilogy. A Don Post Studios plaque at the base of the figure reads, "R2-D2/ Limited Edition Prop Replica/ 031/ as seen used in The/ Star Wars/ Trilogy." 40 x 37.25 x 44.5 inchesPROVENANCE Lot 442, "Entertainment Memorabilia Live Auction 2017," Prop Store, September 26, 2003.
An original dueling lightsaber prop as seen used by Ewan McGregor as "Obi-Wan Kenobi" in Star Wars: Episode III - Revenge of the Sith (Lucasfilm Ltd., 2005). This prop lightsaber is composed of a combination of resin and machined aluminum that has been painted in a silver-tone and black finish. Towards the top of the lightsaber hilt, gold-tone, copper-tone, and iridescent silver-tone finishes are present near the emitter. While this lightsaber would share many of the same characteristics as the hero lightsaber seen in close-up shots in the film, the dueling lightsaber would have smoother surfaces to allow McGregor to operate the prop with ease. The green colored blade of the lightsaber is composed of a carbon fiber and aluminum material with a rubberized coating present on the exterior. Towards the bottom of the blade, oxidation is present. Obi-Wan Kenobi would use this type of lightsaber in his famous duel against his apprentice Anakin Skywalker (Hayden Christensen) when he transitioned to the dark side. This type of lightsaber would also be used in the character's second battle with Count Dooku (Christopher Lee) at the beginning of the film, and during a duel with General Grievous (Matthew Wood). Includes a DVD of the film. Hilt: 11 x 2.5 inches, Blade: 38 x 0.75 inches
An original production-used DL-44 blaster prop as seen used by Harrison Ford as "Han Solo" in Star Wars: Episode VII - The Force Awakens (Lucasfilm Ltd., 2015). This DL-44 blaster prop is composed of cast resin with hand-painted components including a simulated wood-tone grip, and silver-tone wear accented on the barrel of the blaster. The DL-44 heavy blaster is the signature weapon used by the character Han Solo throughout his appearances in the original trilogy and in Star Wars - The Force Awakens. Unlike the appearance of Han Solo's blaster in the original trilogy, the blaster as it appears in this film has a matte black finish on the end of the barrel rather than a silver-tone finish. Han Solo uses this type of blaster throughout the film, when his character is first introduced alongside Chewbacca (Peter Mayhew), during a gang's attack to settle a debt with Solo, while on the planet Takodana during a battle with stormtroopers, and on Starkiller Base just before his death at the hands of his son, Kylo Ren (Adam Driver). Includes a DVD of the film. 12.75 x 7 x 2.5 inches
An original The Quibbler tabloid prop as seen used by Evanna Lynch as "Luna Lovegood" in Harry Potter and the Half-Blood Prince (Warner Bros. Pictures, 2009).This prop tabloid is highly-detailed and features a pair of Spectrespecs glasses perforated in the front and back cover. The tabloid is printed in full color and features an iridescent silver-tone finish on the front and back covers.This type of prop can be seen when Luna Lovegood is offering them to students on the Hogwarts Express as they head to the school. Luna wears the type of glasses featured on the cover of this tabloid to save Harry Potter (Daniel Radcliffe) as he succumbs to the body freezing spell by Draco Malfoy (Tom Felton) under his cloak of invisibility in one of the railcars.Includes a DVD of the film. 10.75 x 8 inches
An original wand prop as seen used by Helen McCrory as "Narcissa Malfoy" in Harry Potter and the Deathly Hallows - Part 1 (Warner Bros. Pictures, 2011). This wand is composed of a resin material that has been hand-painted with oil-based paint to simulate the appearance of a metal finish. The handle features a raised silver-tone pattern.Narcissa uses this type of wand during a battle scene at the end of Harry Potter and the Deathly Hallows - Part I, when both her and Bellatrix Lestrange (Helena Bonham Carter) battle Harry, Ron, Hermione, Dobby and Griphook. Narcissa is disarmed by Dobby, who captures the wand by snapping his fingers.Minor paint loss from use during production is present throughout the wand. Includes a DVD of the film. 13.25 x 1 inches
An Alliance Rally flier as seen in Fantastic Beasts: The Crimes of Grindelwald (Warner Bros., 2018).The flier has a headline that reads, "Join the Alliance Rally! to strengthen our forces! Conducted by Gellert Grindelwald," with a silver-tone foiled monogram at the top and a decorative black border around the edge of the flier. Fantastic Beasts: The Crimes of Grindelwald is the second film in the Fantastic Beasts series. The film centers around the dark wizard Gellert Grindelwald and his plan to wage a war between wizards and non-magical beings. 6.25 x 11.5 inches
An original wand prop as seen used by Jude Law as "Albus Dumbledore" in Fantastic Beasts: The Secrets of Dumbledore (Warner Bros. Pictures, 2022). This prop wand is composed of a resin material that has been hand-painted in an oil-based paint to simulate wood grain. This production wand is incomplete, as final versions of the wand would include silver-tone detailing near the handle. Prior to his winning the iconic Elder wand in a duel against Grindelwald, Albus Dumbledore used this type of wand throughout his early years and during his time as a professor. Minor paint loss from use during production is present throughout the wand. 15.75 x 1.75 inches
A silver-tone presentation sword given to Barry M. Osbourne from Weta Workshops to commemorate the fifteenth anniversary of the relationship between the company and the Lord of the Rings franchise. This sword prop was reportedly gifted from the CEO of Weta Workshops, Richard Taylor, to Barrie M. Osbourne.21.5 x 4.75 inches
An original Yin Yang Chakram prop as seen used by Lucy Lawless as "Xena" in Xena: Warrior Princess (Universal Television, 1995 - 2001). This prop is composed of a dense rubber material that has been hand-painted in an iridescent silver-tone and gold-tone finish, appearing worn from studio aging. Xena welds this type of prop throughout the series as one of the character's signature weapons. This prop Chakram was screen-used during the Season 6 episode "Send in the Clones," along with other episodes in the series. Includes a DVD of the sixth season of the series. 10 inches
An original Dark Chakram stunt prop as seen used by Lucy Lawless as "Xena" in Xena: Warrior Princess (Universal Television, 1995 - 2001). This prop is composed of a lightweight foam material that has been hand-painted in an iridescent silver-tone and gold-tone finish, and features pearl-like inserts. Xena welds this type of prop throughout the series as one of the character's signature weapons. This version being lightweight, it was likely used for scenes that required movement or battle sequences. This type of Chakram can be seen in the Season 5 episode titled "Chakram."Includes a DVD of the fifth season of the series. 10 inches
A photocopied Industrial Light & Magic production binder from Star Trek Generations (Paramount Pictures, 1994) and an original Klingon insignia prop as seen used in Star Trek: The Next Generation (Paramount Domestic Television, 1987-1994).The production binder contains cost summaries, storyboards, and shot breakdowns through the production of the film. The side of the binder features a printed label that reads, "Star Trek VII #32988 / Scene VFX." The Klingon insignia is composed of a resin material that has been hand-painted in silver-tone and gold-tone finishes.Binder: 11.5 x 10.5 inches
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978). A crew member custom-embroidered vest from the production of the action/adventure sequel Indiana Jones and the Temple of Doom (Paramount Pictures, 1984). The navy blue quilted vest features a red, yellow, and black embroidery on the back that reads, "Indiana Jones and the Temple of Doom" with silver-tone snap buttons and two front pockets. No size or label present. Together with a handwritten note on Lucas Film UK Ltd. stationery that reads, "Dear Mr. Fabb, Maybe the last 2! Many Thanks [illegible]."
A Nazi greatcoat costume from the production of Steven Spielberg's sequel film, Indiana Jones and the Last Crusade (Paramount Pictures, 1989).The mid calf-length coat is made of green wool with dark lapels and two rows of silver-tone buttons running down the front. There is black thread at the shoulders where patches may have been removed. No sizes or labels present.Such Greatcoats can be seen during the 'burning of the books' sequence where Indiana Jones has a surprise chance encounter with Adolph Hitler.
A group of fifteen original coin props and an Industrial Light & Magic Visual Effects crew jacket from Indiana Jones and the Kingdom of the Crystal Skull (Lucasfilm Ltd., 2008).The coin props are composed of a stamped metal, fourteen of which are silver-tone and one which is gold-tone. The black zippered hoodie is American Apparel brand and is size M.Size M
A group of bow and arrow props as seen used by Alicia Vikander as "Lara Croft" in the action/adventure Tomb Raider (Warner Bros., 2018).This lot includes a brown leather quiver featuring a criss-cross design and an attached strap with a silver-tone buckle; a wooden bow with engravings and a robe wrapped grip; and a group of seven wooden arrow props with white and orange feathers.Tomb Raider, based on the popular 1996 action-adventure video game of the same name, follows Lara Croft as she embarks on a harrowing journey to find her missing father.49.25 inches (bow length); 29.75 inches (arrow length); 12.5 x 14 inches (quiver)
An original spatial torpedo prop as seen used in Star Trek - Enterprise (Paramount Network Television, 2001- 2005). This torpedo prop is composed of a hard plastic material with an inner wooden frame. At both ends, a machined aluminum plate is present. The number on the side of the torpedo reads "0178624." The main body of the torpedo is a dull gray, while the nose cone is an iridescent silver-tone.Spatial torpedoes were standard equipment aboard all Starfleet ships and were considered to be the most powerful weapon available until proton torpedoes were equipped. While proton torpedoes wouldn't make an appearance in Star Trek - Enterprise until season three of the show, spatial torpedoes were present throughout the series. This torpedo prop has not only been used during the production of the television series, but was also exhibited at museums in the early 2000's. In multiple places cracking has occurred, exposing the interior of the torpedo.100 x 15 x 16 inches
A photo-matched, hand-tailored, custom-made three-piece suit as seen worn by Ian McKellen as the officiant at his close friend Sir Patrick Stewart's wedding to singer Sunny Ozell on September 7, 2013. Size is not present.A custom-made light gray wool suit with a herringbone pinstripe and a silver silk jacquard paisley vest. The jacket is a single-breasted cutaway formal design, has two flap pockets, functioning buttons at both cuffs, and a slit vent at the back. The interior showcases bespoke techniques like hand sewn top-stitching at the lining and bias tape finished seams: "Exclusively Hand Tailored For Sir Ian McKellen By GROVER OF LONDON." In an article about the wedding for Vulture, Stewart and Ozell agreed that "the best outfit might have belonged to the always dapper McKellen, who wore a gray three-piece suit ("Were our grays too similar?" asked Stewart after the fact.)" The men first met in 1977 when performing together in Tom Stoppard's play Every Good Boy Deserves Favour. However, they didn't become close until working together as enemies in the film X-Men (2000, 20th Century Fox), in which McKellen played Professor Charles Xavier, aka Professor X, and Stewart played Erik Lehnsherr aka Magneto. Links to images of McKellen wearing the suit are available upon request.
A U.S. one sheet film poster for the horror classic Hellraiser (1987, New World Pictures), signed by Clive Barker, Doug Bradley (who has inscribed "See you in hell"), Clare Higgins, Ashley Laurence, Andrew Robinson, Simon Bamford, Nicholas Vince (who has also drawn a picture of his character "Chattering Cenobite"), and Barbie Wilde.Based on Barker's book The Hellbound Heart (Dark Harvest, 1986), Hellraiser introduced Pinhead (Bradley) and the Cenobites (including Bamford and Vince), "demons to some, angels to others," to the silver screen. They immediately joined the pantheon of iconic horror figures. Wilde does not appear in Hellraiser, but plays Female Cenobite in Hellbound: Hellraiser II (New World Pictures, 1988).41 x 27 inches; 13.5 x 10.25 inches (folded)
An original Spectre ring prop as used by Daniel Craig as "James Bond" in the James Bond film Spectre (Eon Productions, 2015).The ring features a Spectre engraved octopus logo on the face as well as a silver-tone finish.Rings with this style of logo make an appearance in multiple James Bond films, worn by the protagonists in From Russia with Love (Eon Productions, 1963), Thunderball (Eon Productions, 1965), You Only Live Twice (Eon Productions, 1967), Diamonds Are Forever (Eon Productions, 1971), and Spectre (Eon Productions, 2015). In the film, James Bond acquires this type of ring from a Spectre assassin Marco Sciarra (Alessandro Cremona) at the beginning of the film when he falls to his death. This type of ring can also be seen when the ring is being tested by Q (Ben Whishaw) for mineral type and DNA deposits. Includes a DVD of the film. 1 x 0.5 inches
An original stunt laptop, light-up scanning wand, two RFID bands, one voice changing patch, and one location tracker blocking patch as seen used in Mission Impossible - Fallout (Paramount Pictures, 2018). The stunt scanning laptop prop is composed of a combination of foam, rubber, and resin that is finished in a silver-tone. The laptop's screen features printed graphics and a faux crack that appears on the upper left corner. The light-up scanning wand is composed of a foam rubber material and features a removable battery and wiring in the back. Included are two black silicone wristbands, and two patches. When Mission Impossible - Fallout was released in 2018, the film grossed $220 million in both the United States and Canada. This made it the highest grossing Mission Impossible film of all time. The film won a Saturn Award for Best Action or Adventure Film in 2019. Largest: 11.5 x 13.25 x 2 inches
An ensemble as seen worn by Drew Barrymore as "Dylan Sanders" in the action/comedy Charlie's Angels (Columbia Pictures, 2000). Together with a costume tag.The ensemble includes a black nylon-blend, utility-style jacket with back buckles, mesh detailing, and various zipper pockets, with "1st" handwritten in silver on the interior, no size or label present; and a matching pair of black nylon-blend, utility-style pants with silver-tone hardware, labeled, "John David Ridge," with "Not Taken In" handwritten in black marker on the label as well as "Ms. Drew Barrymore" typed. Charlie's Angels follows crime-fighting trio the "Angels" and their sidekick Bosley (Bill Murray), under the guidance of their mysterious boss, Charlie, as they fight to take down the mastermind plotting to destroy individual privacy by hacking and stealing voice ID software. Barrymore as Dylan wears the ensemble as the Angels rescue the kidnapped Bosley from an abandoned lighthouse.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A pair of racing pants as seen worn by the stunt double of Cameron Diaz as "Natalie Cook" in the action/comedy Charlie's Angels: Full Throttle (Columbia Pictures, 2003).The silver, white, and red pants feature sections of nylon, spandex, jersey, and polyester fabric, with red scorpion patches on each leg, padding in the legs, strips of black Duct tape in the interior legs, a front zipper, and a buckle waist. No size or label present. Charlie's Angels: Full Throttle, the second installment in the reboot film series, follows the Angels as they must solve a series of murders following a security breach in the WPP (Witness Protection Program) server. The pants are featured in the motocross racing scene at the Coal Bowl.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An ensemble as seen worn by a member of the "Blasters" roller derby team in the action/comedy Charlie's Angels: Full Throttle (Columbia Pictures, 2003).The ensemble includes a v-neck, long-sleeved, pink and black jersey with "Blasters" and "39" in pink and white satin lettering embroidered on, no size or label present; a pair of black padded stretch pants with pink fabric accents and a drawstring waist, with "Denise" handwritten on tape in the interior and "A" on the back, no size present; a pair of pink satin hot shorts with striped side detailing, a front zipper and snap button closure, with "Denise" handwritten on tape in the interior, no size present; a pair of white suspenders with silver-tone hardware; and a pair of white leather "Sure-grip" roller skates with "Denise" handwritten in black marker on the interior of each shoe, size 7, together with a pair of pink and white wool socks.Charlie's Angels: Full Throttle, the second installment in the reboot film series, follows the Angels as they must solve a series of murders following a security breach in the WPP (Witness Protection Program) server. This ensemble is featured in a montage scene. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Two original pistol props as seen used by Liam Neeson as "Bill Marks" in Non-Stop (Universal Pictures, 2014). The silver-tone SIG-Sauer P226 Elite pistol prop is composed of a foam material that has been hand-detailed with brown grips and black accents. The black SIG-Sauer P229 E2 is composed of a dense rubber material and features an entirely black finish. These types of firearms would be used by Liam Neeson's character throughout the film, both firearms making an appearance while in battle on the plane flight. These props were obtained from the personal collection of Joel Silver, who served as a producer for the film. Includes a DVD of the film. 8.75 x 6.25 x 3.25 inches
An ensemble as seen worn by Mischa Hausserman as "Rethel" in the action/adventure The 13th Warrior (Touchstone Pictures, 1999). The ensemble includes a navy blue linen peasant top with a tie neck, no size or label present; a pair of tan, suede stirrup pants with brown leather lace-up details, gold-tone hardware, belt loops, and a front flap, with "Rethel" handwritten on an interior label, no size present; and a brown leather bandolier with silver-tone studded accents, with a "HERO" label as well as "Rethel" handwritten in marker below the label.The 13th Warrior, set in 922 A.D, follows Ahmed Ibn Fahdlan (Antonio Banderas) who, after being sent on a diplomatic mission, finds himself wrapped up in a looming threat from a distant Viking land. This style of ensemble is seen on Hausserman as Rethel throughout the film.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978).An original John Mollo costume sketch print related to Stanley Kubrick's war/adventure film Barry Lyndon (Warner Bros.,1975) starring Ryan O'Neal and Marisa Berenson. The sketch depitcs a Prussian Infantry Officer, c. 1750, with various costume notes such as "white gaiters for dress. black for service" and "silver embroidery and loose tassels." 12.75 x 17.5 inches
An ensemble as seen worn by Nicolas Cage as "Donald Kaufman" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with costume tags. The ensemble includes a gray, 100% cotton, long-sleeved button-down with a single breast pocket, labeled "Banana Republic" with "DPD" handwritten in black marker on the label, size XL; a pair of dark wash jeans, labeled "GAP," size 38 x 32; and a black leather belt with a silver-tone buckle, labeled "GAP" with "Don #1" handwritten in black marker, size 38 M.Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. Cage as Donald wears the ensemble attending a lecture given by Robert McKee (Brian Cox), as well as in other variations throughout the film.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A silver-tone metal trunk with brass-tone hardware and wood interior from the production of the film Shanghai Surprise (HandMade Films, 1986).The trunk has production stickers affixed to the exterior and a production sheet listing Sean Penn’s wardrobe to the interior.The Proceeds From This Lot Benefits The Material World Foundation.21 x 40 x 21 inchesPROVENANCE Donated to the Foundation by the George Harrison Estate
An original grenade top prop as seen used by Arnold Schwarzenegger as "Major Alan "Dutch" Schaefer" in Predator (20th Century Fox, 1987). The grenade top is composed of solid brass that has been custom-made on a lathe. Arnold's character uses this type of grenade topper when he unscrews it to fire at the Predator while up in a tree. This item is from the private collection of the producer of the film, Joel Silver. Includes a DVD of the film. 2 x 1.5 inches
A Starfleet command officer’s jacket as seen worn by William Shatner as "Admiral James T. Kirk" in Star Trek II: The Wrath of Khan (Paramount, 1982).The wool knit maroon jacket features shoulder pads and an asymmetrical front lapel with black and gold piping (indicating Flag Officer rank) that closes with snaps and a buckle at the right shoulder, where the silver-tone and gold-tone Admiral star is affixed to a cream-colored strap. There is a cream-colored strap with brass-tone rank pins and bars on the left sleeve, as well as a checkered black and gold band (indicating Rear Admiral rank) and an additional Admiral star. The garment has a cream-colored and black interior and includes a black leather belt with brass Starfleet buckle. An original Sotheby’s tag is attached to the interior.The second installment in the Star Trek film franchise, The Wrath of Khan features Ricardo Montalban in the role of "Khan," a genetically enhanced antagonist who first appeared in the Star Trek: The Original Series episode, "Space Seed" (Desilu Productions, 1967). Shatner can be as seen wearing the jacket at many points throughout the film, first while addressing the purpose of the "Kobayashi Maru" test with Saavik (Kirstie Alley) in the opening sequence. He removes the jacket for the away mission midway through the film but then can be seen putting it back on in the transporter room immediately afterwards. He can be as seen wearing it throughout the remainder of the film, with the cream-colored lining exposed during Kirk's emotional final moments with Spock (Leonard Nimoy).Accompanied by Paramount Pictures Letter of Authenticity, signed by director Nicholas Meyer and dated January 30, 1997. The letter from Meyer states: This letter will confirm that the Star Fleet tunic [jacket] in your possession was worn by William Shatner in the film STAR TREK II - The Wrath of Khan, which was written and directed by me. I was presented with the jacket at the close of shooting in 1981, and I gave it directly to you."Includes a DVD of the film.PROVENANCE Lot 580, Sotheby's, New York, December 19, 1997
An outfit as seen worn by Alicia Silverstone as "Emily Hope" in the crime/comedy Excess Baggage (Columbia Pictures, 1997). The outfit includes a nylon, cream, long-sleeve t-shirt with a lipstick graphic on the front and red trim, as well as a large stain from production, labeled "Joe's," size 3; and a pair of black suede, lace-up pants with silver-tone button details down each leg, and a large panel of the right leg missing, no label present, size L (handwritten note on tag that says pants were altered to size 8).Silverstone as Emily wears variations of this ensemble throughout the entirety of the film but is seen in the stained shirt while sitting with her kidnapper Vincent Roche (Benicio del Toro) by a lake.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A midi dress with accessories as seen worn by Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The polyester chiffon dress features a red and pink floral design with silver sequin details throughout, a white slip interior, a v-neckline, and thin straps, labeled "Mica," size 4, with a pink sheet fastened to the label that reads, "#10 Flor." Please note: heavy makeup staining on the interior of the dress. Together with two silver-tone and magenta beaded, three-strand elastic bracelets, with heavy damage on elastic and several loose beads.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter, Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Flor wears the dress in a party flashback scene (as Christina is narrating the scene for her Princeton University application essay on a year in her childhood), as well as on the cover of the Spanish edition of the DVD.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An original crystal super weapon prop as seen used in Men in Black: International (Columbia Pictures, 2019). This prop is composed of resin and features an iridescent silver-tone finish. This type of prop can be seen when in the deserts of Marrakesh after Agent H (Chris Hemsworth) and Agent M (Tessa Thompson) crash a rocket-powered motorcycle. This type of prop can be seen lying on the ground and also in Agent M's hands. This prop plays a pivotal role in the story of the film, as the super weapon capable of mass destruction. Ultimately, Agent M is able to stop the Hive creature at the battle at the Eiffel Tower, and the weapon is used to destroy the Hive. Includes a DVD of the film. 2 x 2 x 1.75 inches
A silver gelatin print of pre-fame Marilyn Monroe, circa 1946, taken by photographer Andre de Dienes. The image features Monroe, then known as Norma Jeane Baker at the beach wrapped in a dark blanket, smiling, with her hair blowing in the wind. The print is matted in a frame. De Dienes' stamp is on the back of the print in two places.Accompanied by Certificate of Authenticity.22 x 26.5 x 1.75 inches
A group of four black and white photographs of Marilyn Monroe that have been cropped to focus on specific body parts of the legendary actress, including her mouth, hands, cleavage, and legs. The cropped photos are matted in a gold- and silver-tone metal frame.28 x 24 x 2 inches
A silver-grey silk duchess satin dress attributed to designer Valentina for Greta Garbo.A sleek iridescent slate grey cocktail dress with a blouson bodice, three-quarter-length sleeves, and box pleated skirt with pockets. Accompanied by a dove grey silk chiffon scarf and matching Salvatore Ferragamo belt (the belt measures 31.75 inches). There is no label present for the dress or scarf and no marked size.This dress is documented in the book Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010) and previously exhibited at the Museo Salvatore Ferragamo exhibition Greta Garbo: The Mystery of Style in 2010.The lot comes with a copy of Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010). PROVENANCE Lot 83 "Property from the Estate of Greta Garbo," Juliens (Sale 52) December 14, 2012
A vintage gelatin silver portrait print on double-weight matte paper of Greta Garbo as Rita Cavallini in Romance (MGM, 1930) taken by photographer George Hurrell. Hurrell's photographer blind stamp to the lower right of the portait print.13 x 10 inchesPROVENANCE Lot 148, "Property From The Estate of Greta Garbo," Julien's Auctions (Sale #52), December 14, 2012
An original late 19th-century floor-length evening gown as seen worn by Lynn Bari as Bernice Croft in Hello Frisco, Hello (20th Century Fox, 1943).A custom-made full-length blush silk faille gown heavily beaded and embellished with embroidery and surface design. The surface design has glass seed beads, silver bugle beads, and prong set rhinestones and is accessorized with detached embellished long sleeves. A handwritten label reads, "L. Barie 38923" and is stamped "1 27 7 3710." The gown has been altered from its original design seen in the movie, beaded appliques have been removed from the neckline and attached to a piece of pale pink tulle that is tacked to the neckline. The condition for the gown is fair as the fabric is beginning to shred in areas due to the heavy embroidery, contributing to bead loss. The musical comedy is about Jonny Cornell and Trudy Evans who dream of making it big in San Francisco's theater business; Bernice plays the foil to Trudy and wears this elaborate gown when she hosts a ball at her mansion, which she uses to showcase her affluent social circle to Johnny, now wealthy with his theater venues and wants to break into high society. Bernice is trying to get involved Jonny because of his wealth to prevent her from becoming bankrupt and losing her lavish lifestyle.Designed by legendary costume designer Helen Rose, whose designs for Elizabeth Taylor and Grace Kelly are a continued source of design inspiration. Kate Middleton's wedding dress, designed by Sara Burton for Alexander McQueen referenced Grace Kelly's wedding dress, which was designed by Helen Rose.
An ensemble as seen worn by Lucille Bremer as "Lady Bianca" in Adventures of Casanova (Bryan Foy Productions, 1948). The ensemble includes a brown wool vest with silver-tone buttons and two front pockets, a Western Costume Co. label, and reads "No. 1061-T-2 #3 / Name: L. Bremer / Chest 36," as well as a Western Costume Co. barcode sticker and various stamps, with handwriting in black marker that reads "Empire Vest 1600 Med." The burnt sienna riding-style pants feature side splits at the lower hem with ribbon ties as well as a side zipper, with a Western Costume Co. label, and reads "No. 1061-T-2 #3 / Name: L. Bremer / Waist 24," as well as various stamps on the interior. Adventures of Casanova follows smooth-talking ladies' man Casanova (Arturo de Córdova), who joins the resistance movement after the fall of Palermo in 1793.
A sterling silver presentation box presented to Judy Garland from the American Federation of Labor Theatrical Union in October 1951.An engraved inscription on the top of the box reads, “To / Miss Judy Garland / From The / A.F.of L. Theatrical Unions / In Appreciation of her Efforts & Cooperation / in Re-Establishing Two-A-Day Vaudeville / At the Palace Theatre, N.Y.C. / Oct. 16, 1951 / Sully Pernick-Sam Suber-Henry Dunn-James Murphy.”The inside of the top of the box contains additional engraved inscriptions regarding New York’s Theatrical Industry. Garland was vocal in revisiting two performances per day a schedule popularized during Vaudeville’s heyday. 2 x 4.5 x 3.5 inches
Egyptian-style pleated gown for Anne Baxter as Nefretiri in Cecil B. DeMille’s film The Ten Commandments (Paramount 1956).A period-style costume design by Edith Head for Anne Baxter, the gown features a sea-foam blue/green pleated silk, limestone jersey lining, aquamarine grosgrain ribbon, and embellished silver and gold trimming. The gown references ancient Egyptian clothing with a v-neckline and fitted under the bust for a long ethereal skirt. The gown’s asymmetric draping between the bust and hips elongates the torso and creates a statuesque silhouette. There is zip closure as well as hook-and-eyes at the back of the gown, the zipper head is missing so the gown cannot be zipped closed. There is no label or size marker but there is illegible hand-written lettering at the back left-side of the zipper above the waist, likely referencing scene numbers. Baxter’s wardrobe for the film was very luxurious, wearing colors similar to the glittering Nile; the numerous pleated chiffon gowns were all light, romantic, and highly animated moving with Baxter’s sinuous gestures. PROVENANCE Lot 217, Christies, Auction 1854, May 30, 2007.
A custom-made silver beaded gown attributed to Edith Head as seen worn by Janet Leigh at the 32nd Academy Awards (ABC, 1960).A gown for the space age, streamlined and fully embellished with silver-glass-bugle-beads, custom-made for Janet Leigh, attributed to costume designer Edith Head. The elegant gown boosts many adjectives: sleek, modern, sexy, and avant-garde for its time. Fully beaded on a blush silk georgette, the beads are sewn vertically, except for the neckline and armholes. There the beading is sewn into a chevron pattern; the collar and neckline are trimmed at the seams with round glass beads. The high-band-stand-up-collar is structured with wire, keeping with the futuristic aesthetic, going into a deep-v neckline (two hook-and-eyes at the bust fasten above the 13-inch zipper opening). The gown is accompanied with a beaded belt that is worn on the natural waistline. The interior is partially lined at the front of the skirt; the hem is reinforced at the interior with hemline tape to prevent bead loss. There is no label or size marker present, the waistline measures 23 inches, and the notched belt fits up to a 24.5-inch waist. Janet Leigh, and her husband at the time, Tony Curtis were presenters at the Oscars ceremony for Best Original Screenplay and Adapted Screenplay. The couple's smiles dazzled, with Curtis being the perfect compliment to Leigh's shimmering gown.Edith Head, multi-Academy Award winner for costume design, would design formal event gowns for the studio stars, including Elizabeth Taylor, Grace Kelly, and Audrey Hepburn, who all wore her timeless-style gowns to the Academy Awards.This lot is accompanied by a black and white photo of Janet Leigh wearing the gown with then husband Tony Curtis and daughter Kelly Curtis from an issue of Hollywood Family Magazine, 1961(10.5 x 8.25 Inches).PROVENANCE Lot 29 "Unforgettable: Fashion of the Oscars," Christie's Auction House (Sale #9074) March 19, 1999.
The iconic vibrant-flamingo-pink-silk-satin-organza haute couture evening dress was designed by Hubert Givenchy and worn by Audrey Hepburn as Holly Golightly in Blake Edward’s classic film Breakfast at Tiffany’s (Paramount, 1961). This eye-catching iridescent pink dress is a fashion confection that never loses its infectious sweet nature. Composed of a lovely silk-satin-organza brilliantly showcasing the many talents of French couturier Givenchy, the fitted bodice with a scoop neckline and princess seams showcases the poised nature of Hepburn and her gamine frame. The romance of the design grows with a tulip-shaped skirt, sewn to the bodice and gathering just above the hips. The gathered fullness and volume allow the skirt to gently float away from the body with the hem reaching past the knee, fully embellished with glass seed beads, faceted silver foil back rhinestones, and guipure applique, tassel-like fans, in pale gold, adding texture to the dress, uncharacteristic to Holly's previous fashions. Givenchy apprenticed with Spanish couturier Cristóbal Balenciaga, this particular design of Givenchy seems to capture a Spanish-like style, referencing Balenciaga's use of vibrant pinks and matador-like embroidery. The dress was a stark contrast to everything else Holly Golightly is seen wearing in the film, which primarily was black and earth tones. There is no label or size tag present. Hepburn is seen in the dress towards the end of the film when the characters Holly and José (played by José Luis de Vilallonga) return from a night out. The scene showcases Hepburn’s emotional range, one moment buoyant and bubbly the next moment heartbroken, as she learns her brother Fred is dead. Paul who enters the scene, played by George Peppard, tries to comfort Holly who violently tears apart her apartment until she collapses in Paul’s arms and he places her on her bed. The overhead camera shot of Holly on the bed in the darkroom, light coming through the doorframe, and feathers floating from a torn pillow is a haunting image, the pink of the dress seems to be that small glimmer of hope that the character will come out of this sadness within herself to find true happiness. Givenchy designed this dress for his fall 1960 collection, which was shown in black. Lee Radziwell, a well-known client, was photographed wearing the design on March 20th, 1961 leaving the Hotel Carlyle with her sister Jacqueline Kennedy in New York City. Audrey asked Givenchy to make the design pink and to alter the neckline with a low-scoop neckline, the original neckline was cut higher to the neck. Hubert Givenchy designed for his label until 1995, and the pieces he created for Audrey Hepburn became a lasting reference for style and fashion in pop culture. Images of Audrey in the house’s couture designs still influence designers today. Clare Waight Keller, appointed creative director from 2017 until 2020 for the fall 2018 couture collection, featured an updated LBD-little black dress with an au courant hood reminiscent of Audrey's dresses in Breakfast at Tiffany's. The magic of Audrey as Holly, dressed to the 9’s throughout the film, in timeless Givenchy continues to illustrate romance and create a lust for French couture. This lot comes with a DVD/Blu-Ray of the film and an original movie still. PROVENANCE Lot 228 "Film and Entertainment Memorabilia," Christie's Auction House (Sale #1854) May 30, 2007.

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