We found 32233 price guide item(s) matching your search

Kanwaldeep Singh Kang, signed Nicks (1964-2007) British, 'Lucy' a pencil sketch of a standing female nude, signed and dated 1994, 13.5" x 8.5", from the artist's studio collection.

Kanwaldeep Singh Kang, signed Nicks (1964-2007) British, 'Lucy' a pencil sketch of a standing female nude holding her arm aloft, signed and dated 1998, 14" x 9", from the artist's studio collection.

Kanwaldeep Singh Kang, signed Nicks (1964-2007) British, 'Study for an oil' a half-length pencil sketch of a female nude, signed and dated 2003, 10.5" x 5.75", from the artist's studio collection.

Charles Blanc (French, 19th century) A large framed pencil sketch of a woman reclining on a couch, frame size 93 x 56cm.

H G Hampton (19thC School). Lake scene, sketch, 31cm x 23cm, framed.

Heath (William). A Sketch of the Row in Parliament Street, T. McLean, circa 1829, etched caricature with contemporary hand-colouring, slight dust soiling to margins, 255x 370 mm, together with Holland (W. publisher). The Departure, a scene in the Beggars Opera! W. Holland, 1803, etched caricature with contemporary hand-colouring, slight staining to margins, 259 x 350 mm, with Rowlandson (Thomas). The Scotch Ostrich seeking Cover [and] A Scotch Sarcophagus, 1805, two etched caricatures with contemporary hand-colouring, slight browning and toning, each stuck to the verso of later mount board, each approximately 230 x 330 mm, plus Rowlandson (Thomas). John Bull Listening to the Quarrels of State Affairs, R. Ackermann, 1803, etched caricature with contemporary hand-colouring showing Napolean dictating terms to Addington, slight staining, 245 x 315 mm, together with Cruikshank (Robert). Paul Pry at Widow C - 's, G. Humphrey, 1826, etched caricature with contemporary hand-colouring, slight abrasion to the printed image, one closed tear affecting image, repaired on verso, 255 x 355 mm, with Cruikshank (Isaac). John Bull tipping all Nine, T. Williamson, 1803, etched caricature, some staining, trimmed to image, several closed tears and torn with slight loss to the lower-left corner, 235 x 330 mm, and Cruikshank (George). Hunting the Bull, J. Sidebotham, 1817, etched caricature with contemporary hand-colouring, slight overall toning, margins stuck to the verso of mount board, 230 x 325 mm, with another five engraved and lithographic caricatures by or after Caldwall, Hedges, Gillray (later Bohn edition of 'Portrait of an Irish Chief drawn from Life at Wexord') and McLean, various sizes and condition, the Gillray framed and glazedQTY: (14)

Larrey (Baron). Memoir of Baron Larrey, surgeon-in-chief of the Grande Armée, London: Henry Renshaw, 1861, half-title, armorial bookplate of Barbabilla House to front pastedown, original green blindstamped cloth gilt, slightly rubbed, 8vo, together withGregorovious (Ferdinand). Corsica: Picturesque, Historical and Social: with a sketch of the early life of Napoleon, and an account of the Bonaparte, Paoli, Pozzo di Borgo, and other principal families. Suggested by a Tour in the Island in 1852, translated from the German of Ferdinand Gregorovious, by Edward Joy Morris, Philidelphia: Paris & M'Millan, 1855, portrait frontispiece, lightly spotted and toned, bookplate to front pastedown, original green blindstamped cloth, rubbed and marked, 8vo, plusMaurice (J.F). Hostilities without the Declaration of War, London: Her Majesty's Stationary Office, 1883, stamps tot title, advertisements to front and rear, original blindstamped red cloth gilt, rubbed, 8vo, with approximately 45 others, 19th-century clothQTY: (approx 51)

Baghot de la Bere (Stephen, 1877-1927). A painted fan, folding silk fan, the recto of the leaf hand-painted in gold and colours with a lively scene of Arabian figures dancing in a fantastical landscape, some splitting to folds and small surface losses, a small area of damage (.5 x 2.5 cm), cream ground upper left lightly foxed, mounted on mother of pearl sticks, 22.5 cm (8.75 ins) QTY: (1)NOTE:Painter and illustrator Stephen Baghot de la Bere studied at the Westminster School of Art, and worked from Kensington for most of his career. Having been influenced at first by the work of John Hassall, a fellow member of the London Sketch Club, he soon developed a fluidity of line and atmospheric use of colour which was all his own. The artist was elected to the membership of the Royal Institute of Painters in Water-Colour in 1907. During the First World War he served in France as a lieutenant in the Royal Garrison Artillery. We have been unable to trace another fan painted by Baghot de le Bere.

A box of misc including 2 battery operated vehicles, a Sketch-a-graph Mark II and a Marvel encyclopedia.

LOUIS AIME JAPY; a charcoal sketch, landscape, signed, 16 x 25cm, framed and glazed, a small pair of 19th century landscape watercolours and a further watercolour (4).

A DISBOUND COPY OF " A LITHOGRAPHIC SKETCH OF THE NORTH BANK OF THE THAMES" 1825, 9 LITHOGRAPHS ( ONE A/F) TOGETHER WITH S & N BUCK "THE SOUTH WEST VIEW OF MELTON CONSTABLE", "A PROSPECT OF THE C ON THE RIVER WYE" X2 CHEE-TORR ETC

A SMALL TRAY OF MAINLY ORIGINAL ARTWORK INCLUDING MANY PENCIL DRAWINGS, ONE SAYS TO THE REVERSE DANTE GABRIEL ROSETTI "FROM A SKETCH BOOK PURCHASED IN AMERICA (5231.1) The sketch is marked to the back Rosetti and appears to be a pencil sketch

Jason Gathorne-Hardy, study of a Suffolk ram pencil sketch, 36cm x 50cm 

Chris Teal, "Father and Son - Provence", acrylic on canvas, 100 x 70cm, c. 2013. The light in Provence is sublime.Every colour seems so much more intense here.My son and husband were deep in discussion on an annual holiday to St Tropez so I took a quick shot to sketch later and eventually paint in my studio.I decided to go large to capture the heat and vibrancy of the day." Free UK shipping.

WALTER SICKERT (BRITISH, 1860-1942)La Rue Notre-Dame, Dieppesigned 'Sickert' (lower right) and annotated (upper centre)ink and watercolour25 x 22.5cmProvenancePrivate collection, UKFootnoteThis work closely relates to an oil of the same scene, dating from 1902, in the collection of the The National Gallery of Canada, accession no. 4809. In addition to the work in Canada, this view of the Rue Notre-Dame with the church of St. Jacques was the subject of four smaller paintings, etchings and other sketches.For an example of a sketch of a similar view see, 20th Century British Art, Christie's, London, 7th October, 2008, lot 40Condition reportRestoration to paper. It has been put on a backing sheet. Various repairs, most noticeable to lower right quarter and to sky.Various creases and surface abrasions to sky, lower right quarter, centre, lower centre and around border. Small spots lifting a little in places. Discolouration to borders possibly from a previous mount.

AUGUSTUS JOHN (BRITISH, 1878-1961) (8)Three men in conversationstudio stamp 'A. E. JOHN STUDIO JUNE, 1963' (verso)pen, ink and grey wash32 x 24xm(unframed)together with seven other pen and ink sketches of figures by the same hand, one signed 'John' (lower right), all with studio stamp for June, 1963, of various sizes, the smallest 18 x 23cm, the largest 26 x 34cm, contained within a folio, three are loose, five stuck down at corners with double sided tape(8)ARRCondition reportVarious nicks, creases, small tears and discolouration. Including two horizontal tears approximately 4cm long to centre right and upper right on sketch of three figures.Three works loose, the others partially laid down.

ANDRE DERAIN (FRENCH, 1880-1954) (2)Female nude studystudio stamp 'ATELIER ANDRE DERAIN' (lower right)pencil23.5 x 15.5cmtogether with another pencil sketch of a female nude, with studio stamp, 23.5 x 16.5cm(2)ARRProvenanceSale, Christies South Kensington, 13th January 2016, lot 133Condition reportOne: very small crease to upper right corner. Some small minor marks and some discolouration to paper.The other: very small crease to upper right corner. Some small minor marks and some discolouration to paper.Both under glass and unexamined out of frames.

GRAHAM KNUTTEL (IRISH, B. 1954)Romance (Honey it is time we leave)signed 'Knuttel' (lower left)oil on canvas121 x 91cm(unframed)ARRProvenanceApollo Gallery, DublinSale, Sothebys London, 18 March 2008, lot 120, where acquired by the present ownerThe Darren Shan CollectionExhibitedSpain, Casino MarbellaGraham Knuttel was born in Dublin and attended Sandford Park School; rather than playing sport in the afternoon he would go home and sketch seagulls which he sold to a neighbour.  He trained at the Dun Laoghaire School of Art and Design, principally as a sculptor, but it is figurative painting which defines his career.  He comes from an illustrious family; Cary Grant was his great uncle and he is related to Newlyn artist, Thomas Cooper Gotch.   The challenging characters in his work are, in his own words, '...not engaging with society, they are looking the other way.  That is me in a way.  I am told I am very furtive.'  The female figure that appears in much of his work is based on artist Rachel Strong, who died in 2004, with whom he had a ten year relationship.  His work has been collected by Sylvester Stallone, Frank Sinatra, Robert de Niro and Michael Stipe.

Rowland Hilder (British, 1905-1993),'Village Church in the Snow', watercolour, gouache, ink and pencil, signed and dated 1945 to lower right, bearing label verso printed 'Rowland Hilder, Snow scene - original sketch for Xmas card 1945', framed and mounted,overall 34cm x 49cm, within frame 15.5cm x 31.5cm Condition: Unexamined out of frame in apparently very good condition.

ATTRIBUTED TO WILLIAM MULLER (BRITISH, 1812-1845)SKETCH OF A CASTLEOil on paper14 x 18.5cm (5½ x 7¼ in.)

Late 18th Century land deed and letters patent from British West Florida prior to its return to Spain in 1783 and later annexation by the United States of America, grant to John Ritson for land upon the River Mississippi by Loftus's Cliffs (now known as Fort Adams, Mississippi) by order of George the Third with seal attached, dated 1772, with cadastral sketch attached, poor condition, tape repairs, upper right corner missing, cover sheet for half the same tract of 600 acres of land dated 1777, laid paper with watermark for Lubertus van Gerrevink of Egmond a/d Hoef, Holland, transferring after law suit with associated third manuscript document that portion from Alexander McCullaugh, Deputy Provost Marshal (and involved in the Battle of Lake Pontchartrain the following year), signed by him and two witnesses, fair condition, some browning to paper, clear tape repairs (3)

Architectural drawings. A collection, 20th c, including sketch design of Rural Decay by D M Bamford, signed, mount stamped NOTTINGHAM SCHOOL OF ARCHITECTURE, pen, ink and watercolour, 48 x 70cm, several hundreds, etc, sold in portfolio Somewhat dusty with creases and handling marks

A 19th Century maple framed pencil sketch of a seated lady, indistinctly signed

AN ANTIQUE ELM WALL UNIT, along with an oval wicker log basket, brass extending fender, copper horn an a framed sketch of barn owls (5)

PAINTINGS AND PRINTS ETC, comprising a watercolour of fairies in the style of Cecily Mary Barker, initialled C.R bottom right, mounted framed and glazed, approximate size 19cm x 14cm, together with a watercolour of Walla Brook on Dartmoor, receipt attribution verso to W.H. Dyer, approximate size 11cm x 16cm, a mixed media study of a smiling elderly lady in the doorway of her cottage, unsigned but in the style of Snow Gibbs, a pen sketch of a dog with a saucepan tied to its tail, initialled and dated K.N 1917, a print of Bo-Peep having lost her sheep, a military print 'Our Military Bands' and a quartz clock depicting a Hurricane Mk1 composed of watch parts by Ken Broadbent (1 box)

PAINTINGS AND PRINTS ETC, to include a signed mezzotint print by Francis S Walker of 'The Blue Boy' after Thomas Gainsborough, numbered 97 in roman numerals, approximate size 46cm x 32cm, signed John Brian Evanson print 'Schoolboy Dreams', Eileen Greenwood etching with colours 'Early morning - Grand Canal' 45/150, watercolour and pen sketch of country scene with a wire fence, indistinctly signed, early 20th century style oil on canvas depicting a horse and cart at the entrance to a grand house, unsigned oil on canvas, an oil on canvas after Joshua Reynolds 'Miss Bowles and her dog' signed T Weddle, two Cornish prints after Reubens Southey, prints of Italian scenes, two horse racing prints together with assorted other prints etc (Qty)

Henry Richard Bird (1909-2000), pastel and gouache on paper, Sketch of a seated nude eating an apple, 45 x 36cm, unframed (a.f.)

Sir John Tenniel (1820-1914) pencil Sketch - preliminary sketch for Punch cartoon, 14.5cm x 21cm, in glazed gilt frame Provenance: The Political Cartoon Gallery

Early 20th century sketch book, by Margaret Grubbe, including subjects relating to opera etc.

HENRY ROBERT MORLAND (BRITISH 1716 - 1797), IRONING watercolour on paper image size 17cm x 17cm, overall size 42cm x 32cm Mounted, framed and under glass. Inscription verso. Note: possibly a preparatory sketch for the "Laundrymaid", now in the National Gallery.

A semi-circular sketch of girls and cherubs, watercolour on paper with gold-painted highlights, 40 x 21 cm, framed and glazed; together with two colour prints on canvas of a male figure looking down 40.5 x 37 cm each` (3)

A Sketch Book - Walt Disney, first edition published 1938, together with 50 watercolour drawings of Oxford

An edition of Historical Sketch of the Hawick Golf Club by James Barrie Hon. Secretary of the club with complete list of members, constitution and rules, appended. Illustrations by Tom Scott and photographs of past Secretary's. Published by James Edgar, 5 High Street 1898

ANN BIGGS (20th/21st century) British, Sleeping Fox, pencil sketch, signed, framed and glazed. 24 x 17.5 cm.

Actor, Stephen Fry signed 10x8 black and white photograph dedicated to Richard. Fry (born 24 August 1957) is an English actor, broadcaster, comedian, director and writer. He first came to prominence in the 1980s as one half of the comic double act Fry and Laurie, alongside Hugh Laurie, with the two starring in A Bit of Fry and Laurie (1989-1995) and Jeeves and Wooster (1990-1993). He also starred in the sketch series Alfresco (1983-1984) alongside Laurie, Emma Thompson, and Robbie Coltrane, and in Blackadder (1986-1989) alongside Rowan Atkinson. Since 2011, he has served as president of the mental health charity Mind. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

ANDRE GALLAND (FRENCH, 1886-1965),'LA VISITE, 16 RUE DE LA TOUR D'AUVERGNE',pen and pencil sketch, signed, mounted, framed and under glass, 26.5cm x 33.5cm overall

Attributed to Dame Laura KnightGroom and Horses bears monogram LK, attributed, titled, and dated 1920 in pencil to verso, charcoal sketch, 36cm x 52cm

Rowan Atkinson signed 8x6 Mr Bean black and white promo photo. Rowan Sebastian Atkinson CBE (born 6 January 1955) is an English actor, comedian and writer. He played the title roles on the sitcoms Blackadder (1983-1989) and Mr. Bean (1990-1995), and the film series Johnny English (2003-2018). Atkinson first came to prominence in the BBC sketch comedy show Not the Nine O'Clock News (1979-1982), receiving the 1981 BAFTA for Best Entertainment Performance, and via his participation in The Secret Policeman's Ball (1979). His other work includes the James Bond film Never Say Never Again (1983), playing a bumbling vicar in Four Weddings and a Funeral (1994), voicing the red-billed hornbill Zazu in The Lion King (1994), and playing jewellery salesman Rufus in Love Actually (2003). Atkinson also featured in the BBC sitcom The Thin Blue Line (1995-1996). His work in theatre includes the role of Fagin in the 2009 West End revival of the musical Oliver!. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Dan Ackroyd signed 6x4 white card. Daniel Edward Aykroyd (born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the Not Ready for Prime Time Players on Saturday Night Live (1975-1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

John Cleese signed 6x4 album page. John Marwood Cleese ( born 27 October 1939) is an English actor, comedian, screenwriter, and producer. Emerging from the Cambridge Footlights in the 1960s, he first achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report. In the late 1960s, he co-founded Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus. Along with his Python co-stars Terry Gilliam, Eric Idle, Terry Jones, Michael Palin and Graham Chapman, Cleese starred in Monty Python films, which include Monty Python and the Holy Grail (1975), Life of Brian (1979) and The Meaning of Life (1983). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Rowan Atkinson signed 6x4 album page. Rowan Sebastian Atkinson CBE (born 6 January 1955) is an English actor, comedian and writer. He played the title roles on the sitcoms Blackadder (1983-1989) and Mr. Bean (1990-1995), and the film series Johnny English (2003-2018). Atkinson first came to prominence in the BBC sketch comedy show Not the Nine O'Clock News (1979-1982), receiving the 1981 BAFTA for Best Entertainment Performance, and via his participation in The Secret Policeman's Ball (1979). His other work includes the James Bond film Never Say Never Again (1983), playing a bumbling vicar in Four Weddings and a Funeral (1994), voicing the red-billed hornbill Zazu in The Lion King (1994), and playing jewellery salesman Rufus in Love Actually (2003). Atkinson also featured in the BBC sitcom The Thin Blue Line (1995-1996). His work in theatre includes the role of Fagin in the 2009 West End revival of the musical Oliver!. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

HOLMES, Oliver Wendell (1809-1894). The Autocrat of the Breakfast-Table. Boston: Phillips, Sampson and Company, 1858.  8vo. Half-title, engraved title, additional letterpress title printed in red and black, 8 engraved plates. (Some minor staining or offsetting.) Original brown pebble blind-stamped cloth (some light rubbing, front hinge starting, a few corners bumped); folding case. Provenance: Benjamin Franklin Taylor (1819-1887) (stamp).FIRST EDITION, FIRST ISSUE. In BAL Binding Aa (no priority) with 5-ring decoration, the period after the word "Company" in the imprint,   BAL 8781; Tilton P.69ff.[Laid in:] Autograph letter signed ( "O.W. Holmes"), to Professor Rogers. [London], 29 May 1868. One page with integral blank, 8vo, folded, a few spots. Regarding a sketch of the life and work of Dr. Mason Warner and encouraging revision if needed.Property from the Annette Perlman Trust

[WASHINGTON, George (1732-1799)]. Caption title: "Washingtoniana: A Sketch of the Inauguration of George Washington, April 30th, 1789 as First President of the united States and other Sketches of Washington. Excerpts from Magazines Bound 1916."  4to (302 x 235 mm). Letterpress title-page; 8 periodical publications about Washington, each neatly inlaid and bound in (see below); approximately 76 engraved portraits and plates.   Contemporary navy morocco gilt, stamp-signed by MacDonald. Provenance: William H. Bartlett (gift card and note from Henry A. Smith, Milford, Connecticut, 22 February 1916).   A gift from Henry A. Smith to William H. Bartlett (see previous lot). A unique album, including 18th- and 19th-century periodical publications about Washington and his inauguration, comprising: LAMB, Martha. "The Inauguration of Washington, 1789." In: Magazine of American History, Vol. XX, No. 6, pp. 433-460. -- LAMB, Martha. "Washington as President, 1789-1790." In: Magazine of American History, Vol. XXI, No. 2, pp. 89-112. -- "Washington's Visit to New England in 1789." In an unidentified publication, pp.345-350. -- "United States." Clipping from the Columbian Magazine, [1 April 1789], pp. 264-268. -- "United States." Clipping from the Columbian Magazine, n.d. [1789], pp. 321-324. -- "Life Portraits of George Washington." In: McClure's magazine, Vol. VIII, No. 4, February 1897, pp. 291-308. -- HART, Charles Henry. "An Unpublished Life Portrait of Washington." In an unidentified publication. -- "New York as George Washington Saw It in 1789." In: The New York Times Magazine, 20 February 1916, pp. 12-13 (laid-in).

ALBERTI, Leon Battista (1404-1472). De re aedificatoria. Florence: Nicolaus Laurentii Alamanus, 29 December 1485.  Folio (262 x 187 mm). Collation: a-d8 e6 f-o8 p6 q-z8 &8 Ɔ8 ™ƒ8 (a1r blank, a1v dedication to Lorenzo de'Medici, a2r text, ™ƒ7v colophon, ™ƒ8r verse to the reader by "Baptista siculus," ™ƒ8v registrum). 204 leaves, 34 lines. Type: 111Rb. 6- and 7-line initial spaces with printed guide- letters. (Small mostly marginal worm-holes to ca 55 leaves at beginning and end occasionally touching letters, mostly marginal spotting.) 20th-century red morocco gilt (some light wear, a few sheets trimmed affecting marginal annotations). Provenance: Marginal annotations in a Renaissance hand; numerous spurious marginal notes and diagrams in a later "Leonardesque" styled hand in mirror-writing and with diagrams based on his codices (see below); William Marquess of Lothian (armorial bookplate); Emil Richter, Berliner Museum (note in ink on recto of ff.1, see below); acquired by a private individual in 1951; by descent to present owner.FIRST EDITION OF THE FIRST PRINTED TREATISE ON ARCHTECTURE, presumed earlier setting, with the last quire set in Roman letter as throughout (not Nerlius, see BMC).   According to Fowler, Alberti began work on his treatise in the middle of the 15th-century and enhanced and revised the work until his death in 1472. Some thirteen years later, his work was published due to the efforts of his brother. Alberti, who was architect of several important Renaissance buildings including the Basilica of San Sebastiano and Sant'Andrea in Mantua, and the Santa Maria Novella and the Rucellai Palace in Florence, based his work, based on Vitruvius's De Architectura, is divided into ten books describing the building of palaces and churches, and describing materials, construction, and ornament for sacred and secular buildings, as well as a section devoted to the restoration of buildings. "In accordance with classical principles, the principal elements of architecture are defined as beauty and ornament. Beauty is essentially harmony, the correct proportions of the parts" Alberti considers architecture not only for ecclesiastical purposes or private patrons, but for the first time particularly as a civic activity. His book includes a scheme for building a whole new town, the earliest printed example of town planning" (PMM). With spurious marginal annotations and drawings in brown in a "Leonardesque" hand on 8 leaves (occurring on ff. 7r, 21v, 30v, 44v, 76v, 131r, 164r and 203v), the last being signed "Leonardo da Vinci." A 24 April 1924 note in German from Emil Richter, the Berliner Museum, describes the annotations as being in the hand of Leonardo da Vinci ("kamm ich Betätigen dass diselben in eigener Hand von Leonardo da Vinci sind"). Though the handwriting and method of writing do bear some similarity to that of Leonardo (including the use of mirror-writing), the drawings, including a partial sketch of a hygrometer, are apparently copied from known examples by Leonardo, and the inscriptions are possibly later. BMC, VI, 630; BSB-Ink A-125; Cicognara, 370; Fowler 3; Goff A-215; GW 579; HC 419; Millard Italian 4; PMM 28.Property from the Estate of Nancy Hagensieker

ATTRIBUTED TO MYLES BIRKET FOSTER Smailholm Tower, pencil sketch, 12.5 x 35cm Condition Report:Available upon request

JACK COIA (1898-1981) NEAR SAN GALGANO - MEMORY SKETCH  Mixed media, signed lower right, dated (19)70, 25 x 34cm, together with another by the same hand titled, Piazza Cisterna (2) Title inscribed to Glasgow School of Art label verso  Condition Report:Available upon request

SARTRE, Jean Paul (1905-1980). A group of 11 works, including:L'Imagination. 1936. -- Le Mur. 1939. Contemporary black boards. LIMITED EDITION, 910 of 1000. -- Morts Sans Sepulture. Lausanne, 1946. -- La Putain Respectueuse. 1946. LIMITED EDITION, 403 of 500. -- L'Existentialisme est un Humanism. 1946. In unrestored and unclipped dust jacket. LIMITED EDITION, 364 of 500. -- Reflexions sur la Question Juive. 1946. LIMITED EDITION, one of 3000. -- Portrait of the Anti-Semite. NY, 1946. FIRST AMERICAN EDITION. -- Les Jeux Sont Faits. 1947. LIMITED EDITION, 150 of 500. -- L'Engrenage. 1948. LIMITED EDITION, 32 of 500. -- Sketch for a Theory of the Emotions. London, 1962. Original cloth; in unrestored and unclipped dust jacket. FIRST EDITION IN ENGLISH. -- LAUROT, Edmar de. Typed document. Np., 1952. 215 pages, 4to, bound by 2-holes in commercial binding, some toning. Unpublished English translation of Sartre's The Devil and God Almighty. -- Together, 11 works in 11 volumes, most published in Paris, various 4to and 8vo sizes, most in original printed wrappers, many in glassines, ALL FIRST EDITION, many LIMITED EDITIONS, condition generally good.  

DISNEY DONALD DUCK PAIR OF COLOURED STORY SKETCH PRINTS, F/G

A Pencil Sketch, Reclining Nude, Monogrammed and Dated 11th April 1971, 50x33cm

A Mounted Pencil Sketch of a Dog Signed Steve '97, 60x42cm

Augustus John OM RA (British 1878-1961) Female Nude Study, possibly for 'The Bathers' (unrealised), Pen and ink on paper, circa 1807, mounted and framed. Measurements 26 x 18.5 (i) cm, framed measurements 46 x 36 cm. Accompanied by exhibition catalogue Augustus John: Studies for Compositions. Centenary Exhibition, National Museum Wales, Cardiff 1978 (2) Provenance: local private collection, sold in these rooms 2019, label verso for Abbot and Holder Ltd, Ex. Collection Wyndham T. VintThe drawing is an ink sketch on paper which is blue-grey in colour. The piece is framed beneath glazing, not examined external to the frame. The sheet appears in good condition with no obvious evidence for losses, tears, creasing. The colour appears well preserved and the surface stable. The grame is in good condition, minor signs of wear and tear, the joints are solid. The exhibition book has wear and tear to the cover including fading to the colours to the edges and some small stains on the back cover. Pages appear to be present, no obvious evidence for tearing, losses, damage. There is some ageing to the pages (yellowing).

Miniature ink sketch of a Roman man, approx 11cm x 13cm, framed

MARCEL VERTES (Hungarian, 1895-1961), nude of a woman painting, watercolour sketch, signed lower right, approx 45cm x 55cm

A pastel sketch, Margaret Chapman, nostalgic farmyard, signed, 33 x 25cm, plus frame and glazed

A pastel sketch, Gilles Grid, celebrity supper, signed and attributed, 34 x 60cm

A folio of assorted sketches, including a set of four pen and ink drawings by Francois d'Albignac, 1903-1958, with certificate of authenticity, a German interior design sketch, an Italian landscape etc. (a lot)

Fletcher, Hanslip. Bombed London, inscribed presentation copy; Moore, Henry. Shelter Sketch Book, facsimile signature; Piper, John. Buildings and Prospects; The Descriptive Album of London: a Pictorial Guide Book.

After David Shepherd ? seven signed limited edition prints ?Nuts?,? Lion Cubs?, ? Cool Tiger?, ? Tiger Cubs?, 'Sketch for the Tiger', 'Jinty Class 3F' and 'Bengal Tiger' (7)

A framed mixed media sketch of 'Raglan Castle, Monmouthshire'.

von Hofmann, Ludwig - - Ludwig von Hofmann. o.T. (Liegender Jüngling vor Sonnenuntergang.) Wohl Illustrationsentwurf zu Gerhart Hauptmanns "Hirtenlied". Um 1921. Federzeichnung auf Papier. 14 x 16 cm (15,5 x 23 cm). Punktuell auf Unterlage montiert. Mit hs. Annotation "S. 151" im unteren Blattrand. - Wohlerhalten. Untitled. (Reclining young man in front of sunset.) Probably illustration sketch for Gerhart Hauptmann's "Hirtenlied". Pen-and-ink drawing on paper. Spot mounted on backing. - With handwritten annotation in lower white margin. - Well preserved.