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Albert Wainwright (1898-1943) - A sketch showing various figures in various poses including Madonna of the Black Country, a masked reclining female figure, and a scene of bridge over a lake, to the reverse multiple sketches of stage/set designs, pen ink and wash, unsigned, 22.5cm x 17.5cm.

Albert Wainwright (1898-1943) - A sketch showing multiple figures in various poses including a nude female figure with cascading black hair eating an apple along with other female figures in elaborate dress, to the reverse further sketches of beach related scenes, pen, ink and wash, unframed, 22.5cm x 17cm.

Albert Wainwright (1898-1943) - Hillam, a study of a dark alley beside a sketch of a young boy in a sailor uniform, to the reverse a sketch of a bar scene with a weeping bell boy, 13cm x 18cm.

Albert Wainwright (1898-1943) - Thornwick Bay, a study of a young male figure resting on rocks, accompanied with text, to the reverse a sketch of a quiet landscape with a tower and accompanied text, pen, ink and wash, unframed, 13cm x 18cm.

John Cleese signed 10x8 black and white photo dedicated. John Marwood Cleese ( born 27 October 1939) is an English actor, comedian, screenwriter, and producer. Emerging from the Cambridge Footlights in the 1960s, he first achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report. In the late 1960s, he co-founded Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus. Along with his Python co-stars Terry Gilliam, Eric Idle, Terry Jones, Michael Palin and Graham Chapman, Cleese starred in Monty Python films, which include Monty Python and the Holy Grail (1975), Life of Brian (1979) and The Meaning of Life (1983). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Charles Bronson 22x15 mounted and framed signature piece includes signed photo and limited edition signed print of original sketch no 22/50. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Robert Lenkiewicz (1941-2002) 'Two Figures' pen and ink sketch, signed, 24cm x 29cm, framed and glazed.

Robert Lenkiewicz (1941-2002), early ink sketch, with Robert Lenkiewicz Studio seal, 25cm x 12cm.

Robert Lenkiewicz (1941-2002), early pen and ink sketch of 'Figures On Horse Back', 25cm x 25cm.

Fred Yates (1922-2008) black pen sketch 'Family', 20cm x 15cm, signed to reverse, framed and glazed.

Fred Yates (1922-2008) black pen sketch 'Figures', 18cm x 14cm, signed to reverse, framed and glazed.

'The Rock Face, Nezignan (Southern France)', signed, titled on 1991 Royal Academy Summer Exhibition label verso47 x 57cmsProvenance: private collection Cardiff, consigned via our Cardiff officeCondition report:Comments: framed, ready to hang, two tiny areas of paint loss upper right. Revese of canvase with sketch.

Medieval Houses. Sub-Medieval Houses, c.1550-1610. Renaissance Houses, c.1590-1714. Cardiff National Museum Three Parts complete 1951/1953/1954. 72 plates, 178 figures, sketch maps. A Fine set in original dust-jackets.The Jeff Towns Collection of Welsh related antiquarian books

EDWARD SEAGO: PEACE IN WAR, London, Collins, 1943, 1st edition, signed on title page with an additional pen and ink sketch of a horses head, 4to, original cloth, vgc, d/w (small part losses and closed tears)

DAILY SKETCH: 1930, January to February complete, folio cloth

λ Henry Moore (British 1898-1986) Mother and Child Lead 17.2 x 13 x 6.5cm (6 3/4 x 5 1/8 x 21/2in.) (excluding base)Conceived c.1939-1940.Provenance: Hubert de Cronin Hastings (1902-1986), Private Collection Gifted by the above to his son John Hastings (1928-2019) by 1974 Thence by descent to the present ownerThis previously unknown work is now recorded in the Henry Moore Foundation database with the reference number LH213a.Left undiscovered for over 40 years, nestled amongst trinkets on a mantelpiece in a Wiltshire farmhouse, a previously unknown sculpture by Henry Moore comes to market for the very first time. The present lot Mother and Child was authenticated by the Henry Moore Foundation in October 2021 and has been added to their archives under the reference number LH 213a. The work, produced in lead, was conceived in c. 1939-1940 at a time when Moore was experimenting with casting in different materials and incorporating elements in string and wire.This very special piece comes from the former collection of architectural publisher and editor, Hubert de Cronin Hastings (1902-1986), whose near fifty-year stewardship of the Architectural Review saw him shed a light on the many challenges and debates posed across the architectural world during this transformative period.Mother and Child (LH 213a) most likely entered the collection of Hubert de Cronin Hastings(1902-1986) (more commonly known as H. de C. or by his pseudonym Ivor de Wolfe) in the 1940s. H. de C. was chairman of the Architectural Press and Architects Journal and editor of the Architectural Review (AR) from 1927-1973.H. de C. was born at Merton Surrey in 1902 and was the third son of Percy Hastings, who owned the Architectural Press and founded the Architectural Review in 1896. H. de C. studied at Berkhamsted School before attending the Bartlett School of Architecture at UCL. However, he never went on to qualify, instead moving to the Slade School of Arts where he is likely to have met John Piper during the early-mid 1920s.In 1927, he joined the family business and became joint editor of the AR with Christian Berman. The magazine was published monthly and together they changed the style of the magazine putting an emphasis on the arts with contributions from the likes of Evelyn Waugh, Osbert and Sacheverell Sitwell and Paul Nash, whilst the editorial board included Sir Hugh Casson and cartoonist Osbert Lancaster.The AR became one of the leading architectural magazines to promote modernism throughout the 1930s and regularly featured articles on painting, sculpture and interior design. He deemed architecture an art form and believed that the understanding of one could support the other. H. de C. 'saw the logic of this as a bright new future for society' as quoted in the Oxford Dictionary of National Biography.H. de C. was first introduced to Henry Moore by Jim Richards who was assistant editor at the AR alongside John Betjeman. Richards who had befriended the artist early on in his career published an article on Moore's work in the AR in 1934. Moore later commented in an interview in 1979 with Jonathan Glancey, architectural critic and writer, that he was appreciative of the AR's support. It would be interesting to think that Moore repaid his appreciation by gifting this sculpture to H. de C. or perhaps H. de C.'s support and encouragement of the artist extended to supporting his career by purchasing the work.By 1974 the sculpture had been passed to his son, John Hastings (1928-2019) where it sat on his mantelpiece in the living room beside a Papier Mache elephant and a china bull, objects which were valued for their sentimental rather than monetary value. John was a countryman and farmer who bred sheep and livestock, more interested in animals than fine art. To John, the Mother and Child that made its home on his mantelpiece was a sentimental family object and nothing more.During the authentication process the panel were able to link the present lot to a known sketch by Moore titled Eighteen Ideas for Sculpture (HMF 1460a). This sheet of sketches shows how Moore was working with his traditional forms; reclining nude, standing figure and mother and child whilst adding a new dimension of movement through exploration of materials such as string and wire. Close comparisons can be drawn between the study at the centre of the sheet and the present lot. The study shows the smooth curve of the mother's arm embracing the figure of the child. Around the child, leading towards the mother's face, are lines suggesting placement of string.What is particularly amusing is the same characterful face that shows the mother's eyes looking toward the child and the small dot used to depict the mouth which is whimsical and endearing. It is possible that Mother and Child (LH 213a) was originally intended to be stringed, connecting the dots and intersecting the space around the sculpture.During this same period that Moore was experimenting with stringed sculptures he also began exploring the use of lead to cast his works. Evidence of this exploration is visible in both finished sculptures but also preparatory drawings such as Reclining Lead Figures c. 1940 (HMF 1550) and Ideas of Lead Sculptures, 1939 (HMF 1473). The production of works cast in lead is concentrated to the years 1938-1940 and it is believed that the present lot was conceived during the latter part of this period.It is interesting to compare Mother and Child (LH 186) which was conceived in 1938. Moore has taken a markedly more abstract approach compared to the present lot (LH 213a). The design has been fulfilled connecting the curved forms of each figure with string creating a fluidity across the sculpture. However, it illustrates his continued experimentation with the mother and child motif, casting in lead and other materials such as string and wire.The theme of Mother and Child remained a dominant theme throughout Moore's career. He was particularly drawn to the subject matter for it is a raw and deeply embedded relationship which every human will experience on some level. On a simpler note, Moore was compelled by the compositional opportunities that a large form and contrasting small form can create. The present lot shows two figures bonded as one. The child's head and face turning up towards the mother who looks directly at the viewer with her distinctive markings. The mother's arms swoops down and around the sculptural form to embrace the child on the other side, creating an area of negative space which creates balance and fluidity in the sculpture.

λ John Duncan Ferguson (Scottish 1871-1961)The tennis playerPencil 20 x 12cm (7¾ x 4½ in.)Provenance:The collection of Margaret Morris (1891-1980)Thence by descent to the present ownerCondition Report: Unexamined out of glazed frame. Evidence of possible charcoal sketch to reverse of sheet which is slightly visible recto. Otherwise work appears to be in good original condition. Condition Report Disclaimer

J.L Bryson (Folio)consisting of seven drawings/watercolours and a mounted photograph, all unframed, including a pencil sketch of an Coldstream Guard (SG. 2692188) 51cm x 30cm and 'The Bucket Fountain' oil on panel, titled and signed to the reverse, 34.5cm x 33cm (8)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

Norman Hartnell (1901-1979) 'Untitled fashion design' pen and ink sketch, signed lower centre, unframed, 35.5cm x 25cmCondition report: This piece is unframed. Signs of foxing throughout. The paper has been stuck down to a backing board. We have the back panel of what would have been the old frame, which has an old handwritten label to the reverse.

Gerald Gardiner (1902-1959) 'Winchcombe from the meadows', chalk sketch, signed and dated 1957 in pencil lower right, with possibly original paper labels to the reverse of the frame, 47cm x 66cmProvenance: Handwritten paper label to the reverse reads "Magnet House, Bisley, Stroud, Gloucestershire' Condition report:The frame has overall wear and some small losses. Mount lightly stained and faded in places, this has not affected the sketch.

Gerald Gardiner (1902-1959) 'Untitled barn interior' chalk sketch, initialled and dated 1953 in pencil lower right, 51cm x 38.5cmCondition report: Frame joints are loose and in need of repair. The mount is stained and has partial water damage. This does not seem to have affected the sketch, however we have not removed this piece from the frame. Please note the area of yellow in the first image lower left is not a change in colour but a reflection of the glass, please examine all images closely for accuracy. This piece would require attention or need reframing.

20th Century Continental School'Untitled sketch of a seated nude figure' pen and ink on paper, signed lower right, possibly 'Atlas', 28cm x 44cmCondition report: Overall ok, some minor creasing and wrinkling to the paper under the glass. One very small tear lower right to the edge. Provenance notes to the reverse of the frame. Please note we have not removed this piece from the frame to examine.

Mixed box of vintage ephemera to incl sketch book, 1883 book of handwritten poems/stories, diaries, 1937 coronation ephemera, booklets etc

4 autograph/sketch albums with pages dating from 1911 onwards (4)

A pencil sketch of partridge and chick, a print of grouse in flight and 'match of the day' print of pigs

Various first day covers, 1966 World Cup, various other ephemera, Daily Sketch, other ephemera, etc. (a quantity)

Box containing various old documents including a scrap book by C Lyon dated 1846 which contains book illustrations, a loose sketch, newspaper cuttings, etc. The Journal of Indian Art and Industry published under the patronage of the Indian government, Theatre Royal Hay Market souvenir programme, dated 7th May 1998 for The Little Minister by J M Barry, Sixty Years a Queen: The Story of Her Majesty's Reign, a programme from The Celebration of Her Majesty's Diamond Jubilee 1897, Parliamentary Pictures and Personalities Graphic Sketches in Parliament 1890-1893, published in 1893 and Windsor: A Description of the Castle Park Town and Neighbourhood by W J Loftie published by Seeley & Co. in 1886. (B.P. 21% + VAT)Removed from the lot - copies of a Family History by the First Viscount Cross, 1900,

Chitra P Merchant Devakad - Noesis (Sacred Grove) Drawing, Painting and Screenprint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis.   Education 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India   Select Exhibitions/Awards 2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / Winter Show, London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, U 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 201 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2013: BV Open Studios, Bristol 2013: Prema, Performing Arts Space, Gloucester 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair, Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre, Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Solo show at Room 212, Bristol, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print, U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print, U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London

Chitra P Merchant Devakad - Rememberance Drawing, Painting, Screenprint and Pyrograph on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis.   Education 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India   Select Exhibitions/Awards 2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / Winter Show, London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, U 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 201 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2013: BV Open Studios, Bristol 2013: Prema, Performing Arts Space, Gloucester 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair, Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre, Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Solo show at Room 212, Bristol, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print, U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print, U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London

Chitra P Merchant Devakad - Lumen (Sacred Grove) Drawing, Painting and Screenprint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis.   Education 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India   Select Exhibitions/Awards 2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / Winter Show, London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, U 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 201 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2013: BV Open Studios, Bristol 2013: Prema, Performing Arts Space, Gloucester 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair, Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre, Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Solo show at Room 212, Bristol, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print, U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print, U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London

Chitra P Merchant Devakad - Liminal II Drawing, Painting and Screenprint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis.   Education 2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India   Select Exhibitions/Awards 2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / Winter Show, London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, U 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 201 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2013: BV Open Studios, Bristol 2013: Prema, Performing Arts Space, Gloucester 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair, Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre, Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Solo show at Room 212, Bristol, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print, U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print, U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London

Marcelina Amelia Moonlight Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia Grounding Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Big Small Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Cosgrove Hall Productions, Alias the Jester animation pencil sketches of king Arthur falling, pencil sketch of sequence with Cosgrove H P schedule

Cosgrove Hall Productions, Alias the Jester early pencil sketch sequence of Viking (Eric the Brainless), Meredith the Wizard flying, Boswell etc, with some sequence schedules

A cartoon print of and signed by various Cosgrove Hall Productions artists; a selection of photocopy character model sheets, various productions, Black Cauldren etc; a large quantity of model character sketches of possible animation productions working title 'Harlem Boogie'; a signed Superman sketch by Neil Edwards

A Cartwyn Cymru Productions pencil sketch sequence from Toucan Tecs of Zac sitting down, 10 drawings with extra bill movements

Cosgrove Hall Productions Count Duckula - 2 production pencils of Duckula and Igor, one pencil sketch on photocopied frame and a large selection of animation reference sketches for 'Spaced Out', and similar

'Land Before Time' a hand painted cell of Petrie and a blue pencil production sketch of him and 2 other pencil sketches of the characters

Robert Thorburn (Scottish, 1818 - 1885) The Hay Girls with Rocking Horse Watercolour and sketch, 36cm x 30cm, with plaque below, in giltwood slip with rosewood outer frame. Label verso for A Lesage (Paris) Printseller, Frame Maker, South Hanover Street, Edinburgh.

Robert Thorburn (Scottish, 1818 - 1885) The Hay Girls next to a Grand Piano Pencil signed lower right, watercolour and sketch, 32cm x 37cm, with plaque below, in gilt frame. Old label verso with the names of the girls in the subject, and an old label for Aitken Dott & Son, Castle Street, Edinburgh.

Manner of John Duncan Fergusson RBA (Scottish, 1871 - 1961) Study of a female Ink sketch, 9.5cm x 9.5cm, in a painted wood frame, written J D Fergusson to verso.

Two artist boxes and a selection of sketch books, some used Condition Report: Approximately 220 images (including ones in the sketchbooks)

Helen Wakefield, (British, 21st Century), a collection of unframed engraving, linocuts, a sketch pad enclosing a selection of watercolours, of figures, flowers and lansdscapes Condition Report: Sketch book includes 22 images

Irish School oil on board, coastal view with figures and boats, inscribed verso, ' Sketch at Galway Bay ', 13.5ins x 17.5ins

Mario Micheletti, oil on board, portrait of a girl holding a Majolica pot, signed, another oil sketch verso, 17.5ins x 13.5ins, in an ebonised ripple frame

A late 19th century Victorian pastel and watercolour painting depicting an earlier 18th Century street scene Depicting the Bush Hotel featuring architectural studies of a coach house and hotel with figures below. The sketch being framed and glazed. Measures 74cm x 47cm. 

KENNETH GRANT, STUDY OF 'MY GIRLS, SHERINGHAM', PENCIL SKETCH, FRAMED

Framed coloured sketch signed Phillip Naviasky 69 x 55 cm including frame

A Miller, pair of abstract prints; and a small humorous sketch of a man riding a bicycle

John Gutteridge Sykes (1866-1941), watercolour, Ducks with thatched cottage, signed, 27 x 37cm and a pencil sketch of a Welsh village, 32 x 22cm

Mrs Millicent Margaret Fisher Prout (1875-1963), charcoal drawing, Sketch of a seated man, 25 x 15cm

Nelson Dawson (1859-1941) original wartime drawings;Pen and ink on paper 20 x 25cm.1, 'Mar 19.1918' biplane and harbour2. 'Dover harbour from an aeroplane Mar 17.1918'3. 'Aerosothe Channel from S.Foreland Mar 17.1918 from an aeroplane'Pencil, 20 x 25cm4. 'S.S.Blackwater collides with HMS Zubian Mar 1918'5. Annotated sketch of sky and shipping6. Warships at sea7. Annotated warships at sea, a clipper verso8. HMS Zumagaul, 12 x 19.5cm.9. Warships at sea, 28 x 39cm.

French School (19th century): A Cavalier and Horse Sketch, set three pen sketches by the same hand, one indistinctly signed and titled 18cm x 12cm (3)

Clifford Hall (British 1904-1973): Continental Street Scene, pen and pencil sketch signed and indistinctly titled 37cm x 27cm

Pencil sketch - Study of Edward Elgar's statue by Kenneth Kitts - IS: 45cm x 64cm

Preliminary sketch with annotation for later work, authenticated by Mary Uzzell Edwards verso19 x 20.5cmsprivate collection Powys, consigned via our Cardiff officeCondition report: Comments: framed and glazed

Pathway with trees, entitled verso on Vaccarino Gallery Firenze label 'Sketch Landscape', dated 1967, signed22 x 25cmsprivate collection Vale of Glamorgan, consigned via our Cardiff officeCondition report: Comments: framed and glazed