Amber Boardman Wobbly Tubes, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Amber Boardman is an American-born, Sydney-based artist who explores the influence of the internet on crowds and social norms. Boardman combines her background in painting and animation to create narrative works that draw from the visual language of cartoons, influenced in part by her work as an animator for Cartoon Network's [adult swim]. Amber Boardman's 20-year history of exhibiting her work internationally includes shows in arts institutions in New York, London, Rome, Amsterdam, Miami, Atlanta, Sydney, Melbourne and Brisbane. Notable exhibitions include BAM's Next Wave Festival in New York, Postmasters Gallery in Rome, and the Archibald and Geelong Prizes in Australia. Over the last two decades, she has been committed to fostering the creative talent of artists. Boardman holds a PhD in Fine Art and has been an invited speaker at universities, art galleries and museums since 2011. She has lectured in art and animation at leading universities in the US and Australia. Boardman has founded shared studio/exhibition spaces in both Brooklyn NY and Sydney Australia and continues to facilitate the exchange of ideas between artists internationally with her Virtual Studio Visit events. Her works are held in private and public collections including Artbank and The City of Sydney in Australia, and the High Museum of Art, The Museum of Contemporary Art of Georgia, the University of Kentucky Art Museum in America. Her work has appeared in publications including Artforum, Hyperallergic, Juxtapoz, Artist Profile, Art Collector, and ArtMaze Magazine. Her work is represented by Chalk Horse in Sydney, Sophie Gannon Gallery in Melbourne, and Sandler Hudson Gallery in Atlanta. Education 2018 PhD, University of New South Wales, Sydney 2009 MFA, School of Visual Arts, New York 2003 BFA, Georgia State University, Atlanta Select Exhibitions/Awards SOLO AND TWO PERSON EXHIBITIONS 2023 Dude, Chalk Horse, Sydney 2022 Real Estate Religion, Sophie Gannon Gallery, Melbourne 2021 Decision Fatigue, Chalk Horse, Sydney 2020 Amber Boardman, 333 Projects / Clayton Utz, Sydney Bodywork, Fremantle Arts Centre, Perth (with Kaylene Whiskey and Tarryn Gill) 2019 Crowd Scenes, Chalk Horse, Sydney 2018 @jadefad: a social media feed in paint, Kudos Gallery, Sydney We Are, Postmasters Gallery, Rome (with Jenny Morgan and Monica Cook) 2017 Regrowth, Sandler Hudson Gallery, Atlanta 2016 Titlist, Chalk Horse, Sydney Sitcom Studies, Ivy Brown Gallery, New York Methods For Making Eye Contact, First Draft, Sydney (with Teelah George) 2015 Expansion, Edwina Corlette Gallery, Brisbane Permission, Chalk Horse Gallery, Sydney 2011 FAV (Flute and Video), Flux Projects, multiple locations, Atlanta STILL, Marcia Wood Gallery, Atlanta 2010 A Sampling, Millsaps College, Jackson, MS 2004 Painting, Drawing, and Animation, Barbara Archer Gallery, Atlanta SELECTED GROUP EXHIBITIONS 2022 Fair Play, Manly Art Gallery and Museum, Sydney 2020 Here I Am: Art by Great Women, amBUSH Gallery, Canberra This is America, UK Art Museum, Lexington, KY Out of Touch, Subliminal Projects, Los Angeles 2019 Paddington Art Prize, Sydney McGivern Prize, Melbourne Willoughby Visual Arts Biennial, Sydney Bayside Acquisitive Art Prize, Melbourne 2018 Beyond Reason, QUT Art Museum, Brisbane Personal Best, Verge Gallery, Sydney Archibald Prize, Art Gallery of New South Wales, Sydney Up In Arms, University of Kentucky Art Museum, Lexington, KY Geelong Contemporary Art Prize, Geelong Gallery, Geelong Australia 2016 Julie Spoke Softly Under Her Long Skinny Nose, Field Projects, New York 13.04.16, Home@735, Sydney 2015 Porque No, Gaffa, Sydney Art Month Sydney, Creative Live Work Space, Sydney 2014 Ingenious Inhabitants, William Street Windows, Sydney Summer Studio Salon, Marcia Wood Gallery, Atlanta Steal This Bike, Mint, Atlanta 2013 The Wagner Experience, Koblenz, Duisburg, Arnhem, Utrecht, Amsterdam, Rotterdam 2012 FLUX 2012, Public Art Festival, Atlanta 2011 Paint it Black, The Shirey, Brooklyn Everyday Charms, O Cinema, Miami New Media from the Permanent Collection, The Museum of Contemporary Art of Georgia, Atlanta Animation Block Party, BAM, Brooklyn 2010 BAM Next Wave Festival, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn Portrait Concert with Masanori Oishi, Tokyo On the Outside, with AURA Contemporary Ensemble, San Jacinto College, Houston Concert with Sonic Generator, Georgia Tech University, Atlanta The Body Machine, High Museum of Art, Atlanta Losing Yourself in the 21st Century, Maryland Art Place, Baltimore 2009 Losing Yourself in the 21st Century, Georgia State University, Atlanta A New Currency, curated by Dan Cameron, 55 Delancey St, New York Cardsharper, curated by Lauren Ross, Visual Arts Gallery, New York About Time, Visual Arts Gallery, New York Summer Guest House, Marcia Wood Gallery, Atlanta My Eyes, Ad Naseam Lyceum, New York 2008 This Just In, Marcia Wood Gallery, Atlanta Click/Shift/Enter, Marcia Wood Gallery, Atlanta Atlanta Biennial, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta 2004 Going Up, Sundial, Curated by Fifth Class, Atlanta 2003 Atlanta Film Festival, Rialto, Atlanta 2002 all small video night: Short Short Shorts, Eyedrum, Atlanta Fresh, Curated by Fifth Class, Atlanta Continue reading Statement about AOAP Submitted Artwork Sculptures in paint. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Amber Boardman Blobs With Tubes Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Amber Boardman is an American-born, Sydney-based artist who explores the influence of the internet on crowds and social norms. Boardman combines her background in painting and animation to create narrative works that draw from the visual language of cartoons, influenced in part by her work as an animator for Cartoon Network's [adult swim]. Amber Boardman's 20-year history of exhibiting her work internationally includes shows in arts institutions in New York, London, Rome, Amsterdam, Miami, Atlanta, Sydney, Melbourne and Brisbane. Notable exhibitions include BAM's Next Wave Festival in New York, Postmasters Gallery in Rome, and the Archibald and Geelong Prizes in Australia. Over the last two decades, she has been committed to fostering the creative talent of artists. Boardman holds a PhD in Fine Art and has been an invited speaker at universities, art galleries and museums since 2011. She has lectured in art and animation at leading universities in the US and Australia. Boardman has founded shared studio/exhibition spaces in both Brooklyn NY and Sydney Australia and continues to facilitate the exchange of ideas between artists internationally with her Virtual Studio Visit events. Her works are held in private and public collections including Artbank and The City of Sydney in Australia, and the High Museum of Art, The Museum of Contemporary Art of Georgia, the University of Kentucky Art Museum in America. Her work has appeared in publications including Artforum, Hyperallergic, Juxtapoz, Artist Profile, Art Collector, and ArtMaze Magazine. Her work is represented by Chalk Horse in Sydney, Sophie Gannon Gallery in Melbourne, and Sandler Hudson Gallery in Atlanta. Education 2018 PhD, University of New South Wales, Sydney 2009 MFA, School of Visual Arts, New York 2003 BFA, Georgia State University, Atlanta Select Exhibitions/Awards SOLO AND TWO PERSON EXHIBITIONS 2023 Dude, Chalk Horse, Sydney 2022 Real Estate Religion, Sophie Gannon Gallery, Melbourne 2021 Decision Fatigue, Chalk Horse, Sydney 2020 Amber Boardman, 333 Projects / Clayton Utz, Sydney Bodywork, Fremantle Arts Centre, Perth (with Kaylene Whiskey and Tarryn Gill) 2019 Crowd Scenes, Chalk Horse, Sydney 2018 @jadefad: a social media feed in paint, Kudos Gallery, Sydney We Are, Postmasters Gallery, Rome (with Jenny Morgan and Monica Cook) 2017 Regrowth, Sandler Hudson Gallery, Atlanta 2016 Titlist, Chalk Horse, Sydney Sitcom Studies, Ivy Brown Gallery, New York Methods For Making Eye Contact, First Draft, Sydney (with Teelah George) 2015 Expansion, Edwina Corlette Gallery, Brisbane Permission, Chalk Horse Gallery, Sydney 2011 FAV (Flute and Video), Flux Projects, multiple locations, Atlanta STILL, Marcia Wood Gallery, Atlanta 2010 A Sampling, Millsaps College, Jackson, MS 2004 Painting, Drawing, and Animation, Barbara Archer Gallery, Atlanta SELECTED GROUP EXHIBITIONS 2022 Fair Play, Manly Art Gallery and Museum, Sydney 2020 Here I Am: Art by Great Women, amBUSH Gallery, Canberra This is America, UK Art Museum, Lexington, KY Out of Touch, Subliminal Projects, Los Angeles 2019 Paddington Art Prize, Sydney McGivern Prize, Melbourne Willoughby Visual Arts Biennial, Sydney Bayside Acquisitive Art Prize, Melbourne 2018 Beyond Reason, QUT Art Museum, Brisbane Personal Best, Verge Gallery, Sydney Archibald Prize, Art Gallery of New South Wales, Sydney Up In Arms, University of Kentucky Art Museum, Lexington, KY Geelong Contemporary Art Prize, Geelong Gallery, Geelong Australia 2016 Julie Spoke Softly Under Her Long Skinny Nose, Field Projects, New York 13.04.16, Home@735, Sydney 2015 Porque No, Gaffa, Sydney Art Month Sydney, Creative Live Work Space, Sydney 2014 Ingenious Inhabitants, William Street Windows, Sydney Summer Studio Salon, Marcia Wood Gallery, Atlanta Steal This Bike, Mint, Atlanta 2013 The Wagner Experience, Koblenz, Duisburg, Arnhem, Utrecht, Amsterdam, Rotterdam 2012 FLUX 2012, Public Art Festival, Atlanta 2011 Paint it Black, The Shirey, Brooklyn Everyday Charms, O Cinema, Miami New Media from the Permanent Collection, The Museum of Contemporary Art of Georgia, Atlanta Animation Block Party, BAM, Brooklyn 2010 BAM Next Wave Festival, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn Portrait Concert with Masanori Oishi, Tokyo On the Outside, with AURA Contemporary Ensemble, San Jacinto College, Houston Concert with Sonic Generator, Georgia Tech University, Atlanta The Body Machine, High Museum of Art, Atlanta Losing Yourself in the 21st Century, Maryland Art Place, Baltimore 2009 Losing Yourself in the 21st Century, Georgia State University, Atlanta A New Currency, curated by Dan Cameron, 55 Delancey St, New York Cardsharper, curated by Lauren Ross, Visual Arts Gallery, New York About Time, Visual Arts Gallery, New York Summer Guest House, Marcia Wood Gallery, Atlanta My Eyes, Ad Naseam Lyceum, New York 2008 This Just In, Marcia Wood Gallery, Atlanta Click/Shift/Enter, Marcia Wood Gallery, Atlanta Atlanta Biennial, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta 2004 Going Up, Sundial, Curated by Fifth Class, Atlanta 2003 Atlanta Film Festival, Rialto, Atlanta 2002 all small video night: Short Short Shorts, Eyedrum, Atlanta Fresh, Curated by Fifth Class, Atlanta Continue reading Statement about AOAP Submitted Artwork Sculptures in paint. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Glensound (Ex-BBC) Broadcast Mixing Desk GSNT/1. Complete with original service manuals & schematics. A very unusual piece of broadcasting history - an 11(!) channel BBC spec studio broadcast desk from which seems to date from the early 1980s. *Note that this is a brokerage sale item - all info below is from the seller. This was designed as a very elaborate "plug and play" studio hub device of its day which thinks of everything it could possibly have had coming into it or going out of it back in the days of tape machines, music lines, gram decks and green cue lights. Comprises of 4 hi spec mic channels and 7 "repro" (+6db line level) channels, the last of which is dedicated to "Gram deck" inputs. Each channel has Glensound's bespoke RSA eq, a Misc (aux) send and, in the case of the mics, a pan pot. Also an "output bypass" which can send a separate bus away from the main output. Faders are P&G BBC spec so they open "the wrong way round" in the tradition of the time at the corporation (i.e. pull towards the user to increase gain). Fader start functionality is available for each channel with ""red light""/mute monitor switching for the mics. There are also wire-able "hotkeys" below this for fader start or green light announcer cue functions. The unit is self contained for all studio functionality including headphone and control room/studio speaker monitoring, monitor routing matrix and ring main monitoring selector, dual PPM metering, elaborate tone generation, talkback mic and facilities, PPL circuits (the logic of this is a bit muddled and baffled even a BBC engineer who serviced it but it works after a fashion). There is a bantam jack patch bay (I have examples of the leads to include) EDAC connections for much of the function on the back (ditto) as well as standard XLR ins and outs for mics, grams and speaker. It comes with a full service manual bespoke to the BBC mods this particular example has had which explains the full back panel connectivity and myriad of possibilities available. Extra historic features that add to the "Tardis quality" of this item include functionality around the old Cue and Control line outside broadcast practises of the BBC which includes a "linesman's phone" built into the right hand side. There are also facilities for reel to reel tape recorder monitoring "off repro head" during recording on left hand red switches 1 to 4 and even a vari-speed remote control for an A80 Studer machine. A time counter display at the top right of the unit adds an extra curio. Dry stored for the last 3 years, it was previously functional in a private studio for 10 years during which time it had a full overhaul by a BBC qualified engineer. It has its eccentricities in keeping with a unit of this age - there will be scratchy pots and minor oddities and, although much of this was attended to at the last service, I would recommend that it is checked and serviced again by a fully qualified electrical engineer before being put into full use. No guarantee or warranty implied.
Suiko ST-40 Poetry Trainer, BoxedPocket version of the inspiring Japanese synth. (C) Tested. Powers up, passes signal but has various faults and/or dirty controls and sockets and definitely needs a service.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.Works via the line out but th internal speaker does not appear to function.For UK bidders only this item will be subject to 20% VAT on the hammer price and on the Buyer’s Premium (this amount is included in the Total Fees percentage attached to this item). For all bidders outside the UK there will be no VAT on the hammer price but VAT is charged on the Buyer’s Premium.
Medic Modules Speaker ModuleIn-rack speaker for direct sound output.Ideal for testing and monitoring signals.Compact design, robust build.Simplifies immediate audio feedback.(B) Module untested but assumed to be working.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.
Medic Modules Speaker ModuleIn-rack speaker for direct sound output.Ideal for testing and monitoring signals.Compact design, robust build.Simplifies immediate audio feedback.(B) Tested and working - powers up and appears to work as intended, not all functions checked.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.
Grampian Six Two Four Germanium Preamp.Serviced, 12V battery power input disconnected.Originally a PA speaker/record player amp. 2 germanium mic pre’s and a germanium Gramophone driver (switched to unbalanced jack).3x AC128 germanium transistorsOh, did we mention it’s germanium(A) Tested and working. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.
Paia OZ Synthesizer. DIY octave-and-a-half monosynth. Battery powered with a built in speaker. Uses a 9v which may be smaller than it was designed for - batteries don't last that long, however as it begin to be starved of power it makes some werid and wonderful noises... (A) Tested and working. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.
* Dilke (Charles Wentworth, 1843-1911). Second baronet, writer and politican. A collection of approximately 46 letters, all signed but several in secretarial hands, principally from Dilke's lifelong home, 76 Sloane Street, others from Suez, Richmond, Dockett Eddy, Pyrford, Local Government Board, Toulon, Paris, House of Commons, and Newnham on Seyern, mostly c. 1875-1900, some undated, to a wide variety of correspondents, covering a wide variety of topics including an enquiry to the Daily Telegraph; publishing technicalities; a promise to get Lady Dilke to write (‘The only thing she has at all ready is a further set of her gruesome stories'); asking for information on fever houses (to Lyulph Stanley); declining a professional proposition (I have no capital at my disposal for a literary ventury'); to the actress Yvette Guilbert (1865-1944) about a picture in the National Portrait Gallery ('I will... remember your interest in the gentleman you name'); parliamentary matters; declining to do favours, particularly in respect of voting; sending a donation 'towards the starting of the Kensal Town Dispensary'; to J.T. Agg-Gardner MP ('I was entirely unable to come to the Conference with the Brewers, as Winston Churchill was speaking and I could not leave. ...'); the loan of a picture; to F[rancis] C[arruthers] Gould (1844-1925, caricaturist) inviting him to dinner at the House of Commons; announcing that he would be a speaker at the Cannock Chase miners demonstration, etc., etc., letters are generally in good condition, with a few traces of mounting, etc., together with: six letters of Sir Charles Wentworth Dilke, first baronet (1810-1869) and one of Charles Wentworth Dilke (1789-1864, liberal critic and writer on literature) from the Navy Pay Office about his financial difficultiesQTY: (approx. 52)NOTE:The second baronet was born into considerable wealth, inheriting property which included two major publications, The Athenaeum and Notes and Queries. He enjoyed a largely successful political career, being twice a member of parliament and briefly holding public office, but he is probably best remembered for his part in the Crawford Divorce and its unfortunate consequences. Dilke had been accused by Virginia Crawford, the sister of his brother's wife, that he had seduced her, and it became known that he had also been the lover of Virginia's mother. Although effectively found not guilty (although Virginia was not) Dilke had made the misjudgement of effectively re-opening the case, and in the event he was shown to be a bad witness to the truth, and his reputation was in tatters. Many years of investigation at great expense were eventually to show, at least to Dilke's friends, that it was Virginia Crawford who had lied in court.
An Edwardian mahogany cased The Gramophone Co. Ltd. 'Exhibition' pedestal gramophone. The case having an hinged top opening to reveal the gramophone (Rd No. 539587). Twin single panelled doors below opening to reveal a fret work speaker cover over a single drawer cupboard space. Raised on bracket feet with ceramic castors to end. Measures approx. 119cm x 40cm x 57cm.
Large DJ system Newmark CD mixer deck, a Kam XR1000 amplifier, two large KAM speakers, approx 140 mixed CD's in carry case, Kam wireless microphone, MUD 525 dynamic microphone, two Skytec small speaker stands and two Skytec large speaker stands, approx 230 CD karaoke discs, and a collection of spare leads, flight cases etc (This system has been wired up and is fully working)
JASON X (2001) - Jason Voorhees' (Kane Hodder) Screen-matched Hockey MaskJason Voorhees' (Kane Hodder) screen-matched hockey mask from James Isaac's slasher sequel Jason X. Four hundred and fifty-five years after being captured and cryogenically frozen by the US government, Jason was discovered by a group of students on a scientific field trip. Jason wore his mask while hunting down the students one by one, after awakening on their spaceship. This mask matches the one seen on screen for the majority of the film, through the positioning of its slashes, scratches and markings. The tenth instalment in the Friday The 13th series marked the first time the mask design had no direct lineage to the previous masks. This version has a more angular appearance and was made from fibreglass rather than the vacuum-formed plastic technique used for previous iterations. The hockey mask features leather straps made from repurposed belts and has remnants of foam padding on the interior. It is spray-painted yellow, with a red triangle emblem painted on the forehead, and features intentional distressing, including a deep slash across the forehead and damage to the edge of the mask near the left cheek. There are remnants of glue on the interior, while the metal buckle on the leather straps exhibits rusting due to age. Dimensions: 31 cm x 21 cm x 17 cm (12 1/4" x 8 1/4" x 6 3/4")Additional Provenance: This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.DescriptionA wrist communicator from Nicholas Meyer's sci-fi sequel Star Trek II: The Wrath of Khan. Chekov (Walter Koenig) and Captain Terrell (Paul Winfield) used communicators to talk to Khan (Ricardo Montalban) after they were forced to betray Kirk (William Shatner) on Regula.This resin communicator is painted black and attached to a black leather strap that fastens via sewn-on strips of Velcro®. The body features speaker holes, fake switches on the side and four solid buttons on the top with a strip of paper above indicating their functions. It exhibits wear from production use, including scuffs, a white scratch on the strap and glue residue on the back between the resin body and the leather strap. Dimensions: 26.5cm x 7.5cm x 2.5cm (10 1/2" x 3" x 1")Estimate?This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: £25,000 - 50,000 Ω View all lots from JASON X (2001)View all lots from FRIDAY THE 13TH - ALL ITEMSBidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
THE BIONIC WOMAN (T.V. SERIES, 1976 - 1978) - Fembot HeadA fembot head from The Bionic Woman. The fembots, originally built by former OSI scientist Dr. Franklin (John Houseman), were powerful robots that looked identical to humans unless their facemasks fell off and revealed their mechanical nature.This fembot head consists of a plastic mask with a blonde synthetic wig affixed to a black flocked head. The face reveals multiple acrylic microchips, eyes, and a foam speaker. The head is fixed to a white plastic display stand with a "Fembot" plaque on the front. The wig and eyes are replicas that were added to complete the piece. This lot exhibits crumbled foam, discolouration on the mask, tangled hair fibres, and signs of restoration including paintwork and embellishments on the mouth speaker. Dimensions: 31.75 cm x 24.25 cm x 19 cm (12.5" x 9.5" x 7.5")Estimate: £6,000 - 12,000 Ω View all lots from BIONIC WOMAN, THE (1976-1978)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
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